Showing posts with label natalie portman. Show all posts
Showing posts with label natalie portman. Show all posts

Robot Chicken: Star Wars Episode III Review

Robot Chicken: Star Wars Episode III
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This hilarious 44-minute show first aired on Adult Swim on the Cartoon Network in December 2010. The entire show is included here on this modestly priced DVD with the addition of 4 hilarious commentary tracks with different groups of actors, producers and production staff. It's worth the buy just to hear Billy Dee Williams say he hates Jar Jar Binks in front of Ahmed Best!
If that wasn't enough, the deleted scenes and animatics are great additional material. A lot of sketches got cut for time, not because they weren't funny, and several high-quality pieces of material made it into this featurette. There are also great featurettes showing the most recent San Diego Comic-Con panel, a meeting with George Lucas at Skywalker Ranch, entertaining footage from the Skate Tour promoting the show, and much, much more. This DVD will provide many hours of enjoyment with high repeat viewing value. It's a winner!

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Star Wars: Episode III - Revenge of the Sith (Widescreen Edition) (2005) Review

Star Wars: Episode III - Revenge of the Sith (Widescreen Edition) (2005)
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It has been interesting, to say the least, to follow the buzz surrounding the final Star Wars prequel film, from the time before the film was released in theaters to now, 4 years afterward. In the beginning, people were claiming that "no one cares about Star Wars anymore" after the first 2 prequels (despite their having made nearly $750 million total in domestic box office, and that Ep.II was generally considered an improvement and a step in the right direction after Ep.I), and that Ep.III was going to be another "bomb". Then, lo and behold, just when some people were salivating at the chance to rip apart yet another SW film, the critical reaction to "Revenge of the Sith" came back positive, with accolades from Time, Newsweek, the NY Times, USA Today, and others who had hated the previous films; many declared Ep.III the finest entry since "The Empire Strikes Back", and one reviewer even liked it more than the original "Star Wars". The film would go on to make over $380 million to become the biggest blockbuster of 2005. It seemed that rumors of Star Wars's death had been greatly exaggerated.
That is...until after the movie had been out of the theaters for a few months, and then all the usual suspects came out, nitpicking and complaining like they always do. It became "cool" and "hip" to trash this film just like its predecessors, and soon things were right back to the way they were before, with people claiming that Ep.III was also a "flop" that no one really liked, pretending that the film's critical and commercial success never happened. And so here we are again, with the perpetually disgruntled fanboys crying about their "raped childhoods", etc. (It is ironic that this time the mainstream critics were mostly more forgiving than those know-it-alls who think George Lucas personally OWES it to them to make his movies to their exact specifications.)
Anyway, it is THEIR problem if they don't "get it", NOT Lucas's, or anyone else's. "Revenge of the Sith" completes the prequel trilogy in fine form, and brings SW full circle, as well. Ep.I began in a rather muddled fashion, trying to balance introducing the characters with a plot focused on small, localized events. In Ep.II (which was a decent movie in its own right), the grand plots sweeping the entire galaxy began to take shape, and events began on a galactic scale to lead inexorably to Ep.III, wherein we witness the fall of both the Republic, and Anakin himself.
In the crucial role of Anakin Skywalker, Hayden Christensen is clearly more comfortable this time out, capturing Anakin's conflicted emotions and insecurities that rage beneath his ostensibly heroic persona, which cause him to become disillusioned with the Jedi and his own lot in life. This leaves him open to the manipulations of Palpatine -- the second crucial character here. Ian McDiarmid does a masterful job as the Emperor, who is revealed as the driving force behind the events in the saga to that point. The relationship between Anakin and Palpatine, his trusted father figure who leads him astray into making his Faustian bargain, is the heart of the movie, and is what makes it work. Indeed, one of the most emotionally powerful sequences is > when Anakin betrays Mace Windu and pledges his loyalty to the now disfugured Palpatine and his cause, then receives his first orders as Darth Vader -- effectively marking the birth of the evil Empire. Yet, it seems clear that Anakin is still conflicted and unsure of himself, even as he commits more evil acts, up until his final transformation at the end -- by which it is too late.
The third player is Ewan McGregor as Obi-Wan Kenobi, who continues to fight for the doomed Republic ( I especially like the battle with General Grievious, who swings multiple light sabers like whirling neon helicopter blades) until he is forced to take action against his former pupil; the aftermath is particularly moving, inspiring pity not only for the mortally wounded Anakin, but also for Obi-Wan, who seems to suffer just as much. McGregor has practically made the character his own; he could almost be the "Han Solo of the Prequel Trilogy" -- which lends a bit of irony to Han's remarks about Kenobi in Ep.IV...
Finally, there is Yoda, who seems to feel the final defeat of the Jedi as a personal loss. His duel with the Emperor, where they both unleash their powers to the greatest extent yet, was also one of my favorites. The deleted scene on the DVD showing Yoda's arrival on Dagobah, while not vital to the story, did capture the melancholy of his situation perfectly.
All these elements, wrapped up in the usual barrage of sights and sounds that can only be found in a Star Wars film, make Ep.III a classic that ranks right up there with the Original Trilogy; the entire last act of the film has a pervasive mood of sadness and melancholy, coupled with the exhiliration one gets from watching the best tragedies. All the cards are laid on the table -- the covert plots and foreshadowings of the previous 2 episodes are finally brought to fruition, and the previously hidden conflicts are now waged openly, leading to the civil war of Eps.IV-VI. The fall of the Republic is symbolized by the transformation of Anakin into Vader, and the original series can now be viewed as his struggle for redemption, as much as the Empire vs. Rebellion conflict. Vader has been redefined as a tragic figure, rather than a purely evil one; it is impossible for me to see Vader now without imagining the brooding, grieving Anakin behind the mask. It also sheds light on the true nature of Vader's and the Emperor's relationship as master and slave, having been from the beginning based on lies, deception and betrayal -- a theme that would resurface throughout the original films. (In fact, this was hinted at even before the Anakin/Obi-Wan duel, when Anakin refers to "his empire" in his speech. It suggests that he was NOT acting purely for unselfish reasons [saving Padme, etc.] when he chose his path, but also for his own secret desire for power.)
As for the Emperor, he shows his true nature in his reaction to Vader's scream when he realizes what has happened. (Many criticize this scene, but it is a fitting illustration of the Faustian themes of the film, with the Emperor as the grinning devil and Vader as the tormented soul in Hell.) Yet, at the same time, when Palpatine rescued Anakin after he was burned and near death, he showed hints of the fatherly affection that he may have indeed felt for him, despite his twisted motives.
At the end of the day, the Prequel Trilogy, with Ep.III as its crown jewel, effectively fleshes out the background of the Star Wars saga. While some parts of the PT were uneven, it makes it possible now to view the original movies with a new sense of the history behind them. And "Sith" is a film that actually improves after repeat viewings, which enable one to catch all the nuances that might be missed the first time around. With this movie, Lucas rewarded the fans who stuck with him, and brought the Star Wars series full circle.
...And now, the saga is complete.

