Showing posts with label holocaust. Show all posts
Showing posts with label holocaust. Show all posts

Cannibal Ferox (A.K.A. Make Them Die Slowly) (1983) Review

Cannibal Ferox (A.K.A. Make Them Die Slowly) (1983)
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The DVD itself is a very satisfying package - we get commentaries, a beautiful transfer. Whether the film itself really has any merit depends on personal taste really. For my money, this is not a patch on Deodato's excellent Cannibal Holocaust, which is just as gory and a hell of a lot more realistic, with believable actors and an intelligent script. In comparison, Ferox seems like just an exploitative rip-off. But taken in its own terms, Cannibal Ferox does deliver the goods (I'm talking gore-wise) with hard-to-watch sexual violence accompanying genuine animal deaths. The music is cheesy, and again not up to the standards of Holocaust, but it grows on you.
Overall, this Holocaust rip-off is obviously a must-buy for italian cannibal/gore fans (legions ahead of rubbish like Eaten Alive etc). People new to the genre may do best to check out Cannibal Holocaust (availible on import from europe) first, as it is cinematically far better although harder to watch. But if you're in the mood for a little mindless gore, and don't mind certain scenes looking a tad unrealistic not to mention the laughable dialogue, you could do far worse.

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Here it is! The original uncensored, unrated director's cut of one of the most notorious and violent films of all time. Banned in 31 countries, "Cannibal Ferox" assaults your senses as a group of Americans lost in the jungles of Amazonia experience brutal retribution at the hands of savage cannibals. This is the legendary Grindhouse Releasing deluxe edition of Umberto Lenzi's infamous classic of graphic horror. Warning - due to its shocking and violent nature, no one under 17 should view this film. Audio Commentary by director Umberto Lenzi and star John Morghen - Trailer - Production Stills - Filmography - On-camera interview with director Umberto Lenzi; Other surprises1.85:1 - Color - Italian - Stereo - English Dub: Stereo

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Playing for Time (1980) Review

Playing for Time  (1980)
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THIS IS A STUNNING MADE-FOR-TV MOVIE. IT COULD NOT BE MORE DIFFERENT THAN SCHINDLER'S LIST, AND I FOUND IT MUCH MORE INVOLVING AND CONFRONTING. VANESSA REDGRAVE IS ABSOLUTELY RIVETING IN THE ROLE OF FANIA FENELONG, WHO BECOMES PART OF A BIZARRE ORCHESTRA AT AUSCHWITZ, ALONG WITH SEVERAL OTHER WOMEN. THIS ORCHESTRA IS OF COURSE AT THE MERCY OF THEIR CAPTORS, AND THEY ARE EXPECTED TO PLAY LIKE VIRTUOSOS (LUCKILY, MOST OF THEM ARE), DESPITING THE FACT THAT THAY ARE OFTEN HUNGRY AND SICK. THE WHOLE CAST IS AMAZING AND THERE ARE SEVERAL MOVING AND VERY HUMAN SCENES INVOLVING A FEW OF THE GERMAN CAPTOR'S, ESPECIALLY ONE WOMAN IN PARTICULAR. AS TIME GOES ON, DIVISIONS OCCUR BETWEEN THE (MOSTLY) JEWISH WOMEN MAKING UP THE ORCHESTRA, AND FANIA BECOMES EVERYONE'S MENTOR. (EVEN THOUGH SHE DOESN'T MEAN TO). THE WHOLE FILM IS DARKLY REALISTIC, COMPLETE WITH MOUTH-SORES, SHAVED HEADS, GRIMY FACES AND SUNKEN-LOOKING EYES. A HAUNTING, RIVETING YET (SOMEHOW) UPLIFTING FILM, IT IS STUNNINGLY SHOT, AND SEEMED SO REAL THAT I COULD ALMOST SMELL IT.

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Hidden In Silence - Based on a True Story (1996) Review

Hidden In Silence - Based on a True Story  (1996)
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Kellie Martin shines in this fine adaptation of the story of the young Catholic Polish teenager who put her life on the line to save the Jews in her country. Faced with incredible odds, she trusted God to deliver them, and He answered her prayers.
The ensemble cast is magnificent, and what was really nice about the film was the fact that it was not very explicit in the violence against the Jews. You saw a few minor scenes, but it wasn't the point of the movie, anyway. If you want really explicit scenes, there's always Schinder's List, but that was a different story.
This is a really nice teaching tool for your older children, and provides a launching pad for a dialogue on the Holocaust.
Highly recommended!!!

