Showing posts with label action movie. Show all posts
Showing posts with label action movie. Show all posts

Short 5 - Diversity (1999) Review

Short 5 - Diversity (1999)
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Vin Diesel is excellent, they guy knows how to make a movie. Something as short as this, his first, was cool. It didnt look cheap. It made it's point. About Vin, and how he tries to pass as black, Italian, Latino in various auditions..I wont ruin it for you just go watch it. it's good. The l'il xtras-self interview type thing is okeedokee, interesting bits. And the Iron Giant voice works is a TREAT! Ladies: Drool Factor 10!

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Eye of the Tiger (1986) Review

Eye of the Tiger (1986)
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Holy crap! This movie blew my mind! Action? TOO MUCH OF IT (almost)! Acting? TRULY OSCAR WORTHY! Theme Song? GREATEST SONG EVER! It's a shame that there aren't more movies out there with "Eye of the Tiger" as the theme song. I honestly believe it would go great with some movie where this guy has to face a huge challenge and he seems like an underdog however in the end, due to his amazing conditioning and training he overcomes his challenges and beats the favorite in a boxing match.

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Item Name: Eye of the Tiger; Studio:MGM (Video & DVD)

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The Bourne Identity (2002) Review

The Bourne Identity  (2002)
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First, I rate the MOVIE Bourne Identity and the older Collector's Edition DVD both as 5-star. I expected the Extended Edition DVD to include all in the older Collector's Edition DVD AND MORE. What you get with the Extended Edition DVD is a FREE TICKET (EXPIRES AUGUST 8th) to MOVIE Bourne Supremacy and a weaker DVD release that is largely a promotion for the new movie.

What you LOSE (Extended Edition DVD versus Collector's Edition DVD):
an extended farmhouse scene; DTS sound; Doug Liman's informative Director's Commentary track.

What you DO NOT GAIN (Extended Edition DVD versus Collector's Edition DVD):
the SAME alternate ending IN ROUGH, GRAINY QUALITY as in the deleted scenes of the Collector's Edition; the SAME deleted/extended scenes (except for the ADDED alternate beginning noted below and the OMITTED farmhouse scene noted above); the SAME Extreme Ways music video by Moby and the SAME DVD-ROM access to web site; no featurette whatsoever providing director Doug Liman's comments. (Did Liman tick off producer Frank Marshall or did he want to distance himself from this so-called upgrade by Universal?).

What you DO GAIN (Extended Edition DVD versus Collector's Edition DVD):
a FREE TICKET (EXPIRES AUGUST 8th) to Bourne Supremacy movie; pain-in-the-arse indirect PLAY THE MOVIE via a Play SUB-menu to select theatrical vs extended version that STILL forces you to use MANUALLY your DVD player's ANGLE button WHEN THE ALTERNATE ANGLE ICONS APPEAR ON YOUR SCREEN to access the bookended alternate beginning/ending version (both footages in UNFINISHED QUALITY that somewhat compromise the vendetta premise of the Bourne Supremacy); Special Features includes these SAME UNFINISHED alternate beginning and ending in isolation with producer Frank Marshall's mea-culpa that this less-than-explosive footage was a post-production C-Y-A due to 9/11 that test audiences ultimately bounced anyway; some worthwhile featurettes regarding Robert Ludlum, CIA practices from retired CIA operative/film consultant Chase Brandon, and a real psychologist's profile of Jason Bourne; a worthless transition promotion fluff to the Bourne Supremacy movie.

VERDICT: If DTS sound or Director Commentary tracks matter to you, DO NOT UPGRADE (yeah, right, upgrade); stick with or buy the older Collector's Edition DVD. If you don't already own the Collector's Edition or these factors don't matter and you intend to use the free Bourne Supremacy movie ticket BEFORE AUGUST 8TH, go with the Extended Edition DVD But shame on you, Universal for your promotional UPGRADE hogwash!!!

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Universal The Bourne Identity - HD-DVDAcademy Award Winner Matt Damon stars in this explosive, action-packed hit filled with incredible fight sequences. Found with two bullets in his back, Jason Bourne discovers he has the skills of a very dangerous man and no memory of his violent past. Racing to unlock the secret of his own identity, he discovers the deadly truth: he's an elite government agent, a 30 million dollar weapon the government no longer trusts. Now this top operative is the government's number one target in this super-charged, thrill-a-minute spectacular loaded with "Non-stop action!" (Bill Zwecker, FOX-TV).

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James Bond Ultimate Edition - Vol. 2 (A View to a Kill / Thunderball / Die Another Day / The Spy Who Loved Me / Licence to Kill) (1965) Review

