Showing posts with label coming out. Show all posts
Showing posts with label coming out. Show all posts

Like a Brother (Unrated) (2005) Review

Like a Brother (Unrated) (2005)
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Sebastian is a 19 year old French boy living in a small town, who has unrequitted longings for Romain, who has been "Like A Brother (Comme un frère)" (2005) to him for many years. Jealous of Romain's developing relationship with a girl, Sebastian is torn between comforting his friend and jumping for joy when she goes off with someone else. While Romain is outwardly affectionate toward Sebastian, he senses his friend is gay and isn't surprised when Sebastian leaves their province to go to Paris, where he lives with his father (after coming out to him) and begins to explore his gay feelings in the club scene there. Those first few months are tough for Sebastian (who now calls himself Zack, after a character on an American TV show), who keeps thinking back to his best times with Romain. After a disappointing first sexual experience with someone who was just looking for a one night stand, Zack eventually meets Bruno, with whom he begins a tentative relationship. Then he gets a call: Romain is in town and wants to see him.
Beautifully photographed, with excellent production quality, and very attractive twink-ish actors in the two lead roles. It's short (only 55 minutes) and a little confusing, with most of the story told in abrupt flashbacks that alternate between a year ago and just a few weeks ago. In French with English subtitles (which cannot be turned off), DVD includes "making of" feature with writer, director and actors. I give it 4 stars out of 5.


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Sebastien dreams of being someone else. someone more outgoing more outrageous and more sexual. When the 18 year old leaves his small French town and moves to Paris to become an actor, he reinvents himself and changes his name to Zack. The City Of Lights cast a captivating glow for young Zack. Every night he cruises the city's most fashionable gay bars, dressed to kill and hoping to find a guy who swill love him. He moves from encounter to encounter, unable to find sexual or emotional fulfillment with anyone. Alone is his bedroom at night, Zack relives memories from happier times back in his home town and the close relationship he had with his best friend Roman. When Roman calls and announces that he is coming to Paris, Zack begins to rekindle the unrequited feelings he has for his best friend and is forced to make some big decisions about his life and how to live it honestly.

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I Love You Phillip Morris (2010) Review

I Love You Phillip Morris (2010)
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"I Love You Philip Morris" tells the real life story of Steven Jay Russell, who in 1998 received an unprecedented 144-year prison sentence for fraud, conning, impersonating, and multiple escapes from Houston's Harris County Jail. The film shows us sequences that seem utterly impossible, but in fact actually happened, which only goes to show that truth really is stranger than fiction. No, I will not describe them to you. Enjoying the film depends on the audience's reaction to Russell's actions. It's a little like a magician revealing his secrets; the trick itself is a lot of fun, but seeing what went into making the trick work can be quite fascinating, especially when you realize just how much effort goes into making something look simple. The apparent ease with which he executes his schemes is equally mind boggling.
Jim Carrey's portrayal of Russell is a delightful bag of contradictions. He's funny but touching, exaggerated but believable, contemptible but justified, caring but manipulative. There are times when it seems like he's thinking of no one other than himself, and there are other times when it's clear that he does what he does out of love. It's a daring, complex performance, and it's for reasons other than the fact that his character is gay; it establishes that Carrey is capable of something deeper than outlandish personalities and extreme physical comedy. His take on Russell is engaging, although it's not necessarily understandable. This isn't a criticism. Sometimes, it's preferable for audiences to figure out characters for themselves, for them to put their own spin on why certain people are they are way they are.
We're given a small glimpse of his childhood, in which he learns that he was adopted. We then flash forward to his early adult years; he's married to a woman who's a bit too religious and perhaps a little ignorant but sweet nonetheless, he has a delightful daughter, and he's the manager of a Texas food service company. But after surviving a car accident, he decides to live his life as an openly gay man, and he leaves his family behind for Miami. It's there he realizes that living a gay lifestyle is more expensive than his salary as a sales manager will allow. So he does what any man vowing to live authentically would do - he becomes a conman. After relatively simple schemes like feigning slips and falls in public places, he plunges headfirst into various types of fraud, including credit card, passport, and insurance. He even sells bad tomatoes.
Unfortunately, his crimes catch up with him, and he's arrested and sent to jail in Texas. He learns the ropes quickly; everything essentially boils down to a choice between paying someone off, learning how to fight, or giving someone oral sex. He knows who to talk to and where to guide someone should they need something. He spends all his free time in the library, where he reads nothing but law books. Into his life enters Philip Morris (Ewan McGregor), a soft spoken gay man who was tried and convicted for theft of service. He wants to see if there's a legal way to help an AIDS patient lying in the infirmary. Russell lies and tells Morris that he's a lawyer. The two immediately hit it off. Over the next few weeks, they form their own little slice of heaven in a jail cell, oblivious to the yard beatings and the cell searches.
At this point, I'm going to stop describing the plot, for I want you to be surprised by the lengths Russell will go to be with Morris. I will say that what the film, in its own offbeat way, is surprisingly sweet. Glenn Ficarra and John Requa's screenplay, based on Steve McVicker's book "I Love You Philip Morris: A True Story of Life, Love, and Prison Breaks," reveals a delicate and finely crafted balancing act between humor and drama; it's funny, though it never resorts to desperate slapstick or gross-out vulgarities, and it's heartfelt, yet it steers clear of broad, contrived sentimentalism. It's bold and appealing - a romantic comedy that refuses to follow the rules of a romantic comedy.
Apart from Carrey and McGregor, I was pleasantly surprised by Leslie Mann, who appears briefly but is no less important as Russell's ex-wife, Debbie. Even after learning that he's gay, even after they get divorced, even after he gets sent to jail, the two remain on fairly good terms. This is amazing coming from a woman perpetually hung up on what the Lord does and does not intend to have happen. She believes that Russell is a man who doesn't know who he is and is always searching for something. I guess that makes sense. Why else would he be so reckless in his attempts at pretending to be what he isn't? Part of what makes "I Love You Philip Morris" such a good movie is that it presents Steven Jay Russell without forcing us towards any definite conclusions about him. True, he may be serving an unusually long jail sentence (in solitary confinement, no less), but you have to admit, he is a romantic.

