Showing posts with label high definition. Show all posts
Showing posts with label high definition. Show all posts

Nature: Amazing Places: Hawaii Review

Nature: Amazing Places: Hawaii
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This was a really beautifully shot piece. The narration by F. Murray is pretty cool, and he doesn't dumb it down. You really learn a lot in addition to getting to take in the cool scenery. It looked ridiculously good-- almost photorealistic-- on my Blu-ray player and HD TV. I totes recommend 100%.

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Ecosystems on Big Island Face No Small ChallengePROGRAM ONE KILAUEA: MOUNTAIN OF FIREKilauea continually molds Hawaii s Big Island. Violent and beautiful, destructive and creative, Kilauea: Mountain of Fire explores the incredible power of the volcano and thechallenges of life in its shadow. Academy Award-winner F. Murray Abraham narrates. TV-GFrom Rivers of Lava Springs Bedrock of LifePROGRAM TWO VIOLENT HAWAIIImagine a lost work with lava flowing down mountainsides, violent storms, monster waves, rockslides and even heavy snows. This isn t science fiction. It s Hawaii where spectacularbeauty was forged by fire, and created by turbulent natural forces. Tony Award-winner James Naughton narrates this riveting HD visual journey.

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Blade Runner (Five-Disc Ultimate Collector's Edition) (2007) Review

Blade Runner (Five-Disc Ultimate Collector's Edition)  (2007)
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Due for re-release in December, this motion picture is one of the finest science fiction films of the 20th century. Part of this is because it projects a future that could be - the earth as a place with a ruined environment populated by people that couldn't or wouldn't make the jump to one of the more habitable off-world colonies. The other part is because the film questions what it means to be human, and explores the possibly unsatisfactory answers you might get if you could, like the replicants, hunt down your maker and ask him Why am I here? Why must my life end? I'll pretty much let Warner's press release do the talking from this point forward. Basically you have your choice of three different sets - 2-disc, 4-disc, and 5-disc. The discs are described as follows:
Disc 1 - Ridley Scott's All-New "Final Cut" Version of the film - Restored and remastered with added & extended scenes, added lines, new and cleaner special effects and all new 5.1 Dolby Digital Audio. Also included is commentary by Ridley Scott and a host of others that worked behind the camera.
Disc 2 - Documentary - Dangerous Days: Making of Blade Runner - A feature-length documentary revealing all the elements that shaped this cinema landmark. Cast, crew, critics and colleagues give a behind-the-scenes, in-depth look at the film from its literary roots and inception through casting, production, visuals and special effects to its legacy.
Disc 3 - 1982 Theatrical Version - The original that contains Deckard's narration and has Deckard and Rachel's (Sean Young) "happy ending" escape scene.
1982 International Version - Also used on U.S. home video, laserdisc and cable releases up to 1992. This version is not rated, and contains some extended action scenes in contrast to the Theatrical Version.
1992 Director's Cut - Omits Deckard's voiceover narration and removes the "happy ending" finale. It adds the famous "unicorn" sequence, a vision that Deckard has which suggests that he, too, may be a replicant.
Disc 4 - BONUS Disc "Enhancement Archive" - Eight featurettes, image galleries, radio interview with the author, and screen tests for the part of Rachel.
Disc 5 - Workprint Version - This rare version of the film is considered by some to be the most radically different of all the Blade Runner cuts. It includes an altered opening scene, no Deckard narration until the final scenes, no "unicorn" sequence, no Deckard/Rachel "happy ending," altered lines between Rutger Hauer and his creator Tyrell (Joe Turkell), alternate music and much more.
Also included is commentary by Paul M. Sammon, author of Future Noir: The Making of Blade Runner and a featurette - "All Our Variant Futures: From Workprint to Final Cut".
2 Disc Edition : Discs 1-2
4 Disc Edition : Discs 1-4
5 Disc Edition : Discs 1-5
The downside of this 2-disc version is that you are only getting the Final Cut version of the film and the documentary disc. You won't get the bonus disc of featurettes, the disc of past releases, and the workprint version of the film. The upside is that the 5-disc version of the film has some expensive packaging and promotional material included that seems to really raise the price of the entire package.

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In celebration of Blade Runner's 25th anniversary, director Ridley Scott has gone back into post production to create the long-awaited definitive new version. Blade Runner: The Final Cut, spectacularly restored and remastered from original elements and scanned at 4K resolution, will contain never-before-seen added/extended scenes, added lines, new and improved special effects, director and filmmaker commentary, an all-new 5.1 Dolby® Digital audio track and more. Harrison Ford, Rutger Hauer, Edward James Olmos, Joanna Cassidy, Sean Young, and Daryl Hannah are among some 80 stars, filmmakers and others who participate in the extensive bonus features. Among the bonus material highlights is Dangerous Days, a brand new, three-and-a-half-hour documentary by award-winning DVD producer Charles de Lauzirika, with an extensive look into every aspect of the film: its literary genesis, its challenging production and its controversial legacy. The definitive documentary to accompany the definitive film version.
The Ultimate Collector's Edition will be presented in a unique 5-disc digi-package with handle which is a stylish version of Rick Deckard's own briefcase.In addition, each briefcase will be individually numbered and in limited supply. Included is a lenticular motion film clip from the original feature, miniature origami unicorn figurine, miniature replica spinner car, and collector's photographs, as well as a signed personal letter from Sir Ridley Scott.
Disc One RIDLEY SCOTT'S ALL-NEW "FINAL CUT" VERSION OF THE FILM Restored and remastered with added & extended scenes, added lines, new and cleaner special effects and all new 5.1 Dolby Digital Audio. Also includes:
Commentary by Ridley Scott
Commentary by executive producer/co-screenwriter Hampton Fancher and co-screenwriter David Peoples; producer Michael Deely and production executive Katherine Haber
Commentary by visual futurist Syd Mead; production designer Lawrence G. Paull, art director David L. Snyder and special photographic effects supervisors Douglas Trumbull, Richard Yuricich and David Dryer

Disc Two DOCUMENTARY DANGEROUS DAYS: MAKING BLADE RUNNERA feature-length authoritative documentary revealing all the elements that shaped this hugely influential cinema landmark. Cast, crew, critics and colleagues give a behind-the-scenes, in-depth look at the film -- from its literary roots and inception through casting, production, visuals and special effects to its controversial legacy and place in Hollywood history.
Disc Three 1982 THEATRICAL VERSION This is the version that introduced U.S. movie-going audiences to a revolutionary film with a new and excitingly provocative vision of the near-future.It contains Deckard/Harrison Ford's character narration and has Deckard and Rachel's (Sean Young) "happy ending" escape scene.
1982 INTERNATIONAL VERSION Also used on U.S. home video, laserdisc and cable releases up to 1992. This version is not rated, and contains some extended action scenes in contrast to the Theatrical Version.
1992 DIRECTOR'S CUT The Director's Cut omits Deckard's voiceover narration and removes the "happy ending" finale.It adds the famously-controversial "unicorn" sequence, a vision that Deckard has which suggests that he, too, may be a replicant.
Disc Four BONUS DISC - "Enhancement Archive": 90 minutes of deleted footage and rare or never-before-seen items in featurettes and galleries that cover the film's amazing history, production teams, special effects, impact on society, promotional trailers, TV spots, and much more.