James Bond Ultimate Edition - Vol. 2 (A View to a Kill / Thunderball / Die Another Day / The Spy Who Loved Me / Licence to Kill) (1965)
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I received advance copies of the Region 1 release and just had to gush about these incredible DVDs.
In October of 1999 the first wave of James Bond 007 Special Editions was released. It was in fact the second time that the series had seen a release on those shiny silver discs having first appeared in the much-maligned "snapper" cases two years earlier. But these special feature laden releases were immediately hailed as setting a new benchmark for back catalog releases of movies on DVD.
Times however have since changed. And the single disc editions that appeared in a set of three waves in 1999 and 2000 now look, at best merely serviceable and at worst wholly inadequate when compared to the bumper releases that have been afforded to the likes of other favorites from the last 40-plus years.
So on Tuesday Fox will release the first two of four volumes that are touted as the Ultimate Edition's of all 20 of the movies in the storied franchise. The collection of special features this time around are a virtual embarrassment of riches and each movie has been remastered by the team that oversaw the work on the original Star Wars trilogy - Lowry Digital. The result is so impressive that movies the likes of 1964's "Goldfinger" now look they were made last year instead of over 42 years ago.
John Lowry, who started his career with NASA, spent two and a half years restoring the picture and sound quality on all 20 Bond films, which in total consisted of 42 miles of film. According to information released by the studio the combination of automated computer processing and digital retouching led to the removal of 25 million pieces of dirt and 74,000 "hairs in the gate" in addition to restoring more than 30,000 frames of scratched or torn images.
The difference is most evident in the older movies and when I watched "The Spy Who Loved Me" (for example) I seriously felt like I was watching a new movie - particularly during the demise of the Liparus super tanker.
There has also been an improvement in the audio department has a brand new 5.1 DTS mix.
The special features will impress even the most ardent and knowledgeable James Bond fan. Take for example the DVD for the 1985 adventure "A View to a Kill." In the 2000 release fans were amazed to see the inclusion of a hitherto unknown deleted scene set in a Paris Police Station. In the release Tuesday the Paris scene is still there, but several more deleted scenes join it. These ranges from the scene where fishermen (along with Bond) demonstrate outside of the main villains San Francisco operations to a more minor scene that shows said villain and his henchman and henchwoman carrying cans of gasoline into City Hall. Director John Glen who explains why they were eventually cut from the movie introduces each.
This all-inclusive approach to special features pervades these releases with everything from the inclusion of archival reports from the set for British television to a home movie from the Egyptian set of "The Spy Who Loved Me."
Of course the real jewel in the crown of the releases are the newly recorded audio commentaries by James Bond actor Sir Roger Moore for his seven movies. Last year Moore recorded the commentaries over a period of five days starting with the last of his movies (A View to a Kill) and working backwards. He prefaces each of his commentaries by claiming not to remember much about the production history of the movies and urges the listener to merely approach them as a one-way conversation. However, despite his claim Moore does seem to recollect quite a bit about the movies and his light breezy tone and dry wit make the commentaries a real draw. He does have a habit of getting sidetracked on occasion and discusses other projects other than James Bond, but each of the commentaries is well worth a listen.
My particular favorite commentary in Vol. 1 and Vol. 2 is the one that accompanies "A View to a Kill." For many years fans questionned where Maud Adams' cameo was in this movie (she had famously visited the set during the San Franciso shoot), with not even Maud Adams knowing where she was. Well, there's a big clue to where she appears when Roger Moore remarks that the man walking out of shot is Maud Adams boyfriend. Watch the couple in the background shortly after this remark on the commentary.
The only real quibble I have is regarding the "007 Mission Control" section of the DVDs. These are merely a collection of clips from the movie and as such seems a tremendous waste of valuable disc space. For example say you click on "Girls" from the Mission Control main menu. A menu appears listing the girls in that particular movie and if you click on their name you are provided with a menu listing a series of clips including that character. Not only is this highly redundant for those who have watched the movie (which one would presume people who own the DVD have done) but its also very selective. Take for example the character of Anya Amasova in "The Spy Who Loved Me." The first clip offered is her meeting with James Bond at the Kalba club. Surely the first should have been her famous introduction (where audiences expentations are turned on their head) and the scene where she learns of her lovers death.
Another minor gripe is the treatment of "Die Another Day" in this set. Whereas all the previous content from the other movies Special Editions are included in these Ultimate releases, the same cannot be said for the "Die Another Day" discs. Released already as a 2-disc set on its initial DVD release in 2003, this edition seems to have dropped the extensive documentary on the making of the movie. I was not a big fan of said documentary as I found it to be largely fluff, but its strange that it was not included here, especially since they probably used up space that could have accomodated it with the afore-mentioned "Mission Control" section. There are some interesting tidbits on the "Die Another Day" discs including the "From Script to Screen" doco (that had appeared previously only in Region 2) and a fascinating coverage of the parachite jump over Buckingham Palace, but the omission of the lengthy "Making of..." documantary from the previous release is puzzling.
The movies are in slim cases. The big fear among Bond fans when images of the cover packages were released was that it would be a gatefold design. The slim cases are 2-disc sets with disc 1 facing disc 2.
For those fans and collectors who like to place the DVDs in chronological order when displaying them on the shelf, there is a solution. The inner casingo for the DVDs are in the familiar shape common to storing magazines. This allows the collector to place this casing back in the box backwards so that the spines of the DVDs (with their titles on them) are facing out.
Recommended for everyone from the casual viewer to the most fervent Bond fan.

