Showing posts with label rob lowe. Show all posts
Showing posts with label rob lowe. Show all posts

Framed (2003) Review

Framed (2003)
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I saw this film on Foxtel and was entertained from start to finish.
Rob Lowe and Sam Neil make an excellent combination. Both characters are likeable and you never know who is telling the truth. Great fun and worth watching.

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First Degree Review

First Degree
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Made for cable, "First Degree" has more twists than a bag of pretzels, and is in many ways over-plotted, but for TV fare, it's entertaining, and has some interesting characters in the story. Detective Rick Mallory (Rob Lowe) is called in to investigate the murder of a rich businessman, and almost immediately falls for the beautiful widow Hadley (Leslie Hope). Before you can say "whodunit," they are madly in lust. The question that needs answering is who committed the murder? Did Hadley hire a hit man? Was it Joe the gangster? Suspicions abound, and sometimes the plot gets a little muddled, but the cast is attractive, and the lovely soundtrack by Bruce Fowler adds to the enjoyment of the film.
Det. Mallory's precinct buddies (Tom McCamus and Joseph Griffin) are clever and amusing, and most endearing is Jacob the writer (Peter Boretski), who is the only one Mallory can't fool. There's a lot of drinking, smoking, and one grisly murder scene, so this police thriller is not suitable for young children. Directed by Jeff Woolnough, written by Ron Base, and with cinematography by Glen MacPhearson, "First Degree" is sleek looking, never boring, and remembering that "it's just a TV movie" helps. Total running time is 98 minutes.


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A Perfect Day (2006) Review

A Perfect Day (2006)
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A perfect Day is one of those films that are great for a cool winter evening. Cuddle up on the couch with your family and enjoy the heart warming journey to success and back to valuing what is really important. Rob Lowe, Christopher Lloyd and a well chosen cast bring the Richard Paul Evans novel to life.
It's not a Hallmark production, but it is packed with good solid storytelling and performances. Love never goes out of style.
Tim Lasiuta


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Class (1983) Review

Class (1983)
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The mid 80s...sadly, the biggest event during this period in my life was the introduction of cable into my household, and all the cathode tubular promise it held...I actually skipped school one day to stay home and watch The Road Warrior...it was totally worth it, but I'm not recommending any of you youngins' out there to follow my lead...remember, as Mr. T said, `Only a fool skips out on school!'...well, maybe he didn't, but it does sounds like something he'd say, right? As one just coming into his formulative teen years, it afforded me, among other things, the opportunity to see all kinds of naughty, naughty movies (thank you Cinemax, or as we called it, Skinamax) primarily due to the fact this was before the time of programmable parental control features...the only control feature back then was the chance of your mother coming downstairs and beating you silly for watching something she didn't approve of...anyway, this was how I first saw the film Class (1983), a movie I watched again last night for the first time in about 20 years. Directed by Lewis John Carlino (The Great Santini), the film stars Rob Lowe, whom we saw three years earlier dealing with the crisis of being a schoolboy father in an After School Special aptly titled `Schoolboy Father', Andrew McCarthy (St. Elmo's Fire, Mannequin), in his screen debut, and Jacqueline Bisset, who, in my opinion, is responsible for single-handedly introducing the wet T-shirt fad from her role in the film The Deep (1977). Also appearing is Cliff Robertson (Charly, Three Days of the Condor), Alan `Cameron' Ruck (Ferris Bueller's Day Off) along with a number of now famous actors for whom this was their first film, including John Cusack (The Grifters), Virginia Madsen (Electric Dreams), Casey Siemaszko (Biloxi Blues), and Lolita Davidovich (Blaze).
