Showing posts with label marlon brando. Show all posts
Showing posts with label marlon brando. Show all posts

Morituri Review

Morituri
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It's thought by many that Marlon Brando was probably one of the greatest actors to grace the silver screen, if not one of the weirdest (at least later in his life). Based on that alone (his acting, not his weirdness), I purchased Morituri (1965), having heard little to nothing about the film. The fact it also stars Yul Brynner didn't hurt either. Regardless, I am glad I picked this one up, as it's really quite good.
The title, as far as I can tell, is Latin meaning `for those about to die', which seems apt after watching the film. Directed by Bernhard Wicki, someone I've never heard of, probably because he was an Austrian who mainly directed German films, the film stars Marlon Brando and Yul Brynner. Also appearing are Janet Margolin (Nevada Smith), Trevor Howard (The Third Man), and a German actor I've never heard of named Martin Benrath who I thought was quite good.
The film, set during WWII, begins with German Captain Rolf Mueller being given charge of a cargo ship, leaving Japan and destined for occupied France, one that contains critical raw materials, mainly rubber, important for Germany's war effort. He's none too happy with his assignment, as some of the crew is made up of undesirables and political prisoners destined to be tried upon arrival (I would guess they wouldn't be to eager to reach their destination). The Allied forces, on learning of the contents of the ship, approach Robert Crain, a German demolitions expert and ex-patriot hiding in English ruled India, for the purpose of getting him on the ship, not to blow up the ship, but to disarm the scuttle charges (apparently German ships contained explosives so that if they were to get captured, the captain was to detonate the explosives and `scuttle', or sink, the vessel to keep it out of enemy hands). The Allies want the contents of the ship, not only to hinder Germany's war efforts, but also to assist their own. With assistance, Crain does get aboard the ship, under the guise of an SS security officer named Hans Kyle. Members of the SS, it seems, were not entirely popular by any one's account, especially not by other Germans (think the police and their dislike for their own internal affairs division). This creates complications for Crain/Kyle, as he must secretly search the ship for an unknown number of explosive charges, disarm them, within a certain amount of time, all while keeping the captain and the crew `in the dark'. Not only that, but the ship is forced to take on a group of American prisoners for transport. Things are getting hairier by the minute...
Most of the film takes place on a cargo ship, providing for a very claustrophobic, tense atmosphere throughout. Brando plays his role in a very subdued manner, but it works well. I thought his German accent a bit odd, not entirely bad, just odd, but I got used to it, especially since the movie runs about two hours. Not only did Brando have the acting chops to pull off his character, but he also had the physique, as he had to run, climb, swing and crawl to get around the ship to disable the explosive charges. He seemed very within character, especially the parts when his character discussed his feelings against against war in general. Brynner was also very good as a non-party German, who, while maybe not believing in his leaders political motives, wasn't a traitor either. I really liked the diverse complexity, including compassion and kindness, of his character, the sailor committed to his duties, forced to captain this particular ship with a questionable crew.There was a great deal of character development throughout, which served well to really display the differences among the German people in general with regards to their feelings and loyalties towards their leadership and/or their country. I thought the direction of the film to be really good, as the camera always seemed position in such a way to capture the best possible point of view for that particular scene. The story moved along well, although some will say it was too slow, but I didn't think so...I found myself pretty much glued to the screen, enjoying all aspects of the movie. One of my favorite scenes was when Crain/Kyle is confronted in closed quarters by two German officers from the submarine, which delivered the American prisoners. His ability to play on their own sense of paranoia as they questioned him about his reason for being on the ship was very intelligent and interesting to watch. The plot is complicated, but if you can watch with no distractions, you should be able to follow it along well.
The anamorphic wide screen picture on this DVD looks pretty good, but I did feel it could have been cleaned up a little. There were some very minor flaws visible every once in awhile, but the main thing I noticed was the `softness' in the black parts when scenes were heavily shadowed. It's kind of hard to explain, but a bit more noticeable than the other flaws. As far as special features go, there's a teaser trailer for the film (I'm unsure who made this, but after watching the movie, I felt the person who did make it had no idea or even a sense of what the film was about, as it presented something other than what the movie was, at least I felt), and original theatrical trailer, and trailers for some other, older Fox war films like Crash Dive (1943), The Hunters (1958), and What Price Glory (1952). All in all, I thought Morituri was very decent, well made film rich with characters and a complex plot that rewards those with the patience to enjoy the more sophisticated side of films (I'm not trying to be snobby here, but I do feel this film hasn't gotten the attention it deserves, unduly so).
Cookieman108


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Suspenseful action highlights this film in which Marlon Brando and Yul Brynner team up to defuse a Nazi freighter, poised to explode upon capture.