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Disc 1: *Thunderball (1965) THE COMPLETE SPECIAL FEATURES LIBRARY: MISSION DOSSIER Audio Commentary Featuring Terence Young and OthersDisc 2: **Thunderball Bonus Disc DECLASSIFIED: MI6 VAULT The Incredible World of James Bond - Original 1965 NBC Television SpecialA Child's Guide to Blowing Up a Motor Car - 1965 Ford Promotional Film On Location With Ken AdamBill Suitor: The Rocket Man MoviesThunderball Boat Show ReelSelling Bonds - Original 1965 Television Advertisements007 MISSION CONTROL Interactive Guide Into the World of ThunderballAudio Commentary Featuring Peter Hunt, John Hopkins and OthersThe Making of ThunderballThe Thunderball PhenomenonThe Secret History of ThunderballMINISTRY OF PROPAGANDA Original Trailers, TV Spots, Photo Gallery & Radio Communications Disc 3: *Die Another Day (2002) THE COMPLETE SPECIAL FEATURES LIBRARY: MISSION DOSSIER Audio Commentary Featuring Director Lee Tamahori and Producer Michael G. Wilson & Pierce BrosnanDisc 4: **Die Another Day Bonus Disc DECLASSIFIED: MI6 VAULT From Script to ScreenShaken and Stirred on IceJust Another DayThe British Touch: Bond Arrives in LondonOn Location With Peter Lamont007 MISSION CONTROL Interactive Guide Into the World of Die Another DayAudio Commentary Featuring Pierce Brosnan and Rosamund PikeMI6 DataStreamAdditional DVD-ROM Features Available!Madonna 'Die Another Day' Music VideoMINISTRY OF PROPAGANDA Photo gallery Disc 5: *The Spy Who Loved Me (1977) **The Spy Who Loved Me Bonus Disc Newly Recorded Audio Commentary Featuring Sir Roger MooreTHE COMPLETE SPECIAL FEATURES LIBRARY: MISSION DOSSIER Audio Commentary Featuring Director Lewis Gilbert, Production Designer Ken Adam, Co-Writer Christopher Wood and Michael G Wilson Disc 6: DECLASSIFIED: MI6 VAULT 007 in EgyptRoger Moore: My Word Is My BondOn Location With Ken Adam007 Stage DedicationOriginal 1977 Featurette Escape From Atlantis: Storyboard Sequence007 MISSION CONTROL Interactive Guide Into the World of The Spy Who Loved MeInside The Spy Who Loved MeKen Adam: Designing BondMINISTRY OF PROPAGANDA Original Trailers, TV Spots, Photo Gallery & Radio Communications Disc 7: *A View To A Kill (1985) **A View To A Kill Bonus Disc Newly Recorded Audio Commentary Featuring Sir Roger MooreTHE COMPLETE SPECIAL FEATURES LIBRARY: MISSION DOSSIER Audio Commentary Featuring Director John Glen and Members of the Cast and Crew Disc 8: DECLASSIFIED: MI6 VAULT Film '85 BBC ReportFloat Like A Butterfly Test FootageDeleted Scenes & Expanded Angles with Introductions by Director John Glen007 MISSION CONTROL Interactive Guide Into the World of A View to a KillInside A View to a KillThe Music of James BondDuran Duran 'A View to a Kill' Music VideoMINISTRY OF PROPAGANDA Original Trailers, TV Spots & Photo Gallery Disc 9: *License To Kill (1989) THE COMPLETE SPECIAL FEATURES LIBRARY: MISSION DOSSIER Audio Commentary Featuring Director John Glen and Members of the CastAudio Commentary Featuring Michael G Wilson and Members of the CrewDisc 10: **License To Kill Bonus Disc DECLASSIFIED: MI6 VAULT Deleted Scenes With Director John Glen IntroductionsBond '89On the Set With John GlenOn Location With Peter LamontGround Check With Corkey Fornof007 MISSION CONTROL Interactive Guide Into the World of Licence to Kill Inside Licence to KillProduction Featurette "Behind the Scenes"Kenworth Trucks FeaturetteGladys Knight 'Licence to Kill' Music VideoPatti LaBelle 'If You Asked Me To' Music VideoMINISTRY OF PROPAGANDA Original Trailers & Photo Gallery

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Kill Zone (2005) Review

Kill Zone (2005)
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Now this is how you make a crime-drama action film. The less said about this film, the better. This film is directed by Wilson Yip, and is without a doubt one of the greatest action films to come out of Hong Kong in a long, long time. My friend gave this DVD to me a few months ago, and I can't believe I waited so long to finally open up the package and watch this film. It's terrific. The other reviewers are not exagerating or over-emphasizing how great this film is. It's totally terrific! The beginning, middle and ending of the film is just great!
As for the choreographed action scenes--they are the best I have ever seen. Donnie Yen is just outstanding! The film centers around a group of cops who have attempted to put a crime boss named Po (Sammo Hung) behind bars. However, they have run out of patience and decide to frame him for a crime he didn't commit. And I can tell you, in the action scenes, Sammo can move as quickly as anyone can. Don't let his physique fool you. He's lightening quick.
When Ma (Donnie Yen) is pegged as the replacement for Detective Chan (Simon Yam) he finds that he is in a pretty tangled predicatment. With Detective Chan making up rules as he tries to nab Po, Ma finds his loyalties to Chan in question. However, he views things from a distance. He is a clean cop, and wants to catch the bad guys the right way. The fight scenes with him in this film are so realistic, they are incredible. Please viewers, do not give away this film's ending. It's incredible. I never expected the ending of this film coming. It totally floored me. Highly recommended. [Stars: 5+]