Featurette "The Electric Dreamer: Remembering Philip K. Dick"
Featurette "Sacrificial Sheep: The Novel vs. The Film"
Philip K. Dick: The Blade Runner Interviews (audio)
Do Androids Dream of Electric Sheep Cover Gallery (images)
The Art of Blade Runner (image galleries)
Featurette "Signs of the Times: Graphic Design"
Featurette "Fashion Forward: Wardrobe & Styling"
Screen Tests: Rachel & Pris
Featurette "The Light That Burns: Remembering Jordan Cronenweth"
Unit photography gallery
Deleted and alternate scenes
1982 promotional featurettes
Trailers and TV spots
Featurette "Promoting Dystopia: Rendering the Poster Art"
Marketing and merchandise gallery (images)
Featurette "Deck-A-Rep: The True Nature of Rick Deckard"
Featurette "--Nexus Generation: Fans & Filmmakers"

Disc Five WORKPRINT VERSION This rare version of the film is considered by some to be the most radically different of all the Blade Runner cuts. It includes an altered opening scene, no Deckard narration until the final scenes, no "unicorn" sequence, no Deckard/Rachel "happy ending," altered lines between Batty (Rutger Hauer) and his creator Tyrell (Joe Turkell), alternate music and much more. Also includes:
Commentary by Paul M. Sammon, author of Future Noir: The Making of Blade Runner
Featurette "All Our Variant Futures: From Workprint to Final Cut"

Stills from Blade Runner (click for larger image)


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Mars: The Quest for Life (2008) Review

Mars: The Quest for Life  (2008)
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Well documented. A slight disapointment in the fact that the mars survey is not covered, only the trip to the planet.
Maybe on an other DVD ?

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Living Landscapes: Earthscapes - World's Most Beautiful Sunrises & Sunsets (2009) Review

Living Landscapes: Earthscapes - World's Most Beautiful Sunrises and Sunsets  (2009)
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Dramatic Sunrises and Stunning Sunsets, rich and deep colors bring out the best in HiDef. The emotional images are nothing short of breathtaking. Full of Inspirational Sunrises and Melancholly Sunsets this video takes you on a satisfying emotional journey to the most exotic places on the planet. Great imagery to share on a special night with someone you love. I highly recomend it.


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Sunrise On The Marsh: Delight in the sights and sounds of thousands of migratory birds filling the crimson skies of the great Pacific Flyway at daybreak.Sunrise At Mesa Arch: Experience the magic of the first morning light filling the sandstone hollow of Utah's sacred Mesa Arch as it illuminates the stunning desert landscape of Canyonlands National Park.Tropical Beach Sunsets: Relax in the soft tropical air as brilliant hues and glorious sky-painting form over the warm waters of the world's most beautiful beaches.Also includes: Bali & the Pacific Coast.The Complete Living Landscapes HD Collection:BaliCalifornia RedwoodsCosta RicaFall in New EnglandHawaiiOlympic RainforestPacific CoastRocky MountainsSacred Canyons of the SouthwestThe Four SeasonsUnderwater Paradise HawaiiWild AfricaWorlds' Most Beautiful PlacesWorlds' Most Beautiful MountainsWorld's Most Beautiful Sunrises & SunsetsWorld's Most Beautiful Waterfalls

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The Secret (2008) Review

The Secret  (2008)
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"The Secret" stars David Duchovny as Ben Marris, a successful ophtalmologist who is happily married to Hannah [Lili Taylor of The Haunting]who is a housewife. They have a rebellious 16-year-old daughter Sam [Olivia Thirlby]and from the beginning we can see the antagonism Sam feels towards her over-protective mother. Both mom and daughter head out on a weekend trip and an accident causes both to be critically wounded, eventually resulting in a bizarre occurence in which Hannah's spirit transfers over to Sam's body whilst Sam's spirit lingers somewhere in limbo-land.
The rest of the movie deals with how Ben comes to grips with this bizarre turn of events and how Hannah struggles to cope not only with having lost her material body, but having to try to 'find' her daughter's spirit within Sam's physical self, whislt at the same time traversing the tension-fraught life of a high school teen. Both Ben and "Hannah as Sam" also have trouble dealing with the weirdness of their situation as being deeply in love, they come to certain realisations about the impossible situation they are both in. Ben is torn between wanting to satisfy his and Hannah's emotional and sexual needs whilst not wanting to cross the boundaries presented by his own daughter's material body.
The leads do a credible job of portraying three individuals trapped in an intolerable situation, though it is Duchovny's Ben and Thirlby's Sam that carry the movie for the most part. Olivia Thirlby's performance as Samantha/Hannah is commendable as she portrays both mother and teen credibly. Viewers can really tell when she is playing either mother or daughter. Thirlby is definitely a young actor of promising talent based on this performance.
This is supposedly a remake of a Japanese movie titled Himitsu, and though I haven't watched the original, this movie can stand alone on its own merits. Though it has a supernatural premise, it never really delves too deeply into that aspect for the movie deals more with how individuals cope under strange circumstances. Ben and 'Hannah' do seem to accept the situation way too quickly [which did strike me as very odd], but at 1.5 hrs long, the movie really didn't have the luxury of time to go in depth into the topic of spirit transference/possession.
On the whole, I found "The Secret" to be quite an engrossing drama and well carried by credible acting.
SPOILER ALERT
For those viewers who are very much concerned about the taboo aspects of this movie, i.e. a dad having to deal with a daughter who has her mother's spirit residing within her and the physical issues of dealing with that, do not fret. The movie never crosses the line towards actual physical consummation nor any explicit displays of affection between Ben and "Hannah as Sam".

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In the spirit of Ghost and Birth, Hannah and Benjamin (Lili Taylor, Six Feet Under and David Duchovny, The X-Files) are a happily married couple whose love is tested in ways they never could have imagined in this touching supernatural drama. But when Hannah is killed in a car accident, the couple's strong bond may be responsible for an unusual twist of fate that keeps their love alive -- at the expense of their daughter (Olivia Thirlby, Juno).

