Showing posts with label 1001 movies you must see before you die. Show all posts
Showing posts with label 1001 movies you must see before you die. Show all posts

Sodom and Gomorrah (Sodoma e Gomorra) (The Last Days of Sodom and Gomorrah) Review

Sodom and Gomorrah (Sodoma e Gomorra) (The Last Days of Sodom and Gomorrah)
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Amazon's listings, normally accurate to a fault, erroneously tag this item as "full screen." In fact it's widescreen, 1.85 or 1.78, it's hard to tell, and the jewel case itself only states (in English) "Letterbox." So it's the original theatrical release aspect ratio. Don't worry about its being a Brazilian pressing: the language is English, the opening titles are English, everything English. Only the jewel case text is in Portuguese.
Quality wise? A-okay, certainly better than Fox's own VHS version which is full of streaks, scratches, and quivers. But it needs to be digitally remastered and released in DVD by Fox itself, Dolby 5.0 all that stuff. Meanwhile, this version is the best thing going, and it's damn good.
As for the movie. Well . . . de gustibus and all that. For me, the most fascinating persona is not Lot (Stewart Granger) but the "Queen of Sodom," a lady of tastes sapphic and sadistic ("Next only to the pleasure of giving death is the excitement of watching it" she burbles to a horrified Lot), played to a perfect lip-snarl by the French actress Anouk Aimée.
Most of all though is the MUSIC SCORE, which outclasses every other element of the movie and is a bit incongruous to find accompanying this biblical pabulum, amusing and visually stunning as much of it is. To me the score is simply one of Miklos Rozsa's absolute finest, his third best after Ben-Hur and Quo Vadis, utterly LUCID and free of the mushy dissonances that occasionally, just occasionally muck up the Rozsa repertoire. Take just one example: a pastorale Rozsa called "By the River," which plays when Lot is courting his wife-to-be (Pier Angeli), a little gem-of-a-gem that stands with ANY pastorale in any of his films.
So we need to have this DVD remastered in state-of-the-art by Fox itself in Dolby 5.0, the whole works. But meanwhile, kudos to the Brazilians for doing Fox's work for it, a very very credible job. Buy with confidence.

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Our Guys ( Our Guys: Outrage at Glen Ridge ) Review

Our Guys ( Our Guys: Outrage at Glen Ridge )
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This movie details the gang rape of a young mentally retarded girl, and the trial of her rapists that follows. Sexual assault/abuse of the physically and/or mentally disabled is a crime that goes largely unreported and/or unprosecuted for a number of reasons. Lifetime did a wonderful job with this delicate subject matter, and I recommend it to anyone who cares about violence prevention.

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Hostile Advances: The Kerry Ellison Story (1996) Review

Hostile Advances: The Kerry Ellison Story (1996)
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Can't relate to the main character or the creep. Good to fill in time if you're really bored but I don't recommend it.

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Free Willy 2 (1995) Review

Free Willy 2  (1995)
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In my personal opinion, this is the best of the Free Willy series. There are no real or noticable problems, and it is good for the family. Of course it's not good for everybody, but if you haven't seen it, pick it up anyway.

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Marco Polo (2007) Review

Marco Polo (2007)
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One lazy Sunday I drifted into watching this mini-series. My first impression was that it was a silly, romanticized Hollywood treatment of a classic historical account (admittedly, one that I hadn't personally read at the time).
And, yes, seeing Brian Dennehy cast as Kublai Khan made it especially hard to buy into the treatment! But the sets, costumes and storyline were all quite extraordinary. A lot of effort obviously went into the production , which was made in China with a substantial budget.
But many things just didn't sit right with me: the magnificence of Kublai Kahn's court, his cities, the military technology, and a romance between Marco and a Chinese princess? And then the Kahn charges Marco with delivering the princess to the other side of the planet???
I watched it to the end...and then ran to Amazon to find a book to get the facts. The book I found was The Travels of Marco Polo: Edited by Peter Harris (Everyman's Library (Cloth)).
Amazing news...this "sensationalized" mini-series barely scratches the surface of the astounding things Marco Polo reports in his 700 year old tale of travel!
His adventures, many of which are dramatized in this DVD, seemed absolutely unbelievable...until I found most of them proven true in the book... including the story about delivering the princess.
And the romance? Well, I suspect that Marco left quite a few personal facts out of his life in China. So kudos to the scriptwriters who wrote a little love between the lines of his historic journey.
Bottom line - a great film for couples or anyone with an interest in history.
If you just watch the film, marvel that there's more truth in this account than there is fiction! And if you want to know the truth, treat yourself to the book.


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This is the absorbing true story of Venetian explorer Marco Polo's arduous trek to the East-and beyond.The story follows Marco (Ian Somerhalder) as he is enlisted to accompany a pair of priests to the court of Kublai Khan (Golden Globe winner Brian Dennehy), Mongol conqueror of the East. Featuring Desiree Siahaan and BD Wong, Marco Polo is a gripping look at two of world history's most enigmatic men and a sensuous vision of a legendary time and place.Now available for the first time on DVD in an extended version featuring all-new bonus features!Literally, it's the adventure of a lifetime.