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Robot Chicken: Star Wars Episode III Review

Robot Chicken: Star Wars Episode III
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This hilarious 44-minute show first aired on Adult Swim on the Cartoon Network in December 2010. The entire show is included here on this modestly priced DVD with the addition of 4 hilarious commentary tracks with different groups of actors, producers and production staff. It's worth the buy just to hear Billy Dee Williams say he hates Jar Jar Binks in front of Ahmed Best!
If that wasn't enough, the deleted scenes and animatics are great additional material. A lot of sketches got cut for time, not because they weren't funny, and several high-quality pieces of material made it into this featurette. There are also great featurettes showing the most recent San Diego Comic-Con panel, a meeting with George Lucas at Skywalker Ranch, entertaining footage from the Skate Tour promoting the show, and much, much more. This DVD will provide many hours of enjoyment with high repeat viewing value. It's a winner!

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James Bond Ultimate Edition - Vol. 1 (The Man with the Golden Gun / Goldfinger / The World Is Not Enough / Diamonds Are Forever / The Living Daylights) (1974) Review

James Bond Ultimate Edition - Vol. 1 (The Man with the Golden Gun / Goldfinger / The World Is Not Enough / Diamonds Are Forever / The Living Daylights) (1974)
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Having purchased all Bond DVDs years ago, to my own consternation I find myself shelling out even more money to buy this new editions.
I always thought they did a fairly good job with the old DVDs, the "Making of" documentaries were excelent and the overall presentation rather good. Why buy these new ones then ? The answers are rather simple:
1) 5.1 DTS sound on all movies. For years I've opted to turn off my sound equipment when watching the Connery films. It just didn't make that much of a difference from listening to them on regular TV's speakers. Some of the later ones (OCTOPUSSY) should also benefit greatly from this addition.
2) FRAME BY FRAME RESTORATION: Specially important in the Connery ones even though the earlier Moores left a lot to be desired too. It is my understanding that the three earlier movies which were cropped at the top and bottom in order to fit them into 16:9 sets will be presented in their entirety. And this isn't just any restoration we're taling about but one done by Lowry Digital. If you've watched the Indiana Jones and King Kong (1933) you'll know how absolutely perfect their work is.
3) EVEN MORE EXTRAS: and real good ones at that: Deleted Scenes, TV Specials, screen tests, varying angles for action scenes, etc.
In summary, if you are a regular Bond fan, the old edition should be more than enough. If you're a die-hard, just bite the bullet and enjoy these films as if they were brand new once again.

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Disc 1: *Goldfinger (1964) THE COMPLETE SPECIAL FEATURES LIBRARY: MISSION DOSSIER Audio Commentary Featuring Guy HamiltonAudio Commentary Featuring Cast and Crew Disc 2: **Goldfinger Bonus Disc DECLASSIFIED: MI6 VAULT Sean Connery From the Set of Goldfinger Screen TestsOn Tour With the Aston Martin DB-5Honor Blackman Open-Ended Interview007 MISSION CONTROL Interactive Guide Into the World of GoldfingerThe Making of GoldfingerThe Goldfinger PhenomenonOriginal Publicity FeaturetteMINISTRY OF PROPAGANDA Original Trailers, TV Spots, Photo Gallery & Radio Communications Disc 3: *The World Is Not Enough (1999) THE COMPLETE SPECIAL FEATURES LIBRARY: MISSION DOSSIER Audio Commentary Featuring Director Michael AptedAudio Commentary Featuring Peter Lamont, David Arnold and Vic Armstrong Disc 4: **The World Is Not Enough Bonus Disc DECLASSIFIED: MI6 VAULT Deleted Scenes and Alternate Angles With Introductions by Director Michael AptedAlternate Angle, Expanded Angle Scene: The Thames Boat ChaseJames Bond Down River - Original 1999 FeaturetteCreating an Icon: Making the Teaser TrailerHong Kong Press Conference007 MISSION CONTROL Interactive Guide Into the World of The World Is Not EnoughThe Making of The World Is Not EnoughBond CocktailTribute to Desmond LlewelynGarbage 'The World Is Not Enough' Music VideoThe Secrets of 007MINISTRY OF PROPAGANDA Original Trailer & Photo Gallery Disc 5: *Diamonds Are Forever (1971) THE COMPLETE SPECIAL FEATURES LIBRARY: MISSION DOSSIER Audio Commentary Featuring Director Guy Hamilton and Members of the Cast and Crew Disc 6: **Diamonds Are Forever Bonus Disc DECLASSIFIED: MI6 VAULT Deleted ScenesSean Connery 1971: The BBC InterviewLesson # 007: Close Quarter CombatDeleted Footage - Oil Rig AttackSatellite & Explosions Test Reel Alternate & Expanded Angles 007007 MISSION CONTROL Interactive Guide Into the World of Diamonds Are ForeverInside Diamonds Are ForeverCubby Broccoli - The Man Behind BondMINISTRY OF PROPAGANDA Original Trailers, TV Spots, Photo Gallery & Radio Communications Disc 7: *The Man With The Golden Gun (1974) **The Man With The Golden Gun Bonus Disc Newly Recorded Audio Commentary Featuring Sir Roger Moore THE COMPLETE SPECIAL FEATURES LIBRARY: MISSION DOSSIER Audio Commentary Featuring Director Guy Hamilton and Members of the Cast and Crew Disc 8:DECLASSIFIED: MI6 VAULT Roger Moore and HervÃ(c) Villechaize - The Russell Harty ShowOn Location With The Man With the Golden GunGuy Hamilton: The Director SpeaksGirls FightingAmerican Thrill Show Stunt FilmThe Road to Bond: Stunt Coordinator W.J. Millian Jr.007 MISSION CONTROL Interactive Guide Into the World of The Man With the Golden GunInside The Man With the Golden GunAn Original Documentary Double-O Stuntmen: A Look at the Greatest Stunts and Stunt Performers in the Bond FilmsMINISTRY OF PROPAGANDA Original Trailers, TV Spots, Photo Gallery & Radio Communications Disc 9: *The Living Daylights (1987) THE COMPLETE SPECIAL FEATURES LIBRARY: MISSION DOSSIER Audio Commentary Featuring Director John Glen and Members of the Cast and Crew Disc 10: **The Living Daylights Bonus Disc DECLASSIFIED: MI6 VAULT Deleted Scenes With Introduction by John GlenHappy Anniversary, 007 Silver Anniversary FeaturettesTimothy Dalton: The New James Bond/Vienna Press ConferenceTimothy Dalton: On ActingDalton and d'Abo InterviewsThe Ice Chase Outtakes - Deleted Footage With Director John Glen Narration007 MISSION CONTROL Interactive Guide Into the World of The Living DaylightsInside The Living DaylightsIan Fleming: 007's Creatora-ha 'The Living Daylights' Music VideoThe Making of 'The Living Daylights' Music VideoMINISTRY OF PROPAGANDA Original Trailers, TV Spots, Photo Gallery & Radio Communications

