Showing posts with label james coburn. Show all posts
Showing posts with label james coburn. Show all posts

Major Dundee (The Extended Version) (1965) Review

Major Dundee (The Extended Version) (1965)
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Well, I've seen the extended version, and even if they added only 12 minutes, out of a possible forty I guess, it still makes so much more sense now it is totally worth it. Kudos to the editors behind this reconstruction. I didn't have any problem following any of it, and I'm not really bright at complicated plots. All the main outlines of the drama became extremely vivid and clear; the tension between the Confederates and the Union soldiers; the dilemma about the French army; the massacre of the family at the beginning that causes Major Dundee to go all medieval and turn over command at the prison to his skeptical sub-lieutenant. "Maybe there's a reason why you're a jailer, not a soldier, Amos." They keep saying this as though being a jailer were something terrible.
Charlton Heston's descent into a delirium of infection is painful to deal with, very real. Now we see him drawn to the Mexican woman who brings him food; he's so out of it he finds himself having sex with her for the comfort it brings, and then of all times that's when Senta Berger shows up at his door on her own mission of mercy. She sees the naked back of the Mexican woman and you can see the pain in her eyes. Heston's pretty covered up but you get the picture, and he's man enough not to lie about what happened.
Richard Harris looks great and brings a rebel energy to the movie. Warren Oates' death scene is pure poetry, shot through with genius. What a ham he is! And oh, that is ham deluxe, 100 percent pure gold!
Michael Anderson, Jr. is excellent in his role as the young bugler, so much better here than in his other parts. He's sort of playing the Claude Jarman role, or maybe the part Brandon De Wilde played in IN HARMS WAY. The scenes where he meets Begonia Palacios in the ruined town where Senta Berger works as a doctor are credible and hilarious because he's so much in lust he can't see anything else but "Linda." Equally funny is the aftermath of the skirmish in which he's been shot in the butt and then they try to fix him up by tearing out the seat of his pants and stitching up what looks like his bare ass (kind of daring nudity for 1965). Anderson's got game and you can see why Peckinpah made him so prominent in this movie.
[SPOILER]
The chronology straightens itself out and before long we come to the scene where the troops find the crucified corpse of their Indian scout, whose trustworthiness the previous version had left in doubt. Somehow it is nice, after all these forty years, to have at least one MAJOR DUNDEE mystery cleared up, and also to find that that Riago was loyal after all!
[END OF SPOILER.]
At the end a whole bunch of us (film geeks I expect) clapped at the final credits. PS, the new music is outstanding, though I'm glkad the forthcoming DVD will give you the option to hear the old sing-along theme too.

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MAJOR DUNDEE (EXTENDED CUT) - DVD Movie

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Sam Peckinpah's Legendary Westerns Collection (The Wild Bunch / Pat Garrett and Billy the Kid / Ride the High Country / The Ballad of Cable Hogue) (2006) Review

Sam Peckinpah's Legendary Westerns Collection (The Wild Bunch / Pat Garrett and Billy the Kid / Ride the High Country / The Ballad of Cable Hogue) (2006)
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The Ballad of Cable Hogue is buried treasure - an outstanding film by a legendary director with brilliant performances that is still little known and rarely seen. Sam Peckinpah made it just months after his groundbreaking film, The Wild Bunch, and both films deal with the same topic - the end of the western frontier, although in radically different ways. While The Wild Bunch is a violently realistic film about a breed of western gunmen who had outlived their day, The Ballad of Cable Hogue is a stylized fable, by turn tender, dark, comic, and tragic that depicts the last days of another sort of western archetypal man. It may be that the film's resistance to easy categorization (is it a comedy? a tragic love story? a morality tale of revenge? a musical?) is responsible for its continued obscurity, but I find it an element of its greatness, and concur with Peckinpah, who characterized the film as part Keystone Cops, part Sartre's The Fly, and considered it his favorite of all his movies.
There are many reasons to love this film, including its stunning scenery of awesome, big sky desert landscapes, and a unique, lilting soundtrack with songs that become mysteriously etched in your mind. Yet its foremost strength is its brilliant performances from an impressive cast. Jason Robards plays the title role, brilliantly rendering the tough as boot leather yet vulnerable Hogue as charming and totally unforgettable. Stella Stevens delivers the crowning performance of her career as Hildy, a prostitute who aspires to go to San Francisco to become the "ladiest damn'd lady", yet unaccountably falls in love with the desert rat Hogue. Stevens and Robards together create an utterly believable screen romance that not only crackles with passion, but conveys real depths of caring and emotion. David Warner adds color and comic relief to the story as Josh, a lascivious traveling preacher who becomes side-kick, foil, and nemesis to the no nonsense Hogue. Several great character actors all at the top of their form, including Strother Martin, Slim Pickens, and L.Q. Jones, round out this first rate cast.
This DVD release includes several excellent special features. There is a mini feature called The Ladiest Damn'd Lady: An Afternoon With Actress Stella Stevens, in which Stevens talks about her career, Director Sam Peckinpah (she didn't much like him), and her experiences working on The Ballad of Cable Hogue. Also included are trailer galleries from five Peckinpah movies - Ride the High Country, The Wild Bunch, The Ballad of Cable Hogue, The Getaway, and Pat Garrett and Billy the Kid. Most importantly, however, is an outstanding commentary track featuring four Peckinpah scholars. Their commentary covers the symbolism and philosophy of the movie, Peckinpah's filming technique, and the movie's relationship to Peckinpah's larger body of work. Unlike many commentary tracks that seem to add little value, this excellent track is both entertaining and useful, and leaves you wanting to watch the movie yet again with the new perspectives you have gained from it.
The Ballad of Cable Hogue is a film that will stick with you, and one you will want to revisit frequently. It is not only my favorite Sam Peckinpah film, it is one of my top five all time favorite Westerns. If your Western collection lacks this quirky gem, it is not yet complete, so go discover it for yourself.
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