The British Empire in Color (2002) Review

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(More customer reviews)There was indeed a time when the sun never set upon the globe-spanning British empire whose peak was reached under the reign of Queen Victoria. Ably narrated by Art Malik, the 20th century decline and eventual collapse of that venerable empire is superbly documented in an historical survey that is unique in that it is presented with color film taken from major archives and private collections. Presented in three major parts (The Decline of Empire; The Fall of Empire; The Aftermath of Empire), this mini-series charts Britain's empire country by country, beginning with India, justifiably considered the chief jewel in the imperial crown., "The British Empire In Color" proceeds with an informed and informative overview of both British contributions with respect to education, technology, law, and democracy to its possession, as well as the prejudice, discrimination, cultural bigotry and racism it fostered as a means of controlling its subject populations. Covering the partition of India and Pakistan, the creation of Palestine and Israel, the Suez crisis, the rise of Black Nationalism leading to the emancipation of the African colonies, the handover of Hong Kong to the Chinese, and more. Of special note is the use of personal letters and diary excerpts from both the British and their colonial subjects. Enhanced with the inclusion of a 26-minute 'making of' documentary on how the series was researched and developed, "The British Empire In Color" is a superb production and a very highly recommended addition for personal, community, and school library DVD collections in general.


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Rare footage and eyewitness accounts chronicle the decline of a once vast power The British Empire brought education, technology, law, and democracy to the four corners of the globe. It also brought prejudice, discrimination, cultural bigotry, and racism. With an unblinking eye, this three-part series examines the complexities, contradictions, and legacies of empire, both positive and negative.Rare and often very early color film from major archives and private collections gives a front-row view of history in the making: the Partition of India, the birth of the state of Israel, the Suez crisis, the rise of black nationalism in Africa, the handover of Hong Kong, and more. Personal letters and diary excerpts describe the experiences of the rulers and the ruled.Produced by a BAFTA- and Peabody-winning team, narrated by Art Malik (The Jewel in the Crown), this fascinating series charts Britain's imperial path from the zenith of the Raj to the disintegration of the empire and the multicultural future it faces today. DVD SPECIAL FEATURES INCLUDE a 26-minute "making of" documentary that describes how the series was researched and developed.

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The Englishman Who Went Up a Hill But Came Down a Mountain (1995) Review

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(More customer reviews)"All this fuss...over what? Is it a hill, is it a mountain? Perhaps it wouldn't matter anywhere else, but this is Wales."
So what happens in this epic story about the Englishman who went up a hill but came down a mountain? On Sunday, 17 June 1917, cartographers/retired army officers Reginald Anson and George Garrad come to a Welsh village to measure Ffynnon Garw to determine whether it's a hill or a mountain. Their presence causes anxiety among the villagers, who are on pins and needles when they hear the British standard of a mountain defined as anything over 1,000 feet. The Britons stay at the inn of the cheeky Morgan the Goat (as opposed to Morgan the Sheep?), intending to leave after their task is completed. However, guess what height Ffynnon Garw is less than?
The villagers put things in motion with two objectives: one, to make sure their beloved Ffynnon Garw becomes a mountain, and two, to extend the Britons' stay, such as something involving two pounds of sugar and a gas tank, and a knife. The first objective forms the action of the movie, villagers moving dirt from their gardens bucket by bucket, tray by tray, through toil, sweat, and sacrifice, and placing them...guess where? And excuses for delay? The war--take note of the date listed above.
There's also a conflict between the religiously fervent Reverend Jones and Morgan, as the latter doesn't go to church and plies alcohol. When Jones asks Morgan, "Have you no shame?" Morgan flippantly pats himself down and says "No, can't think where I left it" and walks off, leaving Jones fuming.
During the movie, we see that the younger Anson is more sympathetic and humble to the villagers, while the stout and older Garrod is more logical, arrogant, and looks down on the Welsh. A typical British attitude during the period of Empire there. Anson is also taken by Betty, a maid who comes to help Morgan tend bar and also to charm the cartographers. It all goes back to Anglo-Welsh relations. The Welsh have had a rough time of it all, like the Irish. Those who survive the trenches of France return to labour only to die for coal. Sad times indeed for the Welsh.
The whole point of the movie is not just the standard height set for a mountain, but Welsh pride, of national identity. For the Welsh, all they have for monuments are mountains, no pyramids or temples. And if Ffynonn Garw isn't a mountain, then Anson might as well redraw the map and put the Welsh in England. After all, as Morgan tells Betty, "Maps are the undergarments of a country, they give shape to continents." And what's in a measurement anyway? As Morgan says, "Do we call a short man a boy or a small cat a dog? No! This is a mountain, our mountain, and if it needs to be a thousand feet, then by God let's make it a thousand feet!丒 In other words, it's all relative.
The concept of telling the village people with identical surnames by their occupation or personality is ingenious and charming, so we can tell the difference between Williams the Petroleum from Williams the Deaf. Some are more telling, as in the case of Johnny Shellshock. And there are the Thomas Twps: Thomas Twp and his brother Thomas Twp 2. As one of them says, "we've no learning than most, so people say we're twp, but we're not twp as to not know that we're twp." Right, that makes sense.
All the leads are splendid, particularly Colm Meaney as Morgan the Goat and Kenneth Griffith as the strict but passionate Reverend Jones. And Hugh Grant (Anson) has another charming leading lady, Tara Fitzgerald (Betty), who ranks up there with Andie McDowell (Four Weddings) and Martine McCutcheon (Love Actually). She really has a winning smile and saucy brogue that makes her character lovable. And darn if Ian Hart keeps popping up, be it Harry Potter, Michael Collins, and now here, as Johnny Shellshock.
A wonderful little movie with a wonderful Celtic score, as the ideas and themes that emerge make this more than a one-joke movie. And for you boyos, this was written by Hamlow_the_Writer_Who_Went_Up_A_Paragraph_But_Climbed_Down_A_Review.

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Item Name: The Englishman Who Went Up a Hill But Came Down a Mountain; Studio:Miramax

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