The 39 Steps Review

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(More customer reviews)Diplomat, intelligence officer, and adventure writer John Buchan's superb 1915 thriller "The 39 Steps" has been recreated several times on the big and small screens, most famously in Alfred Hitchcock's 1935 movie. The 2008 BBC production is now available on DVD. It stars Rupert Penry-Jones, familiar to PBS fans as Captain Wentworth in 2007's "Persuasion", as Richard Hannay, a resourceful Scottish mining engineer just returned from South Africa to the United Kingdom in 1914, as tensions rise with an aggressive Imperial Germany.
At loose ends, Hannay encounters a British Secret Service agent on the run, who imparts a notebook full of coded messages before being murdered in Hannay's London apartment. Sought by the police and the mysterious men who framed him, Hannay flees to Scotland. There, he manages to decode enough of the notebook to realize a deadly foreign conspiracy is afoot against Britain, and sets out to expose the conspirators and clear himself.
The story features a complicated espionage plot, some terrific location shooting in Scotland, an exciting action sequence involving a biplane (reminiscent of "North By Northwest"), and an unlikely but charming romance with a fiesty suffragette named Victoria Sinclair (Lydia Leonard).
This version of "The 39 Steps" is loosely based on the John Buchan original, as re-imagined by screenwriter Lizzie Mickery. It includes some new story elements, such as a two-part ending and Hannay's relationship with Victoria Sinclair. Viewer opinions may well depend on their attachment to earlier versions. This reviewer suggests enjoying "The 39 Steps" on its own terms for best results.

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BBC's new adaptation of John Buchan's thriller is the best ever! Richard Hannay (Rupert Penry-Jones) finds himself framed for a murder he didn't commit. Now he has to break a ruthless German espionage network to prove his innocence and, more importantly and patriotically, warn the admiralty that its plans have fallen to the enemy. Full of excitement, danger, fun and romance, The 39 Steps is a remarkable tale of an ordinary man who puts his country's interests before his own safety.

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To the Ends of the Earth Review

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(More customer reviews)4 and 1/2 hours in one sitting is to me the hallmark of what makes a miniseries exciting, exhilarating, involving and totally engrossing; when I can barely make time to go to the bathroom or bother to eat something because a film is THAT grand in scope and magnitude, then I take off my hat to the the BBC for a job well done to David Attwood's British star-powered TO THE ENDS OF THE EARTH.
First off, The trilogy of novels from which Leigh Jackson, Tony Basgallop and Lynn Hersford (who finished up this project upon Jackson's death) adapted this series, were written by England's Poet-Laureate , William Golding ( anyone who has read any of Golding's novels knows that he explores the darker side of human nature!!!) With that in place, TO THE ENDS OF THE EARTH is just that- one man, young Lord Edmond Talbot's self-discovery about the just and the unjust, seedy sides of mankind; this is all learned and "journaled" on a perilous, eye-opening voyage aboard an 18th-century passenger ship boarding in England and sailing to Sydney, Australia (The Antipodes). As passenger of highest born rank, the young Talbot (pronounced Talbert) learns about real life, apart from his noble rank and privilege which involves the mysterious "murder and buggering" of a Reverend, the suicide of a cabin keeper, dirty politics upon the High Seas and the cover up of dastardly deeds of crewman. This drama series is as full of mystery and intrigue as it is entertaining and downright comical!!! No small wonder, in that David Attwood, who in 1996 brought to the screen a similar treatment of Daniel Dafoe's The Fortunes & Misfortunes of Moll Flanders, now has performed his similar magic with Golding's three stories with great success! One minute you are spellbound, and the next you are laughing. Attwood understands the necessity of building tension and the importance of a release valve!
The true star of this series is Benedict Cumberbatch, as Edmond Talbot, who one year later recorded a similar triumph as William Pitt The Younger in Michael Apted's big screen biopic of abolitionist William Wilberforce in Amazing Grace. Cumberbatch is in every demanding, dialogue-laden, ship-tilting scene and the grace and power of his abilities, again, is undeniable. Cumberbatch is proving to be one of England's rising stars with his classically trained acting and his incredible sense of character that makes this series an immense pleasure to watch. He is as skilled an actor as any out right now. The viewer is put at total ease and assurance with the entire cast of seasoned English actors plus Australian-born veteran Sam Neill (who is most present in Episode 3) who combine with uniformly outstanding performances in this well crafted saga of real life aboard a sea ship of the time.
Unlike many "cleaner" drama serials such as Horatio Hornblower Collector's Edition which concern the valour and honour of the 18th-century Royal Navy, TO THE ENDS OF THE EARTH is more intent of presenting all of the warts, belching, farts, and "indelicacies" of sea life that are far more accurate in accounting what ship passage was actually like. The camera work is ingenious in the steadiness that it displays while watching the passengers suffer from "riding the ship" (getting their "sea legs") as well as suffering from "mal de Mer" (sea-sicknesses). Having been aboard the Revolutionary War Frigate "The Constellation" that is anchored in Baltimore Harbour, I can attest that a series could not be more accurate at the depicting the dark, dank accommodations of cramped cabin life in the underbelly of a ship!!!
Some of the interesting points that I would like to observe: (1) the music and dances aboard ship are done live (which to a musician is noted and much appreciated. No fake cello, flute or violin players HERE!) (2) The underbelly of the ship is scaled to five feet in height (normal for the time) which makes Cumberbatch's unusual 6 -foot height all the more interesting. (3) The SHIP is tossed so that the actors must adapt, NOT the camera tossing to and fro making the viewer sick! (note my comments on John Adams (HBO Miniseries)!!!) (4) The costuming is 100% accurate, and the manners and customs of the time are well noted and observed.
The only downside that I found with this series, is that Episode 3 seems rushed and edited more quickly (probably due to the death of screenplay adapter Leigh Jackson) than Episodes 1 and 2. Also, for those who have problems dealing with a myriad of English accents, alas, there are no subtitles. I found no problem because the diction, even with the lowest ranking sailors, is quite clear; still some may find it problematic. With those two caveats, I still highly recommend this two disc, three-part drama series as one of the finest and most absorbing mini-series of any kind. The soundtrack is appropriately "English and sea-worthy" by Rob Lane who also composed for the current HBO's John Adams (HBO Miniseries) as well as the Emmy/Golden Globe Winning Elizabeth I starring Helen Mirren.
One final note: the part of the murdered Priest, the Rev Colley, is played by Daniel Evans, Olivier Winning stage actor who is currently on Broadway in Sunday in the Park With George (2006 London Revival Cast).