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All My Loved Ones Review

All My Loved Ones
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All My Loved Ones is the story of a young Czech boy named David Silberstein and his large 'family'. At the start of the movie, we meet David's family, such as his best friend Sosha. During the course of the movie, we see how, little by little, the nazis begin to take control of the Jews life, starting with small things such as cars, and working up to David's father's (Dr. Silberstein) job. At long last, The Silbersteins make a last attempt to save David by putting him up for adoption in Great Britain, thanks to English stockbroker Nicholas Winton, who saved hundreds of children through this method.
This movie is very historically accurate, and is also a very good story.
But, I must warn you, be ready to cry your heart out!!!

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The Power of Forgiveness (2007) Review

The Power of Forgiveness (2007)
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What does it mean to forgive someone? How do you go about forgiving? Does it mean that we forgo justice? Is forgiving simply a spiritual experience between an individual and God or does it play out on many different levels? These and other questions are addressed in this look at forgiveness by filmmaker Martin Doblmeier (Bonhoeffer). It looks at real life examples of forgiveness such as the Amish in the wake of the killing of five Amish schoolgirls that ripped their community. It shows the speech Elie Weisel made to the German Bundestadt challenging them to ask forgiveness of the Jewish people and then two months later, the speech made to the Israeli Knesset by the President of Germany asking forgiveness on behalf of Germany. It looks at forgiveness on many different levels including the physical level and how forgiveness (or lack of it) affects us physically and shows examples of forgiveness being taught in elementary schools as well as being offered in colleges. It shows three women who lost loved ones in 9/11 who travel to Lebanon to experience the Garden of Forgiveness established by the Lebanese and wonder why there is so much opposition to establishing a Garden of Forgiveness on the WTC site. While many might want to limit forgiveness to a theological discussion (and it certainly is a major if not THE major theological doctrine), this film shows the power of forgiveness beyond just the theological implications and how our world could be different if forgiveness were taken seriously and practiced by everyone. At the very least, this should be a wonderful conversation starter for those serious about studying forgiveness. Think of the political ramifications if candidates running for office would stand up and ask forgiveness of their opponents when they say something in error or intentionally malign them or if corporate leaders would ask forgiveness of shareholders for the mistakes they made in the name of corporate profits and greed. Perhaps, like most things, it works best if it starts from the individual and community level and works upward. That means it starts with you and me. [...]


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To forgive somone can be simple. But this simple act can have powerul consequences - and may lead to a personal and spiritual transformation. Recently, the study of forgiveness has come into its own. Researchers are examining the psychological and physical effects of forgiveness under an amazingly wide variety of conditions, ranging from petty insults to sexual assault to 9/11. Clinicians now help guide people to forgive transgressions and get on with their lives. From Ground Zero to Northern Ireland to the Amish countryside, THE POWER OF FORGIVENESS explores this important concept, and reveals how forgiveness can transform your life.

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Testament (1983) Review

Testament (1983)
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Two anti-war films were released in 1983: The Day After and TESTAMENT. The former, released in the US as a made-for-TV movie, was visually sensational: missile launches, mushroom clouds, disfigured survivors, urban landscapes turned debris fields. However, the latter illustrates the notion that an understatement can sometimes be more compelling.
In TESTAMENT, Jane Alexander plays Carol Wetherly, the wife and mother of a 5-member family living in rural suburbia somewhere near Central California's Bay Area. Husband William Devane is off in San Francisco, never to return, the day the Soviet H-bomb falls upon it. Jane's character is left to manage alone the family's survival as their community, otherwise untouched directly by blast damage, copes with post-Holocaust disintegration. While some friends and neighbors leave the area for parts unknown, the Wetherlys remain.
TESTAMENT is not graphic in its depiction of nuclear war's devastation. What makes it absolutely compelling is the vision of a community, much like mine and possibly yours, and a particular family, everyday folks like you and me, facing the insidious effects of starvation and radiation sickness as they descend into the darkness necessarily to follow a nuclear exchange between superpowers. Ms. Alexander's performance is soul-wrenching and powerful, as when she cries out for God's damnation of those politicians that have reduced her world to an endless horror.
TESTAMENT is not a feel-good film, but certainly a great one. It's an exercise in bleak despair, and one which ultimately focuses on nothing more than the basic human instinct to survive - the final tribute to a species that has engineered the means for its own destruction.

