Showing posts with label demons. Show all posts
Showing posts with label demons. Show all posts

Constantine (2005) Review

Constantine  (2005)
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'Constantine' is based on the D.C./Vertigo title 'Hellblazer', which is excellent. Rather than compare the two, I'll just rate it as a movie: John Constantine, who has managed to get himself locked out of Heaven and is so wanted by Hell that Kucifer himself refers to Constantine as the only soul he'd come up personally to get. You had to have done some serious wrongs to the devil in order to get that sort of attention. But the movie itself is pretty straightfoward - stop the devil's son from being born on Earth, or we'll all suffer for it. It's in the details that this film is a little different than the rest. It's got some new mythologies we haven't heard before, some new tricks and some pretty cool villians (not all of whom are from Hell or Earth). As an added bonus you manage to feel something even for the ancillary characters, which is a fun bonus. Very nice F/X, especially Hell. Most of the acting is pretty goo, especially the character of Gabriel. Keanu is fine, even if he isn't British.
It's worth the admission.

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Based on the DC Comics/Vertigo Hellblazer graphic novels and written by Kevin Brodbin and Frank Cappello, Constantine tells the story of John Constantine (Keanu Reeves), a man who has literally been to hell and back. When he teams up with skeptical policewoman Angela Dodson (Rachel Weisz) to solve the mysterious suicide of her twin sister, their investigation takes them through the world of demons and angels that exists just beneath the landscape of contemporary Los Angeles. Caught in a catastrophic series of otherworldly events, the two become inextricably involved and seek to find their own peace at whatever cost.DVD Features:Additional Scenes:Chas bowls. Surveillance video. Border patrol Hennessey?s apartment. Demonic tryst. Original Vermin attack. Background check. Password. Demonic escort. Constantine?s past. Light command. Last chance. Demon?s pardon. Alternate cemetery ending. A Writer's Vision Alternate endingsAudio Commentary:Francis Lawrence with Akiva Goldsman Commentary Kevin Broadbin and Frank A Cappello Commentary Deleted Scenes:Chas bowls. Surveillance video. Border patrol. Hennessey?s apartment. Demonic tryst. Original Vermin attack. Background check. Password. Demonic escort. Constantine?s past. Light command. Last chance. Demon?s pardon. Alternate cemetery ending. A Writer's Vision DocumentariesDocumentary:Foresight: The Power of Pre-Visualization with Optional Commentary by Francis Lawrence FeaturetteMusic Video:Passive Music Video by A Perfect CircleOther:In Movie Experience: During the feature, Director Francis Lawrence will lead an exploration of the plot, stunts, characters and filmmaking process of Constantine. Theatrical Trailer


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The Exorcist: The Complete Anthology (The Exorcist/ The Exorcist- Unrated/ The Exorcist II: The Heretic/ The Exorcist III/ The Exorcist: The Beginning/ The Exorcist: Dominion) (1977) Review

The Exorcist: The Complete Anthology (The Exorcist/ The Exorcist- Unrated/ The Exorcist II: The Heretic/ The Exorcist III/ The Exorcist: The Beginning/ The Exorcist: Dominion) (1977)
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You can find this set for around $25 and for that price it's definitely worth it. True, the first one is the best (I prefer the original over the "Version You've Never Seen", but they're still both very good), but the third one isn't that bad (in fact, I think it's pretty good) And neither version of the prequel is good, but it is sort of neat to have two VERY different versions of the same film, and in this context, for comparing the power of editing and the how the perspective of a director can affect a movie, these discs are interesting. True, the second one has no merit, but what can you do? But I won't complain. It's good for a laugh.
Just so people know, this set does contain all the extras the other releases had. So that even sweetens the deal more!
Disc 1: The Exorcist
This is the same flipper disc from the original Special Edition release
Side A:
Intro and commentary by William Friedkin
Commentary by William Peter Blatty and Special Sound Effects Tests
Side B:
The Fear of God: The Making of the Exorcist
Interviews, Storyboards, Production Sketches
Original Ending
Theatrical Trailer
TV Spots
Disc 2: The Exorcist "The Version You've Never Seen"
Commentary by William Peter Blatty
Trailer, TV Spots and Raidio Spots
Disc 3: Exorcist II: The Heretic
Alternate Opening Sequence
Theatrical Trailer
Disc 4: Exorcist III
Theatrical Trailer
Disc 5: Exorcist: The Beginning
Commentary by Renny Harlin
Behind-the-scenes Featurette
Theatrical Trailer
Disc 6: Dominion: Prequel to the Exorcist
Commentary by Paul Schrader
Additional Scenes
Stills Gallery
And there you have it. Everything is there. True, you could get just get the original for cheaper, but I still think this is a solid set and a great deal at that!

