Twisted Terror Collection (Deadly Friend / Dr. Giggles / Eyes of a Stranger / From Beyond the Grave / The Hand / Someone's Watching Me) (1992) Review

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(More customer reviews)Someone else has already said which films are in this set, so I will add detailed descriptions of each featured film:
From Beyond the Grave (1973) Peter Cushing - 4/5 - Cushing hosts this anthology of four tales that is pretty good if you are a fan of British style horror. The shortness of the four tales keeps things moving along nicely so that you don't get bored. What holds the stories together is that Cushing plays the owner of an antique shop whose customers meet supernaturally tragic fates if they try to wrong him.
Someone's Watching Me (1978) - Stars Lauren Hutton and David Birney, directed by John Carpenter - 4/5 - Lauren Hutton is a woman being stalked by a neighbor across from her apartment. He calls her, sends her gifts, and watches her through his telescope. When she can't get the police to take her seriously, she has to take on her tormenter herself along with her boyfriend and a woman that works at the same TV station as she. This is actually a well-done film that was made for TV. The features are:
Anamorphic Widescreen Presentation
English, French and Spanish Mono
English, French and Spanish subtitles
New Featurette "John Carpenter: Director Rising"
The Hand (1981) - stars Michael Caine, directed by Oliver Stone - 3/5 - The idea is simple enough. Jonathan Lonsdale is a comic book artist whose right hand is severed in a car accident. The hand takes on a life of its own and kills everyone who annoys or wrongs Jon. Although not great, good direction by Stone and good acting by Michael Caine as the tortured artist really save this one. It's not meant to be so much horror as a character study of Lonsdale, and on that level it works. The features are:
Anamorphic Widescreen Presentation
English and Spanish Dolby Surround
English, French and Spanish subtitles
Commentary by Oliver Stone
Theatrical Trailer
Eyes of a Stranger (1981) - Lauren Tewes and Jennifer Jason Leigh - 2/5 - This is your typical immediate post Jason/Michael Myers kind of slasher movie that was prevalent at the time. Tewes, of "Loveboat" fame, is a reporter on the trail of a neighbor that she believes is a serial killer. And of course, what would a 1980 era slasher film be without the helpless girl waiting to be a victim, Jason Leigh, the blind and deaf sister of Tewes. Not very interesting or thrilling at all except for the fact that this is Leigh's film debut. The features are:
Anamorphic Widescreen Presentation
English, French and Spanish Mono
English, French and Spanish subtitles
Theatrical Trailer
Deadly Friend (1986) stars Matthew Laborteaux (Little House on the Prairie) and Kristy Swanson (Buffy in the original BTVS movie) directed by Wes Craven - 2.5/5 - Laborteaux plays Paul, a new kid in a strange town whose only real friends are the girl next door, Samantha (Kristy Swanson), and a robot that he has built. When Samantha is murdered by her abusive father, Paul steals Samantha's body and implants his robot's microchips into her brain to bring her back to life. However she is merely reanimated rather than "alive" in the moral sense, and soon becomes out of control. I have to say it's not like any other Craven film I've seen, and it comes across more cheesy than anything else. It does have one extremely original thing going for it - death by basketball. What a hoot. The features are:
Anamorphic Widescreen Presentation
English, French and Spanish Mono
English, French and Spanish subtitles
Theatrical Trailer
Dr. Giggles (1992) - Holly Marie Combs (Charmed) and Glenn Quinn (Angel) - 2.5/5 - Larry Drake, the villain in "Darkman", plays the insane son of a mass-murdering doctor. Drake's character escapes from his confinement, sets up practice as a doctor in the town where his father was caught, and comes up with all kinds of inventive ways of killing his patients as a means of avenging his dad. The worst thing a horror film can be is boring, and it seems the film makers had this in the front of their minds because they are so busy juggling activity that the picture literally becomes cramped with action. Much could have been cut from the script and they would have had a better movie. The features are:
Anamorphic Widescreen Presentation
English Dolby Surround
English, French and Spanish subtitles
I didn't show any extra features for "From Beyond the Grave" because the Warner press release doesn't specifically mention any. The extra features on the whole package really just add up to the commentary by Oliver Stone on "The Hand" and the featurette about John Carpenter on "Someone's Watching Me". Because of the paucity of extra features in this set I just averaged my ratings of the individual movies in the set to get my final rating of three out of five stars.

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Expelled: No Intelligence Allowed (2008) Review

