Showing posts with label winona ryder. Show all posts
Showing posts with label winona ryder. Show all posts

Alien Quadrilogy (Alien / Aliens / Alien 3 / Alien Resurrection) (1986) Review

Alien Quadrilogy (Alien / Aliens / Alien 3 / Alien Resurrection) (1986)
Average Reviews:

(More customer reviews)
This consists of two discs for each film, the original and an alternate version (more on that below) on the first disk, and collections of approximately 2 hours of featurettes and other bonuses on the second disc. The ninth disc is a hodgepodge of trailers and other items from previous DVD and laser disk versions. Although the extras have been released in a variety of forms over several years (the John Hurt documentary 'The Alien Saga', being the latest), THIS is the definitive version.
'Alien' (average user rating: 4.6). If you haven't seen this classic film, then you must be living under a rock. The collection includes the original theatrical version (which I prefer) and the "Director's Cut", notable for its inclusion of the controversial captain-cacooned by alien scene (controversial because from the Alien mythology developed in later films, we know that only the massive queen can lay eggs). I prefer the original (which is actually 1 minute longer), and interestingly enough, it appears that Ridley Scott prefers the original as well. The making of featurettes are extensive and reveal Giger's extensive participation and how what was originally expected to receive a b-moive budget became one of the very few examples where Fox studios followed the vision with a classic.
'Aliens' (average user rating: 4.7). This is the only sequel I know of that is rated higher than the original. This time, the "Special Edition" version (also on the previous 'Alien Legacy' box set) is a superior experience and exactly is how upstart director James Cameron (who had written the script prior to the release of 'The Terminator') wanted to release the film, but was constrained entirely by time limits. The result is additional scenes featuring the colonists and Ripley's family lost to the time she spent in hypersleep. As with the first installment, the featurettes are interesting and thorough, although the Viet Nam War metaphor is not as thoroughly explored with Cameron as has been in other releases.
'Alien 3' (average user rating: 3.2). As a fan of the franchise, this was perhaps the most anticipated part of this new box set. The "working print" of the film (the longest of all the versions here, and complete with subtitles for missed sound editing), adds a depth to the film that was not in the original. That is, the arrival of Ripley and the characters are covered much more thoroughly, the alien creature is begotten by an oxen with a much more original look, there is an additional plot twist arising from the nature of the inhabitants (criminally delusional), and there is no riduculously-timed chest-burster scene at the end. Still, the film is a flawed masterpiece. The film is better appreciated in light of the bad situation first-time director David Fincher had been placed in - not the least of which is an incomplete script during production and a set that had already been constructed for the ill-conceived "wooden planet/monestary" vision of the previously assigned director. In this sense, the three production featurettes come across as almost an apology/tribute to Fincher. (NOTE: Fincher is the only director who is not interviewed on the box set.)
'Alien Resurrection' (average user rating: 3.0). What happens when you put the French director of 'Amelie' (Jean-Pierre Jeaunet) in charge of an alien movie? Well, foreign/art movies were all the craze in the last 1990s, so . . . Fox studios thought, "Why not?" In the end, many fans of the franchise did not appreciate the obviously satirical slant on this final installment. The opening scene and ending scenes (the only additions of substance) on the extended version make the film even more tongue-in-cheek. Despite the French director and crew's obvious regard for the original 'Alien' (as documented in the featurettes), armed with the return of Sigourney Weaver and the addition of superstar Winona Ryder, the director ultimately made a quirky, campy action film. But in the end, it was the last quarter of the script that makes this the weakest of all the installments by far. Postscript to Fox studios: if you had given Fincher this much creative freedom, you would have have a third masterpiece.

Click Here to see more reviews about: Alien Quadrilogy (Alien / Aliens / Alien 3 / Alien Resurrection) (1986)

Disc 1: Alien Collector?s Edition Disc 2: Aliens Collector?s Edition Disc 3: Alien 3 Collector?s Edition Disc 4: Alien Resurrection Collector?s Edition Disc 5: Bonus Disc

Buy NowGet 32% OFF

Click here for more information about Alien Quadrilogy (Alien / Aliens / Alien 3 / Alien Resurrection) (1986)

Read More...