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TORN BETWEEN HIS LOYALTY TO HIS MENTOR, OBI-WAN KENOBI, & THE SEDUCTIVE POWERS OF THE SITH, ANAKIN SKYWALKER ULTIMATELY TURNS HIS BACK ON THE JEDI, THUS COMPLETING HIS JOURNEY TO THEDARKSIDE & HIS TRANSFORMATION INTO DARTH VADER.

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Black Swan (2010) Review

Black Swan (2010)
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Darren Aronofsky has been circling movie news sites pretty frequently as of late. He recently signed on to direct the stand-alone sequel to X-Men Origins: Wolverine (appropriately titled The Wolverine). He also developed a rather large and devoted fanbase over the course of directing fantastically surreal films such as Pi, Requiem for a Dream, and The Wrestler, but his psychological thriller Black Swan has also been gaining quite a bit of steam leading up to its December 3rd release. Despite Aronofsky's already well-established reputation and the rather high anticipation for the film, Black Swan still delivers a product that is even better than expected.
Like most ballerinas, Nina (Portman) lives, breathes, and is completely devoted to dance. Artistic director Thomas Leroy (Cassel) is preparing a new spring production of his interpretation of Swan Lake. Nina is next in line to become prima ballerina after the former dancer to hold that spot, Beth Macintyre (Ryder), reluctantly retires. Everything seems to be shifting in that direction until a rather unorthodox, provocative, and unstable (in a dangerous kind of way) dancer named Lily (Kunis) arrives. Lily seems to have an eye for Nina's spot as soon as she walks through the door. Thomas begins to see Nina as the White Swan, which signifies innocence and perfection and Lily as the Black Swan, which is more sensual and deceptive. The problem is that one dancer is required to play both parts. Other than the stiff competition she has to deal with, The Swan Queen role begins to take its toll on Nina who begins to think Lily wants even more than her spot in the production. Nina's obsessive behavior leads to her releasing her dark side that she must now struggle to control.
Aronofsky has always had an exceptional eye for cinematography in his films. His use of micro-photography in The Fountain made the entire film a visually stunning spectacle that will stand the test of time while something like a someone's pupil dilating or a drug deal gone bad in Requiem for a Dream is memorable because of the way and angle Aronofsky shot it rather than relying on its disturbing content to make the scene a classic. Black Swan is no different. Being placed behind Nina whenever she heads to the dance venue gives the viewer a rather unique third person perspective that also gives the impression that you're walking right behind the main character of the film. The intense dream sequences are also shot in a way that flawlessly blur the line between reality and hallucination. Is this really happening or is it all a figment of Nina's deteriorating imagination? Figuring that out is half the film's charm.
The extraordinary main cast is the main ingredient to the film being as great as it is though. The key players all seem to have this twisted side to them that is nearly the exact opposite of the way they first appear to be, which coincides with the Swan Lake theme. Winona Ryder steals most of the screen time she's given whether she's trashing her dressing room, yelling obscenities in Portman's face, or sitting in a hospital room. Even though Mila Kunis seems to play nothing more than her role in Forgetting Sarah Marshall to the most extreme degree on the surface, it's the edge she's given that results in unpredictability for her character. While Vincent Cassel's performance is strong thanks to his sensual reputation with his dancers and Barbara Hersey is both charming and disturbing as Nina's mother who seems to secretly be trying to live in her daughter's dance shoes after a missed opportunity in her past, it's no surprise to hear that Natalie Portman is the heart of the film. Nina is so consumed with dance that she keeps pushing herself even when her mind and body begin to show her that she's had enough. Her breakdowns are heartbreaking and engaging to watch while her transformation by the end of the film can best be described as a monstrous beauty. It's all thanks to Portman's powerful, phenomenal, tour de force performance.
While some might not be surprised that Aronofsky has created yet another masterpiece, this may be his most solid and well-rounded film to date. Black Swan is a beautiful, disturbing, and captivating work of art that features gorgeous camera work, an excellent and mindbending story, and what is perhaps the performance of Natalie Portman's career. It's hard to argue with Black Swan being the best film of the year.

