Showing posts with label cool. Show all posts
Showing posts with label cool. Show all posts

Model Behavior (2000) Review

Model Behavior  (2000)
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This is a very entertaining movie with fun characters and a good storyline. Alex and Janine are similar to the characters played by Mary-Kate and Ashley in multiple movies. One is a wall flower and day dreamer, while the other is outgoing and not afraid to sya what's on her mind. It is interesting to watch the two adusting to each other's lifestyles. I also discovered that Justin Timberlake is a very good actor! Why isn't he in more movies? Anyway, the other actors are well-cast, and play their parts well. The school snob got on my nerves, and Janine's organizer/slave made me want to smile. I was very surprised to see that this movie is buyable! But I'd rather just watch it when it comes on the Disney Channel. When it does come on, I warn you, DON'T TURN IT ON OR YOU WON'T BE ABLE TO TURN IT OFF UNTIL THE END!

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Ken Burns Presents: The West (2009) Review

Ken Burns Presents: The West (2009)
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The West
DVD ~ Peter Coyote
When some people use the word "documentary" they seem to imbue it with an expectation of total objectivity--as if one could eliminate all traces of cultural experience from one's makeup and discover a shining path of ultimate "truth" simply by the act of becoming a filmmaker. Nonsense. We are all a product of our times and of the culture in which we were raised and educated. Documentaries are always, always, always selective. There is no such thing as total objectivity, either in writing or in filmmaking.
That said, this is an enormously valuable effort to sift through an extraordinary cross-section of materials and condense them into 12 and 1/2 hours of very viewable, enlightening and often extremely moving stories. Yes, that's right, I said "condense". The documents available on the history of the West literally fill many museums, and unless you plan to spend every waking moment of your life from the time you learn to read until the day you die as a serious scholar of western lore, you will never gain a complete knowledge of the subject. This is an outstanding effort to provide a distillation of the sense and feel of the west from the earliest days of indian tribal inhabitation to the passing of the frontier. To have even attempted that feat in a 12 and 1/2 hour presentation took courage and imagination. Although I have often grumbled to myself about Ken Burn's relentless imposition of an over-stylized montage technique on the presentation of his documentaries, I have nothing but astonished admiration for his accomplishment in crafting this mini-series. Bravo.
Yes, yes, it doesn't tell the whole story of the West. Yes, it is selective. And, yes, there are other things that could have been included. C'mon guys, quit sitting back like Monday morning quarterbacks and griping about what is missing from this presentation. Think about what he WAS able to accomplish! He captured a sense of sweep, a sense of the development of the frontier, and an extraordinarily vivid impression of the cultural, religious, social, economic and racial collisions that occurred in this vast space over a period of a couple of centuries. Good grief, what do you want, blood? If he had never made another movie, this series would still have placed him in the pantheon of American documentarians. No one is claiming that this is the only document you need to expose yourself to in order to achieve perfect understanding of the history of the West. But it's certainly one absolute requirement for inclusion in any attempt to understand the subject.
For any collector of Western memorabilia and lore, for any teacher who wants to enrich a class in American studies, and for anyone at all who simply wishes to gain a sense of the West in our history, this is a must-have set of dvds to add to your collection. It should be available in every school and public library and rerun regularly on PBS. It's the best thing Burns has ever done--the Civil War series notwithstanding--and those who chirp like little toads that it should have been better are welcome to make an effort to direct and produce a version that improves on it. Don't hold your breath until that happens.
Now I'm about to suggest a bit of social heresy in this day of 30 second commercials and infinitesimal attention spans. If you really want to gain the ultimate impact, try total immersion. Choose a rainy or snowy Saturday or Sunday, lay in a goodly supply of your favorite food and drink, lock the door and turn your phone off (!), and then do a total viewing immersion. Watch the entire series from beginning to end in one marathon day. And by the way, treat yourself to some solitude. That's right, do it alone; spend one day watching this without having to pay attention to the needs or attitudes or reactions of a viewing companion. Let it surround and soak into your senses. Embrace the barrage of images and sounds. Plunge headlong into that amazing collection of stories about people and places and events. It will change you. You won't come away with total recall of details, but you will achieve a new sensory and intellectual appreciation of our history that is geometrically greater than watching it piecemeal with days or weeks intervening between the episodes. Later on, after some time has passed, you can go back and view it again in the self-contained capsules; that time through, you will absorb the detail. Go ahead, try it. Challenge your mind.
Well done, Mr. Burns! My hat is off to you. And thank you PBS for reminding us that our brains are for thinking.