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Wuthering Heights (2009) Review

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(More customer reviews)Director Coky Giedroyc provides the newly thrice-spliced Masterpiece Theatre with a two and a half-hour remake of Emily Bronte's Gothic classic, "Wuthering Heights (Signet Classics)" that adequately depicts the passionate love/hate relationship made famous by Catherine Earnshaw and Heathcliff for readers since 1847.
I have not had the pleasure of rereading the novel for a few years, but this adaptation seems remarkably true to the overall spirit of the story. It includes the two generations of Earnshaws and Lintons most noticeably removed from the 1939 film version starring Lawrence Olivier as Heathcliff and Merle Oberon as Catherine (Wuthering Heights 1939 Classic Black and White with Original Theatrical Trailer (Import, All-Region)). The non-linear time sequencing of the film's plot mirrors the timeline of the novel; the only real difference here is the absence of the novel's first person narrators, Mr. Lockwood (Heathcliff's tenant) and Nellie (housekeeper of both Wuthering Heights and Thrushcross Grange). Giedroyc's version employs a third person technique in both the flashback and present day storyline to retell the Earnshaw/Linton history rather than rely on the biased comments of Bronte's storytellers.
Lockwood's absence also means the sequence of events revolving around the apparition of Catherine's ghost does not move the plotline. Instead the opening scene treats us to a vengeful Heathcliff, manipulating his sickly son Linton's marriage to the second generation Catherine, daughter of Edgar and his love. In fact, the entire aspect of the supernatural is not touched upon in the film as intensely as in the novel. Heathcliff yearns for his dead companion, and participates in a ghoulish digging up of Catherine's corpse. In a fantastic feat of cinematography the audience is privy to two vantage points: Heathcliff's vision of her--young and fully fleshed as if alive--and then the gruesome reality seen from behind Heathcliff's back--Catherine's decomposing skull. This film emphasizes the real and the gritty rather than the ethereal.
Similarly, it includes some passionate and psychologically intense moments that add carnality to the overall telling of the story that fits well with and enhances the wild emotions portrayed by Bronte. Heathcliff and his Catherine consummate their love on the moors; Edgar desperately makes love to Catherine in their marriage bed and Heathcliff commands that his wife not look at him as he takes her after their impromptu elopement. Somehow these moments add drama and needed adult content and motivation to what the other adaptations skirted around. When Heathcliff realizes that his woman has slept with Edgar, his anger boils over with helpless indignation. He wants revenge and after witnessing his closeness to Catherine, the audience sees him more as a jilted second choice despite his accomplishment; the face of the gypsy orphan still stares back at him.
Not that actor Tom Hardy resembles a gypsy in any way. His incontrollable mop of dark brown hair flops annoyingly onto his face; it definitely could use a trim or a ribbon holding it away. Nevertheless, he does the character of Heathcliff and the Byronic hero justice; he most decidedly reigns supreme in the scenes in which he participates. His passion seems almost Pilate-controlled from a steel core that is both practical and functional within the constraints of his world. However, like the novel's character, he loses himself frequently with a cynic's paranoia that lashes out with the intent to destroy whatever is in its path.
Cathy, on the other hand, as portrayed by Charlotte Riley has a feral beauty that aptly suggests the novel's heroine. However, Riley's Catherine has been "de-bratted"; the novel depicts Cathy with a nasty selfish streak while this Masterpiece Presentation shows us a confused child/woman that indeed does what she chooses but then seems at odds with the results.
Isolation plays a big part in Bronte's novel. However, this film fills the screen with an assemblage of others that makes the entire presentation more real. Rather than just the dire foursome and their progeny, villagers, church-goers, barroom card players and fighting children add authenticity to the period and in comparison more starkness to the actual footage shot on the moors.
Bottom Line? The 2009 presentation of "Wuthering Heights" created for Masterpiece Theatre Classics smolders with a raw sexuality and practical strength that will probably not please most purists. Nevertheless, the film's team put together a good adaptation that brings the feel of the novel to life without imitating other film presentations of the past. Recommended.
Diana Faillace Von Behren
"reneofc"