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Fat City (1972) Review

Fat City (1972)
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This is a great grim movie. Huston did a heckuva job adapting Gardner's novel, but he started with grim material and went deeper into it. One memorable scene is when Keech manages to shake off his wine hangover and walks outside his transient hotel to try and make a new start on his life. He boldy heads out on the sidewalk, does a bit of bobbing and weaving on the curb. He's ready to turn over that new leaf but looks around at the city, and you can watch the wheels turn in his head as the he decides to go back inside. Punchdrunk. Rummy. It didn't take long to whip him this round, and all his rounds are pretty much like this. But he doesn't quit, the fight is still in him. The rage is there, but the skill and conditioning is long gone, so are his chances. They can beat him, they could kill him but they don't bother. The thing is, you can knock him down but he won't stay down, and sometimes that's all it takes. Between the white port in the alley, working the onion fields and listening to the old boxers talking about their lives, you wonder just what he's really teaching his new protege', and why either one even bothers. It's called life. It's not much but it's all we get, so take a tip from an old pro and don't stay on the canvas. Susan Tyrell does a great job, deserved her Oscar nomination, but reminded me of too many former flames perched on that barstool. Hmmm. Perhaps I'm trapped in the same...whack! Ooof,I didn't see that one coming. Life keeps hitting me with so many lefts, I'm begging for a right. If you're able to extract inspiration from a movie filled with scenes from a very tough life, watch Fat City. If you're looking for something fluffy, ain't nothin' here but a scram. Take it on the arches, pal.

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FAT CITY is a powerful and gripping story about personal wins and losses in the raw rugged world of amateur boxing. Directed by legendary Oscar®-winning filmmaker John Huston (1949 Best Director Best Screenplay The Treasure of the Sierra Madre) the film stars the incredible talents of Stacy Keach (American History X TV's "Mike Hammer") Jeff Bridges (Jagged Edge The Mirror Has Two Faces) Candy Clark (At Close Range American Graffiti) and Susan Tyrrell (Cry-Baby Powder) in her 1972 Best Supporting Actress Oscar®-nominated performance.System Requirements:Running Time: 96 Min.Format: DVD MOVIE Genre:DRAMA Rating:PG UPC:043396078888 Manufacturer No:07888

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Shaolin Master Killer (Widescreen Edition) (1979) Review

Shaolin Master Killer (Widescreen Edition) (1979)
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Gordon Liu (also known as Lau Kar Fai) stars as a young man who's friends and family have been killed by the new government. He wakes up at the Shaolin Temple, a place he has only heard about a couple of times. When he realizes he is at the best place possible to learn kung fu, he begs and begs to learn so that he can revenge his family. He does finally get taught, but has to start with the basics. Every part of his body must become stronger before he can learn how to fight. After he finishes the first stages of training in record time, he is now highly respected and moves onto learning actual fighting styles. He breezes through this and becomes a great fighter in only 5 years or so. This is not one of those movies that has 1 or 2 training sequences. Gordon is shown in at least 13 of the chambers and half of the movie is spent at Shaolin. So after he has become a master fighter, he is given a high honor and told that he can become second in charge of any of the 35 chambers. A senior monk played by the great Lee Hoi San objects to this and says that he can't have this honor unless Gordon defeats him in a weapons duel. Lee Hoi San does not play a villain, but he does not think that Gordon is a good enough fighter to receive so much praise. His plan works better than he could have ever imagined. He ends up helping Gordon improve as a fighter and as a person. Gordon is told he can leave Shaolin now, and he goes to take revenge on the evil General who killed his family.
One thing that sets this movie apart is that it tries to be a real movie, and it succeeds. Watching Gordon grow up into a man is remarkable to see. The commentators didn't notice, but a lot of the stuff in this movie is very real. When Gordon has to use the pole with the wieght on the end to hit the bell over and over again, that is a real weight on the end of the pole! Gordon talks in the interview (included on this disc) about how the sabres that Lo Lieh uses in the final fight are real, and it just makes the movie that much better. Dont expect your average tale of revenge. I was touched deeply when I first saw this and there are not many kung fu movies that have as much meaning and feeling.
Rating- 5/5
Picture quality is remastered very well. It does get a bit darker and lighter in some scenes, but other than slight print damage once or twice, the picture quality is perfect. The Mandarin, Cantonese and English tracks all sound excellent. In fact, I have never heard the English dub sound this good. The subtitles should have been written better, and the English dub is actually a better translation. They are not horribly written, but could have been a lot better. I am not complaining though since this is the only fault on the DVD.
Special features include a great commentary from The RZA and this Andy Klein guy who does not know very much about the genre. Luckily RZA is there to help him point out actors like Lau Kar Wing, Wilson Tong and Hsiao Hou. I found the commmentary enjoyable. RZA talks about his experiences with this movie, and he is definitely a 36th Chamber expert. And I found it pretty funny that he seems to think Gordon Liu is a monk in real life.
The 17 minute interview with Gordon Liu is very interesting. He talks about many things such as training day and night and how great of an honor it was to work with a megastar like Lo Lieh. Gordon skips over the years like people should know what he is talking about, but just in case you don't, I will fill you in. In 1974 Lau Kar Leung was Chang Cheh's top action director and Gordon Liu was cast as a villain alongside Johnny Wang Lung Wei and Leung Kar Yan in movies like '7 Man Army'. When Lau Kar Leung split up with Chang Cheh he started directing his own movies for the Shaw Brothers, starting with 'Spiritual Boxer'. In his next movie 'Challenge of the Masters', Lau Kar Leung cast his younger adopted brother Gordon Liu as the lead. This is what led to Gordon becoming the star of 'The 36th Chamber of Shaolin', the greatest Shaolin Temple movie ever made.
There is a 17 minute documentary on Shaolin that is basically another 17 minutes of awesome info from Gordon Liu.
The 8 minute interview with film critic/scholars Andy Klein and David Shute is a very good description of how great of a movie this is.
The RZA gets a 10 minute interview where he talks about where he first started watching these movies and also gives his thoughts on the Shaw Brothers and explains why the Master Killer in his rap group took that name.
The trailers are the best special feature. The trailer for 'Shaolin Mantis' is very unique. Instead of showing clips from the movie, the actors introduce what kind of kung fu styles are going to be used (be sure to look for Lily Li!). Lau Kar Leung is the director of 'Shaolin Mantis' and doesn't even have a role in the movie, but he gets to show off his ultra awesome kung fu skills quite a bit in the trailer. I think I have watched this trailer about 50 times, and I will eventually master that Shadow style!
Also included are ORIGINAL trailers for 'The 36th Chamber', 'Return to the 36th Chamber', 'Disciples of the 36th Chamber', '8 Diagram Pole Fighter', 'My Young Auntie', 'One Armed Swordsman', 'Infernal Affairs 3' and the original Master Killer US TV commercial.
The last special feature is a gallery of original movie posters and movie stills.