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In TESTAMENT, an unexpected nuclear strike has occurred and no one knows who did it or why it happened.With her husband away on business, and now unable to be reached, Carol Weatherly must remain strong for the sake of her children.Things take a turn for the worse once food and other supplies become scarce. . The film is directed by Lynn Littman.

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Uprising (2001) Review

Uprising (2001)
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"Uprising" is a story of the Holocaust that really could not be told until NBC showed this two-part made-for-television movie in 2001. The story of the Warsaw ghetto uprising has been told before. In the 1978 mini-series "Holocaust," a major subplot had to do with Moses Weiss (Sam Wanamker), who becomes active in the uprising before being caught and shot by the Nazis at the end. Other movies dealing with the Holocaust have touched on this heroic but futile act of resistance against Hitler's army. This time, however, the point is to cast the uprising in terms that count for more than a moral victory.
When Poland fell to Nazi Germany the city's Jewish population was put into a walled in section of the city, thereby creating the ghetto. In the summer of 1942, after 300,000 Jews were deported from Warsaw to Treblinka the first reports of mass murder were heard in the Warsaw ghetto. Mordecai Anielewicz, then 23-years-old, and other young Jews formed the Zydowska Organizacja Bojowa (Jewish Fighting Organization), issuing proclamations calling for the Jewish people to resist being sent away in railroad cars to the death caps, and firing upon German troops trying to round by Jews for deportation.
The "Uprising" began on April 19, 1943, when German troops and police entered the ghetto and were repulsed by the fighters. It is believed that less than a thousand such fighters held off the heavily armed and better trained Germans for almost a month, using mostly pistols and Molotov cocktails, but on May 16 the revolt was finally crushed. Seven thousand of the 56,000 Jews captured were shot, and the rest were deported to either killing centers or concentration camps to be exterminated by the Nazis. At one point the Warsaw ghetto consisted of 450,000 human beings.
The point of "Uprising" is not only that for the first time somebody stood up against German occupation, but that some of the fighters did indeed survive. Mordechai Anielewicz (Hank Azaria), Yitzhak Zuckerman (David Schwimmer), Tosia Altman (Leelee Sobieski), and many others depicted in "Uprising" are historic figures. Azaria and Schwimmer obviously stand out, not because of the roles they play in the narrative but also because the actors are going to great pains to remind fans they are not just comic actors. Also standing out are Sadie Frost as Zuckerman's wife, Zivia, and Stephen Moyer as freedom fighter Kazik Rodem, who wrestle with the hard questions of not only knowing what to do, but how to do it. Director and executive producer Jon Avnet has recreated the ghetto in great detail and makes full use of cinematographer Denis Lenoir and composer Maurice Jarre to make sure this television movie looks and sounds like a theatrical film.
"Uprising" repeatedly asks the question of how a moral person can sustain a moral code in an immoral world, and the uprising serves as the obvious answer. Where "Uprising" is different from its predecessors is how Avnet recasts history to emphasize a sense of how the Jews "win" here. Even though the Nazis will kill 99% of the Jews in the Warsaw ghetto, they did not get them all and they did not get them fast enough to please Himmler and Hitler. Nazi General Jurgen Stroop has to endure being out thought and out fought by a bunch of rabble, all the way having his failure filmed by documentarian Fritz Hippler, who is working on "The Eternal Jew" because for some reason the Nazis do not find the German people to be anti-Semitic enough. The Nazis continue to commit atrocities throughout this movie, but the emphasis is clearly on what the other side is doing.
"The Grey Zone," which also came out in 2001, is of a similar mind in terms of presenting Jews fighting back, and depicts the October 7, 1944 uprising when members of the 12th sonder-kommando succeeded in blowing up two of the four crematoria at Auschwitz II-Birkenau. The sonder-kommandos were the ones who escorted their fellow Jews to die in the gas chambers, then took the bodies to the crematoriums, and disposed of the ashes. For four months the sonder-kommandos carried out their duties, and enjoyed certain privileges (compared to the other inmates), and then were executed. This group of Jews also decided to fight back and like those who resisted the Nazis in the Warsaw ghetto, deserve to be remembered. But only once we have accepted the total horror and scope of the Holocaust can we tell stories such as these, ever mindful that they represent a minority report. How many of you were stunned with a train full of Jews left Auschwitz in "Schindler's List"? The incident was true, but it becomes difficult for us to accept that other side of the story given the overwhelming death count of the Final Solution.
The two commentary tracks are a mixed bag. Avnet spends too much time commenting on the historical accuracy of the action and not enough talking about his decisions as a director, particularly with regards to what changes he had to make when his planned theatrical film was downgraded to a television movie. Azaria, Schwimmer, and Voight recorded their commentary two weeks about September 11th, and engage each other to talk about the production and their performances. Sobieski's comments were recorded separately and edited in, and like Avent, she has a hard time going it alone. There are two documentaries accompanying "Uprising." "Resistance" is a too brief look at the history of the resistance movement in the Warsaw ghetto, although it does provide background on the characters and interviews with some of the surviving fighters. "Breaking Down the Walls: The Road to Recreating the Warsaw Ghetto Uprising," is a behind the scenes featurette with clips and interviews. However, anyone inspired to find out more about the history of the events dramatized here will find plenty of resources easily accessible on the Internet.