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(More customer reviews)Now that the DVD is out, how does it differ from the film version? Even though Vivendi/ Premise won the lawsuit that Yoko Ono filed against the film for using ten seconds of John Lennon's "Imagine", the reference has been cut out of the video. I greatly respected Yoko as a performance artist and had the original records of Two Virgins and Plastic Ono Band. How very sad if a great modern artist's only interest now is gathering greenbacks. More on this in Steve Turner's excellent and revealing The Gospel According to the Beatles, which is full of absolutely unknown Beatlemania.
If anyone actually watched Expelled, they'd see that it's not "thinly disguised creationism" but rather about the freedom to challenge entrenched views. Certain sectors are always taking the church to task for supposedly limiting Galileo's freedom of inquiry and speech (in a vastly distorted account of what actually happened). Hello! Exactly the same thing is happening now, although they seem rather more silent when the shoe is on the other foot. Ben Stein is merely trying to restore the freedoms of speech and inquiry guaranteed in the US constitution to the realm of academia and the hugely controlled "Big Science" of public science foundations and those funded by philanthropic grants, including the Smithsonian Institute, National academy of Science, and the National Science Foundation.
After seeing Expelled in a theater, I wrote a long review of it elsewhere on the web. Now I see it's sparked a rather lively debate among reviewers. Actually, among those who, by their own admission, haven't seen it. One reviewer asks why people are voting against his review (which is against the film). Probably for the same reason people are voting against my review of Dawkins' book: not because the review is "not helpful" but as a way of voting for or against the book or film, as it were.
Having said that, it's probably as impossible to be neutral about this film as about Michael Moore's Farenheit 911 or an Oliver Stone fictionmentary. In my view, however, it's a fine piece of film making. Witty, irreverent, inventive, thoughtful, and Ben Stein is at his likeable, deadpan best. A friend I watched it with said just the opening titles were better than most films he'd seen recently, and I'm inclined to agree. If this film had had the opposite message, I think it would be getting an Academy Award and the New York Times wouldn't stop raving about it (instead of at it).
That's all well and good, one may be saying, but you haven't said anything about the subject. No, and I'd really rather not. If you hold a view generally called these days "Neo-Darwinism" you probably still will after seeing the film. If you incline to an idea called "Intelligent Design", you'll still incline so. If you're interested in battles between factions of the Academy in universities, however, or in free speech and press versus censorship (and this would likely be the topic of many reviews if this film had a different viewpoint), here's an engaging look at the salvos flying back and forth in a social and intellectual debate that much of the media have to date declined to cover.
One interesting thing came out of this film, and that was a test case for "fair use" in relation to copyright laws, an idea everybody knows about, but which seems generally undefined. It concerned Yoko's suing Ben Stein and the producers for using a snippet of John Lennon's song "Imagine". Hasn't everyone and their dog used that song? Yes, but here it wasn't used to sell tennis shoes, but to be considered critically. Again, if the film had the opposite viewpoint, I don't think there would have been a suit, but the outcome was to define "fair use" in its original intent, so that common Joes and Janes don't have to fear cadres of corporate lawyers merely for referring to copyrighted songs, books, films and other materials.
As the film shows, the use of Darwin's ideas to support Nazi ideology and eugenics was almost universal during and following the Victorian era, and was generally known as "social Darwinism". One may argue that these were actually Huxley's ideas, or that Darwin borrowed heavily from Alfred Wallace, but whatever their pedigree, they were pressed into service nearly at once. G.K. Chesterton wrote tirelessly against the Nazis as they were beginning to come to power, attempting to expose their plan of eugenics. In reference to another reviewer, I have read Mein Kampf (sp.) also, and Hitler's plan was entirely based on "social Darwinism". So were the ideas of Margaret Sanger and numerous other crusaders for what was known as "scientific planning". Numerous authors have pointed out the racist motivations behind the Royal Society in Britain and the ages of Victorian and Edwardian exploration, in which races were contrasted in elaborate displays during the world expositions and fairs.
This was also the motivation in the Soviet Union, which forced a famine in order to coerce farmers onto state cooperatives. When Malcolm Muggeridge exposed this plan in the 'thirties, in Chronicles of Wasted Time he was widely denounced by Soviet supporters in the media who wanted this experiment in social planning to succeed. Among these were the Fabian Socialists, Sydney and Beatrice Webb. But Beatrice Webb wrote in her diary in 1933: "(There was) another account of the famine in Russia in the Manchester Guardian (a British newspaper), which certainly bears out Malcolm's reports....Fortunately for the USSR, the attention of the capitalist countries is today concentrated on the Mad Dog of Europe-- Hitler's Germany."
This film may induce a sense of vertigo, being chocabloc full of information and history barely referenced in the media. The effect may be akin to sailing in a calm sea, only to find one has unaccountably hit an iceberg. Or rather the tip of an iceberg, and the film may spark curious viewers to explore the vast reaches submerged below.
Extras on the DVD include: a trailer for Fossil Hunter, a novel by John Olson with a "female Indiana Jones"; An Important Message from Ben Stein (in favor of free speech and inquiry); an advance notice for Expelled: The Book by David Berlinski, not yet released as of this writing; "Practical Applications", called on the DVD cover: "Using Intelligent Design for Medical Research" noting breakthroughs resulting from assuming an engineered, rather than a random process; Theatrical Trailer (Called: "Theatrical Super Trailer" on the cover); Bonus music tracks by Andy Hunter: "Stars", "Technicolour", "Out of Control". Related links include: Expelledthemovie.com and AcademicFreedomDay.com.
Expelled is written for a popular audience, and those with more interest or background may wish for more discussion of science. That comes in an interview with David Berlinski, author of A Tour of the Calculus and many other books, on a DVD called "The Incorrigible Dr. Berlinski". It's from Coldwater Media, the creators of Icons of Evolution, and may later have a general release. For now, it's available from intelligentdesign.org.

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