Showing posts with label classical music. Show all posts
Showing posts with label classical music. Show all posts

Bizet - Carmen / Maazel, Migenes, Domingo DVD (1984) Review

Bizet - Carmen / Maazel, Migenes, Domingo DVD (1984)
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This film production of Bizet's Carmen, shot on location in southern Spain, is magnificent. The singing and acting are first rate, as are the sound and picture quality of the DVD. Carmen, like Don Giovanni, is a complex, multi-faceted character that can be played a variety of ways. Julia Migenes portrays Carmen with raw sensuality, and it works, as we see her opposite, Don Jose (performed brilliantly by Placido Domingo), unable to escape her womanly powers. The film uses dialogue rather than recitatives, as that is what Bizet intended--Carmen is an opera comique, which means that spoken dialogue (not recitatives) are employed between the singing. The dialogue definitely heightens the drama of Carmen, and it was only after Bizet's death that sung recitatives were unfortunately used in in this opera. Because this is a film version of Carmen, there are many creative and symbolic options that couldn't be done in the opera house. The use of a live bull in the ring is extemely effective, and it is the first image we see in this film. We see how beautiful and noble the bull is, how strong and free spirited he is. This powerful and tragic image will stay with us throughout the film. The use of such symbolism allows us ultimately to compare Carmen to the brave bull who would rather die than surrender its freedom, while don Jose is the bullfighter who must kill the object he lives for and loves most. There is real frisson between Domingo and Migenes as they heat up the screen--Domingo gives an amazing performance of don Jose's gradual fall and ultimate self-destruction. There are no disappointments in the entire cast. The final act is most effective as don Jose essentially is transformed into the matador while Carmen represents the courageous bull--refusing to back down, she must die, just as the bull must be sacrificed in the ring. While they are performing their "dance of death" we are shown clips of Carmen's new lover, a matador, in the ring facing a real bull--this is a powerful juxtaposition that could obviously only be done on film. This is a striking film, one that captures the very essence of Carmen and her world, and it only gets better with repeated viewings.

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All the passion and spectacle of Bizet's Carmen comes to life in this dazzling screen opera starring Placido Domingo and Julia Migenes-Johnson. In 19th century Seville, the lusty, tempestuous Carmen (Migenes-Johnson) seduces a naive Army corporal, Don Jose (Domingo), newly assigned to the village fortress. Jose abandons his career, his fiancée and even his dying mother for the love of this sultry gypsy. But soon she spurns him in favor of a toreador, Escamillo (Ruggero Raimondi). Crazed with jealousy, Jose begs Carmen to return to him, but her taunting declaration of independence results in tragedy. Shot entirely on location in Andalusian Spain, Bizet's Carmen has been hailed as the definitive version of this classic opera. 155 minutes.

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El Sistema: Music to Change Life (2009) Review

El Sistema: Music to Change Life (2009)
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As I am in the music field in Mexico,trying with others to make the same project work here, I was able to see this extraordinary documentary several months ago. It was a private showing, and almost the entire audience, friends,maestros, musicians, were weeping through it - deeply moved and filled with hope.
They'd already seen or owned "Tocar y Luchar", the first beautiful film on El Sistema, but now Maria Stodmeier and Paul Smaczny have gone deeper, and have captured what is beyond words. Their general response of unmitigated admiration for El Sistema's founder, José Antonio Abreu whom Claudio Abbado calls "a saint".
And now, when you see what musicians, such as the true ambassador Gustavo Dudamel,the Simón Bolívar Orchestra, to mention just a few, have emerged from the project,you'll marvel at why it took more than thirty years for us in North America to catch on.
El Sistema has expanded since the first film exposure, and to me, part of the miracle is
how children play as if they were adults - no passage of time seems present. Their dedication - theirs and that of the teachers and staff who work with Abreu - is almost surreal. Where did all these old souls in children's bodies come from? Is this what happens when they're given a chance to experience classical music? When you listen to their wisdom, so beautifully reflected in the many levels of the project, you'll probably be speechless. And hopeful.
There's a great deal more to say about this remarkable documentary which I hope anyone with the least interest in changing the world, orders sight unseen. Paul Smaczny of EuroArts, who has produced the world's finest concert films on DVD, together with the brilliantly sensitive Maria Stodmeier, have done us all a great favour.
I thank them a thousand times over...and when you see some of the little touches - such as a hawk slowly hovering over dense and sprawling Caracas, free and soaring on the wind -
you'll understand the spiritual message of the film far beyond words.

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A film by Paul Smaczny and Maria Stodtmeier. Venezuela's unique system of music education takes children from violent slums and turns some of them into world-class musicians. 'El Sistema' shows how Venezuelan visionary Jose Antonio Abreu has changed the lives of hundreds of thousands of children over the past three decades. This lyrical and moving documentary takes us from the rubbish dumps and barrios of Caracas to the world's finest concert halls. Children from streets dominated by the gun battles of gang warfare are taken into music schools, given access to music, and taught through the model of the symphony orchestra how to build a better society. Paul Smaczny and Maria Stodtmeier's film finds hope and joy in unlikely places. 'I have nothing but admiration for Jose Antonio Abreau's commitment (in both a cultural and a social context). What he has achieved with El Sistema and the Simon Bolivar Youth Orchestra is simply unique in the world.' -- Claudio Abbado 'The future of classical music lies in Venezuela.' -- Sir Simon Rattle

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Peter and the Wolf Review

Peter and the Wolf
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"Peter And The Wolf" (2008)
Technically stunning, and thematically dark, this amazing adaptation of Sergei Prokoviev's classic children's piece, features marvelous stop-motion animation from director Suzie Templeton.
The film places "Peter" squarely back into its Russian origins, but rather than an idealized rural-agrarian past, it places the story in a more modern setting, amid glum, drab, rundown shacks and tattered forests, a grim vision of a Soviet-era or post-Soviet Eastern Europe, complete with gun-toting thugs (the hunters of the original story here seem more like cold-hearted militiamen) and the nearby village appears as a rundown, dismal cinderblock outpost. Amid this crushing gloom, Peter finds wonder and joy, unlocking a secret garden where he and his friends the bird and the duck (both crippled and unable to fly) are able to play and forget the bleakness around them.
While this may sound a bit miserable, the film itself is a marvel: the amount of work that went into this film is amazing, with Templeton devoting a full five years of her life to completing the piece. Equally engrossing are the added special features, including a making-of video and interview with Templeton and her cohorts that gives a sense of the sheer scope of their project, and the level of detail that went into this production. While the film itself may be a bit dark for smaller children, it will enthrall older kids and adults alike... This is a real class act, a film worth having and viewing for years to come. Recommended! (Joe Sixpack, Slipcue film reviews)

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Item Name: Peter and the Wolf; Studio:Magnolia Home Entertainment

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