Showing posts with label sexploitation. Show all posts
Showing posts with label sexploitation. Show all posts

The Story of O Part II (1984) Review

The Story of O Part II (1984)
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This 1984 film The Story of O Part II is often confused with the 1981 film The Fruits of Passion ( les fruits de la passion) with Klaus Kinski. The video on this amazon product page is a different foreign film that takes a stab at the Story of O character. It is also in many ways superior sequel to Fruits of Passion. It has never been release on DVD in the US so it is lesser known. Of course any sequel that attempts to continue the story of "O" won't live up to the original. However, the actress playing "O" here Sandra Wey is the best I've seen in any version other than the original "Story of O" with Corinne Clery. The story doesn't pick up exactly where the original left off. But it is a more realistic idea of what would or could happen to the female character of "O". Sandra Wey plays the updated "O" as an independent woman who is a sort of sexual mercenary. She uses her power of seduction to gain access to a prominent and wealthy family. Hired by a powerful corporation that will stop at nothing to black mail this wealthy business man. "O" finds a way into the family's secluded estate and then systematically begins to seduce each of the family members starting with the young naive daughter. Moving on to her brother, the father, and eventually even the wife. All in a bid to black mail and gain control of their empire.
The film has plenty of highly erotic and sexual charged scenes. It deals with sexual orientation and domination. Sexual taboo's are broken and the inner fantasies of each family member are laid bare to "O". The story has some interesting twist and turns with an intriguing and unpredictable ending.
Even if you're skeptical of a Story of "O" sequel (there are more than a few) I would give this one a chance before any other.


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Ilsa, Harem Keeper of the Oil Sheiks Review

Ilsa, Harem Keeper of the Oil Sheiks
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Dyanne Thorn returns in the storming sequel to "She Wolf", and it seems to have been given a budget boost, as the setting moves to an Arabian oils sheik's kingdom in the middle of the desert, where Ilsa presides over his palace as right hand security guard and keeper of his harem of kidnapped beauties. The film doen't quite match the excesses of the first film in bad taste, and the camp comedy elements have all been increased, but there are still many gruesome scenes as the harem women are abused and tortured for various reasons, including a pretty revolting sub-plot to assasinate the sheik by deploying a bomb placed inside a womans body that will detonate during sex! Uniform fans will be pleased to see Ilsa replendent in her khaki shorts and boots, but she does not have the same prescence as in the previous film because she is herself punished at one point by despotic sheik, and its a shame to see that the film recycles her weakness of falling in love with a hunky American, which once again leads to her downfall. However, this film is still pretty extreme, but with a slant more towards sexual perversions than violence, and without the Nazi theme of it's predecessor its a lot less sleazy and offensive. Still way outside of the mainstream, though (and a hell of a lot better than the third film "Ilsa Tigress of Siberia", which has a cracking first 30 minutes, but disappoints immediately afterwards). A recommended buy for fans of the first movie, as well as one for any cult enthusiast.

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Pandora Peaks / Finders Keepers, Lovers Weepers Review

Pandora Peaks / Finders Keepers, Lovers Weepers
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Russ Meyer's "Pandora Peaks" gets a bad rap, but it is a fitting final film celebrating all the sexy things Meyer celebrated. While there is no story, there is wit and self-parody. "Pandora Peaks" is a remake or a redo of his wistful "Mondo Topless" in the 1960s complete with tape recorders. I don't share Meyer's predilections, but I find a lot of things to enjoy in his films and I find them in "Pandora Peaks".
Perhaps "Pandora Peaks" is his Warhol film. You can come and go as you please. Leave it playing and check it out as you go about your household chores.
"Finders Keepers Losers Weepers", which I had not seen before, is probably more conventional and straight than his official straight films, "Beyond the Valley of the Dolls" and "The Seven Minutes". Could have been better with humour, but still a good B grade thriller to pass the time away.