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Sam Peckinpah's Legendary Westerns Collection (The Wild Bunch / Pat Garrett and Billy the Kid / Ride the High Country / The Ballad of Cable Hogue) (2006) Review

Sam Peckinpah's Legendary Westerns Collection (The Wild Bunch / Pat Garrett and Billy the Kid / Ride the High Country / The Ballad of Cable Hogue) (2006)
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The Ballad of Cable Hogue is buried treasure - an outstanding film by a legendary director with brilliant performances that is still little known and rarely seen. Sam Peckinpah made it just months after his groundbreaking film, The Wild Bunch, and both films deal with the same topic - the end of the western frontier, although in radically different ways. While The Wild Bunch is a violently realistic film about a breed of western gunmen who had outlived their day, The Ballad of Cable Hogue is a stylized fable, by turn tender, dark, comic, and tragic that depicts the last days of another sort of western archetypal man. It may be that the film's resistance to easy categorization (is it a comedy? a tragic love story? a morality tale of revenge? a musical?) is responsible for its continued obscurity, but I find it an element of its greatness, and concur with Peckinpah, who characterized the film as part Keystone Cops, part Sartre's The Fly, and considered it his favorite of all his movies.
There are many reasons to love this film, including its stunning scenery of awesome, big sky desert landscapes, and a unique, lilting soundtrack with songs that become mysteriously etched in your mind. Yet its foremost strength is its brilliant performances from an impressive cast. Jason Robards plays the title role, brilliantly rendering the tough as boot leather yet vulnerable Hogue as charming and totally unforgettable. Stella Stevens delivers the crowning performance of her career as Hildy, a prostitute who aspires to go to San Francisco to become the "ladiest damn'd lady", yet unaccountably falls in love with the desert rat Hogue. Stevens and Robards together create an utterly believable screen romance that not only crackles with passion, but conveys real depths of caring and emotion. David Warner adds color and comic relief to the story as Josh, a lascivious traveling preacher who becomes side-kick, foil, and nemesis to the no nonsense Hogue. Several great character actors all at the top of their form, including Strother Martin, Slim Pickens, and L.Q. Jones, round out this first rate cast.
This DVD release includes several excellent special features. There is a mini feature called The Ladiest Damn'd Lady: An Afternoon With Actress Stella Stevens, in which Stevens talks about her career, Director Sam Peckinpah (she didn't much like him), and her experiences working on The Ballad of Cable Hogue. Also included are trailer galleries from five Peckinpah movies - Ride the High Country, The Wild Bunch, The Ballad of Cable Hogue, The Getaway, and Pat Garrett and Billy the Kid. Most importantly, however, is an outstanding commentary track featuring four Peckinpah scholars. Their commentary covers the symbolism and philosophy of the movie, Peckinpah's filming technique, and the movie's relationship to Peckinpah's larger body of work. Unlike many commentary tracks that seem to add little value, this excellent track is both entertaining and useful, and leaves you wanting to watch the movie yet again with the new perspectives you have gained from it.
The Ballad of Cable Hogue is a film that will stick with you, and one you will want to revisit frequently. It is not only my favorite Sam Peckinpah film, it is one of my top five all time favorite Westerns. If your Western collection lacks this quirky gem, it is not yet complete, so go discover it for yourself.
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Barbie and the Three Musketeers (2009) Review