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Wuthering Heights (MTV, 2003) (2003) Review

Wuthering Heights (MTV, 2003) (2003)
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I saw this movie on mtv the first time they ran it. I waited for months and months. Immediatly after I saw it I wanted to see it again. It's that good.
I finally found it for 2 dollars at iggle video.
I'm sure you all know this is a modern twist on Wuthering Heights. It's not exactly like the book. But it is a wonderful love story and it will make you cry. From some of the reviews I'm wondering if anyone even saw the same movie I did or if they saw that it said MTV so they decided to rate it bad.

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MTV'S WUTHERING HEIGHTS - DVD Movie

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Who Framed Roger Rabbit (1988) Review

Who Framed Roger Rabbit  (1988)
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Filmmakers have been combining animation and live action since the days of silent film--but 1988's WHO FRAMED ROGER RABBIT not only bested everything done previously, it set a standard that is unlikely to be surpassed. Although it has been available on VHS and in a mediocre DVD release for quite a few years, the film finally gets the star treatment in this "Vista Series" double DVD release, which includes the film in both pan-and-scan and letterbox formats and an assortment of extras, many of which are quite interesting.
The concept and story are well known: cartoon characters are not drawings, but are living entities who work in the film industry, and when Maroon Cartoon star Roger Rabbit is accused of murdering Marvin Acme (Stubby Kaye), he turns to private detective Eddie Valiant (Bob Hoskins) for help. Trouble is, Eddie hates "Toons." After all, one of them offed his brother, and Eddie hasn't been sober since. The concept is a clever one, and the story could have gone in any number of directions--but ROGER RABBIT hops down a completely unexpected trail. Set in 1947 Los Angeles, the film uses classic "noir" elements (and references everything from THE MALTESE FALCON to CHINATOWN); it also makes considerable sly social commentary on racism, with the "Toons" performing in a Cotton Club-like nightclub, literally working for peanuts at the studios, and more or less confined to living in "Toontown," which might easily be read as social ghettoization. And all of these sidelights are interesting and entertaining. But the most attractive thing about ROGER RABBIT is that it is just plain fun to watch.
Part of that fun comes from the marvelous performances of Bob Hoskins, Christopher Lloyd (as the evil Judge Doom), and Joanna Cassidy (Valiant's sidekick Delores), who lead the live action cast. Another chunk of the fun is the way in which the film cameos a host of famous cartoon characters, ranging from Betty Boop to Bugs Bunny and the Warner Bro.s gang to Dumbo--and animation buffs will love the fact that Betty Boop and Bugs Bunny, to name but two, are voiced by the artists (Mae Questel and Mel Blanc) who created the character voices in the first place. But the big deal here is the extremely believable way in which the "Toons" fit into the real world. They rendered with astonishing detail and remarkable three dimensionality. It's just an amazing thing to watch.
The overall DVD package is a bit odd, for it offers less in the way of bonuses than one might expect. The first disk includes a pan-and-scan version of the film, three Roger Rabbit/Baby Herman shorts, a kid-friendly documentary, and a CD-ROM game; the second disk offers the letterbox film with extras that will appeal to more mature viewers, most particularly on-set shots and a nifty documentary called "Behind the Ears." The upshot is really a one-disk release that has been expanded to two by the trick of cramming both pan-and-scan and letterbox versions into a single package. That's annoying--but even so, this is easily the best release of this film to date. It at gives the rabbit some justice at last, and I give it five stars on that basis.