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Jim Carrey stars in the 'outrageously funny" (Rolling Stone) true story of a spectacularly charismatic con man's journey from small-town businessman to flamboyant white-collar criminal, who repeatedly finds himself in trouble with the law and on the lam - all in the name of love. Costarring Ewan McGregor, I Love You Phillip Morris is an unbelievably true comedy that's being called 'the best performance of Carrey's career" (Village Voice).

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Doing Time on Maple Drive (1992) Review

Doing Time on Maple Drive (1992)
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Fox DVD will undoubtedly showcase Jim Carrey for his supporting performance in "Doing Time on Maple Drive," a stellar cable TV movie from 1992, but buyer beware: his is a straight, supporting dramatic performance. He is very good, but the real shining star of this small Ken Olin-directed gem is the talented William McNamara, who is unforgettable as the "good" son in a seemingly perfect, but actually dysfunctional, family led by James B. Sikking and Bebe Besch. "Chicago Hope"'s Jayne Brook rounds out the cast as a daughter who evidently married beneath her status and joins alcoholic older brother Carrey as the profound disappointments in a family who has laid all its future hopes and dreams on its children. Apparently, it's up to youngest son McNamara to rise above the rubble his siblings have made of their lives and carry on the family's grand promise. Unfortunately, he has a secret that will come crashing down on everyone involved.
When the story opens, McNamara is bringing fiance Lori Loughlin home to meet the family. And it's a joyous homecoming, but it's clear something is wrong with the relationship. Then the unthinkable happens and Loughlin discovers McNamara's secret: he is gay and has left a long-term boyfriend to marry her simply to please his parents, who supposedly don't know the truth. Then she leaves and he is left to explain to his family why his bride has abandoned him and why he may very well be their biggest disappointment of all.
The great thing about "Doing Time on Maple Drive" is how honest it is, and how refreshingly free of melodrama the writers and director Olin have made it. McNamara's secret is revealed slowly, and when the family finally finds out about it, their reactions are honest and true. That the mother takes it hardest of all is a refreshing twist, and Sikking's father has a final heart-to-heart with his son which is beautiful, yet heartbreaking, to behold. What is refreshing is that the film isn't about homosexuality as much as it is about family dynamics and how important it is for parents not to base too much of their hopes and dreams on their children. The ironic thing is that McNamara will undoubtedly be a success in life, and should be a source of undying pride for his parents, but because of his sexuality he will always be the family's embarassing secret.
The performances in "Doing Time on Maple Drive" are universally excellent, with McNamara and Sikking the standouts. Besch is also pitch-perfect as a mother who is loving on the outside, but as cold-hearted and unforgiving on the inside as was Mary Tyler Moore in "Ordinary People." Brook and Loughlin offer solid support, but Carrey is a revelation, especially those who missed his stellar dramatic work in "Man on the Moon" and "Eternal Sunshine." Made just before "Ace Ventura" made him a comedic superstar, his alcoholic son is tender and achingly true. And director Ken Olin handles everything with appropriate restraint and a total lack of exploitation.
"Doing Time on Maple Drive" is a terrific TV movie and a welcome edition to DVD. Don't let the subject matter scare you off. It is respectfully and tastefully handled, and for once serves a more universal truth than simply preaching to the choir about homosexual rights. After one viewing, you may ask yourself the same question I have for years: Why is William McNamara not a major star? You may be as baffled as me. *****
(out of *****)

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