Showing posts with label survival. Show all posts
Showing posts with label survival. Show all posts

Everest (1998) Review

Everest (1998)
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Since reading "Into Thin Air", I have become a virtual Everest '96 hound, and this is my first quarry. The IMAX team's goal on Everest was to film David Breashear's expedition in that fateful year, focusing primarily on Ed Viesturs, a seasoned climber from the States, and Araceli Segarra, in her quest to be the first Spanish woman to reach the summit. A lot of attention, deservedly so, is paid as well to Jangbu Sherpa, son of Tenzing Sherpa who accompanied Sir Edmund Hilary in his premier trip to the summit.
And watching these climbers was riveting--ascending sheer sheets of ice, yards high, that look as though they are leaning in towards the climber; crossing bottomless chasms by placing an aluminum work ladder from one side to the other, and using it as a bridge; and feeling (in part through the excellent cinematography) the pull the mountain exerts on them to continue on. But I was floored, completely, by the thought of the cinematic team following along, all the way to the top, regardless of the weight and awkwardness of the equipment. For example, in the aforementioned aluminum ladder scene, shots seem to be taken from each side of the chasm. Had they carried that heavy equipment accross that ladder? And, once they came down from such a difficult and draining climb, they still managed to piece together a marvelous film.
The cinematography, once again, is gorgeous. Shots of the mountain convey not only its beauty, but its terrifying danger, as ice and whirling snow tower over the climbers, as a rescue helicopter wavers, uncertainly, as Liam Nelson explains the scientific impossibility of a helicopter to work in such thin air (it does). Seeing the Icefall alone, I think, was worth the price I paid for the video.
Warning: If you get this movie expecting it to be a documentary covering the Adventure Consultants and Mountain Madness Expeditions, chronicled in "Into Thin Air", you will be disappointed. The IMAX expedition was unrelated to the others, and of course the crew could not predict that those expeditions might yield more interesting, if tragic, results. But the teams do interact with each other when it becomes clear that members are facing unexpected danger. I enjoyed "meeting" many of the folks I had read about.
Finally, "Everest", the film, stands on its own. With a terrific story in Araceli Segarra, wonderful images from Utah and Spain as well as Nepal, and a score assisted by George Harrison melodies, it provides a great armchair journey to the top of the world.

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Relive a breathtaking journey to the top of the world with EVEREST, the spectacular giant-screen motion picture for IMAX theatres! Filmed during the infamous 1996 storm that claimed eight lives, EVEREST documents the filmmakers' harrowing rescue efforts to help surviving members of the ill-fated group. Join an international team of climbers as they scale the world's tallest peak. Witness the perils of skin-blistering cold, violent blizzards that drop the windchill to minus 100 degrees, and air so thin it numbs the mind. EVEREST will take you across creaking icefalls and gaping chasms, up dangerous, towering cliffs and into the death zone of oxygen-thin altitude. Filmed in spellbinding IMAX photography, "the most hyperrealistic format yet invented," says producer Greg MacGillivray. Narrated by Academy Award(R)-nominee Liam Neeson, including the music of George Harrison, EVEREST is a rich, dramatic story -- a daring adventure of triumph and tragedy.

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Testament (1983) Review

Testament (1983)
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Two anti-war films were released in 1983: The Day After and TESTAMENT. The former, released in the US as a made-for-TV movie, was visually sensational: missile launches, mushroom clouds, disfigured survivors, urban landscapes turned debris fields. However, the latter illustrates the notion that an understatement can sometimes be more compelling.
In TESTAMENT, Jane Alexander plays Carol Wetherly, the wife and mother of a 5-member family living in rural suburbia somewhere near Central California's Bay Area. Husband William Devane is off in San Francisco, never to return, the day the Soviet H-bomb falls upon it. Jane's character is left to manage alone the family's survival as their community, otherwise untouched directly by blast damage, copes with post-Holocaust disintegration. While some friends and neighbors leave the area for parts unknown, the Wetherlys remain.
TESTAMENT is not graphic in its depiction of nuclear war's devastation. What makes it absolutely compelling is the vision of a community, much like mine and possibly yours, and a particular family, everyday folks like you and me, facing the insidious effects of starvation and radiation sickness as they descend into the darkness necessarily to follow a nuclear exchange between superpowers. Ms. Alexander's performance is soul-wrenching and powerful, as when she cries out for God's damnation of those politicians that have reduced her world to an endless horror.
TESTAMENT is not a feel-good film, but certainly a great one. It's an exercise in bleak despair, and one which ultimately focuses on nothing more than the basic human instinct to survive - the final tribute to a species that has engineered the means for its own destruction.

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In TESTAMENT, an unexpected nuclear strike has occurred and no one knows who did it or why it happened.With her husband away on business, and now unable to be reached, Carol Weatherly must remain strong for the sake of her children.Things take a turn for the worse once food and other supplies become scarce. . The film is directed by Lynn Littman.

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