The Nasty Girl ( Das Schreckliche Mädchen ) Review

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(More customer reviews)German playwright Bertolt Brecht felt that theatre should teach the audience certain moral lessons, and to this end he developed a mode of presentation frequently described as "theatre of alienation"--a type of production in which the audience is never allowed to fully indentify with the characters and their situations and is instead asked to critically observe the material and draw conclusions from it. For the most part, this is a style that works best on the stage--but director Michael Verhoeven uses it as a springboard for THE NASTY GIRL. And the result is one of the few instances in which these Brechtian concepts come successfully to the screen.
The story is wickedly funny. A bright young lass, the daughter of two teachers, wins an essay contest--and when the next contest is announced she again decides to compete, this time with an essay on "My Hometown During The Third Reich," in which she plans to show how her small Bavarian town resisted Nazism. But few, even those regarded by the townfolk as heroes of that era, are willing to discuss it--and those that do provide conflicting information. She eventually gives up the project, but it continues to fester in the back of her mind, and some years later when she resumes her research with the idea of writing a book she discovers that the anti-Nazi heroes were not, perhaps, either anti-Nazi or heroic.
The main thrust of the film centers upon Sonja's relentless battle against the powers that be to obtain access to documents from the Nazi era, and how civic leaders work to frustrate her--both by persistently dodging her demands for the material and by direct terrorism. But their resistance makes Sonja all the more determined, and she becomes willing to pay any personal price. Ultimately, she does arrive at some of the truth, only to discover that she has now been enshrined by civic leaders as a "hero" in an effort to silence her with praise.
Director Michael Verhoeven presents the story in an odd mix of documentary and theatrical and realistic styles that mesh extremely well to create that famous Brechtian effect without ever actually seeming preachy. And leading actress Lena Stolze, as "the nasty girl" who accidentally drifts into the role of advocate for the truth at any price, is equally remarkable: she gives a very likeable, bemused performance that draws the viewer in even while maintaining the necessary degree of detachment the style requires. Not all viewers will appreciate the film--some will find the subject too dark, others may not be able to buy into the style--but this is a brilliant film, and you owe it a chance. Strongly recommended.

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The Sissi Collection (2007) Review

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(More customer reviews)This delightful trilogy tells the story of Elisabeth of Bavaria (nicknamed Sisi) who ascended to the Austrian throne at the age of 16 upon marrying her cousin Franz-Josef. In doing so, she became Empress of Austria and beloved Queen of Hungary.
Elisabeth's beauty was legendary. 17-year old Romy Schneider was perfect in the role of the enchanting, outgoing, free-spirit. She plays Sisi from the age of 15 to her mid-20s when the last film ends.
The films were made between 1955 and 1957 as an Austro-German co-production under the helm of Austrian director Ernst Marischka. They are not historically accurate. They are in the style of mid-50s romantic comedies, good-natured and innocent and with a large dose of cornball humour. To modern viewers they may appear dated, schmaltzy and yes corny.
The first film "Sissi" is my favourite. It has the most pageantry and is the archetypal romance with the fairy-tale ending. It begins with Elisabeth's chance meeting with the young Franz-Josef, literally "hooking" him while out fishing in the lakes around Austria's picturesque Salzkammergut. It chronicles their secret whirlwind romance against the wishes of their parents and ends with the lavish Royal Wedding in Vienna amidst general rejoicing.
"Sissi: Die Junge Kaiserin" (The Young Empress) charts the first year of her marriage to Franz-Josef, her unhappiness at court, the meddling of her mother-in-law, her championing of Hungarian rights and ends with the Hungarian coronation.
"Sissi: Der Shicksalsjahre einer Kaiserin" (The Fateful Years of an Empress) chronicles her estrangement from the Austrian court, her diagnosis with a severe lung disease, presumably tuberculosis and her moving to warmer climes; her travels to Madeira, Corfu, Athens, Milan and Venice. The third film takes the most liberties in conflating fact and fiction. All the sad parts of her life have been removed or altered. The film ends with the Imperial Family meeting the Pope at St Mark's Basilica in Venice. The final lingering shot is of the happy family waving at their loyal Italian subjects in the Piazza San Marco as the band strikes up Haydn's rousing Kaiserhymne one last time.
Each of the 3 films is presented on its own individual disc. Disc 4 contains the 139min abridged version shown in America. It is recut with scenes reordered and dubbed into English and contains a new title song "Forever My Love" sung in English. In doing so it omits the original Sissi theme music. It is too truncated for my liking though American viewers averse to reading subtitles and not wanting to spend 5-plus hours on the originals may find this a worthwhile substitute.
Disc 5 contains the 1954 film "Mädchenjahre einer Königin" (Youthful Years of a Queen). 15-year old Romy Schneider plays Britain's newly crowned Queen Victoria. Amidst the scheming to get her married off to one or other of the royal houses of Europe, she travels to Dover and falls madly in love with a dashing young man who turns out to be the love of her life, Prince Albert of the German House of Saxe-Coburg and Gotha. Like the Sissi films this is also a light-hearted romance with humour provided in the form of the 3-stooges-like ladies-in-waiting and the young Queen's bumbling old manservant. Nice costumes and sets but not on the scale of the Sissi films. And the lovely Miss Schneider is much too beautiful to be believable as the stumpy, dour-faced Queen. Still it is a nice change from the Austrian court. And after 4 films filled with the Kaiserhymne (Deutschlandslied), it's actually a pleasure to hear "God Save The Queen" once again. The film is in German with optional English subtitles.
Picture quality is excellent in the main Sissi Trilogy. The entire trilogy has been restored and remastered. A few scattered instances of damaged and off-colour segments can be found but they are thankfully rare. All 3 films are presented in their original 1.33:1 aspect ratio (fullscreen). Sound quality is clear 1.0 mono, although it tends to be very bright, noticeable especially when the children come screeching onto the screen. Overall, very pleasing picture and acceptable sound. Optional English subtitles are provided. The 139min American version has NOT been restored. Contrast is set pretty high, the image looks a lot brighter, washed out at times, and colours are slightly off - Franz's blue uniform looks almost green at times. "Mädchenjahre einer Königin" has similarly not been restored and suffers from the same deficiencies. Still they are watchable, about comparable to a TV broadcast of vintage 50s material. Extras are pretty limited: A trailer each for the first and last Sissi films and a vintage 18-minute "Behind the Scenes" featurette for "Die Junge Kaiserin" on Disc 2. Romy Schneider takes us through the filming at the Schönbrunn Summer Palace, the honeymoon in the Tyrolean Alps, and Fuchsl Castle which stands in for Sisi's childhood home of Possenhofen. Three truly delightful gems from the past, beautifully restored. The price though should be a little lower.

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At the age of seventeen, Romy Schneider became an international star through her portrayal of Princess Elisabeth (Sissi) of Austria in the first of three lavish films directed by Ernst Marischka.While she would go on to work with some of the most influential and daring European directors of the era, Schneider will always be remembered by this defining role.Now for the first time on DVD, KOCH LORBER Films proudly presents the restored "Sissi Trilogy" (Sissi, Sissi: The Young Empress, Sissi: The Fateful Years of an Empress) in its entirety along with the U.S. theatrically released, English-language dubbed version, Forever My Love, and Victoria in Dover (The Story of Vickie), a precursor to the trilogy in which Schneider plays Britain's Princess Victoria.

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