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It's 1947 Hollywood, and Eddie Valiant (Bob Hoskins), a down-on-his-luck detective, is hired to find proof that Marvin Acme, gag factory mogul and owner of Toontown, is playing hanky-panky with femme fatale Jessica Rabbit, wife of Maroon Cartoon superstar Roger Rabbit. When Acme is found murdered, all fingers point to Roger, and the sinister, power-hungry Judge Doom (Christopher Lloyd) is on a mission to bring Roger to justice. Roger begs the Toon-hating Valiant to find the real evildoer and the plot thickens as Eddie uncovers scandal after scandal and realizes the very existence of Toontown is at stake! WHO FRAMED ROGER RABBIT is deliciously outrageous fun the whole family will enjoy.

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Insomnia (Full Screen Edition) (2002) Review

Insomnia (Full Screen Edition) (2002)
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Insomnia, director Chris Nolan's second full length feature, doesn't have the same gut-wrenching and mind-bending plot twists that his feature length debut, Memento, had, but does an excellent job telling an original and gripping detective mystery.
The pleasure of Insomnia is to be found in its rich cinematography, beautiful landscapes, and excellent performances. The movie is one of the most visually compelling pieces of filmmaking I have seen in years, creating surreal juxtapositions with the vast, harsh Alaskan landscape and with close-up shots of crime scene evidence. The amazing visual landscapes (both large and small) are used effectively by director Nolan to emphasize the films themes of isolation and overpowerment, of losing oneself within ones environment and in ones choices.
Insomnia's plot will disappoint those looking for a new Memento, in that it does not have the sort of turns of action and motivation that Memento does. Insomnia works well without elaborate plot twists, however, it's mood benefits from a certain lack of ambiguity of action, although the ending is perhaps a little to predictable and cliched. Insomnia would have benefited, however, from more ambiguity of motivation - while the acting is top notch, especially on the part of Robin Williams, the connections between the characters actions and their motivations and decisions is too closely drawn by the script.
Overall Insomnia is an excellent movie, and a good entry into the detective/suspense movie cannon. It suffers slightly from a couple of bad edits (in a movie filled with amazing editing and shooting) and from its desire to clearly spell out the principle characters motivations, but these minor flaws are more than redeemed by the director's excellent camerawork and sense of pacing, a strong script, and very solid acting performances. Insomnia is a must see movie, and a welcome change from the "blockbuster" summer movie scene of 2002.

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Crime never sleeps. Neither does Will Dormer (AL PACINO), a veteran LAPD homicide detective sent north to Alaska to head a murder case. There his investigation is disrupted by an ever-shining Midnight Sun that wreaks sleep-depriving havoc on his body clock and brings Dormer's shady, guilt-plagued past into the light of day.DVD Features:Audio CommentaryBiographiesDVD ROM FeaturesDocumentariesExtended takesFeaturetteFilmographiesFull Screen VersionInterviewsPhoto galleryTheatrical Trailer


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The Ten Commandments (2006) Review