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U.S. Marshals (Special Edition) (1998) Review

U.S. Marshals (Special Edition) (1998)
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In 1993, Warner Brothers studios released an incredibly successful movie called "The Fugitive" starring Harrison Ford and Tommy Lee Jones, and based on the hit TV series of the same name. 5 years after the success of that film, the WB decided to release a semi-sequel/spin-off to the film focusing on the further exploits of the character of U.S. Marshal, Sam Gerard, played by Tommy Lee Jones. It was surprising that Warner Bros. wanted to explore this supporting character further, in fact it was just as surprising that they felt there could even be any chance of success with having a sequel/spin-off to a movie that was completely self-contained. But, the decision was made and Warner Bros. actually managed to re-sign Tommy Lee Jones, along with the rest of the actors that comprised his original crew of deputy U.S. Marshals, and adding Wesley Snipes and talented, yet troubled actor Robert Downey Jr. to the mix. With the cast all set, the story greenlit, and acclaimed editor turned director Stuart Baird ("Star Trek: Nemesis") helming the picture, it was time to see if Warner Bros.' gamble would pay off with "U.S. Marshals".
"U.S. Marshals" follows U.S. Marshal Sam Gerard (Tommy Lee Jones) as he pursues yet another fugitive on the loose. When a truck driver named Mark Roberts (Wesley Snipes) is involved in a car crash, the police reporting on the scene discover that this truck driver is actually wanted for a double homicide of two federal agents in New York City, and has been living in Chicago under an assumed name for the last several months. During the transfer flight from Chicago to New York, an assassination attempt on Mark's life takes place causing the plane to depressurize and crash into a river. As the police officers, including Sam Gerard who was aboard the plane overseeing the transfer of his latest prisoner, struggle to release the prisoners before they drown, Mark is released and succeeds in escaping without being noticed until the next morning. Now, Sam and his team of deputies are pursuing yet another fugitive, but they will soon find out that this is no ordinary case of murder, as the federal government gets involved by sending in an agent (Robert Downey Jr.) to oversee the pursuit, and it turns out that Mark Roberts is a former agent of the very same agency as that of the two men he is accused of murdering.
Director Stuart Baird really had his work cut out for him with this movie, not only was he tasked with the job of directing a semi-sequel/spin-off to a highly successful movie based on a TV show, but he was also forced to find a way to have Sam Gerard pursue yet another fugitive without the story seeming too much like the previous movie. Surprisingly, he succeeds rather well, there is the glaring similarity in that both fugitives only escape due to an accident (Richard Kimble escaped due to a train wreck and Mark Roberts escapes due to a plane wreck), but this can be overlooked as being a necessary plot device to realistically propel the story into motion. Otherwise, I couldn't complain about the direction of the movie, I felt that for this type of movie Stuart Baird did an overall great job of handling the material, keeping a similar tone to the first film, and yet making this one a standalone movie that doesn't require the audience to have seen or remember any of the events from "The Fugitive".
The cast for the movie was terrific. Tommy Lee Jones was wise to return to the character that won him the Oscar for Best Supporting Actor 5 years prior. I believe that ever since this movie, and even "The Fugitive" for that matter, Tommy Lee Jones has essentially played this same character in every other movie he's been in (with the exception of his role of Two-Face in "Batman Forever"), and still manages to entertain audiences with the same exact performance. The supporting actors that comprised the rest of the U.S. Marshals were just as good, if not better than they were the first time around, especially Joe Pantoliano who was given much more screen time and injected several bits of humor to lighten things up throughout the movie, while still delivering some really dramatic scenes with Tommy Lee Jones. The additions of Robert Downey Jr. and Wesley Snipes to the cast were very good choices as both are accomplished actors who handle both drama and action very well. Sometimes in sequels or spin-offs the new cast members tend to stick out a little bit because they are replacing a cast member that didn't return, so their performance seems to be a little too much like the person they are replacing instead of making the characters their own. In this instance though, both new actors do excellent jobs of making their characters their own, and quickly draw the audience in to their aspects of the story.
Even though I felt Warner Bros. had made a mistake in making this film, Stuart Baird and company managed to prove me wrong, and I must say that I completely enjoyed "U.S. Marshals", and that it was a worthy sequel/spin-off to the equally impressive film "The Fugitive".
"U.S. Marshals" is rated PG-13 for violence and language.

