As It Is In Heaven (Så som i himmelen) Review

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(More customer reviews)I have only reviewed one movie before (a bad one), but I had to say something about this movie because it was such a great surprise. I think this is the best movie I have seen for years and my wife liked it even more. This movie is beautiful, touching, and has an important message. I think it is the best Scandinavian movie since "My Life as a Dog" and "Babettes Feast", perhaps the best Scandinavian movie ever. It is in Swedish with English subtitles.
Daniel Dareus a famous musician returns to his Childhood village Ljusåker in Northern Sweden after ending his career in the aftermath of a heart attack. The members of the local church choir ask him to help them. His professional methods are not easily understood by the locals but the choir members love him. The drama filled events that unfold result in people finding the courage to face their fears and to grow, something that is not appreciated by everyone. All his life all Daniel wanted to do was to help people finding their voice, and for the first time in his life he truly succeeds in doing that in more than one way.
The village and its people reminded me a lot of my own home village in Northern Sweden (I am from further North though). Daniel Dareus reminded me in more than one way of my Amazon friend Giordano Bruno and I recommend it to all my Amazon friends and anyone who is interested in seeing something different.


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Under the Sun (Under Solen) Review

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(More customer reviews)A wonderful, heart-warming story about an aging, simple-minded farmer who has never known love, and the woman he meets when he decides that if he doesn't try it once, he might never know love at all....
The actors are uniformly sweet and engaging, and the story plays itself out slowly and calmly. This is a little Swedish vacation, into the past and the countryside, and the simple life of a good-hearted farming man. Gorgeous cinematography. And wonderful details... it was great to see the traditional Mora clock, quietly ticking away, and reminding our dear farmer that life is short, and he should take life by the reigns and do his best. He does, and it's lovely.
Those who love this film should see "House of Angels," another of Nutley's quiet gems.
Recommended.

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From the Director of House of Angelsand Nominated for an Academy Award for Best Foreign Film, Under the Sun is a sensuous, lush and lyrical film, set in 1956 in the sun-drenched summer countryside of Sweden.Sweet but lonesome Olof (Rolf Lassgård) lives by himself on his family's farm after the death of his mother. Unable to read or write and therefore forced to take people on trust, Olof must depend upon his womanizing younger friend Erik (Johan Widerberg) to help him with the farmwork. Erik, once a sailor and now a part-time gravedigger, shamelessly uses Olof's money for bets at the racetrack. One day, out of the blue, Olof places an advertisement in the local paper: "Lonely farmer, 39, own car. Seeks young lady housekeeper. Photograph appreciated." It's not long before the ad attracts a surprising candidate: Ellen (Helena Bergström), a beautiful, 34-year-old, well-heeled city woman.As the summer progresses, Ellen effectively takes over both the house and Olof's heart. Erik, also taken by Ellen, is determined to destroy her blossoming romance with Olof by unearthing the secret past he's convinced she's hiding.

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The Girl with the Dragon Tattoo (2010) Review

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(More customer reviews)The Girl With The Dragon Tattoo is the first in the trilogy of crime novels written by Swedish journalist Stieg Larsson. Larsson wrote them during his spare time, as a form of amusement. However, the novels were not published until after Larsson's untimely death in Nov 2004. The author never had the opportunity to enjoy the critical and the commercial success his books eventually earned. In 2008 Larssen became the second best selling author on the planet.
Now, on to the story:
Mikael Blomkvist is a journalist, convicted, unjustly he believes, of libel against a powerful industrialist. As Blomkvist awaits the commencement of his sentence, he is hired by a scion of a wealthy family to investigate the disappearance of the man's bellowed niece 40 years earlier. Everyone, initially including Blomkvist, believes the case is hopeless. Unexpectedly though, help comes in form of "the girl with the dragon tattoo", Lisbeth Salander. The mysterious woman clearly has a severe past: despite being 24 years old, her person and finances are being managed by a court appointed guardian. She does however, have a brilliant mind and, as we are about to learn, a powerful will... She quickly becomes the driving force of the investigation. We watch transfixed, as the past reaches into the presence, and touches the lives of Blomkvist, Salander, her guardian, the industrialist and the wealthy scion.
The story, as written by Larsson, is extremely brutal (consider that the original, and the very apt, Swedish title is "Men Who Hate Women"). However, I am inclined to believe the violence serves as another character in the story and as such is necessary. I am therefore glad that the filmmakers did not seek to tamper it, thus neutering the punch the story delivers. Though this Swedish adaptation is scripted and directed to the highest standard, the focus must be on the performance of the actress Noomi Rapace. Her portrayal of Lisbeth is shockingly faithful to the text and the actress manages to take over the film with her very appearance.
The Girl With The Dragon Tattoo is one of the best adaptations I have seen, ever. I encourage you not to miss it; though do see it with friends, as you will afterwards feel strongly compelled to discuss the various explosive plot twists. I hope Hollywood never touches this gem. I am anxiously waiting for the next two installments to hit US screens.
PS: Keep in mind, this film is NOT for the underaged.


