Showing posts with label unfunny comedy. Show all posts
Showing posts with label unfunny comedy. Show all posts

Loose Screws: Screwballs II (1985) Review

Loose Screws: Screwballs II (1985)
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Well, I saw Screwballs and after being very pleased with that movie, I recently purchased Loose Screws a.k.a. Screwballs II. It was a good sequel. The humor was more juvenile and the plot wasn't as creative, but the movie did entertain. But as with most Hollywood sequels, this one did not exceed the entertainment value of the first movie and should be rated for its own entertainmnt value - which it earned a generously respectable rating. If anyone is an 80's comedy completionist who also enjoys a fun movie, then Loose Screws: Screwballs II is the right movie to purchase. The acting is definitely not that great, but these actors are not in this movie for an Oscar nomination. They are in it to entertain viewers, which they succeeded at very well in my opinion.

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Big Momma's House (Special Edition) (2000) Review

Big Momma's House (Special Edition) (2000)
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The biggest problem with Big Momma's house is that you can often see just how funny it should be, but the cast and crew are not able to sustain the occasional hilarious parts with any consistency.
It doesn't seem to help that Big Momma's House wants to be more than a comedy. Writers Darryl Quarles and Don Rhymer shoot for a combination of a crime comedy ala Beverly Hills Cop (1984) and a romantic comedy. But the core comedy is absurdist, while the mostly serious crime stuff is so underwritten that it would be better absent, and the somewhat serious rom-com stuff is so generic and predictable that it has all the surprise of attending Mass.
To me, the comedy being absurdist is a plus, but it doesn't mesh well with other modes. It's ridiculous, of course, that Malcolm Turner (Martin Lawrence) is trying to pass himself off as "Big Momma" Hattie Mae Pierce (Ella Mitchell). That's a large part of what makes it funny. However, director Raja Gosnell's decision to play the rest of the cast as mostly deadpan is a strange one. It leads the viewer to take the film in a more realist mode, but if you're doing that, you keep asking yourself why anyone else would believe that Turner is actually Big Momma. Gosnell should have gone for another approach during the Turner as Big Momma scenes. It's not that they're never funny, but too often the deadpan interaction breaks the humor.
However, the deadpan attitude works wonders when Mitchell is Big Momma. Mitchell is a fantastic here as a comic actress and especially Paul Giamatti as John is hilarious interacting with her. Once those too-brief scenes ended, I was wishing they wouldn't have, and when they reappeared again at the end, it made me more fully realize how much better they were. A whole film could have and should have been written around Mitchell as Big Momma with Giamatti and Lawrence interacting with her and beautiful co-star Nia Long via some other story.
Even with these problems, Big Momma is an enjoyable film. My wife enjoyed it even more than I did, we're looking forward to watching Big Momma's House 2, and we'll certainly watch this again in the future. But it's a case of moments of brilliance poking through so that you see just how much better it could have been.

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Disguise is the limit."Martin Lawrence brings down the house" (E! Online) as crafty FBI agent Malcolm Turner who's willing to go through thick and thin in order to catch an escaped prisoner."Nia Long is captivating" (Checkout.com) as Sherry, the con's sexy former flame - she might have the skinny on millions in stolen loot, and she's headed for Georgia to lay low for a while.That's enough to send Malcolm deep undercover as Big Momma, an oversized, overbearing Southern granny with an attitude as tough as her pork chops.The result is an outrageous comedy of epic proportions, filled with nonstop laughs and plenty of action!

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What Women Want (2000) Review

What Women Want (2000)
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This is a very formulatic romantic comedy, but it shines largely in part to the performance of Mel Gibson. It takes someone very confident in his masculinity to put on a bra, paint his nails, and put on pantyhose all in the name of comedy. When he is suddenly struck with the gift to hear what women think, it is almost karmic destiny in retribution for his playboy ways of the past. When the shoe is on the other foot, and he sees first hand what is dealt to the fairer sex, it changes him profoundly.


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AFTER AN ACCIDENT, A CHAUVENISTIC EXECUTIVE GAINS THE ABILITY TO HEAR WHAT WOMEN ARE REALLY THINKING.

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