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Superman II - The Richard Donner Cut (2010) Review

Superman II - The Richard Donner Cut  (2010)
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Having just watched the Richard Donner version of "Superman II" twice (once with his commentary with 'Creative Consultant' Tom Mankiewicz), I can say that I prefer the Donner version, over Richard Lester's...but with reservations.
Other reviewers point out redundancies, over-long scenes, and character development problems in the Donner version, but these aren't really fair arguments; what you see are the basic scenes, originally shot; Donner, himself, admitted that had he continued on the film, he would have had to do reshoots of several key scenes, and, of course, would have been involved in the editing process (which couldn't be accomplished to the same degree, in the 'restored' edition). The 'turning the world back' resolution was intended for "Superman II"; when the Salkinds chose not to end the first film with a cliffhanger ending, Donner shot the Lois 'death' scene, and Supes turns back time to save her...so repeating the same resolution in "Superman II" was simply a case of using the original film conclusion, which Donner would have changed, had he continued with the film.
There are plotholes, and leaps of logic; as the film stands, Luthor is apparently in the Fortress of Solitude when Superman destroys it(!); Clark's 'revenge' against the diner bully makes no sense, since, after winding back time, the original confrontation never took place; indeed, the Jor-El 'farewell' scene would have been unnecessary, as well, insomuch as Supes rewound time back to before he lost and regained his powers. And what ever became of Miss Teschmacher?
All this having been said, there are moments where I think Richard Lester's lack of understanding of Superman and his Universe makes me stand in Donner's corner; he introduced abilities Supes never had (Saran-wrap symbols...what exactly were they supposed to do?...the 'Kiss of Forgetfulness'...turning Metropolis citizens into comic buffoons, during the climactic brawl...the whole British-accented town sequence, when Zod 'introduces' himself to the world). Other critics have panned Brando's 'Jor-El' in the Donner sequel, praising the Salkinds for dropping him, and increasing Susannah York's involvement, but she seems totally out-of-place as the 'final authority' figure in the Lester version. Maybe he was overpriced, but I think Brando was essential, and the film certainly would have been big enough to offset his paycheck.
I think the Donner version has more 'heart', and reverence to Superman, than Lester's broader, more comic 'take'. Even with the abrupt transitions, logic lapses, rough edges, and redundant resolution, a vision of what "might have been" emerges, and it was a pretty terrific film!

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In the year of Superman Returns, Superman II starring Christopher Reeve also returns - with a totally different beginning and resolution. With Jor-El (Marlon Brando in recently discovered footage) in key scenes that amplify Superman lore and deepen the profound relationship between father and son. With different Lois Lane (Margot Kidder) schemes to unmask Clark Kent as Superman. With...well, with so many changes, large and small, that this Superman II is an eye-opening alternate experience. Director Richard Donner began shooting his vision of Superman II while concurrently filming Superman The Movie. Now, for the first time, his never-before-seen vision is here. And it's a must for every Superman fan, an important addition to the legend of the Man of Steel.

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Superman - The Movie (Four-Disc Special Edition) (1978) Review

Superman - The Movie (Four-Disc Special Edition) (1978)
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This is a tough one to review. For a film made in 1978, I don't think it could look any better. I'm willing to bet this Blu-ray disc is as good if not better than the premiere screening of Superman back in 78. Great care must have been taken to clean up and restore this picture. It is practically free of scratches and dirt. It is detailed, far above standard definition. Colors are balanced and eye catching. Contrast is natural and evenly spread. Inserted scenes are consistent with the rest of the film. Never looked better. Still, 1978. There are a few scenes with plenty of grain and most of the film gives the impression of being a little out of focus, a little blurred. Five star transfer, four star visual impact. I doubt if a 1080p display is getting much more out of this picture than a 720p display.
(PS3 - 1080p projector - 92")


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A box-office smash, an Academy Award winner* and a fan favorite since it first flew into theatres in December 1978, Superman: The Movie assembles a cast and creative contingent as only a big movie can. At its heart (just as in three sequels) is Christopher Reeve's intelligent, affectionate portrayal of a most human Man of Steel. Watching Superman again isn't just like being a kid again. It's better. The movie's legacy soared even higher when director Richard Donner revisited this beloved adventure 22 years later and integrated eight minutes into the film. Enjoy more footage of the Krypton Council, a glimpse of stars of prior Superman incarnations, more of Jor-El underscoring his son's purpose on Earth and an extended sequence inside Lex Luthor's gauntlet of doom. Reeve, Marlon Brando (Jor-El), Gene Hackman (Luthor) and Margot Kidder (Lois Lane) give indelible performances that fuel the film's aura of legend. Looks like a swell night for flying. Why not come along?

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