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Fallen (Snap Case Packaging) (1998) Review

Fallen (Snap Case Packaging) (1998)
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Fallen is underrated, as I felt it wasn't nowhere near as bad as some critics said it to be. It's a very interesting mix of The Exorcist and The Silence of the Lambs and Seven. The result is one of the best thrillers of the decade. It's not quite up there with Lambs or Seven but it's as good as Arlington Road and is significantly superior to The Bone Collector and Kiss the Girls.
The plot is about Detective John Hobbes (Denzel Washington), who has just captured serial killer Edgar Reese (Elias Koteas). Before Reese is executed, he speaks to Hobbes in a strange language and tells him a riddle, asking him why there's a space between Lyons and Spakowsky. Hobbes doesn't think much of this and watches silently as Reese is executed in the gas chamber.
The next day, another murder occurs, and Hobbes and his partner Jonesy (John Goodman) check it out. To his shock, Hobbes finds the same riddle Reese told him scrawled on the wall of the victim's apartment. Unraveling the clue and with the help of an intelligent woman named Gretta Milano (Embeth Davidtz), he discovers that a demon called Azazel had inhibited the body of Reese and can switch from one human host another with a simple touch.
The premise itself is chilling, yet I was a bit hesitant to watch this film. The critics' reviews were mixed but all of them seemed to agree that the film was a bit slow moving. The truth is, Fallen is a bit slow for the first forty or so minutes, but the last eighty minutes are full of intriguing ideas that are well explored along with plenty of extremely suspenseful scenes, especially the ending, which, by the way, has a great twist.
Regarding the suspenseful moments of the film, they can truly be described as edge of your seat. One of the most harrowing sequences in this film is an original chase scene that involves the domino effect, where the demon chases after Davidtz by passing from one human host to another. There's also the chilling scenes where Washington has to try and keep up with who Azazel has just possessed.
Fallen's greatest aspect, despite all those truly thrilling and very suspenseful scenes, is its ending. It first involves a very clever plan being unfolded by one of the characters and ends with a great and unpredictable plot twist. This is truly one of the most unpredictable endings I have seen. It might not have as much of the shock power as the edgy (and twisty) climaxes of Seven and Arlington Road (or for that matter, The Sixth Sense), but it's just as surprising if not more.
The performances in this film are solid. Denzel Washington is fine as the detective who is much more clever than Azazel thinks. John Goodman is his usual solid self as Hobbes' partner, and he excels in this role, proving he has a lot of range ever since his show Roseanne was cancelled. Embeth Davidtz's performance is okay though her character is slightly underwritten. The real scene stealer, though, is Elias Koteas. Though he's in the film for five minutes his Edgar Reese character is scary and actually a bit fun to watch. Most of the characters are well-developed and this helps us care for Hobbes and his family.
The script by Nicholas Kazan is well-written and the twist in the end makes it better to appreciate and Gregory Hoblit's use of a dark, edgy atmosphere and mood is undeniably effective.

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THE THRILLS KEEP COMING. THE PLOT KEEPS TWISTING. THE SUSPENSEKEEPS GROWING. HOMICIDE DETECTIVE JOHN HOBBES HUNTS A SATANIC FORCE THAT SHIFTS FROM ONE HUMAN HOST TO ANOTHER IN THIS TAUT,TERRIFIC SUPERNATURAL THRILLER.

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