Straw Dogs (1971) Review

Straw Dogs (1971)
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People seem to love or hate this movie. I love it. Dustin Hoffman plays professor on "sabbatical" to write a book on astronomy and computers. There is some allusion to his having been driven to his sabbatical (or from his job) because of his refusal to take a stand over some undefined issue at his place of employment. In any case, he retreats to a farmhouse in rural England with his pretty wife, played by Susan George.
When some of the local underemployed thugs start bullying him--(The script and Peckinpah's direction of the actors hits bull's-eye here; having lived in England, I saw the same sort of behavior--punks all over, I guess, have mannerisms of bullying peculiar to their culture.)
The violent climax to this film is--you hate to say it--beautiful. It certainly isn't gorey by today's standards. This, perhaps, is what makes people so uncomfortable about this movie--their own reaction to the violence. Hoffman conveys wonderfully both the fear and the satisfaction his character is experiencing.
At one level, this film exists as a simple tale of revenge. At another level, the movie affirm's Peckinpah's vision of violence as a rite of manhood. Whether this rite is a regrettable one . . . well, that remains arguable, and this ambiguity is part of what makes this such a watchable, and re-watchable, movie.

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Brace yourself for the extended version of this daring and provocative drama from the director of The Wild Bunch. Starring Dustin Hoffman in a 'superbly realized(Time) performance, thisbrilliant(Cue), disturbing film charts one man's brutally violent journey from cowardice to courage and deliversone helluva jolt(Playboy)!

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