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Dinosaur (2000) Review

Dinosaur  (2000)
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I thought a lot about this review.
I'm an animation buff, so I can well say that this film received the maximum rank on animation - the amount of details and thought that was put into every movement and shot is admirable, and the result shows. It is certain that the animators did an excellent job - even went down to details such as having the muscles of the dinosaurs vibrate when the foot hits the floor. Sometimes I actually forgot that this was an animation movie, and mistook it for a National Geographic feature.
The story, on the other hand, is rather disappointing. It seems like the development process stopped after the story became reasonable. The characters are only skin-deep, and it is frustrating for someone who had already seen a couple of movies before that this one brings nothing new to the screen. It's sad to notice so many 'deja vu's while watching, seeing so many thing that you have already seen before, especially that the main character - Aladar - is an orphan dinosaur raised by monkeys, carries a close resemblance to Disney's previous feature, Tarzan.
Two thumbs up for the music - it really hits the spot. The composer captured every moment so naturally that it fits like a glove. Nothing I say can convey the impression, so you might as well see it for yourself.
All in all, an amazing animation feature with a weak plot. This film - in itself - receives 4 stars from me, although if I had calculated my impression on the Collector's edition, I would have definitely lowered it to 3. It simply wasn't worth the extra money I added. The second DVD contains very little material, and I really expected more from a highly documented production such as this one to include more material. People purchase this item to get more information about the animation process, and I really feel like I wanted more. I really think that I should have bought the regular edition and saved some cash.

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Travel 65 million years into the past and experience the age of the dinosaurs in mind-blowing Blu-ray High Definition. DINOSAUR, Disney's landmark special effects spectacular, makes an evolutionary leap through the revolutionary new Blu-ray technology. For the first time ever, witness the film's dazzling meteor storm and all of Aladar's breathtaking battles in brilliant 1080p. Prepare for a stunning auditory experience with 5.1 48 kHz, 24-bit uncompressed sound -- from the thundering footsteps of the deadly carnosaurs to the smallest leaf blowing in the breeze. You've never experienced DINOSAUR like this. Go beyond everyday entertainment with Blu-ray High Definition.

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Gunbuster vs. Diebuster: Aim for the Top - The Gattai Review

Gunbuster vs. Diebuster: Aim for the Top - The Gattai
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I'm such a big fan of the "Gunbuster" and "Diebuster" OAV series. The original 1988 OAV series is among my personal favorites and the newer 2003 series was pretty cool and nicely tied with the first OAV series and both featured cool storylines and a lot of action.
In 2006, GAINAX went to create two film versions, which are more or less a condensed to 2-hour film from the episodes of the OAV series. And to celebrate the 20th Year Anniversary of "GUNBUSTER" in 2008, Bandai Visual/Honneamise released the "GUNBUSTER vs. DIEBUSTER - Aim for the Top! The GATTAI! MOVIE" DVD Box set which I reviewed back in August.
But when it was announced that a Blu-ray version of the box set was being released in Japan which would feature interviews, footage from the movie premieres and interviews galore, Gunbuster fans were salivating over this release.
And now it is released in the US and how does it stack up against the original DVD box set? The only word I can think of, after I watched the Blu-ray Limited Edition box set was "beautiful".
First, there is no difference in terms of the storyline of the films from the DVD box set and the Blu-ray box set BUT the quality differences is tremendous. Also, you get more for your money as the Blu-ray box set comes with special features, while the previous version came with nothing. But you did get postcards, booklets and a certification exam.
VIDEO & AUDIO:
The first thing I noticed when watching "GUNBUSTER the Movie" is that for a digitally remastered film, the high-definition version looked clean and the colors are much more vibrant. I was literally in awe that this film created in the 1980s, looked so beautiful today in Blu-ray. The video is featured in 1080p High Definition and the majority of the film is in 4:3 but once you get to the final segment of the film (when it goes black and white), the film is presented in 16:9.But the video just looked phenomenal.
As for audio, you get Dolby TrueHD (5.1 ch surround) and if you thought Bandai Visual didn't skimp on audio on their DVD releases, the same goes with the Blu-ray version.
It also helps that many of the original cast members returned back to re-record their lines and thus GAINAX and rework the audio for modern times. But all in all, "GUNBUSTER the Movie" looks and sounds incredible in this Blu-ray Box Set.
As for "DIEBUSTER the Movie", since this film is only five years old, it's a newer, digital film as opposed to the handdrawn original. But again, the colors are vibrant and everything looks quite beautiful in the Blu-ray release and the video is presented in 16:9 (1080p High Definition) and also the audio is featured in Dolby TrueHD (5.1ch Surround).
Also, I found the clarity of the special features on the bonus disc to be very cool. I mean, you can see the skin pores and makeup so much clearly on the Blu-ray disc. The majority of the bonus features are featured in 16:9 (1080i High Definition). Audio is presented in Linear PCM (2.0ch Stereo).
SPECIAL FEATURES:
This is where the Blu-ray blows out the original DVD box set. The special features include:
* The GATTAI!!! Movie - Stage Appearance by Cast and Staff. This is a 31-minute portion where the staff of both films meet with the lucky fans who got to see the movie and the staff. This was pretty fun to watch as you learn how both staff admire each other especially DIEBUSTER actress Yukari Fukui (Nono) of Noriko Hidaka (Noriko), especially when it came to the Lightning Kick scenes.
* GUNBUSTER: Interview on Re-recording session - This 26 min. featurette was very cool as the seiyuu had the chance to talk about re-recording their lines or preparing for the role.It was cool to see the actual footage during the recording of the original "GUNBUSTER" film.
* From DIEBUSTER to THE GATTAI! Movie - This 30 min. featurette featured the DIEBUSTER staff talking about how they decided to make the DIEBUSTER OAV series to the movie and what they hoped to accomplish. Also, some insight to the characters and how Nono was based off of Yukari Fukui.
* The GATTAI!! Movie Trailer - A 2-minute trailer of both films
* WEB MESSAGE CAMPAIGN - This section is only available if you select the Japanese menu on the beginning of the disc. This allows you to hear A LOT of audio clips, in almost like a radio drama (short audio segments) featuring the characters of the film.
Also, included are the booklets of the two films and a fold-out informative print piece that is like a primer.
Of course, I'm very biased towards the OAV series because there was more time to focus on the character development. But with the series as a film and having to condense and pretty much eliminating certain episodes, you do miss a lot of the emotional storylines and watching how these heroines got from point A to to point B in becoming talented pilots.
But the overall goal of the film is accomplished by showcasing two cool storylines and fans of the original to the new fans of the anime series can definitely enjoy. As mentioned in my review for the films on the DVD box set, I saw this as an additional compliment to the OAV series.
But focusing on the Blu-ray Limited Edition of "The GATTAI!! Movie", this literally blows away the regular DVD box set. Not only is the quality and audio much better but for fans that wanted interviews and any footage of the talent from the movie premieres or interviews with the staff, this box set has all that!
For me, just to see the original 80s staff was just remarkable and to hear and see Noriko Hidaka again was just awesome! So, for me, this is truly an awesome 20th Anniversary box set. Seeing the past and present on stage together was a sight to behold for fans of GUNBUSTER and DIEBUSTER but to see how lengthy the footage for each featurette was, this box set is pretty awesome! You definitely feel you get your money's worth.
If you are a GUNBUSTER or DIEBUSTER fan, this limited edition Blu-ray disc box set is worth it! Highly recommended!

