Showing posts with label psychotronic. Show all posts
Showing posts with label psychotronic. Show all posts

The Beach Girls (1982) / Coach (1978) Review

The Beach Girls (1982) / Coach (1978)
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More drive-in/grindhouse-style fun! A grindhouse, by the way, was one of those 70's & 80's-era theaters that usually showed the same kind of sexy, violent exploitation fare as your typical drive-in theater. Sadly, both grindhouses and drive-ins have mostly fallen by the wayside in our slick multiplex culture. But, fear not, you get a sharp taste of that bygone era with these terrific "Welcome to the Grindhouse" DVDs. So, what's in store when you pop this particular double-feature disc into your DVD player and kick back? Glad you asked.
First (well, after the cheesy, scratchy, yet colorfully hypnotic "previews of coming attractions" bumper that every theater seemed to show in those days), you get a short trailer to something called "The Van" (randy guys cruising for chicks in their specially-outfitted-for-love vehicle) and a longer trailer for something called "Jocks" (randy guys on some vague high school or college sports team who party and chase girls a lot). Do you sense a theme here?
Next up, our first feature, "The Beach Girls". In a nutshell: one long party, frequent nudity (skinnydipping in the pool, skinnydipping on the beach, and just an overall casual attitude about the importance of clothing in general), and lots of pot smoking. With its lenient attitude about drug use and sex, along with the way it ridicules men in uniform (especially the poor U.S. Coast Guard, whose officers are portrayed as ascot-wearing dopes), I can't imagine that "The Beach Girls" was very popular with PTA groups, law enforcement, and other organizations that usually sport a sour attitude about those kinds of things. But you're not among those groups, are you, so all you need to know is this: the girls are sexy; the jokes are stupid but undeniably chuckle-inducing; and there's a general, upbeat "sun & fun" flavor that keeps things bopping along. The result: 90 minutes of silly, clothing-optional fun.
Next up: more sexy previews. "Malibu Beach" looks like the official sister film to "The Beach Girls". In fact, many of the visual gags performed by the extras in "The Beach Girls" (dog stealing the bikini top from the gal sunbather, for example) are seen again- the exact same footage, I mean- in the trailer for "Malibu Beach". I guess Crown International Pictures was an economical operation. There's also a trailer to a film called "My Tutor", featuring that classic theme of the exploitation era, the student/teacher liaison (more on this later). Oh, and be sure to remember: in order to see all these high-art previews and trailers, you need to hit the "grindhouse experience" icon on the DVD's menu screen, not just select an individual movie. The "grindhouse experience" means you get all the goodies discussed here.
Next we have our second feature, entitled "Coach". Of the handful of "Welcome to the Grindhouse" movies I've seen so far, this one is the most like, well... a real movie. It's a nice little story about a female high school basketball coach winning over her detractors (the high school's old boy network, the skeptical team members, etc.) and eventually making her underachieving team into winners. It's nothing groundbreaking, but this polished movie, with its recognizable actors (Cathy Lee Crosby, Keenan Wynn, etc.) was clearly an attempt by Crown International Pictures to break into more mainstream markets. Fear not, though, exploitation fans... in many respects, Crown still couldn't help being Crown, so you still get the following from "Coach": occasional female toplessness (by the girl students, but not, alas, by Ms. Crosby... except for one short, teasing shot); lots of male butt views in the team shower for gal viewers; a hot affair (unfortunately, discreetly filmed) between Cathy Lee Crosby's coach character and one of her teenage charges (a very young Michael Biehn, who went on to play the time-traveling Reese a few years later in the first "Terminator" film); a surprisingly benign view of that teacher/student liaison on the part of the film makers (no 11th hour punishment or tragedy to break up the illicit lovers); and the usual goofy but fun jokes.
The prints used for the two films are both very, very good. They're sharp, clear, and bright, and free of scratches and other glitches. That, coupled with the fact that the films themselves rate a couple of notches higher on the production quality scale (especially "Coach"), made these goofy, sexy comedy/dramas (well, "dramas" might be too strong a word) a pleasure to watch. After all, there's nothing wrong with a little polish and professionalism with one's exploitation fare.
Well, enough with the sun, fun, and bikinis. Now it's time for me to check out some of those "Welcome to the Grindhouse" DVDs that feature martial arts double features. Everything can't be about girls and hedonism, you know.