McCarthy plays Jonathan Onger, a highly intelligent, yet awkward and introverted young man from a modest (poor) family with dreams of attending Harvard Law School, and is on his way after receiving a scholarship to a prestigious prep school. On arriving, Jonathan meets his roommate in Franklin 'Skip' Burroughs IV (Lowe), whose basically the exact opposite of Jonathan in that Skip is charming, outgoing, well groomed, polished, and just generally sure of himself to a fault...oh yeah, he also comes from an extremely affluent family (which you could have probably guessed given a name like that). Anyway, Jonathan has a difficult time fitting in (not helped by a very public practical joke played on him by Skip on the first day), but finds a certain amount of respect after he turns the tables on Skip, basically giving as good as he got...the two become fast friends as Jonathan helps Skip with his scholastic difficulties while Skip helps Jonathan with his social inadequacies. After an incident at the sister school while planning an upcoming dance, Jonathan isn't allow to attend, but Skip convinces him to got to nearby Chicago for some much needed action, which he does, and how...in that of a vibrant, attractive, classy, sophisticated, older woman named Ellen (Bisset), who initially takes pity on the poor schlub, eventually molesting him in an elevator (pity sex...it's a beautiful thing). Anyway, the two spend the weekend together, after which Jonathan returns a hero to his fellow classmates, inundated with a newfound respect. The relationship continues hot and heavy, and we can see Jonathan is falling in love (guys generally fall in love with the first woman they get it on with), but Ellen's only interested in a fling, and after learning Jonathan's actually a high school student (he made himself out to be a college man), she quickly takes off, leaving him depressed and heartbroken...and then things get better, as Jonathan finds he's been accepted into Harvard...but things quickly go down the proverbial toilet as certain events take place, including, but not limited to, an investigation at the school regarding widespread fraud...with circumstances threatening Jonathan's friendship with Skip along with his academic future...
First of all, if you're coming into this movie expecting some flesh, you're probably going to be disappointed as Bisset never bares all (very little, in fact), as the only scene displaying anything features Virginia Madsen suffering from a serious wardrobe malfunction eerily reminiscent of the Janet Jackson/Justin Timberlake Superbowl fiasco. This was kind of a strange film in that respect, as it started of with the seeming intent of being sort of a teen sex comedy, but changes course about halfway through dealing with material of a more serious nature (which ends up getting severely slighted). The transition was smooth, but didn't go unnoticed. One thing that surprised me a little was that while the characters were essentially stereotypical, there was little animosity towards Jonathan from his wealthy peers in terms of his coming from a comparatively poor family...yeah, they didn't care for him much in the beginning, but that was more from the fact he was a nerdy dink than anything else. Overall I did enjoy this film, despite its inadequacies, as the actors managed to add dimensionality to what could have been very shallow characters, but there is a sense of unreality in terms of Jonathan hooking up with Ellen as it provided false hope to those of us males who saw this at an impressionable age, believing that there were actually incredibly beautiful, vivacious, wealthy, older women out there looking to have intimate relations with gawky, awkward, naïve, inexperienced teenage boys...perhaps there are, but I never met one, and neither did any of my peers. Jonathan was presented as an extremely pitiful character (especially in terms of being a target of a few practical jokers), but I found it hard to accept Ellen would willingly pursue him the way she did, despite any amount of pity or alcohol (later we find out she might be mentally deranged, which could explain a lot). This isn't a putdown towards Mr. McCarthy, but more towards the unrealistic aspect of the story...but then again, Hollywood relies on suspension of disbelief from its audiences (sometimes too much), so if you can get past this, you'll enjoy the movie a whole lot more. One really strange aspect was the abruptness of the ending...seems like there should have been more story...
The picture, available in both widescreen (1.85:1) and fullscreen pan & scan formats, looks very good, but the Dolby Digital 2.0 audio felt a little soft, specifically during the dialog (oddly, the music came through loud and clear). There's nothing really in terms of special features, unless you count an original theatrical trailer, which I don't (to me that's a standard feature, and not an extra).
Cookieman108


