Showing posts with label alcoholism. Show all posts
Showing posts with label alcoholism. Show all posts

Last Call (2002) Review

Last Call (2002)
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Another great movie that I stumbled upon. I cannot believe that there was not more written about this one. The beautiful Neve Campbell delivers a remarkable performance and Jeremy Irons along with Cissy Spacek ensure that you will be taken on a highly interesting ride.
Jeremy Irons - arguably the best living actor - truly becomes "Scott" in this harrowing display of creative downward spirals with momentary glimpses of genius.
Instead of glorifying or overly romanticizing the subject, the director paints a picture of the subtle and not-so-subtle relationship dynamics among the characters; particularly the struggles of Fitzgerald and his lovely, devoted and talented assistant.
This is one of those rare finds in the world of movies that falls under the radar but once discovered, becomes a treasure to the viewer.
Very nicely done.

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F. Scott Fitzgerald spent a lifetime battling demons - alcohol and aschizophrenic wife - and yet, wrote some of the greatest novels in American Literature.Despite a tumultuous relationship with his mistress, his ailing wife, declining health, andhis daily drinking binges, Fitzgerald secretly wrote a scathing novel about the filmindustry which some call his best novel.It was his final triumph. Last Call is based on atrue story about this troubled genius, starring Oscar, Emmy, and golden globe winnerJeremy Irons, Neve Campbell, and Academy Award winner Sissy Spacek.

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Fat City (1972) Review

Fat City (1972)
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This is a great grim movie. Huston did a heckuva job adapting Gardner's novel, but he started with grim material and went deeper into it. One memorable scene is when Keech manages to shake off his wine hangover and walks outside his transient hotel to try and make a new start on his life. He boldy heads out on the sidewalk, does a bit of bobbing and weaving on the curb. He's ready to turn over that new leaf but looks around at the city, and you can watch the wheels turn in his head as the he decides to go back inside. Punchdrunk. Rummy. It didn't take long to whip him this round, and all his rounds are pretty much like this. But he doesn't quit, the fight is still in him. The rage is there, but the skill and conditioning is long gone, so are his chances. They can beat him, they could kill him but they don't bother. The thing is, you can knock him down but he won't stay down, and sometimes that's all it takes. Between the white port in the alley, working the onion fields and listening to the old boxers talking about their lives, you wonder just what he's really teaching his new protege', and why either one even bothers. It's called life. It's not much but it's all we get, so take a tip from an old pro and don't stay on the canvas. Susan Tyrell does a great job, deserved her Oscar nomination, but reminded me of too many former flames perched on that barstool. Hmmm. Perhaps I'm trapped in the same...whack! Ooof,I didn't see that one coming. Life keeps hitting me with so many lefts, I'm begging for a right. If you're able to extract inspiration from a movie filled with scenes from a very tough life, watch Fat City. If you're looking for something fluffy, ain't nothin' here but a scram. Take it on the arches, pal.

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FAT CITY is a powerful and gripping story about personal wins and losses in the raw rugged world of amateur boxing. Directed by legendary Oscar®-winning filmmaker John Huston (1949 Best Director Best Screenplay The Treasure of the Sierra Madre) the film stars the incredible talents of Stacy Keach (American History X TV's "Mike Hammer") Jeff Bridges (Jagged Edge The Mirror Has Two Faces) Candy Clark (At Close Range American Graffiti) and Susan Tyrrell (Cry-Baby Powder) in her 1972 Best Supporting Actress Oscar®-nominated performance.System Requirements:Running Time: 96 Min.Format: DVD MOVIE Genre:DRAMA Rating:PG UPC:043396078888 Manufacturer No:07888

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Blue Valentine (2010) Review

Blue Valentine (2010)
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Perhaps more than any other film in 2010, I have eagerly anticipated the arrival of "Blue Valentine." After superlative press at Sundance, the film fell into the most ridiculous and unnecessary scandal of the year when the MPAA branded the movie with a NC-17 rating. A film filled with grown-up emotions and intimacies, "Blue Valentine" is an unlikely target for such a rating (in an era filled with movies of extreme violence, gore, and much more nudity) other than the fact that "Blue Valentine" feels so extraordinarily real. Luckily, the rating was rightfully overturned so the picture could enjoy a wider release and the benefits of a more extensive advertising campaign. "Blue Valentine" is a sophisticated and smart entertainment for adult audiences brought to realistic fruition by the stellar Ryan Gosling and Michelle Williams. Naturalistic and utterly believable, rarely has a film been able to dissect a relationship with such savvy attention to detail.
You might have heard that "Blue Valentine" is a story about the dissolution of a relationship, about a couple growing apart. I would contend, however, that it is instead a contemporary love story. Set in alternate timelines, "Blue Valentine" charts Gosling and Williams both at the beginning of their courtship as well as when their marriage is nearing an end. Shot in an easy improvised style, the earlier moments have charming tenderness while the later segments have a quiet poignancy and sadness. Instead of opting for big scenes and pinpointing singular causes, "Blue Valentine" simply has our couple drifting down different paths. Neither is the particular cause of the estrangement, but Williams pulls back emotionally as Gosling holds on frantically. Both want what's best for each other and their daughter, although they no longer see eye to eye about what that is. Truthful, excruciating, and intimate--"Blue Valentine" plants us in the middle.
Gosling and Williams are, in a word, extraordinary. I have, for many years, declared Ryan Gosling perhaps the best actor of his generation. Ever since he burst onto the film scene in the controversial "The Believer," Gosling has eschewed being a mainstream "star." Heck, after "The Notebook," another actor might have taken a very different career path. But Gosling, despite a couple of disappointing forays into big budget Hollywood, has remained true to his indie roots. And Williams has left her "Dawson's Creek" past way behind her as she continues to choose interesting and meaningful projects. They work off each other with ease. The film was improvisational in nature and many scenes are made real by Williams and Gosling playing off one another extemporaneously. Now that's true indie cinema!
Anyone who's been in a relationship and/or a break up will be able to identify with the inherent realness behind "Blue Valentine." There are little moments of silliness, big moments of anger, and everything in between. "Blue Valentine" expertly juxtaposes the different stages of this coupling and the results are both terrifically funny and awesomely sad. Pretty much like life itself, huh? A great modern romance about breaking up, "Blue Valentine" is easily one of the year's least contrived and most heartfelt films. And it contains two of the year's best performances! About 4 1/2 stars--rounding up for Gosling and Williams. KGHarris, 1/11.


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Blue Valentine is the story of love found and love lost told in past and present moments in time. Flooded with romantic memories of their courtship, Dean and Cindy use one night to try and save their failing marriage. Ryan Gosling and Michelle Williams star in this honest portrait of a relationship on the rocks.

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