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Persuasion (2007) Review

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(More customer reviews)"Persuasion" is tied with "Pride & Prejudice" as my top favorite Jane Austen novel. I was looking forward to this version, after being a little disappointed with the 1995 adaptation (actors were a bit too old for their roles, I thought, but that's another review).
While "Northanger Abbey" is a story of young love, "Persuasion" is a story of love lost. Anne Eliott was once engaged to Frederick Wentworth but has had to give up the engagement due to the persuasion of her friend Lady Russell. Anne is the daughter of a baronet and Frederick is a young lieutenant with little prospects and was deemed by her friends and family as not worthy enough to marry Anne. Fast forward to 7 or so years later, and Anne's family is in dire circumstances. Her family has to move from their large country estate to Bath in an effort to retrench and avoid further debt. Frederick returns to England as a wealthy and highly eligible naval captain and his and Anne's paths meet again. Frederick is pursued by 2 of Anne's younger sisters-in-law while Anne is left to wonder what might have been. After a stressful visit to Lyme, Frederick and Anne's paths briefly separate. Anne moves to Bath where she is pursued by her cousin William Eliott and she crosses paths with Frederick again. Will love triumph the second time around?
Whether you agree or disagree with my assessment of the 1995 version starring Amanda Root and Ciaran Hinds, I think you will find that Rupert Penry-Jones and Sally Hawkins are wonderful in their roles as Frederick Wentworth and Anne Eliott. Sally Hawkins - unknown to me until now - gives a soul-stirring and endearing performance as Jane Austen's long suffering heroine. Rupert Penry-Jones is aptly dashing and handsome, though perhaps a little bland, as Frederick (I'd take him over Ciaran Hinds any day). The supporting cast is solid - with a few exceptions - and the screenplay, up until the last 10 minutes, stays true to the tone and spirit of the book. The production values, costumes and locations are excellent. This scores points for actually filming in Bath and Lyme (actual locations from the book). Another high note is Martin Phipps (who also composed the amazing score of BBC's "North & South) who delivers yet another stirring score.
The reasons for the 4 stars are as follows (warning, spoilers!):
a) Casting - I absolutely detest Amanda Hale as Mary Musgrove. She is annoying and stands out in a bad way from the rest of the cast. Julia Davis is also off as Elizabeth Eliott and looks more like Anne's wicked stepmom than her older (by 2 years) sister. Elizabeth is supposed to be beautiful and elegant, and Julia Davis is nowhere near this. Surely there are more than enough talented British actresses who could have played these roles.
b) Changes - Some long-time fans will be a little irritated with the changes made to famous scenes from the book. This is where the 1995 version triumphs over this version. While the Amanda Root version remained faithful to the book, this version strayed in some of the vital scenes such as the dialogue between Captain Harville and Anne on woman's constancy; and the scene where Frederick writes a letter to Anne.
c) The last 10 minutes - where Anne runs around Bath like a headless turkey - almost completely ruined it for me. Whoever thought of sending a docile, elegant, poised, upper-class lady like Anne to run around town like a servant girl is beyond me. The adaptation would have been outstanding except for this miscalculation. I am not a purist, but there is just so much a long-time Jane Austen fan can take and this one crossed the line for me.
All in all, however, I give it 4 stars for Sally, Rupert, most of the supporting cast, Bath, the score and the first 80 minutes. It goes along swimmingly up until the climax, at which point I have to fast forward to skip the part I detest. A good and solid adaptation, but "Northanger Abbey" starring JJ Feild and Felicity Jones gets my vote as my favorite of the recent Jane Austen adaptations.

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Jane Austen’s romantic masterpiece comes to DVD in a thrilling new production from the BBC and Masterpiece Theatre. Anne Elliot fell deeply in love with the handsome young naval officer Frederick Wentworth at the age of nineteen. But with neither fortune nor rank to recommend him, Anne was persuaded to break off her engagement. Eight years later, Anne has lived to regret her decision. She never stopped loving Wentworth, and when he returns from sea with a fortune and rank, she can only watch as every eligible young woman in the district falls at his feet.

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