The Ten Commandments (2006)
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In terms of adjusted box office, Cecile B. DeMille's 1956 film "The Ten Commandments" is the fifth biggest grossing movie of all time, ahead of "Titanic," but behind "Gone With the Wind," "Star Wars," "The Sound of Music," and "E.T." There was a sense in which that film, with the parting of the Red Sea sequence, was the first big special effects film. Of course, the story of how Moses led the Hebrews out of Egypt had more going for it and that story is certainly worthy of further examination. Yes, "Prince of Egypt" was a musical, but it also focused more on the relationship between Moses and Ramses, who were friends growing up, rather than the rivalry we saw between Charlton Heston and Yul Brynner. Now we have this 2006 mini-series. The good news is that it does try to tell us a different part of the story in its second half, but the bad news is for every step forward there are steps backwards, and on balance this version does not come out ahead.
The mini-series aired in two parts, with the end of Part 1 being the parting of the Red Sea (not a real cliffhanger). The first part moves through the story of Moses from the night he floated down the Nile in basket to that moment in front of the Red Sea at a fast clip. Moses (Dougray Scott) grows up, kills an overseer, goes off into the desert, saves Jethro's sheep and marries his daughter, sees the burning bush and is back in Egypt telling Ramses (Paul Rhys) to let the Hebrews go. The plagues of Egypt come quickly as well, and there is a clear suggestion of how the frogs, locust, etc., were related to the Nile turning to blood. This Moses is not raised alongside Ramses, but Menerith (Naveen Andrews), the natural son of the princess, and they are the brothers who are torn and who face each other at the edge of the Red Sea. Moses has enlisted his brother Aaron (Linus Roache) to speak for him, and this version deals more with the reluctance and doubts of Moses, more so as the leader than as the deliverer of the Hebrews out of bondage.
This is little in the first half of "The Ten Commandments" to justify having made the mini-series. The only things that stood out where the idea that God wants Moses to work out some things in his own mind and the scene where Moses is forced to work as a slave, which this time is after he returns to Egypt. What is important in the first part is the idea that even before their deliverance, the Hebrews challenge the leadership of Moses. However, after the conclusion of the parting of the Red Sea the rest of the second half is devoted to the period in which the Hebrews wandered in the desert before reaching the Promised Land. This is where this version of "The Ten Commandments" starts to tell a different story, for a lot happens in the hour between the Red Sea and the Golden Calf. There is manna in the wilderness and turning the slaves into an army. Above all this there is the need for Moses the Deliver to become Moses the Law Giver. However, the impetus for this transition comes from a melodramatic irony that smacks of soap opera more than scripture.
Time and time again I question what Ron Hutchinson, who won an Emmy in 1989 for writing "Murderers Among Us: The Simon Wiesenthal Story," is doing in this story. At one point Moses is training the army and Joshua (Karim Salah) refuses because he sees being a solider as an admission of not having faith in God. Moses then tells what must be the oldest story of how God helps people; certainly it is an older version of the one Karl Malden tells to Jed Bartlett on "The West Wing." The relevance of the story to the point being made is lost because we cannot believe Moses is telling this story. However, this is a Moses who is not a cool and commanding presence. His doubts and lack of resolve are arguably the biggest reasons why the people doubt God; they have problems believing in his messenger.
I have always been bothered by the Hebrews challenging the idea that their God WAS God during the Exodus. What happened at the Red Sea should prove the point once and for all. The manna in the desert and Moses smiting a rock to bring forth water might be "minor" miracles, but they are nothing to scoff at and reminders of everything God did to get them out of bondage. Being freaked because Moses has gone up on the mountain and you think he is not coming back is one thing, but making the Golden Calf is a really bad idea. Hutchinson sticks to the book of Exodus and covers the slaughter by the sons of Levi that was the bloody aftermath of the great sin the people sinned.
This becomes the final act before the denouement where Moses sees the Promised Land but is not allowed to cross over. Hutchinson does play with Biblical chronology, because the battles they fought are covered in Numbers. However, my final complaint is not about chronology but rather that the story essentially ends with the slaying of the three thousand men, and not as Exodus does with the construction of the tabernacle and the ark, symbolizing the renewal of the covenant, which I find to be the more important part of the story. I would have preferred seeing this version of "The Ten Commandments" be restricted to what happened after they crossed the Red Seas; after all, the Hebrews forget the evidence of the power of God. The other half of the min-series could have covered the history of Numbers and Deuteronomy, the part of the Exodus that remains to be told in such a format.

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The Ten Commandments unfolds with all of the spectacle, violent human drama, and grand inspiration that have earned it its distinction as the greatest story ever told. When an oracle prophesizes that a child will become Prince of Egypt, a time of danger approaches the kingdom. The Egyptian Pharaoh orders the massacre of all newborn males. But one child, Moses--the son of a Hebrew slave--escapes certain death when he is set adrift on the Nile. As years pass, he is raised in a royal Egyptian household and, with no memory of his family, rises to the stature of prince. Upon discovery of his true heritage, and inspired by a fiery message from God, Mosesembarks upon a noble and desperate fight to reclaim his destiny as the leader and liberator of the Hebrew people. With a stellar cast that includes Mia Maestro and Golden Globe winner Omar Sharif, The Ten Commandments is unsurpassed in its vision--both intimate and grand. DVD Features include: The Making of "The Ten Commandments", Closed Captioning.

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The Wizard of Oz (Two-Disc Special Edition) (1939) Review

The Wizard of Oz (Two-Disc Special Edition) (1939)
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Like most baby boomers, I've watched this film dozens of times in the past on broadcast TV, then VHS tape, then LaserDisc ... but I had never actually SEEN "The Wizard of Oz" until this newly restored DVD came out. It's an amazing transfer. The sepia-tone Kansas sequences are startlingly sharp and clear, and the Technicolored world "Over the Rainbow" is truly dazzling. I found myself fascinated by details I had never noticed before: the glittering corn stalks in the Scarecrow's field; the mirror-like floors of the Emerald City; the polished buttons on the guardsmen's uniforms. Incredibly, even the individual grains of red sand in the Witch's hourglass stood out and glistened! All these minor-but-sumptuous visual details served to heighten the magical spell that the film has always woven, enhancing the performances, the story, and the music.
The DVD extras are a mind-boggling embarrassment of riches. The "Making Of" documentary hosted by the incomparable Angela Lansbury is worth the price of the DVD alone, but there's so much more: an international poster gallery, interviews with cast members, deleted scenes, production stills, radio clips, etc, etc. There's enough material to keep even the most casual viewer fascinated for hours, and a true Oz buff will be occupied for days!
If you only bought a DVD player to watch this one disc, it would well be worth the expense. Treat yourself, and fall in love with this classic film again ... for the first time.

