Thinking XXX (Extended Cut) (2004) Review

Thinking XXX (Extended Cut) (2004)
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Thinking XXX (Timothy Greenfield-Sanders, 2004)
I've been stepping up my watching of documentaries these past few years. Sort of a combination of feeling like too much of the time I spend in front of a screen is wasted and wanting to find out more about subjects that I know nothing, or little, about. It's not that much of a sacrifice when you've got stuff like this out there waiting to be seen. Celebrated photographer Timothy Greenfield-Sanders, while taking the photos for his book XXX: 30 Porn-Star Portraits, decided to film the process as well. The result is a fascinating look at the people behind the porn, as it were.
One (or, at least, I) always expects porn stars to be nice, bubbly, somewhat vacuous. I know, prejudice is a horrible thing, but there it is. And to be fair, a few of the folks who get camera time here come off exactly that way. But the majority are quite another thing entirely. Everyone, by now, knows the Jenna Jameson story, how she went from being "just another porn star" to being one of the biggest movers and shakers in the adult entertainment industry. (One of the interviewees notes that the E! True Hollywood Story episode on Jenna Jameson was the series' most watched episode of all time.) that sort of drive, intelligence, and ambition is very well represented here, and by many more stars than Jameson. Yeah, there are a lot of naked bodies to look at, and they're aesthetically pleasing, but the flesh on display is not the only attraction here; these people, and the other commentators Greenfield-Sanders ropes in to give their opinions (among them Gore Vidal, Nancy Friday, Karen Finley, and John Waters), really have interesting stuff to say about the business, about their lives, about the cultural mystique that allows such an industry to become the billion-dollar juggernaut it is. These is good people, these is! (And I had no idea Nina Hartley was still making movies-- I remember her from almost a quarter-century ago. More power to her!)
As well as all that, there's what (I assume) Greenfield-Sanders originally set out to document, the art of composing the pictures themselves. He works on antique equipment, so this isn't just a documentary about point-and-shoot camera technology. Even if it were, his idea here-- portraits of the stars clothed, then nude, in the same positions-- required a lot of forethought, a lot of retakes, and, no doubt, a lot of patience from everyone involved. Ever wonder what goes into one of those big coffee-table books of photography? I have little doubt that what Greenfield-Sanders shows us is no more than the tip of the iceberg, but it's enough to get a person wondering.
Rent this, send the kids to bed, and watch it. Prurient interests aside, I think you'll learn something. This one was definitely not filed in the "wasted time" folder in my head. ****


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Award-winning director and art photographer Timothy Greenfield-Sanders brings viewers onto the set of his newest photo shoot and into the private worlds of the top porn stars in the country in this unusual and provocative documentary. From Savanna Samson to Nina Hartley, Sean Michaels to Lukas Ridgeston straight to gay, legends to newcomers. Thinking XXX offers a clothed and unclothed look at some of America's legendary porn stars as they pose in front of Greenfield-Sanders's large-format portrait camera, and then discuss many of the facets of their lives and careers. The film follows these women and men through interviews on and off of Greenfield-Sanders photo sets in New York and LA, delving into discussions of exhibitionism, private and public sex, money, and the business today. Stars are interviewed at home, in the office, at the gym, and with friends and lovers. They discuss their lives, their decisions for going into this business, their hopes and dreams..Running Time: 58 min.

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The Boys of Sunset Ridge Review

The Boys of Sunset Ridge
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This movie is beyond bad. I can't believe that John Heard signed up for this ... it's terrible. I've seen better acting in an elementary school play. Don't waste your money ... or better yet - buy my copy because I am embarrassed to have it in my collection!

