Showing posts with label derek jacobi. Show all posts
Showing posts with label derek jacobi. Show all posts

The Tenth Man (1988) Review

The Tenth Man  (1988)
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OCCUPIED FRANCE - WORLD WAR II: You've just eaten in a Paris restaurant and you exit. All of a sudden, you are picked up by the Germans and herded off in a truck to prison. A German has been murdered, and you just may have to pay the ultimate price- your life! The only way to save your life is to offer a trade- your wealth and home. A young Frenchman takes the offer. Later, you do attempt to withdraw the agreement...but, the young Frenchman won't. Three years later, you're out of prison with no where to go. You find yourself outside the home you swapped, and you walk up to the door. You hide your identity from the young woman, the Frenchman's sister. You work for her, and eventually care forher very much. Then, one day, someone else comes to the door. He gives your true identity as his! Who is this man? What does he want? And, how will it all end? This 1988 movie is well acted. You will be delighted to see a young Kristin Scott Thomas giving a fine performance. She holds her own quite well with Sir Anthony Hopkins.

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Pinochet's Last Stand (2010) Review

Pinochet's Last Stand (2010)
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Generally, I shy away from docudramas. If nothing else, they're a little too easily challengable. But when a friend reminded me that 9/11 is not only THE 9/11 but also the date of the Chilean coup in which Augusto Pinchet took over, I felt it about time that I see this fine film.
At the beginning, as is often the case with a docudrama, the film reminds you that it's based on fact, but some characters may be made up. Okay, I'll buy that.
Then the screen shows some of the atrocities of which Pinochet was accused: 3,000 dead and 30,000 tortured. The script added in a few places that about 1,200 disappeared too. (The activist with the most prominent role in the cast, Nicole Prouilly, had a sister who was among the 1,200).
Then, onto the story: General Pinochet is visiting UK for back surgery. Activists from UK's Amnesty International office, having tried unsuccessfully to have Pinochet arrested in the past, try again. They appeal to Home Secretary Jack Straw who then arrests Pinochet who's still recovering from the surgery.
Pinochet, played masterfully by Derek Jacobi, shows the hubris one would expect from a dictator. He's arrogant, can't believe that he's under arrest, even though he's sent to a rather elegant house used often by English show biz personalities. He gets put in his place by a young policewoman.
When Madame Pinochet leaves, Augusto says one of the most intriguing lines of the script: "So much time alone with my wife; the one masterstroke of my enemies."
In the meantime, the Pinochets hire Michael Caplan as their defense attorney. He attempts to convince the courts--and the Pinochets--that they are "victims of politics." He, in fact, seems a little dismayed when Pinochet says to him that, "Friends call me 'my general.'"
The Amnesty activists are doing their best to see to Pinochet's extradition to Spain where he was to undergo trial for crimes against humanity. First, UK's House of Lords votes 3 to 2 against Pinochet's immunity. (I was surprised that Tony Benn was one who voted for it!) Then there were the appeals, Madame Pinochet's accusing the defense attorney of doing it all for the money, the courts debating whether to sustain the House of Lords' vote or not. Then a pro-Pinochet PR campaign began, with the general insisting that he as a "dictator," only in the Roman sense, i.e., he took absolute control only to dispel an "emergency." Eventually the High Court deciding that Pinochet can be extradited, i.e., in favor of the activists.
In the meantime, "Baroness," former prime minister Thatcher" enters the picture. I've never been a Maggie Thatcher fan. Her reactionary politics have infected the British system and it'll be a while before they recover from it. And her entering into English "aristocracy" is a symbol of how reactionary she was. But I hope the role she played in the Pinochet scheme was hyperbole. She was more arrogant than Pinochet, accused the British government of criminal behavior in arresting Pinochet. And the woman playing the "baronness," Anna Massey, was remarkable. Of course, most of what Thatcher did was show business, done for the camera and for HER benefit.
To make a long story short, Pinochet eventually relied on a medical excuse for not being extradited. He feigned dementia, went through a battery of medical and psychiatric tests to determine that he couldn't stand trial. He was sent back to Chile where he got out of the wheelchair, and seemed a lot healther than when he left UK. He died, after having been charged and tried for nothing, in 2006.
While this isn't exactly an action film, the characters made the story move. One pivotal character, in fact, was Jack Straw's son, played by Gethin Anthony. He learned of some of his father's earlier political activities while this case developed. His pride in his father was formidable. He was, however, let down when his dad gave into Pinochet's alleged inability to stand trial. According to the script, Straw felt it was no longer expedient to hold Pinochet, and his son was visibly disappointed.
Then there was the young policewoman assigned to the house in which Pinochet was incarcerated. She'd put down the arrogant Pinochet, seemed to have endeared him, but was never sure. She left to get married, then returned, and was never sure whether Pinochet's disability was an act.
The script was well done, and the acting fabulous. How accurate was it? Well, I don't know that it will convince anyone who believed in Pinochet's innocence. A docudrama will seldom if ever do that. But if you want something to think about, or to show to, say, a high school or college class on issues of human rights in South America, I would put this on the list of films I would show.