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An All-New Wizard of Oz With State of The Art Ultra-Resolution Picture Quality and Over 10 Hours of Bonus Extras.DVD Features:Audio Commentary:Commentary by John Fricke and multiple cast and crew members.Biographies:We Haven't Really Met Properly - includes 9 orginal cast biographiesDeleted Scenes:If I Only Had a Brain; If I Only Had a Heart; Triumphal Return to Emerald City; Over the Rainbow; The Jitterbug Documentary:Memories of Oz -2001 TCM documentaryFeaturette:The Wonderful Wizard of Oz Storybook; Prettier Than Ever: The Restoration of Oz; The Art of Imagination: A Tribute to Oz; Because of the Wonderful Things it Does: The Legacy of Oz Music Clips:Audio Vault Includes: Over the Rainbow; Munchkinland Medley Rehearsal Recordings; Munchkinland Medley Sequence Recordings; Munchkinland Medley Voice Tests; If I Only Had a Brain; We're Off to See the Wizard; If I Only Had a Heart; If I Only Had the Nerve/We?re Off to See the Wizard; Emerald City/The Merry Old Land of Oz; If I Were King of the Forest; The Jitterbug; Over the Rainbow/Triumphal Return to Emerald City; Kansas Underscoring; Munchkinland Underscoring; and moreMusic Only TrackNewsreel:Cavalcade of the Academy Awards Excerpt - 1939 newsreelOther:Another Romance of Celluloid: Electrical Power - 1938 MGM short; Leo Is on the Air Radio Promo; Good News of 1939 Radio Show; 12/25/1950 Lux Radio Theater BroadcastPhoto gallery:Oz on Broadway; Pre-MGM; Sketches and Storyboards; Costume and Make-up Tests; Richard Thorpe's Oz; Buddy Ebsen; Oz Comes to Life; Behind the Scenes; Portraits; Special Effects; Post Production; Deleted Scenes; Original PublicityTV Special:The Wonderful Wizard of Oz: The Making of a Movie Classic - 1990 TV specialTheatrical Trailer:1939 What is Oz? Teaser; 1940 Loews Cairo Theater Trailer; 1949 Re-issue Trailer; 1949 Grownup Re-issue Trailer; 1970 Children's Matinee Re-issue Trailer; 1998 Warner Bros. Re-issue Trailer; Texas Contest Winners [1939 trailer]


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Murder by Numbers (Full-Screen Edition) (Snap Case) (2002) Review

Murder by Numbers (Full-Screen Edition) (Snap Case) (2002)
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Finally, Sandra Bullock has acted in a good film! Ever since I saw her in 'Speed', I always thought that she was a talented actress. But then 'While you were sleeping' and 'Hope floats' were thoroughly cliched and made me wonder if she was just a one-film wonder. Well, she did prove me otherwise in 'Murder by numbers'.
If you thought from the title or the trailer that this film is about a serial killer, you are wrong (I did that same mistake too!). This film is about the perfect crime or what the killer(s) think will be a perfect crime. As is the case with all killers, they do one simple mistake and that is enough for Casey (the cop played by Sandra Bullock) and her partner Sam to solve the case.
Even though there is no actual suspense in the film, I will not spoil the plot by telling who the killers are. The director does not attempt to hide the identity of the killers, it is fairly clear who the killers are right from the first or second scene. In spite of this, the film continues to gather momentum, with Sandra Bullock and her partner doing their detective work meticulously. Where the film lacks in suspense, it more than makes up for it in the tight story-line and the excellent acting by all the actors.
Sandra Bullock is very convincing as the troubled cop who has a checkered history of her own and that comes to light as the film progresses. Ben Chaplin, who plays Bullock's partner Sam is good too, but the best acting in the film comes from the two young men played by Ryan Gosling (who plays Richard) and Michael Pitt (who plays Justin). Gosling is nothing less than brilliant in his portrayal and his future as an actor sure looks bright.
The film drags a bit towards the end, with the climax being a bit cliched. But this is surely a film that is worth seeing!

Click Here to see more reviews about: Murder by Numbers (Full-Screen Edition) (Snap Case) (2002)

The body of a young woman is found in a ditch in the woods of the small California coastal town of San Benito. SANDRA BULLOCK ("Divine Secrets of the Ya Ya Sisterhood," "Miss Congeniality"), stars as Cassie Mayweather, the seasoned homicide detective and crime scene specialist assigned to the case along with her new partner San Kennedy (BEN CHAPLIN - "Lost Souls," "The Thin Red Line"). The two dectectives make their way through microscopic hints of evidence, which seem to indicate a random act of violence, but Cassie has a gut feeling that there is more to this murder than meets the eye. Something about this case reminds her of her past exactly at a time when she is asked to appear at a parole hearing on an old police matter. These events force Cassie to revisit the past.

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Christy - A Change of Seasons (2001) Review

Christy - A Change of Seasons (2001)
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Christy: A Change of Seasons is just a wonderful movie for both children and parents. I just love the whole Christy series, movie and mini-series. The story was aired on PAX tv in a two part series starring Lauren Lee Smith as Christy Huddleston. The story starts out on a wonderful night in Cutter Gap. All the residents in Cutter Gap gather to the Mission House to watch a movie which Christy (Smith) borrowed for Miss Alice Henderson's birthday. But as the story moves on not everything is so peaceful and happy. A few days later, after Doctor Neil MacNeill (played by Stewart Finley McLannen from the orginal series) exames some residents, he discovers that typhoid has come to the good people of Cutter Gap. Almost everyone becomes ill, encluding David Grantland, (played by James Waterston, son of actor Sam Waterston)the young mission preacher. Christy is devistated by the death of her dear friend Fairlight Spencer (played by Ingrid Torrance) and begins to question her belief in God. Christy throws herself into help Dr. MacNeill care for the ill and tries not to think about her loss. But David offers her hope and his heart to her. So she accepts his proposal. Miss Alice also tries to help Christy through her troubles, but she is also battling problems of her own. Dr. MacNeill soon finds out about Christy's choice to marry David and decides to leave the Cove, rather then see the woman he loves marry another. To find out what happens next and see who Christy marries check out Christy: A New Beginning.