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Studio: Infinity Resources IncRelease Date: 12/09/2008Run time: 124 minutesRating: R

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HD MOODS: AQUARIUM - Blu-Ray (2008) Review

HD MOODS: AQUARIUM - Blu-Ray (2008)
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This product is exactly what it claims to be - a colorful, mostly high quality blu ray of a couple of aquariums. Of course it's no substitute for the real thing, but I have my 52" LCD built into a cabinet and it definitely gives the ambiance of having a built-in aquarium. It injects a sense of calm into the room while we're sitting around talking or reading.
The shots are all fixed - no panning, no zooming. Each shot is a portion of an aquarium that stays fixed for a few minutes, then it cuts to another portion of the same aquarium.
It's 1080p so it fills your 16x9 screen with no bars at the top or side.
There are 3 scenes to choose from:
Tank 1 - a colorful tank with various types of coral and a dozen or so tropical fish that make appearances at various times.
Tank 2 - a more natural setting with more muted colors. There are some flourishes of fish, but mostly the fish population is fairly sparse throughout most of this one. The camera cuts to a slightly different view after a few minutes showing more of a close up of the large sea anemone but putting the coral in the background pretty out of focus. It's probably intentional, but a little distracting if you're staring at it - certainly not a scene to use to show off your HDTV. Like the others, after a few more minutes it cuts to another view of the tank with quite a few colorful fish in this one.
Bonus Tank - a closeup on a conch shell in what appears to be Tank 1, with a few Nemo fish hanging out. It's ok, but I don't see myself using this much, if at all.
I find Tank 1 to be the best - very relaxing with lots of color, and fish on the screen at all times.
It automatically switches from tank 1 to tank 2 with about 5 seconds of black screen between the two, so if you want just one tank, you'll need to set your player to repeat the chapter you want.
As far as audio goes, there are 3 soundtracks available in either 5.1 surround or 2 channel stereo:
Natural - aquarium bubble sounds. This is for ambience so the sound is mixed way in the background.
Calm - relaxing spa type electronic music. Ok, except for the drone that enters and exits once a minute or so that sounds like an airplane flying through your media room - strange.
Slow - more spa type new agey music with a synthesizer loosely mimicking air bubbles.
The music is ok, but not my taste. Fortunately you can set it to natural and just listen to the bubbles or set your receiver or TV to play another music source.
All in all, especially considering the low price, I'm pleased with this one.


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HD MOODS:AQUARIUM - Blu-Ray Movie

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Three Kingdoms: Resurrection of the Dragon Review

Three Kingdoms: Resurrection of the Dragon
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Review of the Uncut HK version.
Amid the beloved historical epic tales of the "Battle or Romance of the Three Kingdoms", arose three movies in 2008. The very mediocre "Empress and the Warriors" with Donnie Yen, and late last year came the first chapter of John Woo's "Red Cliff". Daniel Lee's (Dragon Squad) "Three Kingdoms: Resurrection of the Dragon" was released a few months earlier in Asia than Woo's star-studded film (which I will review later), and has Hong Kong's Andy Lau (Running on Karma) in the lead as the famous General Zhao Zhilong--yes the same guy in the video game named Zhao Yun in "Dynasty Warriors". The film has massive commercial appeal, and the film is beautifully shot. However, purists of the tales of the Three Kingdoms will be annoyed and repulsed, as the film does feel a little empty in regards to an intricate storyline and full of historical inaccuracies. (Hint: John Woo's overly exaggerated film about the three kingdoms isn't much better)
228 A.D, before the rise of the Jin Dynasty. The kingdoms of Shu, Wei and Wu are divided. Zhilong (Andy Lau) is a simple soldier from Changsan who becomes a legendary warrior under the employ of Liu (Yueh Huah) who rises from the ranks of the Shu forces to become one of the "Five Tiger Generals". Zhilong becomes famous for his many campaigns against Cao and the last surviving general of the "Five Tigers". Now, after many years of war, Zhilong is set to make his last stand against Cho's granddaughter--who has become a beautiful, cold and stoic warrior woman; Cao Ling (Maggie Q, Live Free and Die Hard).
The film is narrated by Pingan (Sammo Hung), Zhilong's oldest friend who joined the Liu army with him many years ago. The film is supposed to cover thirty years, Zhilong was a simple soldier who ascends to become a simple general and so the film feels a little too short. There are a lot of plot holes and several important parts missing, but then as a tale being narrated by Pingan who remained a simple soldier in the ranks, I can accept its shortcomings. Pingan never became a part of Zhilong's military unit until his final campaign. The viewer is privy to Zhilong's achievements through the musings of humble Pingan and it is rather hard for Sammo Hung to carry this burden, and purists will undoubtedly become disconnected. Zhilong is a renowned general in the Shu kingdom, he may be remembered as the "Spartan" of the Liu army--truly legendary and whose name struck fear in the hearts of his enemies.
Thankfully, Andy Lau does turn in a great performance and I am happy to say he isn't miscast. This may well be his best performance since his role in "The Warlords" with Jet Li. The plot may be a little too simple and doesn't reach Zhilong's epic grandeur, but Lau does the best of what he's got; Lau is playing a larger-than-life character and despite the simple plot, he manages to project the character competently. Maggie Q. is alluring as Cao Ling, and despite her limited screen time, she was exciting and enchanting to watch. The rest of the supporting cast isn't so bad, but we all have to remember that this is a film with Zhilong as its central focus.
Aside from the Pingan narrations, the real problems begin when the film has some "add-on" characters played by two lesser known performers in the persona of Vanness Wu, and Andy On; they seem to be mere attempts to give the young stars some exposure. (Maggie Q. is just so hot, I don`t mind her at all) A lot of folks would be interested to see this film because of truly iconic characters played by accomplished actors such as Sammo Hung, Yueh Hua, Ti Lung, Chen Zhihui; but sadly the film does nothing with them. Zhilong may be the center of the film but all others, disappear after the first half. This film definitely needed to be longer and the significance of the other four "Tiger Generals" to Zhilong a little more fleshed out.
The action sequences have the usual style of Chinese epics and reminiscent of other films of this kind. The choreography by Yuen Tak is fairly good, although it looked too flashy for my tastes. (as with Woo's "Red Cliff') The shots are cool and well-choreographed, a blend of the usual wire-fu, wild slow-mo and blood and some gore. Highlights include Zhilong rescuing Liu's son, (which was fairly exciting) and the fight between Cao Ling and Zhilong were very cool to watch. The fights provide great eye candy, but that's all they were; pure eye candy. The film does have a lot of action, it feels more like an action drama and abandons the contemplative nature of the horrors of war.(although it does touch on this idea a little in the final act) Writer/director Daniel Lee does an average job in mixing in emotions and action, but it felt that it reduced its visceral effect. The film has colorful, elaborate costumes and some beautiful cinematography that it will no doubt attract mainstream audiences.
"Three Kingdoms: Resurrection of the Dragon" isn't a bad film, and I rather thought that this may be Daniel Lee's best work. It is a lot better than the abysmal "Empress and the Warriors" and I've seen John Woo's "Red Cliff" and believe me, Woo's first take on the "Three Kingdoms" period was better but only by a tad. The lore and legend of the Three Kingdoms isn't fully fleshed out, and the film does resort to flashy camera tricks and choreographed action sequences. While this may not be exactly be a bad thing, and will no doubt give the non-meticulous viewer a good diversion, purists of its historical significance will be very disappointed since it isn`t as intricately compelling as I wished it to be. The film never does delve into wartime strategy that much and falls to the usual epic trappings of honor, betrayal and fate. This film has massive commercial appeal but quite respectable in its quality. "Three Kingdoms" is indeed an entertaining experience, but not outstanding and manages to exude coolness throughout--but isn't war supposed to be "un-cool"?
Another one for the overindulgent International audience for beautiful Chinese epics.
Recommended! [3 ½ Stars]