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A BALLET DANCER WINS THE LEAD IN SWAN LAKE AND IS PERFECT FOR THE ROLE OF THE DELICATE WHITE SWAN - PRINCESS ODETTE - BUT SLOWLY LOSES HER MIND AS SHE BECOMES MORE AND MORE LIKE ODILE THE BLACK SWAN, DAUGHTER OF AN EVIL MAGICIAN.

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Star Wars Prequel Trilogy Review

Star Wars Prequel Trilogy
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I am baffled by some of these reviewers who are climbing a soapbox about the industry and Lucas. For those of us who are patient, a box set with cost saving and a SPECIAL BONUS!! Slim cases so shelf space is minimized!
EXCELLENT!!
About a rush to market, snatching up media related to STAR WARS as soon as it hits the shelf. If you don't like the movies themselves or the packaging or the recording quality that is one thing. Whining about your own gullibility is quite another. Let me clue you in. If Lucas makes or includes special features, enhancements and the like ... he will not fail to promote that. Investigate the product before you buy. And to those of you who didn't even buy any products but are just looking for places to gripe, this is not the appropriate place.
This is the excellent product that I anticipated to the point of not buying any of the movies when they first released to video. It is as much as it promises to be. (I expect the same to be true of the other volume containing ep. 4-6.) If you like space saving box set bundles without a lot of extra bells and whistles, this is for you.
These sci-fi movie fantasy adventures, though a bit juvenile in their scripts and exhibitions, have become family classic adventure movies that inspire the imagination and adequately entertain a growing audience. A series of perennial favorites well on there way to becoming "timeless" classics.

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Disc 1: Star Wars Episode 1 WS Disc 1 **Commentary by George Lucas and companyDisc 2: Star Wars Episode 1 WS Disc 2 **Never-before-seen Making of documentary **Never-before-seen deleted scenes documentary featuring 7 deleted scenes finished in 5.1 Dolby Digital Sound **2 animatics with multi-angles **5 Featurettes **12 original web documentaries **Music Video: "Duel of the Fates" **Production photos, print ads, theatrical trailers, TV spots, DVD-ROM - game demoDisc 3: Star Wars Episode 2 WS Disc 1 **Commentary by George Lucas and Rick McCall **Easter Egg **THX Trailer - "Cavalcade"Disc 4: Star Wars Episode 2 WS Disc 2 **2 Documentaries - "From Puppets to Pixels"and "State of the Art: Previsualization of Episode II" **8 deleted scenes with intros **Music Video, Visual Specs Breakdown **12 Web Documentaries **4 Trailers **12 TV Spots **Easter Egg **Still Galleries **DVD-ROM linksDisc 5: Star Wars Episode 3 WS Disc 1Disc 6: Star Wars Episode 3 WS Disc 2 **Full-length documentary produced by Lucasfilm **2 New Featurettes: One exploring the prophecy of Anakin Skywalker as The Chosen One, the other providing an in-depth look at the movie's eye-popping stunts **15 part collection of Lucasfilm's groundbreaking "Web-documentaries" Episode Description: Disc 1: Star Wars Episode 1 WS Disc 1 Disc 2: Star Wars Episode 1 WS Disc 2 Disc 3: Star Wars Episode 2 WS Disc 1 Disc 4: Star Wars Episode 2 WS Disc 2 Disc 5: Star Wars Episode 3 WS Disc 1 Disc 6: Star Wars Episode 3 WS Disc 2

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