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Greta - Haus ohne Männer (aka Ilsa, the Wicked Warden) (1979) Review

Greta - Haus ohne Männer (aka Ilsa, the Wicked Warden) (1979)
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Ho boy, what to say about this? I admit to viewing this and the original Ilse movie out of curiosity...well, my curiosity has been satisfied. Of the two movies, this one is more everything. It's sexier, it has much more girl/girl doings, and it has longer sickening torture scenes in it. And the gross out ending should satisfy all who enjoy such things. The scary part is the fact that this is clearly meant to be entertainment, and that there are people who will be entertained by it.
I would dearly like to give this a one star rating...goodness knows I'm not likely to be recommending it to anyone. I even hesitate to let anyone know I've seen it. However, I am not one to pass moral judgments. Privately, I feel this movie should never have been made, but I don't have the right to decide what other people are able to see. So, I will allow it three stars, but with the warning to all that this is absolutely a gross out cult film.

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United Kingdom released, PAL/Region 2 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada: LANGUAGES: English ( Dolby Digital 2.0 ), WIDESCREEN, SPECIAL FEATURES:Biographies,Cast/Crew Interview(s),Featurette,Interactive Menu,Photo Gallery,Scene Access,Trailer(s),Uncut, SYNOPSIS: Jesus Franco directed this Ilsa outing, in which the character (Dyanne Thorne) is now a women's prison warden. Also known as both Greta the Mad Butcher and Ilsa--Absolute Power.

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Booby Trap / The Takers (1971) Review

Booby Trap / The Takers (1971)
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The admittedly promising DVD cover lured me to buying this SOMETHING WEIRD double feature. Well, it is not so explosive as the title and artwork suggests.
The first movie BOOBY TRAP starts with a troubled ex-marine buying 40 Claymore mines and blowing the soldier who illegally sold him the explosives to smithereens, just for the fun of it. Cheering, he breaks out in maniacal laughter and fires his pump action shotgun.
A really promising start, but what a pity that the rest of the film does not live up to the first minutes. From now on the story concerning the psycho ex-marine, who wants to use the Claymore mines to blow up the hippie audience visiting a rock concert, and a not very soldier-like looking military policeman trying to hunt the psycho down, drags. Sure, the story sounds interesting, but it sounds actually better than it is.It is much too talky and the action scenes are few and far between.
(Admittedly things liven up a little when it's showdown time.) Some female nudity and sex is on display, but nothing to write home about. And do not expect to see much explosives induced mayhem.
Sure, I can think of worse ways to kill my time, but the film is not essential viewing.
I liked the second feature THE TAKERS much better. E.J. and Willy are outlaw bikers. After a violent fight with another biker, an extended sex and drug session with two girls and a gas station hold up, the bikers raid the home of housewife Laura and her friend Barbie ("We're gonna have us a party with some educated social-type broads.") Much sexual encounters and drug abuse ensue, before Laura's husband (Carl MONSON, who played the ex-marine on the loose in BOOBY TRAP) suddenly returns from a business trip. As you probably guessed it is comeuppance time now...Oh, and there is a silly surprise ending, which will have you shake your head in disbelief. (In the stage world this is called "BRECHTian alienation effect", I think). Believe me, it is REALLY silly!
Aside from that THE TAKERS is very sleazy and fun entertainment indeed.
As can be expected from SWV company their DVD offers many extra features. There are 9 trailers. It must be said that the BOOBY TRAP trailers are better than the movie itself. Generally, all trailers are a bit too long and give away too much of the respective movies. I liked the BLACK ALLEY CATS and the BLACK BUNCH trailer best. Curiously, there is a trailer for a movie called YOUNG AND WILD, which appears to be a different cut of BOOBY TRAP with more explicit sex scenes.
Another extra is a short documentary about motorcycle freaks, THESE ARE THE ALIENS! It ends rather abruptly, so I guess it is only a part of a longer film. The bikers are shown in their favorite activities (boozing, smoking grass, having sex, and chatting about their bad experiences with the law). Recommended only for die-hard biker (movie) fans.
The usual black and white striptease short subject is also not missing. It is called MAGNIFICENT MONIQUE, rather old and with horrible picture quality (what else do you expect?) Despite these shortcomings I really liked it, mainly because of the top-heavy "actress".