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Category 7: The End of the World (2010) Review

Category 7: The End of the World  (2010)
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I've always been open to watching these disaster movies. Volcano, Twister, Day of Tomorrow ... all good films in their own right, despite what the movie critics say about them.
Category 7: End of the World was a very entertaining movie. I think too many entertainment fans spend too much time over-analyzing movies that are made by the entertainment industry instead of enjoying it for what it is, quality entertainment. While I haven't seen the previous film, Category 6, I plan on purchasing the movie to see how this series started.
While it's not too impossible to believe, such events as what is seen in this film could very well become true. With the rising cost of oil and the fact that the greenhouse effect and global warming are impacting our enviropnment, this movie does have a very moral lesson to show anyone who watches this movie. We must protect our environment before it starts to react to our presence on this world.
It was refreshing to see Shannon Doherty and her authentic talent coming to the surface. She had been released from Beverly Hills 90210 and Charmed because of her attitude with producers and directors but it was refreshing to see her performing true to her nature and having a role that was written just for her. She is a wonderful actress and it's time more and more roles were written specifically for her. Randy Quaid is also the consummate actor who always seems to manage to steal every scene he's in.
But, I was disapponted that the US Government and the politicians that are portrayed in this movie seem content in facing the ultimate destruction of Mother Nature and protecting the interests of the large corporations, oil cartels and special interests instead of safeguarding the lives of the people. It shows a lack of original thinking on the part of the writers, who should have gone to a few more creative writing courses before sitting down to write this movie. In addition, I felt that this movie was a little longer than it should have been. Hopefully, there'll be a little more of a waiting period before we see Category 8, which will be coming our way faster than we can turn off the power.

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NEW ON BLU-RAYCATEGORY 7: THE END OF THE WORLDAs a deadly Category 6 storm descends upon the Earth, unleashing violent winds, hurricane force pressure, and devastating tornadoes, officials scramble to pinpoint the cause. Though global warming is suspect, beautiful but discredited scientist Faith Clavell (Shannen Doherty, Mallrats, TV's Charmed) realizes that something else is triggering the extreme weather. Teaming up with storm chaser Tommy Tornado (Emmy nominee Randy Quaid, Brokeback Mountain, Elvis) and Judith Carr (Gina Gershon, Sinatra, Face/Off), head of FEMA, Faith realizes they must enter the storm itself if they hope to stop it. While the country is at its most vulnerable, the government becomes aware that it is the target of a terrorist organization. Now, it's not only man against nature, but man against man as an intensified Category 7 approaches...

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The Polar Express (2004) Review