Barbie and the Three Musketeers (2009)
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Mattel's latest gender-reversed classic in the "Barbie" animated series begins on a farm in Gascony where Corinne, daughter of the famous D'Artagnan, is practicing her swordfighting moves. (Her idea of swordfighting seems to owe more to the "Zorro" films than anything you would actually expect to find in 17th century France, but never mind.)
Corinne's life's ambition is to follow in her father's footsteps by becoming a royal musketeer. When she turns 17 she goes to Paris to enlist, carrying as D'Artagnan had before her, a letter of introduction to Monsieur de Treville, who is still Captain of the King's musketeers. (With the silver hair which is the only sign of age in this kind of film.)
Unfortunately for Corinne, the 17th century French authorities are not ready for the idea of a lady musketeer (probably this reluctance is the most plausible part of the film.) So instead she has to accept a job as a maid at the palace.
Just as D'Artagnan fell foul of "the three musketeers" on his first day in Paris and agreed to fight duels with each of them, Corinne has unfortunate meetings with three other girls while attempting to rescue her pet cat from an unpleasant dog belonging to the film's villain, and then finds that they are her new work colleagues.
Despite this unfortunate start, Corinne becomes friends with her new colleagues and it turns out that all four share an ambition to be royal musketeers. So they begin to train in secret.
Meanwhile the handsome Prince Louis, heir to the throne, is about to be crowned King on reaching his majority. His cousin Phillipe, who has been ruling France as Regent while Louis was a child, is less than happy at handing over power. Phillipe's nefarious plans are about to run into a most unexpected obstacle ...
From my adult perspective this was quite the most ridiculous of all the Barbie films - the fact that the music to the climax of the film was the song "unbelievable" seemed only too appropriate. But this isn't aimed at adults, it's aimed at little girls and I have to report that my eight year old daughter loved it, as did her twin brother. And in fact some of the jokes in the film are quite funny: they had my wife as well as our children laughing out loud and raised a few smiles even from me.
It has all the stock Barbie ingredients - a relentlessly positive heroine, a wicked villain, good and bad talking animals, etc. Like all the Barbie films "Barbie and The Three Musketeers" is also beautifully made, charming, and, if my daughter is anything to go by, can hold the attention of a little girl for hours.
Before we first rented any of the Barbie videos for my daughter, I was expecting them to be trite, over-commercialised, and over-sugary. In general, however, I have been pleasantly surprised.
Yes, they do have a lot of commercial spin-offs and a high saccharine count, but the quality of that film and the other Barbie videos we have subsequently bought or rented, was significantly higher than I had originally expected before I saw the first one. They have kept my children engrossed for hours - including my son as well as my daughter - and also introduced them to some beautiful stories. Several of them also introduced my children to some great musical classics: others, of which this is one, had instead enjoyable original or modern music. In all cases Mattel had hired first class international orchestras to provide the instrumental soundtrack.
On more than one occasion I have been listening to a CD of a classic such as Beethoven's pastoral symphony (Beethoven: Symphony No.6), or "The Queen of the Night's aria" from Mozart's opera "Mozart: The Magic Flute", and my daughter, who was then five years old, recognised and expressed appreciation of the music, and correctly remembered which Barbie film had used it. ("Barbie and the Magic of Pegasus" and "Barbie Fairytopia: Mermaidia" respectively.)
The music for "Barbie and the three musketeers" is easy on the ear, though this is not one of those Barbie films - there are some - which you would buy for the music.
For reference, the Barbie films with beautiful musical scores taken largely from the classics include
"Barbie of Swan Lake" (with music from the ballet of that name)
"Barbie in The Nutcracker" (ditto)
"Barbie and the Magic Of Pegasus" (Beethoven)
"Fairytopia II: Mermaidia" (Mozart)
"Barbie in the 12 dancing princesses dvd" (Mendelsohn)
"Barbie in a Christmas Carol" (various traditional carols)
The two best with music which is original rather than taken from the classics, are "Barbie as The Island Princess" and "Barbie As The Princess and the Pauper" the music for which I can particularly recommend. In terms of production values, the DVD runs smoothly and is fairly easy to navigate around: it is as visually beautiful as any of the Barbie films to date, which is quite a high standard, and contains a few extras such as games.
Those people who enjoy criticising the way Mattel operate the Barbie franchise will not have much difficulty finding things in these films to sneer at. If you, or more importantly your kids, are allergic to an excess of twee sweetness, then these DVDs and the Barbie videos generally may not be for them.
One charge which is sometimes made against the Barbie films but which does not hold much water is the idea that they reinforce gender stereotypes, and that criticism does not appear at all applicable to this particular film. It's a gender reversed story, and the heroine and central character is far more interested in foiling plots against the King than in going on a date with him.
To summarise, these films are beautifully made, and will hold the attention of most small children for long enough for the typical exhausted parent to clear the mess they have made in several rooms of the house or collapse for an hour's rest after doing so. And there are enough more sophisticated jokes thrown in that you won't be completely bored to death if you decide to watch "Barbie and the Three Musketeers" with your offspring.

