Showing posts with label michael douglas. Show all posts
Showing posts with label michael douglas. Show all posts

Home For The Holidays LIMITED EDITION 2 DISC DVD Set Includes Featurette of the Making of Nothing Like the Holidays and Film Soundtrack (2008) Review

Home For The Holidays LIMITED EDITION 2 DISC DVD Set Includes Featurette of the Making of Nothing Like the Holidays and Film Soundtrack (2008)
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Allow me to quote from my review of "Four Christmases," released only a few weeks ago: "I don't need to spend $8.75 to be told that we should spend time with our loved ones, even if they're completely insane. By now, I think we all know." As much as I believe this to be true, films like "Nothing Like the Holidays" prove that even well established messages can still be effective. This movie is everything "Four Christmases" was not: funny, touching, and intelligent, with drama that actually feels genuine. While it gives us just about everything we've come to expect from the typical holiday movie, it makes the most of what it's got, and I have a feeling that just about everyone will find it relatable to certain degree. It's a family drama that has just the right balance of humor and heart, and it features a number of actors that naturally fit into the material.
"Nothing Like the Holidays" tells the story of the Rodriguez family and the drama that befalls them during the Christmas holiday. The father, Edy (Alfred Molina), is the owner of a Puerto Rican grocery store in the middle of Chicago, and he'd like nothing more than for one of his sons to someday take over the business. Unfortunately, he and his wife, Anna (Elizabeth Peña), are having a great deal of problems. Anna is a very unhappy woman. For one thing, she has reason to believe that Edy is cheating on her, with his constant cell phone calls and late nights out. Furthermore, she would like nothing more than for her son, Mauricio (John Leguizamo), and his wife, Sarah (Debra Messing), to bless her elderly years with a grandchild. When in the same room together, Anna regards Sarah not with scorn, but with a quiet air of disappointment, as if to say she could be doing a much better job.
Sarah and Mauricio are having problems of their own. While they're successful executives in New York City, business opportunities are threatening both their marriage and their prospects for having children, which Sarah may not be ready for right now. It would help if Anna would stop asking for a grandchild. She's trying her hardest to be on friendly terms with Anna, offering to help clean, practicing Spanish, insisting that she's learned a great deal about Puerto Rican cuisine. There's a wonderful moment just after Anna announces at the dinner table that she's divorcing Edy; after everyone leaves in disgust, Sarah remains where she is, calmly asserting that she isn't finished eating. For the first time, Anna gives Sarah a genuinely loving look.
Unfortunately, Mauricio is unwilling to accept his parents' divorce, probably because, as a married man himself, he believes that spouses are supposed to ride the ups and downs of life together. Ultimately, he says, you end up falling in love all over again. What he seems to be forgetting is that his mother suspects his father of cheating, which is unforgivable after over thirty years of marriage.
And then there are the other two children. The younger son, Jesse (Freddy Rodriguez, also one of the film's executive producers), is a soldier returning home from the Iraq war. He carries a lot of guilt, not only because he broke up with his girlfriend, Marissa (Melonie Diaz), but also because of an event that went horribly wrong in Iraq. Now back home, Edy is putting pressure on Jesse to take control of the grocery store. But does Jesse want that kind of responsibility? What exactly does he want? Whatever it is, he doesn't believe he'll find it in the Humboldt Park area of Chicago. He certainly won't be getting any support from Mauricio, who has always felt that Jesse had virtually everything handed to him.
The sister, Roxanna (Vanessa Ferlito), is an actress visiting from Los Angeles. While she has managed a few small roles, she has yet to get her big break. She is being considered for a part in a new television series, but given the fact that her agent calls frequently with little to no news, it's difficult to say what will happen. What she really doesn't understand is why everyone around her thinks she has been living such a glamorous life; they seem to forget that many actors struggle to pay their bills.
Intertwined with all this are a couple of minor subplots, including the Rodriguez's outspoken cousin, Johnny (Luis Guzmán), Marissa's relationship with a new man, and Roxanna's friend, Ozzy (Jay Hernandez), a former gang member who still has some unfinished business. There are also a few interesting scenes with a tree that's been standing on the Rodriguez's front lawn for years. Anna has always wanted it cut down; it doesn't give her a view. Attempts to destroy it only make its metaphor for family all the more obvious--it may by twisted, obstructive, and just plain ugly, but it's also indestructible and deeply rooted. Messages like this are expected in holiday movies, and I can't fool myself into believing that "Nothing Like the Holidays" gives us anything new in the way of family drama. But I also can't deny the fact that the filmmakers made it work. This movie, for all intents and purposes, feels authentic from beginning to end. It's funny at times, yet it never goes for a series of cheap laughs. It's sad at times, yet it doesn't resort to overblown moments of melodrama. It gave me the gift of an enjoyable movie going experience, and I'm sure it will do the same for you.