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A Life Apart - Hasidism in America (1987) Review

A Life Apart - Hasidism in America (1987)
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This wonderful documentary by Oren Rudavsky and Menachem Daum, which is narrated by Leonard Nimoy and Sarah Jessica Parker, offers the viewer a birdseye view of an interesting, insular, and little known, yet often misunderstood, sect of Judaism. Founded in Eastern Europe in the eighteenth century, it is characterized by mysticism, prayer, and religious zeal. It is not a lifestyle for everyone, but it is certainly a lifestyle about which everyone should know.
Hasidim are singular in their way of living. The men wear the same type of clothing that was worn in Eastern Europe in the eighteenth century, hats, which often serve to distinguish one Hasidic sect from another, black pants, black jackets, and white shirts. The men are bearded and sport the traditional "payess", or side curls. The women cover their heads with scarves or elaborate wigs and are always modestly clothed, covered from head to toe. The Hasidim adhere to the same customs as when they were first founded, speak Yiddish, seem to have a universal, collective mind, for the most part, and adhere to a strict, ultra-orthodox interpretation of Judaism.
The Hasidim came in large numbers to America sometime after World War II, peaking in the nineteen fifties. The narrators explain some of the reasons why the Hasidim, strangers in a strange land, were able to flourish. Many settled in New York City, and there are large communities of Hasidim in Brooklyn, where they try to co-exist with their non-Hasidim neighbors, not always successfully. They chiefly occupy the neighborhoods of Williamsburg, Crown Heights, and Boro Park. They even have their own town in upstste New York, Kiryas Joel. The documentary films the Hasidim in their downstate milieu and gives token recognition to how they are perceived by their non-Hasidim neighbors, who tend to view the self-imposed seclusion of the Hasidim as exclusion of themselves. To some extent they are correct, though not in the way one might think.
While there are a number of sects, such as the Bobovs, the Satmars, the Lubavitchers, just to name of few of the most prominent here in America, each sect is ruled by its own Rebbe who is the acknowledged leader of the sect and highly revered. The film dwells upon the commonalities, rather than differences, that exist among the various sects. Their differences, however, are a story for another documentary. This film focuses more on giving the viewer a somewhat loving view of the Hasidim, touching only briefly upon the differences between the Hasidim and the non-Hasidim. Quite frankly, in some neighborhoods, there is a cold war going on between these two factions. One need only come to Brooklyn, New York to see this.
The Hasidim tend to shun the media and do not watch films or television, for the most part. In fact, in watching the film, the viewer can see many Hasidim shielding themselves from the eye of the camera, so as not to appear. Some who did appear, however, expressed a justification for doing so. The Hasidim do not, as a whole, send their children to college to pursue a higher, secular education. The lack of higher education, however, precludes them from professional jobs such as lawyers, doctors, accountants, pharmacists, etc. They tend to work at jobs within their community where possible, though they will venture out into the larger non-Hasidic community for employment, when necessary. This is a source of concern for them and a test of their strength and resolve to adhere to their own ways, as such employment forces them to interact with a community with whom they normally would not.
The film also takes the viewer into one of their schools or Yeshivas, allowing the viewer to see how the children are acculturated from early on. The Hasidim are essentially fundamentalists, and, as are many fundamentalists, they are extremely narrow in their world view. The film also interviews Paula Gluck, an obviously intelligent and articulate, young woman who left the Hasidic community to live her life as she chose, to write and seek a higher education among the non-Hasidim. The film balances this defection by interviewing a man who affirmatively chose to become Hasidim, though his Jewish parents, holocaust survivors, were not. It is an even handed handling of two issues germaine to the Hasidim, those who leave and those who join. The Hasidim are not part of mainstream America, nor do they wish to be, though they cherish many of the values cherished by other Americans: family, home, hearth, and community. Marriages, however, are arranged by the parents, often through a matchmaker. This documentary memorializes a Hasidic wedding and illustrates the division of the men from the women, even during such a joyous occasion.
Whether one agrees or disagrees with their chosen way of life, however, this documentary is a most interesting film. Working in Brooklyn and finding myself often having to interact with the Hasidim, I absolutely loved this documentary, even though it was a bit of a white wash, leaving out some of the darker aspects of this segment of the Brooklyn community. One of the most important issues with respect to this community was entirely omitted. This was on the issue of their importance politically, as a group with which to be reckoned. This group holds a great deal of political power, because they will follow their Rebbe's lead and vote as a block. Politicians in New York do not hesitate to curry favor with this group and court them because of it. Most recently, the Hasidic community of Kiryas Joel in upstate New York made headlines for the way they voted in the race for U.S. Senator from New York and was the subject of much heated debate.
Still, for those unfamiliar with the Hasidim, this documentary will be an interesting and delightful revelation and will hold the interest of the viewer throughout. The documentary is well done, beautifully filmed, and clearly, a labor of love. Those viewers who are interested in other cultures, ultra-orthodox Judaism, or the religious beliefs of others will have a deep appreciation for this wonderful and informative documentary.