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Ilsa - She Wolf of the SS (1975) Review

Ilsa - She Wolf of the SS (1975)
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This is the first and best of the four "Ilsa" films featuring the sensational Dyanne Thorne, who plays the sadistic head doctor in a Nazi death-camp that specializes in cruel experiments on nude women. Sounds too tasteless to be bearable? Well, actually no. If you can retain your sense of humour, you can find this film thoroughly enjoyable. It's mainly down to the hilarious camp acting of Thorn in the title role, whether she is strutting around the camp, spitting insults in a thick hammy accent at all the inmates, or seducing male prisoners in her boudoir using her famous chest to maximum effect. Still, the various scenes of torture are surprisingly convincing, and very realistic, especially those carried out by Ilsa in her secret torture chamber on a prize female subject, so this is definitely not a film for the squeamish. Theres even room for suspense during the climax when Ilsa's cruel reign is finally overturned. Overall, an enjoyable romp for people who have seen everything the mainstream has to offer. But due to such scenes as fingernail pulling, torture by electrified dildo and castration, prepare your friends before you show it to any of them!

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Hideout in the Sun 2-DVD Collector's Edition (1960) Review

Hideout in the Sun 2-DVD Collector's Edition (1960)
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If the gentle sensuality of beautiful women strolling around a nudist camp is enough to make you smile, you'll likely enjoy "Hideout in the Sun", a good example of the "nudie cutie" genre of the late 1950's and early 60's. "Nudie cuties" were exploitation flicks that played it safe by observing the letter of the law of the period, which essentially said that nudity in itself wasn't obscene, as long as sexual content- real or implied- wasn't part of the mix, too. After all, I'm sure it was reasoned, why produce outright pornography and risk getting shut down by those pesky local community standards when you can just make something like "Hideout in the Sun" and sell almost as many tickets?
Like "Hideout in the Sun", many "nudie cuties" were set in- where else?- nudist camps, as they're among the limited amount of places where one could credibly depict extended scenes of nudity that obstensibly had nothing to do with sex. Other examples of this undeniably picturesque but bizarre genre include "Diary of a Nudist" and "The Monster of Camp Sunshine", which is an honest-to-God nudist horror movie (and an extreme hoot, to boot).
Most "nudie cuties" at least go through the motions of delivering some kind of plot (again, to protect against charges of producing unlawful sex fare). This one features a bank heist plot, with the two heisters eventually taking refuge in a Miami-area nudist camp after their original getaway plans (which involve escaping to Cuba, which tells you how old this movie is), turn sour. The movie actually turns kind of sweet after that, as one of the crooks starts regretting his criminal ways and falls for a fetching redhead at the camp.
As said at the outset, if you can look past the strictly Ed Wood-style production values (or at least enjoy laughing at them), and just sit back and enjoy the pretty nude women walking around, lounging, and talking to one another (really, that's all they do), you'll get some modest pleasure out of this glimpse into this long-extinct genre. However, one has to laugh and wonder what poor raincoat-crowd types thought of all this back in 1960. They likely bought a ticket hoping for some honest adults-only fare and ended up getting endless scenes of the crooks' car driving around Miami before and after the heist, no sexual content at all in the actual nude scenes, and to top it all off, a long, laughably filmed "action sequence" at the end where one crook (the unrepentant one, of course) is chased by the cops into one of those roadside reptile zoos they have all over Florida and ends up fending off both cops and poisonous snakes, which inexplicably are slithering around free inside the zoo. So much for titillation.
This nice little DVD package offers a full-screen print of the film on disc one, a widescreen print on disc two, samplings of other exploitation fare of the period (some fairly sexual, some generally innocent like the main feature), an interview or two, and an interesting commentary track by an expert/enthusiast of the "nudie cutie" genre. "Hideout in the Sun" itself looks pretty good for a film that made heavy rounds on the exploitation circuit, though there are occasional bad splices and sound dropouts. If fringe cinema of years past interests you, however, don't let these small flaws stop you from ordering this bucolic curiosity.
I'm sure "Hideout in the Sun" was filmed with a cynical eye towards cashing in on local rubes' desire to see something a little naughty, but, watching the movie, one can't help but feel that the filmmakers- once the cameras were rolling- gave themselves over to honestly documenting the innocent, playful sensuality of the nudist camp and its denizens. I say this because the middle section of the film gets into a nice little "naturist groove", and you'll probably start feeling the peacefulness and relaxation of the camp's residents yourself. I know I did. Not a bad little bonus from a silly exploitation film, huh?