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Ladies and gentlemen, be alert. We are going to initiate a hard-target search for a fugitive in an ever-widening perimeter. We will wade through swamps, prowl Manhattan streets, search every house and doghouse. We'll eat on the run, sleep tomorrow, watch our backs. And since Marshal Sam Gerard leads the hunt, we will experience suspense, action and daring twists every breathless step of the way. Returning to his Oscar-winning role from The Fugitive, Tommy Lee Jones is Gerard, joining an A-team including Wesley Snipes, Robert Downey Jr. and director Stuart Baird. (Executive Decision) to deliver adrenaline-rush excitement. The suspect: armed, extremely dangerous, perhaps linked to a spy ring. The chase: highlighted by an out-of-control 727, a death match in a ship's cargo hold, a 12-story plunge onto a moving train and more heart-pounding sequences. The movie: U.S. Marshals. DVD Features:Audio Commentary:Commentary by Stuart BairdDocumentary:"Anatomy of the Plane Crash" (14:00) "Justce Under the Star" (12:06)TV Spot:3 TV Spots - "Trailer Cutdown", "Sam Gerard", & "Manhunt"


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Ong-Bak - The Thai Warrior (2007) Review

Ong-Bak - The Thai Warrior (2007)
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You like Jackie Chan films? Or remember Bruce Lee? If so, don't miss this one from Thailand, where the film industry is thriving more than ever. And remember the name of Tony Jaa, stunt-turned-actor (incidentally, he was a stunt in the second 'Mortal Kombat' film, and his then co-worker was Ray Park, 'X-Men') Jaa's martial arts skills based on Muay Thai (Thai-style fighting) are simply astonishing.
[NO STUNTS, NO CGIs] Strangely titled film 'Ong-bak: Thai Warrior' is, as the title says, an exciting Thai actioner starring Tony Jaa (real name Panom Yeerum), who plays the hero Ting living in an apparently sleepy country in Thailand. Not exactly, you soon see. In this interesting opening scene, you see these scantily dressed guys climing up one big tree, and during the fighting, they fall one by one onto the ground. This is actually a kind of festival, or ritual, of the hero's village, but what you should realize is, the film uses NO CGIs, NO WIRES ATTACHED.
[FORGET THE STORY] Story? Need one? OK, Tony Jaa's hero has to track down the theives who cut off and stole the head of the sacred statue in his village. With this mission, he goes to town, where he meets one middle-aged man George, and his friend (perhaps girlfriend) Muay. Before you know it, they all got in troubles for the thugs start attack them.
[ACTIONS] Then, actions begin, which are simply eye-poping. One example: in the cat-and-mouse chase scene in the market, running away from the bad guys, Tony Jarr jumps over the tables, stalls, and cars (!) with Jackie's comic timing. And look how he slides into UNDER an RV! To add to them, he leaps through a ring of barbed wires (real ones, I suppose), and comes out unharmed, never stopping a moment!
Himself a Muay Thai fighter, Tony Jaa (or his character) joins in several illegal boxing bouts. You might say you have seen this kind of bloody, bone-crunching fight sequences in the past. Not Tony Jaa's high-kicking that strikes the opponent at the speed of lightening. This sounds like cliche, I know, but it is true, his agile movement reminds me of the deadly power of Bruce Lee and the ultra-fast speed of Jet Li.
And that's not the end, for Jaa does many, many other actions, which I refuse to write about here, for you should see them for yourself in theatres. Again, I say, Tony Jaa uses no stunts, no special effects or no strings. Of course, he will not win the Oscar for acting the hero of this film, but when he can fight like Lee, Chan, and Li, who cares?
My advice: 'Ong-bak' is a must for any fans who love action films. Watch it, and be surprised.

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When the head of his village's sacred Buddha statue is stolen, simple country boy Ting (Tony Jaa) is sent to Bangkok to retrieve it. Raised by a monk who has trained him in Muay Thai, Ting has vowed to never use his lethal martial arts skills. But once he arrives in the big city, Ting is forced to fight. It's non-stop action as Ting infiltrates Bangkok's seedy underworld and takes on a series of lowlifes and criminals in his quest to obtain the sacred head.