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The Beast That Killed Women/ The Monster of Camp Sunshine (1965) Review

The Beast That Killed Women/ The Monster of Camp Sunshine (1965)
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Something Weird's Drive-in Double Feature series just keeps growing and continues with this ridiculous double feature. Back in the days when the laws were creatively skirted to bring us "adult" entertainment the nudie was born. As nudity in an of itself was not considered obscene, from the late 50's until the birth and acceptance of hardcore, if one wanted to see an adult film one had to see a nudie. For the most part these were films set in a nudist camp where we could watch for a long boring hour or so people playing volleyball, swimming, dancing etc. in the nude. As this got boring very quickly some enterprising film makers tried to add some sort of a storyline to the scenes of volleyball. Thus among other sub-genres the monster nudie was born.
This disc features two films, 6 (!) shorts, 5 trailers for other nudies (plus one hidden trailer for "Girls Come Too" which is a real classic; just click around in the various menus, you'll find it.), the gallery of drive-in exploitation art, drive-in intermission bits and the option of watching any of these separately or all together as a part of the "let's go to the drive-in" feature. This disc is crammed with stuff.
The films themselves are wonderfully awful. The Beast that Killed Women is about a gorilla loose in a nudist camp that, you guessed it, kidnaps and kills a few women. The gorilla is the fakest looking suit I've yet seen.
The Monster at Camp Sunshine is a gem. It begins with an animation sequence that makes no sense and is reminiscent of the animation in Monty Python's Flying Circus. It has intentional humor that actually works and a story line that is bizarre to say the least. It is about a chemical that unleashes the killer instinct getting into the water at a nudist camp. The gardener, who is supposed to be retarded, drinks some water and turns into a monster that looks like Moe Howard from the Three Stooges. Although he's not very threatening it takes the army to kill him, peace is restored and nudism is affirmed as a healthy way of life. Classic.
Overall a good set. I'd recommend it.

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The Exorcist (Extended Director's Cut & Original Theatrical Edition) Review

The Exorcist (Extended Director's Cut and Original Theatrical Edition)
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For those of you that like The Exorcist and wondered if you should have seen the movie in the theaters *just* becuase it has some new scenes I can tell you it's definataly worth it.
The added scenes improve the continuity for the most part and provide a few new shocks (as if this movie needed more).
The soundtrack is radically reworked as well, employing newly scored music that adds to the mood of the movie.
There are new sound effects that have more "oomph" for the modern six channel digital sound.
Have the 25'th Anniversary tape? Saw the Spider walk scene in the Documentary? Well, in the new release, it's a different version and 10 times more creepy (it took a minute for the audience I was with to calm down).
It was great to see this in a theater and see people jaded by cookie cutter slasher flicks respond to this movie so well. This movie is not fast paced and that allows it to build up a foundation of dread and fear about the developing possession of the girl. Until it finally unleashes in the more horrifying scenes you've all heard about.
The overall color scheme of the movie is grayish and colorless, further drawing you into that fear and dread. The background music (the new and the limited amount utilized in the original version)has very little melody with a lot of sustained low chords. It doesn't call attention to itself but does unnerve you.
The possessed girl is probabaly one of the scariest faces in movie history. It's incredible that all that was really done to Linda Blair's face was to add a few asymetrical cuts, cover over her eyebrows and darken her sockets (giving her eyes a skull like look). But of course, it was the makeup master Dick Smith that was doing it so it's not too much of a surprise. The crowning feature of the scariest face was the unhuman look of the eyes, done with contact lenses.
The upcoming DVD of the "version you never saw" deserves a place in my colection and yours.
Besides a faithful transfer of the new version to DVD and the trailer, I can suggest that Warner Bros. include the tour of Washington sequence. This is another sequence that was not used in the final cut. It still exists but with no soundtrack. Putting it on the extras section of the DVD with an explanation of the missing soundtrack and subtitles would make this DVD an even better purchase for fans of the movie (like myself).

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Controversial and popular from the moment it opened, The Exorcist marks its historic Blu-ray premiere in a 2-Disc Edition featuring Stunning Hi-Def Presentations of the Original 1973 Theatrical Version and the 2000 Extended Director's Cut. The frightening and realistic tale of an innocent girl inhabited by a terrifying entity, her mother's frantic resolve to save her and two priests--one doubt-ridden, the other a rock of faith--joined in battling ultimate evil always leaves viewers breathless. This greatest supernatural thriller of all time astonishes and unsettles like no other movie.

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