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A Fistful of Fuku Review

A Fistful of Fuku
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I believe this was one of Zen's movies early releases, If you're familiar with them
you know what to expect, lots of action sequences and girls in skimpy clothes. The
problem here is that the actress that plays the lead character doesn't have much of
a personality (and acting ability) , so you really never care much for her. There
are plenty more titles from Zen's pictures to choose from.

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Loose Screws: Screwballs II (1985) Review

Loose Screws: Screwballs II (1985)
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Well, I saw Screwballs and after being very pleased with that movie, I recently purchased Loose Screws a.k.a. Screwballs II. It was a good sequel. The humor was more juvenile and the plot wasn't as creative, but the movie did entertain. But as with most Hollywood sequels, this one did not exceed the entertainment value of the first movie and should be rated for its own entertainmnt value - which it earned a generously respectable rating. If anyone is an 80's comedy completionist who also enjoys a fun movie, then Loose Screws: Screwballs II is the right movie to purchase. The acting is definitely not that great, but these actors are not in this movie for an Oscar nomination. They are in it to entertain viewers, which they succeeded at very well in my opinion.

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CASTLE OF THE CREEPING FLESH Review

CASTLE OF THE CREEPING FLESH
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[CASTLE OF THE CREEPING FLESH aka CASTLE OF BLOODY LUST (1968)] Austrian director Adrian Hoven is probably best remembered for writing, producing and co-directing the notoriously sacrilegious 'Mark of the Devil' (1970) and its vastly inferior sequel ('Mark of the Devil 2), as well as producing films for raconteur Jess Franco. This earlier gothic horror / exploitation effort from 1968, 'Castle of the Creeping Flesh' from Sinister Cinema, does not share the notoriety of Hoven's other exploitation films, and must be one of the cheesiest, inept and trashy Eurohorror films I have ever seen, and I have a high tolerance for the ridiculous when it comes to this genre of film.
There's so much wrong with this movie, I hardly know where to start. No wait, I do know - with the ending, seeing as there really isn't one. More on that later. The story, of which there is precious little, assembles characters that each possess odd personalities with abundant sexual tension & intrigue amongst them, there's a clichéd mad scientist with blood vengeance on his mind, and it all takes place in a castle with a sinister history. Howard Vernon (a Jess Franco regular) plays Graf Saxon, another mental miscreant land baron doctor and castle owner. Some centuries ago, one of his ancestors lost his beautiful daughter as she was sexually ravaged and abused by savage woodsmen. History repeats itself here, as Saxon's own daughter also falls victim to an assault. He and his loyal servants wish to resurrect the dead daughter but they'll need essential body parts from living beings. Lucky for them, a drunken bunch of despicable, flamboyant party animals stumble into the castle and, inevitably, onto the operation table. Here we see truly grisly open heart surgery footage, probably the first of its kind in these flicks.
Among the partiers are Michel Lemoine, laughably scary with his 'horrifying' stare (due to a botched real-life eye job) and Janine Reynaud (a regular in 60's Franco films as well as those of 70's Jean-Marie Pallardy) who typifies the right combination of 60's stylish class and sleazy perversion who's undressed a good deal of the time, as if to draw our eyes elsewhere instead of the mess unfolding before us, and there are several other Eurobabes doing likewise before getting gutted and scalpeled, but these distractions prove ineffective over the long haul - it never takes too long to recall the celluloid swill we're wading through.
The film also suffers from the plot-stolen premise of other popular late 50's/60's Eurohorror - the mad scientist who kills women in order to restore the life of a loved one, which had been the topic of such masterpieces as Georges Franju's "Les Yeux Sans Visage" ("Eyes Without a Face",1958), Giorgio Ferroni's "Il Mulino Dalle Donne Di Pietro" ("Mill of the Stone Women",1959), Jess Franco's "Gritos En La Noche" ("The Awful Dr. Orloff",1962) and Jean Rollin's "The Blood Rose"(1969). Vernon's role here has similarities to that of the eponymous Dr. Orloff in Franco's film, only that Franco's film was impressive, and this one's a hilariously inept mess with Vernon spouting incoherent prattle throughout. All these great gothic horror trademarks unfold and then suddenly, it goes terribly wrong and the film ends in insanely syrupy limbo. It feels like whatever tight budget Hoven was working with swiftly ran out and he just quit in the middle of shooting, and by then the foregoing ridiculousness dominates the film's final frames as it collapses into camp without the campy humor or cult value.
It's a bit of a crime, as the flick could have been entertaining in the proper hands of a director who knew how to pace, edit and finish a film properly. Also, the print utilized here is washed out, lacks contrast, and may be edited. It will undoubtably make your flesh creep alright, but not in a good way...only for completists within the Eurohorror category, everyone else should avoid entirely.
2 1/2 stars.