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The Sentinel (Widescreen Edition) (2006) Review

The Sentinel (Widescreen Edition) (2006)
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A mediocre, instantly forgettable espionage American government crime thriller, The Sentinel plays out more like a trumped-up network television show than a fully-fledged motion picture crime thriller. This fractured, overly convoluted tale of a spy within the Secret Service who is trying to assassinate the President is so laughable and implausible that you'll end up being cynically amused at most of what goes on.
The movie is totally dumb, and gets even dumber as it goes on. Michael Douglas - who indeed seems to be fighting the hands of time - plays Special Agent Pete Garrison. A few years back, he slept with the wife of his best friend and protégé, David Breckinridge (Kiefer Sutherland). Now he's having an affair with first lady Sarah Ballentine (Kim Basinger).
When Pete receives incriminating photos of himself and Sarah he realizes he's being blackmailed. At the same time he also learns that there's a "mole" working in the secret service plotting to assassinate the president. Things go really haywire when he realizes that someone's trying to frame him as the perpetrator.
Beaten into a corner and in danger of being charged with treason, Garrison goes on the run, partly in order to clear his name and also to hopefully uncover the real architects behind presidential assassination plot. But Breckinridge stays hot on his tale, chasing his former pal with the gorgeous rookie (Eva Longoria) who adds a bit of glamour to the chase. (Eva Longoria as a Secret Service Agent?).
Unfortunately The Sentinel doesn't really work that well. Apart from that fact that you can figure out whom the mole is after about twenty minutes, director Clark Johnson allows his pursuit scenes to run on for far too long. Most of the action is made up of a lot of gratuitous running, crouching, skulking around corners, aiming guns and shooting them. This of course gets a bit boring when carried on for so long.
Johnson uses jerky camera work to heighten suspense and to make the film look a little more prestigious that it really is, but this ends up being annoying instead. The same can be said about the film's overpowering background music as well as its choppy editing. And are the Secret Service really this efficient and on top of things in the real world? When you think of how the government has handled recent tragedies, something tells me they're not.
The Sentinel becomes even more preposterous as it lurches along. The rationale behind the assassination plot is murky at best. And then there's the big, hugely far-fetched shoot-out at the close, which suggests that infiltrating a small army of gunmen into an international assembly that is supposed to be a G8 summit must be the easiest thing in the world to do. It's also never really made that clear whom the gunmen actually are, but at least the scenes are shot in Toronto so we get to see some of the City.
The movie gradually sinks into a pit of conspiracy clichés, from the D.C. detective who talks like he's from a Manhattan borough to Pete's unkempt on-the-street informer who seems to know everything. Even worse, the characters lack in-depth development. It's also criminally sloppy writing when towards the end of the movie Sutherland's Breckinridge changes his attitude towards Garrison for the flimsiest of reasons.
The performances are pretty much what you see is what you get. Douglas goes through his usual tight-lipped shtick - you would think after thirty years in the business he'd be stretching himself and taking on more interesting roles. Sutherland does his TV show spiel and Longoria - who is never going to the world's greatest actress - is wasted in a role anybody could have phoned in. And Basinger looks svelte and gorgeous but offers little beyond her appearance as a meek and decorous First Lady. Mike Leonard September 06.


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There's never been a traitor in the United States Secret Service...until now. And the evidence points to Pete Garrison (Douglas), one of the most trusted agents on the force. Now on the run, with two relentless federal investigators (Sutherland and Longoria) hot on his heels, Garrison must fight to clear his name and thwart an attempt on the President's life before it's too late!

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Knight and Day (Three-Disc Blu-ray/DVD Combo+ Digital Copy) (2010) Review

Knight and Day (Three-Disc Blu-ray/DVD Combo+ Digital Copy) (2010)
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Knight & Day is about a rogue agent (Tom Cruise) that hides a powerful battery in a normal woman named June's (Cameron Diaz) carry on case at an airport. He thought that would be it and he'd never see her again, but he finds himself having to protect her from the people he used to work with.
The movie is just fun and it may be silly that Cruise and Diaz talk casually during shoot-outs but that's one of the things I enjoyed about the movie. The movie isn't meant to be taken seriously, just sit back and enjoy all the entertaining non-sense. Out of a so far lackluster summer season, Knight & Day is one of the better summer movies. Don't listen to the idiots on At the Movies, this is a fun flick and I highly doubt the Killers is a better movie like they said!

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Big screen superstars Tom Cruise and Cameron Diaz come together in this fun, action-packed thrill-ride that will keep you on the edge of your seat. When a small-town girl named June (Diaz) meets a mysterious stranger, she thinks she's found the man of her dreams. But she soon discovers he's a fugitive super-spy, who thrusts her into a thrilling cat-and-mouse chase that spans the globe. As the bullets and sparks fly, June must decide if her "Knight" in shining armor is a dangerous traitor or the love of her life.