The Polar Express  (2004)
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I went to see this movie tonight with a mentally handicapped friend - "Michael" -- (from a L'Arche home here in Winnipeg, Canada). We were the first persons in the theatre for the very first evening showing in this city - and we were the last to leave. We thoroughly enjoyed ourselves - enchanted by the movie's subtleties and happily exhausted by its roller-coaster rides.
Time and again, Michael (who is sensitive, compassionate and with a good sense of humor) turned to me in the darkness, smiling in appreciation at the exact same moments I turned to see his reactions. Each time this happened, it was at a moment in the film when some little detail, perfectly captured through superb 'cinematography,' brought moisture to my normally cynical eye, and a warm smile to Michael's innocent face.
Some examples: There is a lone, black child on this apparent 'dream train' to the North Pole - a girl of about ten or eleven years, and like a painting come to life, the miraculous technology at work in this film captures the particular sensibilities of this compassionate, black youngster --- We see small mannerisms of someone comfortable with herself in a way the other (ten or so) white kids on the train are not. And the effect is profound --- the movie audience, including some children of that same age group, went silent at such moments in the film.
My friend Michael - who has a 'savant' genius for perceiving my emotions, and expressing them for me out loud in public --- Michael turned to me with a delighted smile when the girl on the train reaches out to hold the hands of the poorest boy, sitting alone in the rear compartment; and later, she hugs two other boys, (one of them the central character) --- at their final parting. At that moment I held up a finger to my lips to try to hush Michael, but couldn't prevent him from saying aloud: "She's such a sweetheart." There were murmurs of appreciation in the darkness around us, responding to this innocent sentiment.
There is a sublime moment, on the back platform of the moving train -- the Northern Lights glimmering in the distance -- when the young girl joins in song with the poorest kid on the train (a younger boy from a dilapidated home on the "far side of the tracks"). I admit to being overcome with emotion during this duet (a lovely, strong melody with poignant lyrics) - and I blurted out loud to Michael, after the first chorus: "What a wonderful song!" The refrain includes the words "When Christmas comes to town." [It's a song so good that, with some future 'cover versions' by serious musicians who could do it justice --- this "Christmas Comes to Town" song could, I believe, deservedly join the small list of true, Christmas 'classics.']
I'd have to agree with anyone who thinks this movie is a little short on plot. And yet . . . once you've suspended disbelief -- beginning with an earth-shattering, Christmas-eve arrival of a steam-puffing, passenger train on a small-town Michigan street, directly outside the home of the movie's central character -- once we've swallowed that premise, the movie disarmingly embraces the child in us, (including our fears) and our reservations vanish without our noticing.
Just as great `realistic' painters, (think Rembrandt or Vermeer) worked wonders of light & shadow that no mere photograph could ever capture, so too this computer-animated marvel takes your breath away through an accumulation of tiny but acute observations that could never be captured by conventional cinematography. Prime examples from the opening scenes:
A shaft of light illuminates the boy's bedroom, and he is reflected in a chrome, automobile hubcap leaning against a wall; at once we share his view -- through the keyhole of his bedroom door - we can see only the backs and the dressing gowns of mother and father, as they say goodnight to the boy's young sister, after determining the state of her belief in Santa's existence - a belief no longer shared by the older brother, whose eye is at the keyhole.
Later, on the train, there's an exquisite close up of the boy's face, a slight blemish above the pores on his upper right cheek; the `camera' pans in rotation, capturing perfectly, the texture of the boy's hair, and that of the young black girl sitting beside him -- subtleties of such perfection one wonders if the unique, artistic accomplishment of "Polar Express" could ever be surpassed.
The film's last scene, consists entirely of a close-up view of a small, silver bell (of the type associated with sleigh rides) with its attached 'ribbon' of red leather. The little bell helps make the final point about `Belief' --- in things unseen, (or forgotten, and thus inaccessible to some adults). So simple, so powerful, so enlightening an image. My friend Michael turned to me at that moment, with a radiant smile. And we just shook our heads in awe.
----
Yes, this movie must have SOME shortcomings - one or two moments that don't quite work as intended by the creators. But right now, in the afterglow, I can't recall what they were. The film was just too satisfying an experience!
I'm a 57-year-old grandfather who happens to believe that "The Polar Express" is the first, true Christmas classic in almost 60 years. Not since the original Kris Kringle "Miracle" movie of 1947, has any film (to my jaded eye) so transcended our secular, commercial views of the Holiday Season, with such uplifting and fresh reminders of the timeless and true spirit of Christmas.
Mark Blackburn
Winnipeg Canada.

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When a doubting young boy takes an extraordinary train ride to the North Pole, he embarks on a journey of self-discovery that shows him that the wonder of life never fades for those who believe.

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Dune (1984) Review

Dune (1984)
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While everyone else has been waiting for AVATAR or LOTR (and yes I bought both of those and LOVE them), I've been holding my breath to watch DUNE in all its highdef glory. After watching this bluray disc, I feel like I've seen half of the film in HD and the other half in fair quality SD. I THINK I know what I'm talking about here . . . I saw this film 3 times in the original theatrical run, then bought the video tape in the Beta format, shortly thereafter replacing it with my first VHS copy of the film. Next came the LaserDisc (sadly a pan and scan version) then another vhs (from TV) of the "extended version". Shortly before the death of VHS, Universal released a Widescreen VHS version and then came the first, non-anamorphic DVD. Most recent is the steelbook anamorphic DVD release that also included the extended version as well as deleted scenes and short documentary materials. I still own them all and I'm happy to say that this new bluray release is the best DUNE has ever looked in a home video format . . . but I expected way more.
The GOOD STUFF: Many scenes have a great deal of the HD pop, and as soon as Princess Irulan begins her opening monolog the difference in PQ from previous releases is apparent. Things stay looking pretty good until we get to Geidi Prime (Home of House Harkonnen) and then things look SPECTACULAR. After hundred of viewings of this film, I noticed details I had not seen before! There are MANY impressive looking scenes in this new edition and the all important "water of life" sequence and the final battle and the end scene in the Hall of Rites all look stunning and nearly three dimensional. They are gorgeous.
THE BAD STUFF: Dirt, specks, lines, threads, all sorts of debris on the print show up FREQUENTLY and they ARE distracting. There is also significant fade damage on the right side of the print in several of the "Paul meets the fremen" sequences and the "Paul trains the fremen and blows up a big pyramid" sequences. This damage has been apparent on EVERY widescreen edition of the film Universal has put out and while it does look a little better on this edition (as if they tried to do something about it) it is still there. Certainly all of the specks and dirt (some small, others the size of footballs) could have been removed through digital means but Universal didn't bother with it. Black levels are not the best either and skin tones are all over the place, with the Baraon appearing very pink in every scene while Reverend Mother Gaius Helen Mohiam is consistently yellow. There is some noticeable grain at times but I can put up with that. It is the frequent dirt and debris I object to.
The DTS-HD sound is pretty good for the most part and there was a lot of great wind blowing from my rear speakers during the majestic opening title music. The roar of the worms gave my subwoofer a good pounding as did the scene where Paul plants the thumper but often the sound was a bit harsh and unconvincing. I suspect this is the fault of the original source and I suspect Universal has done the best they could with this soundtrack.
THE EXTRAS: LESS than what was included in the 2005 DVD release! Most importantly the extended version (flawed though it is) is not included here. I guess they know DUNE fans will double dip when they re-release this disc with that version. Also not included is the beautiful photo gallery. The theatrical trailer is nowhere to be found here either and none of the printed material from either the DVD original release or the booklet from the 2005 release is included. There is however plenty of advertisement from the UNIVERSAL BD LIVE TICKER trying to sell you stuff (it has to be manually turned off every time). If you turn this feature off, which plays OVER THE (ugly and generic) MAIN MENU, you will be treated to the message that you can no longer access their wonderful BD LIVE features (which consist of absolutely NOTHING but advertisements) because you are not connected to the internet! The rest of the extra material from the 2005 release is presented here in "fullscreen" format in SD, so all of the cool deleted scenes will be window boxed. The disc was also rather slow and clunky to load taking a full three minutes to get to the feature film.
The entire presentation of this release seems very half-hearted to me. I DO like the cover art (the same from the 2005 release) and at least the keepcase isn't one of those garbage eco cases. The disc itself looks entirely generic with no artwork whatsoever. Maybe I am expecting too much for an older catalog title but I've seen so many even older titles look so much better on blu ray than this thing does.
Universal seems to have spent far more time finding ways to advertise itself and the bluray format than bothering with the release of a top notch catalog title. Come on, if they are going to tell me on the front cover and the back cover that I am buying a PERFECT picture, then at least don't sell me something that has this many imperfections all over it. I have actually seen a few bluray discs that I thought lived up to their "perfect" hype but this disc isn't one of them. Not by a long shot.