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Adam at 6 a.m. (1970) Review

Adam at 6 a.m.  (1970)
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Although I can answer the question of what movie they watched at the drive-in ("The Reivers"-1969), there is no obvious explanation for the "Adam at 6A.M" title. Adam (played by Michael Douglas) does not do anything special at 6AM- maybe the title just symbolizes his impulsiveness, since 6AM could be considered the waking hour of each new day. Anyway, Adam is a newly minted linguistics professor at a California college. He comes from a wealthy California family (his father is a relatively famous musician turned house builder) with roots in small-town western Missouri. Adam has just received his PhD and an appointment as an assistant professor. Summer break has begun and it gives him an opportunity at age 30 to stand back and take a look at where he is and where he is going. He doesn't particularly like what he sees and upon learning of a distant aunt's death in Missouri he impulsively drives there for her funeral, in his Porsche 911 (if it was a Porsche 6AM it would at least explain the title).
Given its 1970 release, this film unsuccessully attempted to cash in on the box-office success of The Graduate and Easy Rider. While there are related themes it is considerably less imaginative and much more conventional in tone and production technique.
As the vaguely disgusted Adam drives east into the unknown his energy level increases with his forward motion. The awkward and uncomfortable moments at the funeral and the reception are the most authentic scenes in the film. A highlight is a discussion of the movie "Blow-up" with a disgusted relative who went to the film thinking from its title that it was a war picture.
Adam is about to move on when he is introduced to Jerri Jo (Lee Purcell). They go to a drive-in movie (see The Reivers comment above) and soon fall in love. Unfortunately the Douglas/Purcell romantic scenes are weak and only the hormonal aspect of their relationship is believable. Douglas decides to spend the summer in Missouri and gets a job clearing brush for the local power company. The work crew certainly looks authentic; since they only have a couple lines of dialogue they may have actually been some local hicks.
He thrives in his new job and sincerely enjoys the change of pace and the lack of complications. He becomes friends with Joe Don Baker (apparently the only other professional actor on the crew) and sees how his marriage and kids keep him trapped in a going nowhere life. For some reason this depressing situation inspires him to propose to Jerri Jo, who has a very different idea of what their marriage will be like. There was a little foreshadowing about this back when Adam was explaining his academic specialty (semantics) to one of his relatives; he cited the communication problems that occur between two people when they have different meanings for the same word. Adam's idea of marriage is traveling around together having adventures. Jerri Jo's idea of marriage is setting up house in her hometown with her husband teaching semantics at the local college.
It slowly dawns on Adam that he and his prospective bride do not share the same vision of marriage. This is done through a wonderful semi-montage sequence of engagement party decorations, father-in-law dressed in an apron, hair curlers, laughing relative, domestic discussions with Jerri Jo's girlfriends, and the ice cream fetching errand. Adam leaves the party and drives to the A&P for ice cream. You suspect that he is going to bail out on the whole Missouri thing so having him actually buy the ice cream was a stroke of genius. He could have just left town immediately but this builds suspense, puts a more positive slant on his decision to leave (i.e. it is not just an impulsive irresponsible act-he gives it careful consideration), and it provides a prop for a great final image.
What Adam is saying is that he does not want to be like most people, he does not want to construct a small world for himself where he can keep everything orderly. He does not know exactly what he wants but he does know for certain that he does not want the average. Although this is a low budget production with some major flaws, it is a very solid effort. The theme is compelling, the score communicates as much as the dialogue, Douglas and Baker do a good job, and Purcell is very pretty.
Then again, what do I know? I'm only a child.