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Bare Behind Bars (1980) Review

Bare Behind Bars (1980)
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I am not a fan of WIP (Women-In-Prison) movies. Generally I find them numbingly boring and falling far short of their sensationalistic claims. My preference in WIP movies is for hard and nasty scenes. Oswaldo De Oliveira's "Bare Behind Bars" goes the opposite route, highlighting camp and comedy. Given its limitations, it is still miles above the normal drivel. However, like other WIP movies, it doesn't live up top its promise of "brutal beatings, steamy showers, vicious violence and savage sexuality."
It is more laugh-out-loud funny than erotic. It is very tongue-in-cheek and doesn't take itself seriously for an instant. The acting is deliberately bad, over-the-top and cartoonish. And that is actually its saving grace, because it makes you laugh at the silliness of it all. Just sample the scene of the horny inmates using a makeshift pulley to slowly winch a dildo in between their cells at night. Or the wacky ether-addicted nurse who tries to take the Warden's blood pressure by wrapping the cuff around her neck. Or her buttock-grinding scene with her inmate lover which culminates with her introduction of the infamous pineapple dildo.
Thankfully the women in this prison are almost all deliciously hot and spend most of the time happily naked. And that includes the guards. My favorite here is the blond second-in-command. Sadly she doesn't have a sex scene of her own. To top it off, this version comes with hardcore elements fully integrated into the whole. On the downside, most of the scenes which should have been sleazy or degrading are here played only for laughs. The two "full-cavity searches" are more funny than erotic. The whipping scenes are so mechanical and perfunctory as to be devoid of any eroticism. The "steamy showers" are more like shower parties. The only violence of real standing are the two instances of sliced penises, one thrown to the dog, the other stuffed into its former owner's mouth. Now, that was worth watching.
The X-rating is justified. We are treated to blowjobs, dildo insertions, strapon action, amd full penetrative sex.
Blue Underground has done a beautiful restoration of this 25 year old film and presents it in its original widescreen aspect of 1.66:1 with anamorphic enhancement. Colors are rich, vibrant and accurate. The picture is sharp and richly detailed. Only an English-dub mono soundtrack has been provided. No other soundtracks are included although the actors are most likely speaking Portuguese and poor lip-synching is very evident throughout. Offering less than what was advertised and less than what I expected, it nevertheless was a fun and enjoyable romp. As a piece of camp cinema it's definitely worth at least a rental.

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In a women's penitentiary where brutal beatings, steamy showers, and full cavity searches are the order of the day, the cons are turning into pros - and the cemetery is running out of room! To stay out of the torture chamber, the inmates can barter their bodies in the wicked warden's white slave trade, or submit to the nympho nurse's peculiar brand of medical malpractice. But when these lawless lovelies go on the lam to wreak vengeance on straight society, no one will be safe!Prolific purveyor of perversion Oswaldo De Oliveira's (AMAZON JAIL) piece de resistance is presented here in its X-Rated entirety. A cornucopia of comely convicts (including International beauty queen Marta Anderson of MASSACRE IN DINOSAUR VALLEY and PERVERSION Scream Queen Nadia Destro) bare it all, as every frame of vicious violence, savage sexuality, and inappropriate use of pineapples, is presented pristine and intact for the first time ever in America!Extras include Theatrical Trailer

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The Erotic Adventures of Zorro (1972) Review

The Erotic Adventures of Zorro (1972)
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When I watched this one, I was reminded of the cheesy comedy of Flesh Gordon...there's all the token nudity and sexual situations...watching white people try spanish accents is pretty entertaining as well. Don't be looking for fabulous effects on this one, it's just a funny little movie, cheesy humour, erotica, might remind you of zorro the gay blade, just with nudity...