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After Germany invades Poland in 1939, the Nazis decree that 350,000 Warsaw Jews be forcibly moved into a cordoned area known as the Warsaw Ghetto. Idealistic teacher Mordechai Anielewicz (Hank Azaria) decides the Jews must rise up against the Nazis and creates the Jewish Fighting Organization (JFO).He tries to secure the support of Adam Czerniakow (Donald Sutherland), the morally conflicted head of the Warsaw Ghetto's Jewish Council, but Adam declines because he knows that any act of resistance will provoke the Germans to retaliate by killing innocent Jews.Determined to mobilize a resistance alone if he has to, Mordechai recruits his friends and covert couriers whose ability to pass as Aryan helps them smuggle in arms and explosives from the Aryan side of the city, building up an arsenal to fight the Nazis. When the Germans begin deporting 300,000 Jews to the Treblinka death camp, the JFO begins acts of resistance that culminate with ghetto fighters firing their first gunshots against the Nazis.When it becomes clear that the JFO is a force to be reckoned with, the German High Command sends in General Stroop (Jon Voight), who is determined to end the uprising in two or three days. Capturing the horror that unfolds is Fritz Hippler (Cary Elwes), a filmmaker assigned by Hitler's chief propagandist to promote anti-Semitism with a film about Jewish life in the ghetto. When the Nazis continue to suffer more casualties in their battle with the ghetto fighters, General Stroop decides to raze the ghetto.But even that can't stop the JFO.Forced to go underground into bunkers but energized by their success, the resisters fight on, ultimately holding off the Nazi army longer than the entire country of Poland.They're determined to live with honor--and if need be, die with honor--while lighting the torch for resistance in the occupied territories.

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Auschwitz - Inside the Nazi State (2009) Review

Auschwitz - Inside the Nazi State (2009)
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Movie: ***** DVD Transfer: ***** Extras: *****
A unique and highly informative 6-part documentary that examines the establishment and development of the Auschwitz-Birkenow concentration camp within the historical context of the Nazi's changing strategies and goals during the Second World War. Using historical photographs, filmed re-enactments, recent interviews with both survivors and perpetrators, and computer models based on recently discovered blueprints of the camp, the filmmakers painstakingly trace the evolution of Auschwitz from a detainee facility built to house Polish prisoners, to a forced labor camp, and finally, to an infamous and horrifyingly efficient factory devoted to mass murder. Brilliantly and movingly narrated by actress Linda Hunt (Oscar-winner for "The Year of Living Dangerously"), the 4-1/2 hour series is intellectually stimulating, educationally astonishing, and emotionally overwhelming as it attempts the almost impossible task of explaining the incomprehensible. That "Auschwitz: Inside the Nazi State" succeeds so well in its mission is a testament to the commitment and skill of the filmmakers.
The DVD also includes a revealing interview with filmmaker Lawrence Rees, who produced the series; and a series of six short interview segments with Holocaust and genocide authorities, each of which is hosted by esteemed journalist Linda Ellerbee. These interviews, originally designed to air as companion pieces to the six parts of the documentary, are invaluable tools in providing modern day context to the lessons and legacy of Auschwitz, and a framework in which to consider the ongoing horror of genocide. Literate and immensely powerful, this 2-disc DVD set is most highly recommended viewing for those wishing to educate themselves about one of the darkest chapters in all of human history.