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CHRISTY:CHANGE OF SEASONS - DVD Movie

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The Matrix (10th Anniversary Edition in Blu-ray Book Packaging) (2009) Review

The Matrix (10th Anniversary Edition in Blu-ray Book Packaging) (2009)
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The Matrix is an excellent movie that combines science fiction, shoot-em-up action, and philosophical questions about the nature of Reality. If you are plugged in to a computer, and that computer presents you with a reality that is completely indistinguishable from your own, is it any less real?
This movie has exceptional special effects, beautiful cinematography, an excellent soundtrack, well-crafted dialogue, and respectable acting. Keanu Reeves may be a lousy actor, but I think that the Matrix is probably his best performance to date.
The Platinum Limited Edition isn't really worth the extra money unless you're an absolute, die-hard, take the red pill, freak. I wish I had known that before ordering this product. It comes in a box about as thick as an encyclopedia, and is fairly large, so it won't fit on the shelf with the rest of your DVDs. Opening it up, I was rather disappointed -- most of the volume is filled with a cheap plastic tray that contains a celluloid clip of the film with a blown-up photo (decent, but nothing fantastic), a few postcard-sized stills from the movie, and a copy of the normal DVD in a normal case. Nothing fantastic. For this money, I was expecting a DVD with DTS sound, alternate angles, deleted scenes, etc., but just got the same old Matrix disc. A major drag.
Do yourself a favor. Buy the basic copy.

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A computer programmer is mankind's last chance for survival against the machines that generated a computer based reality in which we all live. Neo (Keanu Reeves) tries to live up to his calling as the chosen one and lead mankind to freedom from their comatose slave.

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Jaws (Widescreen Anniversary Collector's Edition) (1975) Review

Jaws (Widescreen Anniversary Collector's Edition) (1975)
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Well, I bought the DVD dts and I think you'll like the extras such as the outtakes, deleted scenes, and especially an excellent documentary. You'll get the behind the scenes from Spielberg, the actors, photographers, and the producers. In today's film world this movie could be made rather easily, but back then you'll see the tremendous undertaking that went into this production. The movie itself, of course, is just amazing. At one point Spielberg says that the shark is the star, but the scenes on the boat will show you 3 stars at the top of their game. The sound quality is outstanding and exact, but I do have one complaint.... on the 5.1 DTS their isn't much activity from the back 2 speakers. The sound coming from the front 3 is great, but they could have done more. This movie is just as suspenseful as when I saw it in the mid-seventies. I hadn't really watched it in awhile and I had forgotten the outstanding acting performances by Scheider, Dreyfuss, and Shaw. Shaw's USS Indianapolis speech is about as good as it gets, while Scheider's everyman performance really rings true. You'll enjoy this DVD and it's at a good price. A good bargain. Buy it!

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SPIELBERG PITS THREE MENA AGAINST A GREAT WHITE SHARK THAT HASBEEN ATTACKING SWIMMERS AT AN ISLAND RESORT IN NEW ENGLAND. THE FILM REDEFINED THE WORD "BLOCKBUSTER," AND JOHN WILLIAMS' SCORE STILL HAUNTS SWIMMERS AROUND THE WORLD.

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The Good, the Bad and the Ugly (Two-Disc Blu-ray/DVD Combo in Blu-ray Packaging) (1966) Review