Black Swan (2010) Review

Black Swan (2010)
Average Reviews:

(More customer reviews)
Darren Aronofsky has been circling movie news sites pretty frequently as of late. He recently signed on to direct the stand-alone sequel to X-Men Origins: Wolverine (appropriately titled The Wolverine). He also developed a rather large and devoted fanbase over the course of directing fantastically surreal films such as Pi, Requiem for a Dream, and The Wrestler, but his psychological thriller Black Swan has also been gaining quite a bit of steam leading up to its December 3rd release. Despite Aronofsky's already well-established reputation and the rather high anticipation for the film, Black Swan still delivers a product that is even better than expected.
Like most ballerinas, Nina (Portman) lives, breathes, and is completely devoted to dance. Artistic director Thomas Leroy (Cassel) is preparing a new spring production of his interpretation of Swan Lake. Nina is next in line to become prima ballerina after the former dancer to hold that spot, Beth Macintyre (Ryder), reluctantly retires. Everything seems to be shifting in that direction until a rather unorthodox, provocative, and unstable (in a dangerous kind of way) dancer named Lily (Kunis) arrives. Lily seems to have an eye for Nina's spot as soon as she walks through the door. Thomas begins to see Nina as the White Swan, which signifies innocence and perfection and Lily as the Black Swan, which is more sensual and deceptive. The problem is that one dancer is required to play both parts. Other than the stiff competition she has to deal with, The Swan Queen role begins to take its toll on Nina who begins to think Lily wants even more than her spot in the production. Nina's obsessive behavior leads to her releasing her dark side that she must now struggle to control.
Aronofsky has always had an exceptional eye for cinematography in his films. His use of micro-photography in The Fountain made the entire film a visually stunning spectacle that will stand the test of time while something like a someone's pupil dilating or a drug deal gone bad in Requiem for a Dream is memorable because of the way and angle Aronofsky shot it rather than relying on its disturbing content to make the scene a classic. Black Swan is no different. Being placed behind Nina whenever she heads to the dance venue gives the viewer a rather unique third person perspective that also gives the impression that you're walking right behind the main character of the film. The intense dream sequences are also shot in a way that flawlessly blur the line between reality and hallucination. Is this really happening or is it all a figment of Nina's deteriorating imagination? Figuring that out is half the film's charm.
The extraordinary main cast is the main ingredient to the film being as great as it is though. The key players all seem to have this twisted side to them that is nearly the exact opposite of the way they first appear to be, which coincides with the Swan Lake theme. Winona Ryder steals most of the screen time she's given whether she's trashing her dressing room, yelling obscenities in Portman's face, or sitting in a hospital room. Even though Mila Kunis seems to play nothing more than her role in Forgetting Sarah Marshall to the most extreme degree on the surface, it's the edge she's given that results in unpredictability for her character. While Vincent Cassel's performance is strong thanks to his sensual reputation with his dancers and Barbara Hersey is both charming and disturbing as Nina's mother who seems to secretly be trying to live in her daughter's dance shoes after a missed opportunity in her past, it's no surprise to hear that Natalie Portman is the heart of the film. Nina is so consumed with dance that she keeps pushing herself even when her mind and body begin to show her that she's had enough. Her breakdowns are heartbreaking and engaging to watch while her transformation by the end of the film can best be described as a monstrous beauty. It's all thanks to Portman's powerful, phenomenal, tour de force performance.
While some might not be surprised that Aronofsky has created yet another masterpiece, this may be his most solid and well-rounded film to date. Black Swan is a beautiful, disturbing, and captivating work of art that features gorgeous camera work, an excellent and mindbending story, and what is perhaps the performance of Natalie Portman's career. It's hard to argue with Black Swan being the best film of the year.

Click Here to see more reviews about: Black Swan (2010)

A BALLET DANCER WINS THE LEAD IN SWAN LAKE AND IS PERFECT FOR THE ROLE OF THE DELICATE WHITE SWAN - PRINCESS ODETTE - BUT SLOWLY LOSES HER MIND AS SHE BECOMES MORE AND MORE LIKE ODILE THE BLACK SWAN, DAUGHTER OF AN EVIL MAGICIAN.

Buy NowGet 50% OFF

Click here for more information about Black Swan (2010)

Read More...