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In New York City, the Hasidim are a common sight, but even here their way of life remains a mystery to those outside their community. With their use of Yiddish, their distinctive clothes and their strict observance of Jewish ritual and law, the Hasidim are considered by many an insular people with little connection to mainstream America. Yet their values are those that many Americans find most precious: family, community, and a life of meaning. In this "unique glimpse into this closed society" (Philadelphia Inquirer), seven years in the making, we are taken into the depths of the Hasidim's joyous, sometimes harsh, and often beautiful world. A "series of beautifully shot, startlingly intimate interviews" (New York Post) sheds light on idiosyncratic customs such as matchmaking, secular education and traditional dress, by taking us through the homes, schools and synagogues of this insular world. The filmmakers also candidly address suspicions of racism and accusations of sexism from the outside community.A Life Apart: Hasidism in America, narrated by Leonard Nimoy and Sarah Jessica Parker takes us on an illuminating journey into a "beautiful, mesmerizing and mysterious world" (San Francisco Bay Guardian) of a community kept distinct from its surrounding culture for generations.

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Hide and Seek (1999) Review

Hide and Seek (1999)
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If you don't think that a married couple, arguing loudly about which of them "gets" to pump their pregnant hostage's force-feeding device is funny, it's pretty safe to say that you should just avoid this film. But those who revel in sick, black comedy, deranged, eccentric characters and stories that get so, well, "icky" they make you laugh, will love this movie. I saw it on the USA Channel- after I rented it- and needless to say that all the good parts seemed to be cut out for TV. This is Jennifer Tilley's movie, and she is unstoppable. Gallo is a creep as her equally evil husband- and the scenes between them are among the best in the film. To be sure, this movie isn't for everybody; my mom, for example, would hate it- big surprise. It obviously wasn't made for her. This is a dark, cult film- no two ways about it. Scary and hilarious at the same time... I loved it.

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Purple Hearts Review

Purple Hearts
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I won't bore you with another review.
If you want this terrific little movie to come
out on dvd then click yes when asked if this
review was helpful to you.
Please bring it out on DVD.

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Fists and Guts (1984) Review

Fists and Guts (1984)
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Gordon Liu stars in this 5 star kung fu showcase. Filled with nothing but the best shaolin kung fu, along with some comedic styles such as the lepper style, and cat claws. A great story, and ofcourse the master killer himself, plus a star studded kung fu cast that also includes lo leih (five fingers of death). Great movie. If you are a fan or a collector, and you don't have this one, what kind of collection do you have?

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Movie Bad Girls (Sins of Jezebel / Queen of the Amazons) (1953) Review