The Good, the Bad and the Ugly (Two-Disc Blu-ray/DVD Combo in Blu-ray Packaging) (1966)
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MGM released a DVD edition of "The Good, the Bad and the Ugly" in the late 1990s, but it had few extras, a mono soundtrack, and a scratched print. Finally, MGM has given Sergio Leone's Western epic the double-disc special edition it deserves. The print is restored and as clear as I've ever seen it, the sound is now an astonishing 5.1 Surround (listen to the glass falling off Tuco after he springs through the window in the opening sequence!) nineteen minutes of footage from the Italian original have been restored, and the discs are packed with extras. Even the packaging is great: a sturdy interlocking box, with the DVDs kept in the upper and bottom parts of the two lids. Also inside the box are cards containing posters for the film in five different countries.
The film, like most of the European Westerns of the 1960s, was critically disregarded in its day. The New York Times said of it: "the most expensive, pious, and repellent movie in the history of its peculiar genre. There is scarcely a moment's respite from the pain." It's amazing how people missed the brilliance of this movie, which turned Western conventions upside down in such a wonderfully bizarre, European way. Now the film is considered a classic, and only Sergio Leone's own "Once Upon a Time in the West" (another great 2 DVD set, by the way) has more respect in the genre. Leone's strange style -- stretched out time, obsession with close-ups and extreme wide-shots, focus on rituals, and use of Morricone's wild and avant-garde score -- are all in full force in this tale of three treasure-seekers searching for a cache of gold coins on the Texas-New Mexico border during the Civil War. The implacable and unflappable 'hero' Blondie (Clint Eastwood), the crazy comic bandit Tuco (Eli Wallach), and the calculating immoral sadist Angel Eyes (Lee Van Cleef) cross each other's paths amidst the senseless violence of the war. Leone perfectly contrasts the self-interested men with the greater backdrop of the tragedy of war. It's a strangely emotionally affecting picture despite its focus on three men who are detached from normal society and seem not to care about anything but money. So many individual scenes stand out for their virtuosity that the movie a parade of "greatest hits." Most astonishing of all is "The Ecstasy of Gold" sequence where Tuco dashes madly through a cemetery, looking for the grave that might hold the gold. Morricone's music here is especially overwhelming.
Chances are you've seen the film and love it. What about the new scenes and the extras?
Nineteen minutes of footage have been restored that were never shown in the American prints. The scenes integrate perfectly into the film, and after seeing them once, you won't be able to imagine they were ever missing. Among the scenes are Angel Eyes visiting a destroyed fort; Tuco hiring bandits to help him chase Blondie; Blondie and Angel Eyes having a face-to-face when they first set out together to find the gold; and some extra conversation between Tuco and Blondie in the desert. However, these scenes were never dubbed into English in the 1960s. Therefore, the DVD producers had to newly dub them. Eli Wallach and Clint Eastwood do their own voices. An actor named Simon Prescott does the imitation of the deceased Lee Van Cleef. Admittedly, Wallach and Eastwood no longer sound the same, but I couldn't imagine someone else imitating their voices -- it couldn't have been done any other way. Prescott is pretty good as Angel Eyes, if a bit more gravelly.
The extras...
Disc 1 has audio commentary by Richard Shickel, a film historian who wrote Eastwood's biography and also did commentary on Leone's "Once Upon a Time in America" DVD. His comments can be pretty dry, and he focuses mostly on Leone's style and techniques instead of on background information on the filming itself. Nonetheless, there are many interesting insights, and Shickel manages to say a lot during the three-hour running time.
Most of the extras are on Disc 2:
"Leone's West" -- A 20-minute documentary about the making of the film. Includes interviews with Shickel, producer Alberto Grimaldi, author of the English dialogue Mickey Knox, and best of all, Eastwood and Wallach. There's some very interesting info and memories here, mostly from Knox and the two actors.
"The Leone Style" -- A 23-minute documentary, really just an extension of the first one. It spends more time on Leone's unusual techniques. The same interviewees appear here.
"The Man Who Lost the Civil War" -- A 14-minute documentary that was produced separately from the DVD. It makes no mention of the movie, but is about its historical backdrop: the disastrous General Sibley campaign in Texas. Sibley appears in the film briefly, and this short documentary gives the viewer an important insight into the world of Blondie, Tuco, and Angel Eyes.
"Reconstructing The Good, the Bad and the Ugly" -- An 11 minute look into the painstaking work involved with fixing the picture and sound, restoring the cut scenes, and re-dubbing it.
"Il Maestro: Ennio Morricone" -- 8 minutes; mostly an interview with music scholar John Burlingame about the film's score. At the end of the feature, you can choose to listen to an audio-only twelve-minute lecture by Burlingame that provides a much more in-depth analysis of the music.
"Deleted Scenes" -- Two scenes couldn't go back into the film. The extended torture scene had a damaged negative, so here it is in its rougher state. An apparently lost scene is reconstructed through text, stills, and clips from the French trailer.
Finally, there's a gallery of posters, the original trailer, and MGM tossing in some gratuitous advertising for their other films.
Don't miss this DVD. Not only is it one of the great action films and one the great westerns, but it's the kind of release that the DVD format was invented for!

Click Here to see more reviews about: The Good, the Bad and the Ugly (Two-Disc Blu-ray/DVD Combo in Blu-ray Packaging) (1966)

By far the most ambitious, unflinchingly graphic and stylistically influential western ever mounted, The Good, the Bad and the Ugly is an engrossing actioner shot through with a volatile mix of myth and realism. Clint Eastwood returns as the "Man With No Name," this time teaming with two gunslingers (Eli Wallach and Lee Van Cleef) to pursue a cache of $200,000and letting no one, not even warring factions in a civil war, stand in their way. From sun-drenched panoramas to bold,hard close-ups, exceptional camera work captures the beauty and cruelty of the barren landscape andthe hardened characters who stride unwaveringly through it. Forging a vibrant and yet detached style of action that had not been seen before, and has never been matched since, The Good, the Bad and the Ugly shatters the western mold in true Clint Eastwood style.
Audio: English: Mono, 5.1 DTS HD Master Audio / Spanish & French: 5.1 Dolby Digital
Language: Dubbed & Subtitled: English, French & Spanish
Aspect Ratio: Widescreen: 2.35:1


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