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The Sentinel (Widescreen Edition) (2006) Review

The Sentinel (Widescreen Edition) (2006)
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A mediocre, instantly forgettable espionage American government crime thriller, The Sentinel plays out more like a trumped-up network television show than a fully-fledged motion picture crime thriller. This fractured, overly convoluted tale of a spy within the Secret Service who is trying to assassinate the President is so laughable and implausible that you'll end up being cynically amused at most of what goes on.
The movie is totally dumb, and gets even dumber as it goes on. Michael Douglas - who indeed seems to be fighting the hands of time - plays Special Agent Pete Garrison. A few years back, he slept with the wife of his best friend and protégé, David Breckinridge (Kiefer Sutherland). Now he's having an affair with first lady Sarah Ballentine (Kim Basinger).
When Pete receives incriminating photos of himself and Sarah he realizes he's being blackmailed. At the same time he also learns that there's a "mole" working in the secret service plotting to assassinate the president. Things go really haywire when he realizes that someone's trying to frame him as the perpetrator.
Beaten into a corner and in danger of being charged with treason, Garrison goes on the run, partly in order to clear his name and also to hopefully uncover the real architects behind presidential assassination plot. But Breckinridge stays hot on his tale, chasing his former pal with the gorgeous rookie (Eva Longoria) who adds a bit of glamour to the chase. (Eva Longoria as a Secret Service Agent?).
Unfortunately The Sentinel doesn't really work that well. Apart from that fact that you can figure out whom the mole is after about twenty minutes, director Clark Johnson allows his pursuit scenes to run on for far too long. Most of the action is made up of a lot of gratuitous running, crouching, skulking around corners, aiming guns and shooting them. This of course gets a bit boring when carried on for so long.
Johnson uses jerky camera work to heighten suspense and to make the film look a little more prestigious that it really is, but this ends up being annoying instead. The same can be said about the film's overpowering background music as well as its choppy editing. And are the Secret Service really this efficient and on top of things in the real world? When you think of how the government has handled recent tragedies, something tells me they're not.
The Sentinel becomes even more preposterous as it lurches along. The rationale behind the assassination plot is murky at best. And then there's the big, hugely far-fetched shoot-out at the close, which suggests that infiltrating a small army of gunmen into an international assembly that is supposed to be a G8 summit must be the easiest thing in the world to do. It's also never really made that clear whom the gunmen actually are, but at least the scenes are shot in Toronto so we get to see some of the City.
The movie gradually sinks into a pit of conspiracy clichés, from the D.C. detective who talks like he's from a Manhattan borough to Pete's unkempt on-the-street informer who seems to know everything. Even worse, the characters lack in-depth development. It's also criminally sloppy writing when towards the end of the movie Sutherland's Breckinridge changes his attitude towards Garrison for the flimsiest of reasons.
The performances are pretty much what you see is what you get. Douglas goes through his usual tight-lipped shtick - you would think after thirty years in the business he'd be stretching himself and taking on more interesting roles. Sutherland does his TV show spiel and Longoria - who is never going to the world's greatest actress - is wasted in a role anybody could have phoned in. And Basinger looks svelte and gorgeous but offers little beyond her appearance as a meek and decorous First Lady. Mike Leonard September 06.


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There's never been a traitor in the United States Secret Service...until now. And the evidence points to Pete Garrison (Douglas), one of the most trusted agents on the force. Now on the run, with two relentless federal investigators (Sutherland and Longoria) hot on his heels, Garrison must fight to clear his name and thwart an attempt on the President's life before it's too late!

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