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Forty years ago, Harriet Vanger disappeared from a family gathering on the island owned and inhabited by the powerful Vanger clan. Her body was never found, yet her beloved uncle is convinced it was murder and that the killer is a member of his own tightly knit but dysfunctional family. He employs disgraced financial journalist Mikael Blomkvist (Michael Nyqvist) and the tattooed and troubled but resourceful computer hacker Lisbeth Salander (Noomi Rapace) to investigate. When the pair link Harriet's disappearance to a number of grotesque murders from almost forty years ago, they begin to unravel a dark and appalling family history. But the Vanger's are a secretive clan, and Blomkvist and Salander are about to find out just how far they are prepared to go to protect themselves.

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Let Me In (2010) Review

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(More customer reviews)Let Me In is one of the most beautiful films of the year, and probably the best remake that I have ever seen. It is based on the Swedish film, Let The Right One In, which was released two years ago to monumental acclaim from both critics and art-house audiences alike. This touching story, concerning a young man's crush on a 12 year old vampire named Eli, captured the hearts and minds of everyone who was lucky enough to see it. If Ingmar Bergman were to direct a vampire-themed film, it would look a lot like this. However, one should not think of the film as yet another entry into the recent "vampire" craze. It is much more than that. This is the film that Twilight only wishes that it could be.
The remake deviates structurally from the original, only in that the opening is a bit different, and a few minor characters have been altered or dropped altogether. The integrity of the storytelling remains intact, and as a result, much of the remake resembles the original in all of its snow-drenched glory.
Kodi Smit-McPhee plays Owen, a lonely young man who is constantly bullied at school in the most brutal fashion. He spends his evenings at home playing with knives, and spying on the attractive neighbor next door. In addition to these disturbing quirks, he has an almost addictive fondness for Now and Laters, and constantly eats the candy throughout the film. Chloe Moretz plays Abby, a young girl who moves in next door with a man that we initially assume is her father. The two meet on the playground one night, and bond over the intricacies of a Rubick's Cube. Soon, Owen develops a crush on his new friend, oblivious that Abby is really a vampire, and that her "dad" is in fact a serial killer, who creeps out into the night, stalking and killing random victims in order to bring buckets of blood back to Abby, in order that she will survive.
Meanwhile, an older cop tries to figure out who the mysterious killer is, as the bodies continue to surface. As far as Owen is concerned, the bullying still continues at school, but with a little advice from Abby, and a little bit of weight training, Owen realizes that he can stand up for himself in one of the film's most shocking - and darkly comic - sequences. It doesn't take long for Owen to realize who and what Abby really is. In all of his fright and confusion, he decides to stay by her side, and as a result, Abby vows to protect Owen in the only way that she knows how.
As I said, this is one of the best films of the year. Both of the leads deserve Oscar nominations for their layered performances. The cinematography is breathtaking. The score is beautiful, although there are moments in the film that could do without a background score. This is my only criticism of this otherwise perfect film. Matt Reeves (Cloverfield) has crafted a worthy tribute with Let Me In.
It is worth mentioning that this film is rated R, and while the film centers on two adolescents, it is not a film for the 12 and under crowd. It is much too disturbing at times, and the language is pretty rough. I would also encourage Twilighters to see the film, so that they may have a clear example of a film (Let Me In) and a product (Twilight).


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From Matt Reeves - the director of Cloverfield - comes the new vampire classic that critics are calling 'chillingly real" (Scott Bowles, USA Today), 'one of the best horror films of the year" (Cinematical) and 'a haunting, touching and unforgettable thriller" (Pete Hammond, Boxoffice Magazine).In bleak New Mexico, a lonely, bullied boy, Owen (Kodi Smit-McPhee of The Road), forms a unique bond with his mysterious new neighbor, Abby (Chloë Grace Moretz of Kick-Ass), who moves from town to town with the man who appears to be her father (Oscar Nominee Richard Jenkins of The Visitor).Trapped in the mind and body of a child, however, Abby is forced to hide a horrific secret of bloodthirsty survival.But in a world of both tenderness and terror, how can you invite in the one friend who may unleash the ultimate nightmare?Based on the Swedish novel, Let the Right One In, 'Let Me In is a dark and violent love story, a beautiful piece of cinema and a respectful rendering of my novel for which I am grateful." (John Ajvide Lindqvist, author)

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