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Rob Lowe (Austin Powers: The Spy Who Shagged Me), John Cusack (Being John Malkovich) and Andrew McCarthy (St. Elmo's Fire) make their feature film debuts in this hilarious, sexy mixture of "fantasy and farce" (Boxoffice). Co-starring Jacqueline Bisset (Dangerous Beauty) and filled with lusty coeds, "wild times [and] outrageous scenes" (L.A. Movie Guide), this mother of all teen comedies is "pure fantasy for boys of all ages" (Boxoffice)!When wealthy prep-school senior Skip (Lowe) learns that his shy new roommate Jonathan (McCarthy) isa total loser at romance, he sends the aspiring young Romeo to the city to learn the ropesbeforehe ruins both their reputations. But when Jonathan is seduced by a sexy older woman named Ellen (Bisset), he begins a zany romantic miseducation that starts with a double major in lust and deceptionand ends with the uproarious discovery that not only is Ellen the woman of his dreams'she's also Skip's mom!

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The Outsiders: The Complete Novel (1983) Review

The Outsiders: The Complete Novel (1983)
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Coppola's original version was quite faithful to Hinton's book and this new edit is even more so. He has put back in 22 more minutes, most noticeably at the beginning and end of the movie. This new footage opens up the film more. We are introduced to the greasers much earlier on now that Coppola isn't reigned in by the dictates of test screenings. He is able to take the time to immerse the audience in this richly textured world shot in glorious widescreen by Stephen Burum who adopts a look that evokes another epic about troubled youth, Rebel Without A Cause (1955). The film is drenched in the golden hues of warm sunrises and sunsets like something right out of Gone with the Wind (1939).
Another significant change has Coppola replacing all of his father's beautiful, classical score in favour of period rock `n' roll music. In some cases, like the opening scene where Ponyboy is jumped by some Socs, it works and in others, like the whimsical surf music that plays over the scene where the Socs jump Johnny and Ponyboy, it feels awkward and out of place. Part of the film's original charm was its moments of `50s style melodrama, as epitomized by the film's orchestral soundtrack, and this diminished by the newly inserted period music that could be right out of an episode of Crime Story. Hinton's books are timeless with their universal themes and the original music reflected that. This new music, while accurate for its time period, contributes to a loss of some of the timeless feel.
On the first DVD is an audio commentary with director Francis Ford Coppola. He addresses the changes in the soundtrack by saying that after all these years he wanted to move away from a score that commented on what was happening to music that the characters would actually be listening to. The filmmaker delivers another top notch commentary full of smart observations and talks at length about why he prefers this cut.
There is an additional commentary featuring Diane Lane, Ralph Macchio, Patrick Swayze, C. Thomas Howell, Rob Lowe and Matt Dillon. Coppola invited all of them back to see this new cut of the film with Lowe and Dillon recorded separately. This is an entertaining track that fans will love. It's great to hear these actors talk about this movie after all these years.
The second disc kicks things off with a retrospective look at the movie, entitled, "Stay Gold: A Look Back at The Outsiders." In a nice touch, we see Lane, Macchio, Swayze and Howell being reunited with Coppola at his ranch where they recorded their commentary. This is an excellent look at the movie with all kinds of good, on set footage.
"S.E. Hinton on Location in Tulsa" features the publicity-shy author revisiting the locations that Coppola used in the movie, including the drive-in which still exists. She talks about how Coppola worked closely with her on the set to make sure that the script was true to her book.
"The Casting of The Outsiders" has casting director now producer Fred Roos take us through the casting process with audition footage from back in the day. People like Kate Capshaw and Adam Baldwin tried out for the film. Anthony Michael Hall even read for the role of Ponyboy!
A nice addition is "Readings," with some of the cast who came back for these featurettes reading their character descriptions from Hinton's novel.
"NBC News Today Segment: The Outsiders Started by School Petition." This is a new story done during the film's original release about how a class of California school kids wrote a letter to Coppola asking him to make Hinton's book into a movie.
There are six "Additional Scenes" with more footage from the opening that is even more faithful to the book but the rest of the scenes amount to extensions of existing ones.
Finally, there is a theatrical trailer.

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In 1983, Francis Ford Coppola's film of S.E. Hinton's novel struck a powerful chord with audiences, capturing the intense feelings of being caught between childhood and adulthood, and not belonging anywhere. Decades later, Coppola has revisited the film and reintegrated 22 minutes of character-enriching footage, including a new beginnning and ending more true to the book. A rousing new rock-n-roll soundtrack featuring six songs from Elvis Presley and other music greats make this new version of The Outsiders one of movie history's great rediscoveries.



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Salem's Lot - The Miniseries (2004) Review

Salem's Lot - The Miniseries (2004)
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***Warning: Spoilers Ahead***
I've always loved the novel and the 1979 miniseries. When I heard they were doing a remake in 2004, I couldn't wait! Then I found out Rob Lowe was starring. Eeeh, he was in "The Stand" a decade earlier and that managed not to suck. So I gave him the benefit of the doubt and tuned in. And in all fairness to Rob Lowe he can hardly be blamed for how awful it turned out.
Now I can understand changing around elements for "dramatic purposes" and "updating" and "adapting for television". Let's not forget the novel was written and published in the 1970's when there were no cellphones, laptop computers or Internet. It seems the fellow who adapted the novel, Peter Filardi, and went hog-wild with it. The end result is that the only the movie characters have in common with their book counterparts are the names. Ben Mears was once held captive by the Taliban? Matt Burke is gay? Susan Norton is a waitress? Did Filardi even read the novel? Then there is the problem of the very minor characters getting way, way, waaayyyy more screen time than they deserve, as in they shouldn't have been in the movie at all. Sandy McDougall, Dud Rogers, Charlie Rhodes and Ruthie Crockett are all very minor throw-away characters who don't deserve a place in the movie. Ruthie didn't even have any dialogue in the book for crying out loud!!! What is so special about these characters that they managed to get on screen and take away precious time from the real characters? This is reason why Barlow is reduced to a cameo, because Peter Filardi felt the inexplicable need to cram in as many characters as possible.
My biggest complaint is the way they handled the scene where a vampire Mike Ryerson comes back to Matt Burke's house. Instead of being a terrifying encounter with the undead it winds up a truly bizarre homo-erotic/necrophiliac encounter so completely drained of any suspense that left me scratching my head and wondering 'what the hell was that about'? Hey people, if it ain't broke don't fix it! If you had $25 million to spend on this movie why didn't you hire a writer who could actually write a suspenseful scene!! Stephen King should sue! Excuse me, I'm going to watch the 1979 version and try to put this slop out of my memory for good.

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The vampiric Stephen King tale returns to the small screen, 25 years after the first made-for-TV "Salem's Lot", a Tobe Hooper-directed ratings hit. This time it's Rob Lowe as a successful writer who returns to his haunted hometown. As a kid, something awful happened to him in the spooky mansion on the hill; now that he's back, the mansion is once again buzzing with evil portents. The physical production (shot in Australia) is convincing, and it's fun to see old pros such as Donald Sutherland, Rutger Hauer, and James Cromwell cutting up in juicy roles. The storytelling, however, feels oddly disjointed, as though King's sprawl had been arbitrarily hacked away rather than adapted (a few big moments are bewilderingly left offscreen). The approach misses the basic assets of a vampire story:the disbelief, the lore, the sex appeal. Instead, it feels like a random collection of bits for short attention spans. "--Robert Horton"

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