Movie Bad Girls (Sins of Jezebel / Queen of the Amazons) (1953)
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VCI Entertainment and Kit Parker Films presents "MOVIE BAD GIRLS DOUBLE FEATURE" (Sins of Jezebel (1954) & Queen of the Amazons (1947) --- (Dolby digitally remastered)...featuring top performances from the '40s and '50s with outstanding drama and screenplays, along with a wonderful cast and supporting actors to bring it all together ... another winner from the vaults of almost forgotten Hollywood gems.
First up we have Lippert Pictures feature "SINS OF JEZEBEL" (1954) (74 min/Color) --- Under Reginald Le Borg (Director), Sigmund Neufeld (Producer), Richard Landau (Screenwriter), Gilbert Warrenton (Cinematographer), Bert Shefter (Composer (Music Score), Carl Pierson (Editor), F. Paul Sylos (Art Director), Paul F. Sylos (Art Director) ----- the cast includes Paulette Goddard (Jezebel), George Nader (Jehuz), John Hoyt (Elijah), Eduard Franz (King Ahab), John Shelton (Loram), Margia Dean (Deborah), Joe Besser (Yonkel, Chariot man), Ludwig Donath (Naboth), Carmen D'Antonio (Dancer) . . . . . our film and story has a scheming wicked princess of Phoenicia named Jezebel whose pagan ways brings destruction to all she comes in contact with ... Paulette Goddard is believeable as Jezebel, with George Nader who is under her magical spell ... will she introduce her pagan idols in place of the God of Israel, what danger lies before the King of Israel Eduard Franz as Ahab ... Sins of Jezebel takes place in 9th Century, B.C., in the city of Jezreel, the prophet Elijah warns Ahab, the King of Israel, against marrying Jezebel the beautiful but evil Phoenician ... on a very small budget this film comes across and delivers the goods and more
BIOS:
1. Paulette Goddard (aka:Marion Goddard Levy)
Date of birth: 3 June 1910 - Whitestone Landing, Long Island, New York
Date of death: 23 April 1990 - Ronco, Switzerland
2. George Nader
Date of birth: 19 October 1921 - Pasadena, California
Date of death: 4 February 2002 - Woodland Hills, Los Angeles, California
3. Reginald Le Borg (Director)
Date of birth: 11 December 1902 - Vienna, Austria-Hungary (now Austria)
Date of death: 25 March 1989 - Los Angeles, California
4. Robert L. Lippert (Producer)
Date of birth: 31 March 1909 - Alameda, California, USA
Date of death: 16 November 1976 - Unknown City & State
BONUS FEATURES:
1. Movie Trivia
2. Photo Gallery
3. Three Nuts In Search of A Bolt (trailer)
4. Promises Promises (trailer)
Second on the double bill is a Robert L. Lippert Picture release "QUEEN OF THE AMAZONS" (1947) (61 min/B/W) --- Under Edward F. Finney -(Director / Producer), Roger Merton (Screenwriter), Robert Pittack (Cinematographer), Lee Zahler (Musical Direction/Supervision), John Link (Editor), James Reimer (Art Director) ----- the cast includes Robert Lowery (Gary Lambert), Patricia Morison (Jean Preston), J. Edward Bromberg (Gabby), John Miljan (Narrator/Colonel Jones), Amira Moustafa (Zita, the Amazon Queen), Keith Richards (Wayne Monroe), Bruce Edwards (Greg Jones), Wilson Benge (Professor), Jack George (Commissioner), Cay Forrester (Sugi), Vida Aldana (Tondra), Hassan Khayyam (Moya) . . . . . our story line as woman searches the Amazon jungle for her missing fiancé ... The problem is not that she finds her husband alive and well, but that he has fallen in love with the Amazon Queen ... is the jungle controlled by a tribe of she-devils ... are outsiders safe, or will they be enslaved and tortured by a gang of smugglers ... what's with all the lions roaming the Lippert Picture set, does one of them have a collar ... don't leave the theater you're about to find out in the last reel . . . . . all courtesy of VCI Entertainment, who in my humble opinion is the best there is in restoring early serials and film noir features like this one.
BIOS:
1. Robert Lowery
Date of birth: 17 October 1913 - Kansas City, Missouri
Date of death: 26 December 1971 - Hollywood, California,
2. Patricia Morrison
Date of birth: 19 March 1915 - New York, New York
Date of death: Still Living
3. Edward F Finney (Director)
Date of birth: 18 April 1903 - New York, New York
Date of death: 10 January 1983 - Los Angeles, California
BONUS FEATURES:
1. Movie Trivia
2. Photo Gallery
3. Bad Blonde (trailer)
4. Man Bait (trailer)
5. Unwed Mother (trailer)
Great job by VCI Entertainment for releasing the "MOVIE BAD GIRLS DOUBLE FEATURE" (Sins of Jezebel (1954) & Queen of the Amazons (1947), digital transfere with a clean, clear and crisp print...looking forward to more of the same from the '40s and '50s vintage...order your copy now from Amazon or VCI Entertainment, stay tuned once again for epics and jungle adventures that only VCI Entertainment (King of the Serials) can deliver.
Total Time: 128 mins on DVD ~ VCI Home Video KPF-559 ~ (9/26/2006)

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