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Mad Ron's Prevues From Hell (2010) Review

Mad Ron's Prevues From Hell (2010)
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I bought this back in the late 80s when it was only being advertised in Fangoria and it was a cherished VHS tape that lasted me several years and many plays. It shocked quite a few party goers, grossed out the hot chicks and generally entertained the hell out of many people until it was finally eaten in a friend's old VCR. It is essential viewing for horror trailer fans and contains the best single lineup of trailers I've ever seen on video (and I've seen quite a few of them). The ONLY weak parts of the program are the idiotic video interludes by a balding ventriloquist and his corny zombie puppet 'Happy'! They really are annoying and throw lame speed bumps into an otherwise premium collection of trailers. Definitely check this DVD out but beware of several of those very unfunny interruptions.

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Diary of a Nudist / The Naked Venus (1958) Review

Diary of a Nudist / The Naked Venus (1958)
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This disc is packed with stuff! There are the two movies with their very coy nudity (watch as the ladies artfully stand with their legs covering the 'rude' bits or with towels/papers/hats draped over their midsection. The picture is a good restoration of some poor quality (old poorly preserved) originals, but it is still very watchable. The movies themselves are not spectacular in their plot but still fun and interesting.
The extra's (of which there is over an hour) are the piece de resistance. You get trailers from 6 nudism related movies, extra footage from The Naked Venus, four shorts on nudity, a heap of poster art/production stills from various nudity related movies (with radio discussions over the top) and an easter egg of a nudist wedding.
About half of the extra's are in black and white (as is The Naked Venus). Some have been restored to very good quality but one or two are almost unwatchable. There is virtually no full frontal nudity, but lots of breasts and bottoms.
Everything is from the 50's and 60's and looks it (even naked, you can tell the era from the hair/makeup (sometimes this is caked on) and the cars). If you're interested in the history of nudity or nudity in films then this is highly recommended.

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Joy & Joan (1985) Review

Joy and Joan (1985)
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Joy and Joan (1985 - French) In this sequel to 'Joy', based on the best-selling international novel, Brigitte Lahaie is cast as Joy, replacing Claudia Udy as the lead from the first film, and is probably reason enough to view this flick. Lahaie takes over the titular role of an international supermodel with a relentless passion for sensual pleasure, and possesses one of the screen's most near-perfect and desirable figures ever paraded for our pleasure. She's a statuesque goddess of the female form, worthy of worship and an altar, and is breathtaking when undraped.
Unfortunately, for me anyway, she's not undraped often enough, not when you consider her 70's career as a hardcore performer. And, to her credit, one of the few actors to transcend her early career and become a fairly respectable legitimate actress ('Henry And June', a host of Jean Rollin films, among others). Don't get me wrong, the film delivers to a certain European soft-core extent, but leaves you wanting more of what you were hoping for when you picked this one up. In the first half of the film, we don't get to see much of what's transpiring during the sex scenes, leaving them tepid at best. Bummer.
Once she gets to Thailand, however, things heat up a bit when Isabelle Solar is introduced as Joan, a tour guide who at first aids and comforts Joy, then there's a Sapphic session that's truly enjoyable viewing, and they fall in love afterwards. With the males in the film being as despicable as they are, it's easy to comprehend why. But can one woman satisfy the carnal desires that embody Joy and her lascivious lifestyle?
Soon enough, the ladies are back in France, old flames re-emerge, and new equations are thrown in the mix. There's an excellent ménage a trois at the conclusion of the film that redeems some of the lameness of the earlier sex scenes, but this and the scene with Joy and Joan are really the only worthwhile exploitive reasons to see this one. And the lush Thai scenery is as interesting as anything the plot has to offer.
As usual, Severin gives us a fine quality print with only a few blemishes, good colors and contrast, but fails to deliver any extras of any kind. Not a trailer, slideshow or even a bio. All in all, a must-see/have for fans of Brigitte Lahaie, one of the seven wonders of the 70's/80's world, and for soft-core fans of Eurotrash like me.
3 stars for the flick, 1 added for Brigitte and the (Thai) scenery...