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Secret Garden (1987) Review

Secret Garden  (1987)
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I have now seen two other versions of The Secret Garden, and this one (the first I ever saw) Remains my favorite. The reason is I have a couple problems with the other versions
In the old 1949 Edition, Mary wasn't portrayed correctly. She's supposed to be (at the beginning) a girl with an attitude (for lack of a better way to put it.) She's supposed to be completely emotionally unnafected by her parent's death (according to the book)as they had never attempted to spend time with her. In the old 1949 version, Mary has an emotional outburst upon learning of her parent's death. That is out of charachter. In this version, she's more concerned about the doll she dropped when she was told. Her attitude in this 1987 version seems more in charachter.
In the 1993 version I do not like the way they took the concept of "magic" and twisted it into a seance in the garden. That is extremely out of charachter with the book. When the book speaks of "Magic" it almost hints at miricles/the hand of God. This 1987 movie kept in charachter with that.
Basically, I think this version is truer to the mysterious (in a good way) tone of the book. the manor is beautiful! and the whole scenery is in charachter with the book. The only thing they contradicted the book in was having Mary and Colin not related. In the book they're cousins. But in this version they're unrelated, which is obviously because they have Mary and Colin getting married. The only thing I would change is the actors that played the two boys, Colin and Dicken. They were pretty good actors, but both were too old. Dickon should have been someone more Mary's age, and the actor that played Colin (although he has a sufficient baby face) reveals his real age at the end when he can stand up and walk. Way too tall. Look at the scene with him and his father walking together in the garden. Colin's way to tall to be 10 (his supposed age). Other than that, this is a superb version of the movie, which any Secret Garden fan should own. Hallmark has quality! (insert gold crown here)

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Ken Burns Presents: The West (2009) Review

Ken Burns Presents: The West (2009)
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The West
DVD ~ Peter Coyote
When some people use the word "documentary" they seem to imbue it with an expectation of total objectivity--as if one could eliminate all traces of cultural experience from one's makeup and discover a shining path of ultimate "truth" simply by the act of becoming a filmmaker. Nonsense. We are all a product of our times and of the culture in which we were raised and educated. Documentaries are always, always, always selective. There is no such thing as total objectivity, either in writing or in filmmaking.
That said, this is an enormously valuable effort to sift through an extraordinary cross-section of materials and condense them into 12 and 1/2 hours of very viewable, enlightening and often extremely moving stories. Yes, that's right, I said "condense". The documents available on the history of the West literally fill many museums, and unless you plan to spend every waking moment of your life from the time you learn to read until the day you die as a serious scholar of western lore, you will never gain a complete knowledge of the subject. This is an outstanding effort to provide a distillation of the sense and feel of the west from the earliest days of indian tribal inhabitation to the passing of the frontier. To have even attempted that feat in a 12 and 1/2 hour presentation took courage and imagination. Although I have often grumbled to myself about Ken Burn's relentless imposition of an over-stylized montage technique on the presentation of his documentaries, I have nothing but astonished admiration for his accomplishment in crafting this mini-series. Bravo.
Yes, yes, it doesn't tell the whole story of the West. Yes, it is selective. And, yes, there are other things that could have been included. C'mon guys, quit sitting back like Monday morning quarterbacks and griping about what is missing from this presentation. Think about what he WAS able to accomplish! He captured a sense of sweep, a sense of the development of the frontier, and an extraordinarily vivid impression of the cultural, religious, social, economic and racial collisions that occurred in this vast space over a period of a couple of centuries. Good grief, what do you want, blood? If he had never made another movie, this series would still have placed him in the pantheon of American documentarians. No one is claiming that this is the only document you need to expose yourself to in order to achieve perfect understanding of the history of the West. But it's certainly one absolute requirement for inclusion in any attempt to understand the subject.
For any collector of Western memorabilia and lore, for any teacher who wants to enrich a class in American studies, and for anyone at all who simply wishes to gain a sense of the West in our history, this is a must-have set of dvds to add to your collection. It should be available in every school and public library and rerun regularly on PBS. It's the best thing Burns has ever done--the Civil War series notwithstanding--and those who chirp like little toads that it should have been better are welcome to make an effort to direct and produce a version that improves on it. Don't hold your breath until that happens.
Now I'm about to suggest a bit of social heresy in this day of 30 second commercials and infinitesimal attention spans. If you really want to gain the ultimate impact, try total immersion. Choose a rainy or snowy Saturday or Sunday, lay in a goodly supply of your favorite food and drink, lock the door and turn your phone off (!), and then do a total viewing immersion. Watch the entire series from beginning to end in one marathon day. And by the way, treat yourself to some solitude. That's right, do it alone; spend one day watching this without having to pay attention to the needs or attitudes or reactions of a viewing companion. Let it surround and soak into your senses. Embrace the barrage of images and sounds. Plunge headlong into that amazing collection of stories about people and places and events. It will change you. You won't come away with total recall of details, but you will achieve a new sensory and intellectual appreciation of our history that is geometrically greater than watching it piecemeal with days or weeks intervening between the episodes. Later on, after some time has passed, you can go back and view it again in the self-contained capsules; that time through, you will absorb the detail. Go ahead, try it. Challenge your mind.
Well done, Mr. Burns! My hat is off to you. And thank you PBS for reminding us that our brains are for thinking.


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KEN BURNS:WEST - DVD Movie

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