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Universal Dune (HD-DVD)Actors: Dune Format: AC-3, Dolby, Dubbed, Subtitled, Widescreen Language: English Region: Unknown. Read more about region encoding and how it may affect you here. RatingStudio: Universal Studios DVD Release Date: November 28, 2006 Run Time: 137 minutes Average Customer Review:based on 152 reviews. (Writea review.) ASIN: B000IONJH4

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Willy Wonka & the Chocolate Factory (Blu-ray Book Packaging) (2009) Review

Willy Wonka and the Chocolate Factory (Blu-ray Book Packaging) (2009)
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The 30th Anniversary Edition of Willy Wonka and the Chocolate Factory was originally botched as a fullscreen-only effort. However, Warner listened to the people and gave them a wonderful widescreen transfer.
Colors are vibrant, the 5.1 Dolby Digital track is very nice, and there are a handful of cool extras. There is the 30-minute documentary "Pure Imagination" which shows some of the cast today, including all the children and Gene Wilder himself. The interviews of the cast looking back at the movie which was the defining thing for so many of them is very interesting. The documentary on the whole is rather fulfilling. While one feels that the documentary could have delved deeper and maybe been an hour-long, at a brisk 30 minutes, the pacing seems okay and it won't leave you wanting too much more. There is a limited amount of archival on-set "B" roll footage, but all that is there is interesting.
Also included is the original theatrical trailer (Warner left off the 25th Anniversary trailer that was on the original DVD release from 1997), a 4-minute featurette on the production design, and a feature-length audio commentary from the children, who have now grown up. The other features - "character bios" and sing-alongs - are pretty much fluff features. Since this was one of my most anticipated DVD releases of the year, I can't help but feel Warner could have done more in the way of extra features - games, outtakes, deleted scenes, etc. Nevertheless, the overall content of this DVD is satisfying enough.
As one of the greatest films of all time, and certainly one of the most enjoyable musicals and most enjoyable films of the 1970s, "Willy Wonka & The Chocolate Factory" has a timeless feel to it. This DVD deserves a place in every collection.
If you like the movie, then know better than to be the fullframe edition, which was released earlier. Widescreen in the original ratio is the only way to go. Especially in a few years from now, when we all have 16 x 9 widescreen TVs, and that "fullframe" version leaves you with big bars on the side of the TV. See the movie the way it was made and meant to be seen - in widescreen. And when you do get that 16 x 9 television, guess what - the widescreen DVD will fill your screen!
A classic movie with classic peformances, and a wonderful amount of heart. What are you waiting for -- get the widescreen 30th Anniversary Edition DVD of Willy Wonka and the Chocolate Factory so you can enter a world of pure imagination today!
Video: A -
Audio: A
Extras: B+

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Join the expedition visiting legendary Candy Man Willy Wonka (Gene Wilder) in a splendiferous movie that wondrously brings to the screen the endlessly appetizing delights of Roald Dahl's classic book. Coated with flavorful tunes and production design that constantly dazzles the eye, this effervescent musical never fails to enchant young and old. On a whirlwind tour of Willy's incredible, edible realm of chocolate waterfalls, elfish Oompa-Loompas and industrial-sized confections, a boy named Charlie (Peter Ostrum) will discover the sweetest secret of all: a generous, loving heart. And you'll rediscover the timeless magic of a delicious family classic.

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The Ultimate Matrix Collection (2003) Review

The Ultimate Matrix Collection  (2003)
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"The Matrix" in high-definition video fulfils the prophecy of the A/V geek elders: this is audio and video of a higher order, a plunge into the future of home theater.
The video has little in common with some of the jacked-up, overly hot presentations of older films we've seen in high-def formats. The colors, though muted by design, feel lush and true to the theatrical vision. The experience is that of watching moving images on film, not television or DVD. (The series was produced "with future technology execution in mind," Warner points out.)
High-def has rarely delivered the stunning audio we heard about when the formats first hit the market, but here it is. The rear soundstage doesn't sound subordinated: when the audio engineers send a jolt to a specific, discrete speaker, the result is powerful and distinct. The percussive sounds of gunfire are unlike anything I've heard on disc or in theaters. Some soft-spoken dialogue sounded indistinct or muffled from the center channel, but given the overall quality this is likely in the original elements.
Flesh tones are true, but only on close-ups do you get that film-like definition. All that computer-land metal looks astounding; sharp with three-dimensional pop. When primary colors break through the algae-green atmospherics, they radiate but without the annoying signs of artificial boost.
"The Matrix" was the first DVD title to sell more than a million copies back in the launch era. This set probably won't be a breakthrough for high-def, but it most certainly is a milestone in quality. The set is available only in HD DVD. Blu-ray Disc versions of both collections will be released later this year.

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Salem Witch Trials (2010) Review