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It's 'All for One and One for All" as Barbie' and her friends co-star in Barbie' and The Three Musketeers!Join Barbie' as Corinne', a young country girl headed to Paris to pursue her big dream - to become a female musketeer!Never could she imagine she would meet three other girls who secretly share the same dream! Using their special talents, the girls work together as a team to foil a plot and save the prince. Come along on an action-filled adventure that dares you to dream as never before.

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The Bad Seed (1956) Review

The Bad Seed (1956)
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I personally feel that this is one of the greatest horror movie made. Forget all of that blood and guts and popping out of the bushes to scare people. That fear only lasts for a second...This movie plays with your mind and lasts forever. Nothing is scarier than polite Miss Rhoda Penmark.
This movie contains brilliant direction and an amazing cast. Many people feel that the acting is overdone and that they act like they are still in the stage version, entertaining an audience in a theater but that is the way it was meant to be made. Making it look like a regular movie would ruin the essence of the evil, 8-year old killer. Nancy Kelly is truly amazing as Christine. Her "breakdown" scenes are heart wrenching and done very well. She is most-natural and does a wonderful job in playing a woman going through the delemma of whether or not she should hate or love her daughter. Her performance is beautiful, "She killed him! But she's my little girl...and I love her!". The highlight of her acting is when Rhoda just kills one of her victims (I won't say who) and Rhoda is playing the song she always plays on the piano faster and faster and faster. It is such and amazing scene. She deserved the Tony she won during the play and the Oscar nomination. Now, there is Patty McCormack who is definatly chilling in this role. Her perfect smile is just as scary as her evil ways. When she describes the way she killed the little boy I always shudder ,"But he told me that he was going to tell on me...SO I HIT HIM WITH MY SHOES AGAIN!! I hit him harder that time." After the scene where she confesses her murders and Christine tells Rhoda to throw her shoes down the incinerator, the shot of Rhoda's sillouette tossisng the shoes while Christine just sits in the backround and watches with fear, as Rhoda smiles, brings chills down my spine. Her acting gets an A+ and she also deserved the Oscar nomination as well as Kelly. Another, nominated for an Oscar for her role, was Eileen Heckart for the role of (which I think is one of the greatest characters in theatrical history)Mrs. Dagel..the grieving mother of one of Rhoda's vicitms. Although only appearing in two scenes, she makes just as big of an impact as Christine and Rhoda do. Heckart is brilliant in the role and it would be almost imposible to find someone who could do as good of a job as she did. Her beautiful monolougues are truly amazing and heartfelt. Other great performances are that of Henry Jones, the creepy Leroy who is the only one who realizes that Rhoda is evil, Evelyn Varden, as the housekeeper, Monica, who spoils Rhoda terribly, Miss Fern (I can't quite think of her name), as the teacher at The Fern School, and Christine's father (I can't think of his name now either), who is a former mystery writer with a big secret that he is keeping from Christine, which has to do with why Rhoda is a bad seed, something inside of Christine that she passed down to her daughter.
There is a lot of controversy over the ending curtain call and the happy spank that Christine lays on Rhoda. I feel that the curtain call and spanking gives the audience a sese of relief since the movie is so disturbing.
I reccomend this movie to everyone that can handle a plot that is different and disturbing.
Don't blame Rhoda for her murderous acts. It isn't her falt, she is just a bad seed.

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