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It is rivaled only by the Emmanuelle series for its daring sexuality and enduring popularity. And in this first and best sequel to the erotic smash JOY, French hardcore goddess turned respected actress Brigitte Lahaie (HENRY & JUNE) takes over the titular role of the international supermodel with a relentless passion for sexual pleasure. This time, Joy flees the betrayals and depravities of her male lovers only to find ecstasy with a gorgeous tour guide (the delicious Isabelle Solar). But can one woman find a way to fulfill Joy's most intimate and shocking desire?This DVD has optional English subtitles.

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Street of a Thousand Pleasures / Way Out Topless (1972) Review

Street of a Thousand Pleasures / Way Out Topless (1972)
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Street of a Thousand Pleasures is basically one long excuse to ogle naked women, which it allows the viewer to do very well. The plot is very thin, an American (played by John Tull of Sassy Sue and Midnight Plowboy fame) saves the life of a sheik, who in gratitude reveals his harem, which is basically a hundred girls standing around naked. It seems like the film was originally intended for 3-D, as the camera zooms in and apparently up against breasts, belly buttons, etc. This film does have some simulated sex, with tons of frontal nudity. Despite this, it eventually gets tedious, Tull's character wanders from one room to another looking at the girls, which he's more interested in than actually having sex with the girls throwing themselves at him. Uschi Digard and Michelle Angelo are in the film briefly, the rest are a mix of cute and skanky.
Mondo Topless is your basic 60's T&A, with no frontal nudity and not much in the way of plot to recommend it. The extras are good if sometimes a little odd, mostly 60's nudie type stuff. Breast Orgy does have some full nudity although like Thousand Pleasures gets tedious after a while.

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The Beast That Killed Women/ The Monster of Camp Sunshine (1965) Review

The Beast That Killed Women/ The Monster of Camp Sunshine (1965)
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Something Weird's Drive-in Double Feature series just keeps growing and continues with this ridiculous double feature. Back in the days when the laws were creatively skirted to bring us "adult" entertainment the nudie was born. As nudity in an of itself was not considered obscene, from the late 50's until the birth and acceptance of hardcore, if one wanted to see an adult film one had to see a nudie. For the most part these were films set in a nudist camp where we could watch for a long boring hour or so people playing volleyball, swimming, dancing etc. in the nude. As this got boring very quickly some enterprising film makers tried to add some sort of a storyline to the scenes of volleyball. Thus among other sub-genres the monster nudie was born.
This disc features two films, 6 (!) shorts, 5 trailers for other nudies (plus one hidden trailer for "Girls Come Too" which is a real classic; just click around in the various menus, you'll find it.), the gallery of drive-in exploitation art, drive-in intermission bits and the option of watching any of these separately or all together as a part of the "let's go to the drive-in" feature. This disc is crammed with stuff.
The films themselves are wonderfully awful. The Beast that Killed Women is about a gorilla loose in a nudist camp that, you guessed it, kidnaps and kills a few women. The gorilla is the fakest looking suit I've yet seen.
The Monster at Camp Sunshine is a gem. It begins with an animation sequence that makes no sense and is reminiscent of the animation in Monty Python's Flying Circus. It has intentional humor that actually works and a story line that is bizarre to say the least. It is about a chemical that unleashes the killer instinct getting into the water at a nudist camp. The gardener, who is supposed to be retarded, drinks some water and turns into a monster that looks like Moe Howard from the Three Stooges. Although he's not very threatening it takes the army to kill him, peace is restored and nudism is affirmed as a healthy way of life. Classic.
Overall a good set. I'd recommend it.

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