Salem Witch Trials  (2010)
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"Salem Witch Trials" is a compelling 2003 CBS mini-series that featured many familiar and veteran actors and for the most part, stayed true to the historical events that came to be known as the Salem Witch Trials.
The mini-series begins on a rather odd note - it is right in the middle of a trial where the afflicted girls [who are the ones accusing people of witchcraft]go into hysterics and start wailing and screaming, then the accused start transforming into 'demons' [with rather striking make-up and 'flying' special effects]. Thankfully, this only lasts a couple of minutes [the production could have done without it], and viewers are taken back via flashback to six months prior where the events began.
The story focuses on the Puritans residing in the village of Salem, Massachusetts, and the year is 1691. There is no charter from England and hence, the Puritans basically govern themselves without any written law. Those who commit crimes or sins are publicly humiliated [there is a scene where women deemed guilty of sinful conduct are paraded naked whilst tied to a wagon]. The family that is the focal point in this series is the Putnam family - Ann Putnam [Kirstie Alley] gives birth to a stillborn child and is full of grief. Her husband Thomas Putnam [Jay O Sanders] is a bitter man, having lost a lot of his land and wealth to others who are more entrepreneurial. They have a son and daughter and young Annie Putnam [Katie Boland] senses the tension between her parents and finds herself being neglected, hence her desire to act out as a means of gaining attention.
Things are not helped by the Reverend Parris [Henry Czerny] who in his desperate desire to maintain his standing amongst members of his congregation, convinces them that all the social unrest and calamities befalling villagers are the work of diabolical forces.
Soon, a group of girls, including Parris' own daughter and niece start crying out and acting strangely, convulsing and going into trances, and finally accusing innocent townspeople of witchcraft.Amongst the earliest accused are Sarah Good, a poor woman who begs for a living, and Tituba [Gloria Reuben] who is a slave working in the Parris household. The number of accused increases as the girls find themselves getting more attention and begin to gain a sense of power. The production convincingly portrays the social restrictions of the time and of the harsh living conditions of the Puritans, and posits several plausible theories as to the cause of the 'madness' that beset Salem village at that time - the repressed social lives of the Puritans, the lack of freedom, not much in terms of passing one's time, the desperate need for attention amongst the young, and also the politics of life in a community where villagers frequently argued and even brought lawsuits against one another over property and business.
The storyline is riveting and moves along at a steady but sure pace, building momentum as the horror unfolds - the acting is also solid and credible - Kirstie Alley's Ann Putnam is a conflicted and tortured soul. Her grief over her dead child causes her to turn to a village medicine woman, Bridgitte Bishop who is later accused as a witch, and this in turn causes her immense guilt [for turning 'away' from God]. She is by turns horrified and self-righteous at the situation in Salem. This is one of Alley's best dramatic performances to date. Henry Czerny's Rev Parris is credibly done, acting out the part of a so-called man of God who decries against self-interest whilst shamelessly practising it for self-preservation. Then there is young Katie Boland as Annie Putnam who incites revulsion for her performance as the misguided accuser.Rebecca de Mornay plays Rev Parris' wife who is mortified by the events in Salem and finally leaves her husband.
There are also veteran actors who have done an incredible job with their roles here - Shirley Maclaine plays the ill-fated Rebecca Nurse, one of the accused who also happens to be a pillar in society, a devout mother and elderly woman who maintains her faith and sense of humor in the bleakest of times. Peter Ustinov plays the Magistrate William Stoughton, a man so absorbed in proving the accused guilty that he never once questions his judgements. And there is Alan Bates playing Gvernor Sir William Phips, who initially acts the dandy and seems disinterested but who eventually realises something is seriously wrong in Salem.
The sets and costumes lend an authentic feel to the story, making the Salem of 1691-'92 come alive onscreen. All in all, this is a first-class production and will appeal to history buffs, educators [though with some nudity I'm not sure if it would be appropriate for classroom viewing] and period & historical drama fans.Highly recommended!

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The Exorcist (Extended Director's Cut & Original Theatrical Edition) Review

The Exorcist (Extended Director's Cut and Original Theatrical Edition)
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For those of you that like The Exorcist and wondered if you should have seen the movie in the theaters *just* becuase it has some new scenes I can tell you it's definataly worth it.
The added scenes improve the continuity for the most part and provide a few new shocks (as if this movie needed more).
The soundtrack is radically reworked as well, employing newly scored music that adds to the mood of the movie.
There are new sound effects that have more "oomph" for the modern six channel digital sound.
Have the 25'th Anniversary tape? Saw the Spider walk scene in the Documentary? Well, in the new release, it's a different version and 10 times more creepy (it took a minute for the audience I was with to calm down).
It was great to see this in a theater and see people jaded by cookie cutter slasher flicks respond to this movie so well. This movie is not fast paced and that allows it to build up a foundation of dread and fear about the developing possession of the girl. Until it finally unleashes in the more horrifying scenes you've all heard about.
The overall color scheme of the movie is grayish and colorless, further drawing you into that fear and dread. The background music (the new and the limited amount utilized in the original version)has very little melody with a lot of sustained low chords. It doesn't call attention to itself but does unnerve you.
The possessed girl is probabaly one of the scariest faces in movie history. It's incredible that all that was really done to Linda Blair's face was to add a few asymetrical cuts, cover over her eyebrows and darken her sockets (giving her eyes a skull like look). But of course, it was the makeup master Dick Smith that was doing it so it's not too much of a surprise. The crowning feature of the scariest face was the unhuman look of the eyes, done with contact lenses.
The upcoming DVD of the "version you never saw" deserves a place in my colection and yours.
Besides a faithful transfer of the new version to DVD and the trailer, I can suggest that Warner Bros. include the tour of Washington sequence. This is another sequence that was not used in the final cut. It still exists but with no soundtrack. Putting it on the extras section of the DVD with an explanation of the missing soundtrack and subtitles would make this DVD an even better purchase for fans of the movie (like myself).

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Controversial and popular from the moment it opened, The Exorcist marks its historic Blu-ray premiere in a 2-Disc Edition featuring Stunning Hi-Def Presentations of the Original 1973 Theatrical Version and the 2000 Extended Director's Cut. The frightening and realistic tale of an innocent girl inhabited by a terrifying entity, her mother's frantic resolve to save her and two priests--one doubt-ridden, the other a rock of faith--joined in battling ultimate evil always leaves viewers breathless. This greatest supernatural thriller of all time astonishes and unsettles like no other movie.

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The Complete Matrix Trilogy (The Matrix/ The Matrix Reloaded/ The Matrix Revolutions) (2003) Review

The Complete Matrix Trilogy (The Matrix/ The Matrix Reloaded/ The Matrix Revolutions)  (2003)
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I've had this set for a couple days now and have watched all three films. The picture quality is outstanding and the sound is too (though I thought the SD soundtrack was amazing too, not a discriminating ear). There are so many things I never really noticed in the original SD DVD releases. For instance in the second film when Morpheus is giving his speach at Zion. In the HD version you can see him spitting when he talks. I saw a parody of this scene at the MTV movie awards that year and didn't get it. I guess you had to of seen it at the theater.
Some other things is the skin imperfections some of the actors have. I don't care about that sort of thing, but thought it was really cool to see people the way they really are. Also, I think HD and BR are going to change the way makup is applied for films. You can definately see some lipstick and blush on the male actors in a couple scenes. To make a long review shorter, buy the Matrix in High Definition. Even if you have BR it's a matter of time before it's released there too. Pick it up! Don't let this become a format issue, review the quality of the movie. It's a big enough market for mulitple formats these days.
PS. This cheaper set comes with a free download of the Animatrix. So unless you want 10 hours of extras go with this cheaper set. Me, all I care about are the movies. I have the Lord of the Rings collectors sets and have never placed a bonus disc in my DVD player. Not the case for everyone.

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