Showing posts with label native american history. Show all posts
Showing posts with label native american history. Show all posts

Ken Burns Presents: The West (2009) Review

Ken Burns Presents: The West (2009)
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The West
DVD ~ Peter Coyote
When some people use the word "documentary" they seem to imbue it with an expectation of total objectivity--as if one could eliminate all traces of cultural experience from one's makeup and discover a shining path of ultimate "truth" simply by the act of becoming a filmmaker. Nonsense. We are all a product of our times and of the culture in which we were raised and educated. Documentaries are always, always, always selective. There is no such thing as total objectivity, either in writing or in filmmaking.
That said, this is an enormously valuable effort to sift through an extraordinary cross-section of materials and condense them into 12 and 1/2 hours of very viewable, enlightening and often extremely moving stories. Yes, that's right, I said "condense". The documents available on the history of the West literally fill many museums, and unless you plan to spend every waking moment of your life from the time you learn to read until the day you die as a serious scholar of western lore, you will never gain a complete knowledge of the subject. This is an outstanding effort to provide a distillation of the sense and feel of the west from the earliest days of indian tribal inhabitation to the passing of the frontier. To have even attempted that feat in a 12 and 1/2 hour presentation took courage and imagination. Although I have often grumbled to myself about Ken Burn's relentless imposition of an over-stylized montage technique on the presentation of his documentaries, I have nothing but astonished admiration for his accomplishment in crafting this mini-series. Bravo.
Yes, yes, it doesn't tell the whole story of the West. Yes, it is selective. And, yes, there are other things that could have been included. C'mon guys, quit sitting back like Monday morning quarterbacks and griping about what is missing from this presentation. Think about what he WAS able to accomplish! He captured a sense of sweep, a sense of the development of the frontier, and an extraordinarily vivid impression of the cultural, religious, social, economic and racial collisions that occurred in this vast space over a period of a couple of centuries. Good grief, what do you want, blood? If he had never made another movie, this series would still have placed him in the pantheon of American documentarians. No one is claiming that this is the only document you need to expose yourself to in order to achieve perfect understanding of the history of the West. But it's certainly one absolute requirement for inclusion in any attempt to understand the subject.
For any collector of Western memorabilia and lore, for any teacher who wants to enrich a class in American studies, and for anyone at all who simply wishes to gain a sense of the West in our history, this is a must-have set of dvds to add to your collection. It should be available in every school and public library and rerun regularly on PBS. It's the best thing Burns has ever done--the Civil War series notwithstanding--and those who chirp like little toads that it should have been better are welcome to make an effort to direct and produce a version that improves on it. Don't hold your breath until that happens.
Now I'm about to suggest a bit of social heresy in this day of 30 second commercials and infinitesimal attention spans. If you really want to gain the ultimate impact, try total immersion. Choose a rainy or snowy Saturday or Sunday, lay in a goodly supply of your favorite food and drink, lock the door and turn your phone off (!), and then do a total viewing immersion. Watch the entire series from beginning to end in one marathon day. And by the way, treat yourself to some solitude. That's right, do it alone; spend one day watching this without having to pay attention to the needs or attitudes or reactions of a viewing companion. Let it surround and soak into your senses. Embrace the barrage of images and sounds. Plunge headlong into that amazing collection of stories about people and places and events. It will change you. You won't come away with total recall of details, but you will achieve a new sensory and intellectual appreciation of our history that is geometrically greater than watching it piecemeal with days or weeks intervening between the episodes. Later on, after some time has passed, you can go back and view it again in the self-contained capsules; that time through, you will absorb the detail. Go ahead, try it. Challenge your mind.
Well done, Mr. Burns! My hat is off to you. And thank you PBS for reminding us that our brains are for thinking.


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KEN BURNS:WEST - DVD Movie

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Soldier Blue (2008) Review

Soldier Blue (2008)
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NOTE: This review of SOLDIER BLUE applies to the uncut version released by Lionsgate in 2006 and not the 'PG' version that had been on video for years.
Released in the late summer of 1970, SOLDIER BLUE concerns itself with a disenfranchised U.S. cavalry officer (Peter Strauss), one of only two survivors of a savage attack on an Army payroll train by Cheyenne Indians in Colorado, who falls in love with the other survivor, a white woman (Candace Bergen) who had been raised by the Cheyenne. Although cut off from his unit, Strauss refuses to believe that the U.S. Army is acting with undue harshness towards the Indians, until his experiences with Bergen show him otherwise. Making their way across hostile territory, and for a moment in the clutches of a deranged gun runner (Donald Pleasance), they reach an Army fort where they learn of a plan by a vengeance-minded general (John Anderson) to destroy the Cheyenne.
Bergen and Strauss warn the Cheyenne villagers of this possibility. When Anderson's troop appears on the outskirts of the village, the Indians raise an American flag as if in supplication. Anderson, however, is unmoved; and all Bergen and Strauss can do is watch as the Cheyenne and their village are totally annihilated.
SOLDIER BLUE, directed by Ralph Nelson (CHARLY, LILIES OF THE FIELD), is unique because it was the first western of its kind to really paint the Army as inherently evil. Given that it was based on the infamous 1864 Sand Creek massacre and that it equated mistreatment of the Cheyenne with the revelations of the My Lai massacre in Vietnam at the time of its release, this is not surprising--though contrary to what some might say, it is also not politically (let alone realistically) correct.
Until Lionsgate, the studio responsible for FAHRENHEIT 9/11, restored the and re-released the film on DVD last year, however SOLDIER BLUE could only be seen in a severely cut form, allowing for the 'PG' rating it had for so long. In reality, in its original form here, it was considerably notorious because of its extreme violence, particularly the horrific final massacre. As such, it exceeded even the levels of violence in THE WILD BUNCH and would almost certainly challenge the opening of SAVING PRIVATE RYAN for sheer war-related carnage. It nearly got an 'X' rating, but came away with an 'R'. It was then edited for re-release down to a 'PG', with much of the violence cut.
That said, however, Bergen and Strauss, who were practically unknown at the time, deliver fairly good performances; and the on-location shooting in central Mexico is breathtakingly panoramic when it's not focusing in on the violence angle. Roy Budd's score is also appropriate, with noted folk singer Buffy Sainte-Marie (a Cree Indian) contributing songs to the soundtrack.
Now that it is in its uncut form, it is up for the viewer to judge the merits of this, the FAHRENHEIT 9/11 of the Western genre. It still isn't an easy film to like, and almost certainly there will be those that loathe it not only for its violence but also its admittedly hyperbolic view of the Army. Nevertheless, it can and should be seen now in its original form so that people can come to terms with its painful message about our genocidal mistreatment of the Native American.

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