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Pilgrim's Progress: Journey to Heaven Review

Pilgrim's Progress: Journey to Heaven
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(53 sec video) This review contains some helpful information for those considering purchasing Pilgrim's Progress DVD. Also has some little known facts about the producer of this film. It is a solid Christian story that will help Believers to recognize and avoid all the detours that would prevent living the Faith filled life. Pilgrim's Progress: Journey to Heaven

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Terminator 3: Rise of the Machines (2003) Review

Terminator 3: Rise of the Machines  (2003)
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I am a big fan of the terminator series. I think the story is one of the best ever concieved as it has alot to do with whats really going on in the world. Will artificial intelligence ever reach a point were it becomes self aware? Its a very interesting question and I think that is one of the reasons why it has been so successful as a series. This is also one of the only trilogys that I feel still has alot of potential for future movies. I think we really need a terminator film that is actually set in the future where the terminators live and with the recent announcment of T4 most likly being made, hopefully we will get just that.
As for T3, it is without a doubt the worst film of the 3 but with that being said I still really enjoyed this film. Alot of the people that disliked it did so because they said it went back on everything that was established in T2. I am not one of these people and I really like the aspect of this film that turned around and said Judgement day is inevitable. Its without a doubt the single best twist to this entire story in my opinion because in reality it really is. Technology will continue to drive forward with computers getting better and better and no matter what you do to stop it, someone else will pop up and continue the research and development. Its basically where we are today with technology. There is no stopping the advancment that we see taking place on almost a daily basis. If one company were to stop develpment in a certain area, someone else would just pop up and take that companies or persons place.
Anyways that is really why I liked this film so much. It took the series in a completly new direction by stating that there was no way to stop it while the first two movies focused on what to do to actually stop it. With that being said this movie had its flaws and it just isnt on the same level that T1 & T2 are on. Its still a highly entertaining action film with some great performances and a great ending that perfectly sets up the Terminator film that I am dying to see, the one set in the wasteland of the future. Hats off to Arnold as well who really busted his butt to get into killer shape for this film so he wouldnt look any different than he did during the first 2 films. He pulled it off without a hitch. Just another testament to that guys ability to work his body and get into killer shape.
Anyways on to the HD-DVD...
There were a few people on the HD forums that were disappointed in this transfer as it didnt show the amount of detail that some of the better transfers have shown. While it is true that this transfer doesnt have the detail present in some of the other transfers like Aeon Flux, Batman Begins and Sahara, it is still a great looking film and a big improvment overthe SD version. One of the thing you have to take into account is the fact that certain films just translate over to HD with much better results than others do. T3 was shot using Super35 and to sum up the Super35 process, it doesnt use as much area on the negative that regular anamorphic does thus you have a slight loss of detail compared to those that use standard anamorphic. With Super35 you also have to make intermediate prints to get the transfer onto a film that can be used in theatres. Everytime you make an intermediate print you lose resolution and detail. So to sum it up as I really dont want to get into a big technical discussion on Super35 and the other film processes. Super35 just does not have the image quality that regular anamorphic does period. T3 is a super35 film thus when you transfer the t3 film onto HD it just isnt going to look as sharp as a lot of the other films that arent Super35. Some of the main characteristics of Super35 are increased grain and less detail, both which are present in the HD transfer of T3.
With that being said, T3 still looks great and is a vast improvment over the SD version. I am actually a fan of increased graain as long as it doesnt look noisy which in this case it doesnt. It adds a disticnt look to the film. As much as some people would love for every film to look like the Batman Begins of Aeon Flux transfer, its just a bad idea. To make evey film look the same would be like taking all of the artistic possibilites of film and throwing them down the toilet. Its good that films look different because it would be a very boring world of cinema if everything looked the same. Just image what Tim Burtons Sleepy Hollow would look like if he used the same film and process used for Batman Begins. It would have absolutly destroyed the film and would have taken all of the spooky atmoshpere away. He purposly used cross processing to make all of the colors washed out and to make it more grainy and more contrasty. That film also looks great on HD-DVD but like T3 doesnt have a transfer that shows as much detail as some of the other transfers.
The sooner everyone relaizes that not every film is supposed to have incredible detail, vivid colors, & natural contrast. Films differ by the processes used to make the film and those differences in process equate to a difference in characteristics in a HD transfer. You have to educate yourself on just what processes were used for each particular film and only then can you make an educated critique of a particular films HD transfer.
To sum this up, T3 is certainly not a disc you want to pop in when your trying to show someone just how much detail can be seen in a HD movie. It was filmed in Super35 thus it was never trying to be a film that had a crazy amount of detail in the print. With that being said, T3 is a great transfer that is accurate to its master print. Its a big improvment over the SD version and its a great film which hopefully leads the series to a 4th film which is set in the future. I know I wont ever be done with the idea of a new Terminator flick until that particular story has been told. Here is to hoping they get around to making that happen.
OC..

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A decade has passed since John Connor (NICK STAHL) helped prevent Judgment Day and save mankind from mass destruction. Now 25, Connor lives "off the grid" - no home, no credit cards, no cell phone and no job. No record of his existence. No way he can be traced by Skynet - the highly developed network of machines that once tried to kill him and wage war on humanity. Until, out of the shadows of the future steps the T-X (KRISTANNA LOKEN), Skynet's most sophisticated cyborg killing machine yet. Sent back through time to complete the job left unfinished by her predecessor, the T-1000, this machine is as relentless as her human guise is beautiful. Now Connor's only hope for survival is the Terminator (ARNOLD SCHWARZENEGGER), his mysterious former assassin. Together, they must triumph over the technologically superior T-X and forestall the looming threat of Judgment Day - or face the apocalypse and the fall of civilization as we know it.

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