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AUSCHWITZ:INSIDE THE NAZI STATE - DVD Movie

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Edith Stein: The Seventh Chamber Review

Edith Stein: The Seventh Chamber
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This movie is not the regular hagiographical tearjerker that is usually the stuff we can expect on the lives of Saints. Now don't get me wrong.....I do love the tearjerkers! This movie is so different. Powerful acting, dramatic settings, the works. No wonder it picked up a few prizes at the Venice Film Festival back in 1995!
A solitary train traveling in a frigid countryside, a Carmelite nun (Edith Stein) staring into the camera in a semi-shadow, a young Edith Stein walking to a picturesque church to be baptized whereas a Carmelite nun (herself) with her face veiled looks into the church at the motions.....these powerful shots mark the beginning of this fantastic movie.
This movie is very clever in the fact that it is able to capture the present (1933 beginning of Nazi power and persecution)with its fear and uncertainties without ignoring the early life of Edith. Fast paced we get to see within 15 or so minutes her upbringing, her family's orthodox Jewish faith and her strength of character and soul. Also the painful realities of the sense of betrayal that the family feels at Edith's conversion can be keenly felt and is expressed superbly, as she is misunderstood by her University colleagues, family and later her fellow nuns as trying to escape the persecution and seeking an 'easy way out'.
We also see her struggles in adapting herself to conventual life.....it is so realistically played that amidst Edith's pain and sorrow, we can take a pause and smile.....for in her we recognize a person who was truly an academic and had not done a day's servile work in her past!But even in this she is victorious.What makes her victorious? Her desire to love her Lord Jesus, deny herself, carry her cross and follow Him!
And so the movie goes on.
The Seven chambers described by Saint Teresa de Jesus of Avila is so well explained first directly in a scene and in an abstract manner towards the end that the whole experience becomes surreal.
Regarding the picture quality....do not expect HD type of print. It is a little grainy considering that it is 15 years old, but even this has its own charms. It renders it a certain sense of nostalgia. It is 110 minutes long, in Italian with English and Spanish subtitles.
This DVD has no special features though it comes with 16 page booklet that has a film essay, a biography of Saint Edith Stein and study questions. I also comes with a prayer card with quotes by the saint on the reverse.
To conclude this is a poignant, powerful portrayal of a great saint, convert, martyr and philosophical genius of the 20th century.....and at the end one wishes just to be silent and ponder, meditate and marvel at a great gift given by God in a period of great darkness and inhumanity.
This movie is for everyone and anyone who is a student of Carmelite studies and of the Teresian school of thought....and of course a way to first know a much over looked saint who lived in the not so distant past.
Santa Teresia Benedicta a Cruce, ora pro nobis!
St. Teresa Benedicta of the Cross. pray for us!


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This DVD contains the following language tracks: Italian with English or Spanish subtitles
This is a moving, artistic portrayal of the life of Jewish philosopher, Catholic convert and Carmelite martyr, Edith Stein, capturing the interior struggles of this extraordinary woman, as well as the great conflicts from her decision to convert to Catholicism. Deeply influenced by the writings of St. Teresa of Avila, she joined the Carmelites and took the name of Teresa Benedicta of the Cross, and was put to death in Auschwitz in 1942, and canonized by John Paul II in 1998. This film shows how two worlds were united within her, the Jew and the Christian, in absolute coherence in her search for truth. She has become one of the most beautiful symbols in a horrifying period of history who sought to transform her sufferings under the Nazis into a journey through the "interior castle" as the way to mystical union with God. One phrase, "Love Conquers Fear" embodies her philosophy of life. Shot in a kind of a rich expressionist realism, it's backed by poignant chant music that makes every frame haunting and alive. Actress Maia Morgenstern (The Passion of the Christ) stars in a powerful performance as Stein. Includes a 16 page Collector's Booklet by Steven Greydanus and Carl Olson.

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Broken Silence (2002) Review

Broken Silence (2002)
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This disc consists of five short films about the Shoah, narrated by survivors living in various countries. The idea behind this collection was to make films in nations that have never really heard of or been taught about the Shoah, where such tales of horror are not familiar or well-known the way they are in a place like America or Canada. (It was also surprising to see that the people in four of the films obviously went back to their homelands, even after all they'd been through there and how in many places the townspeople were willing accomplices for the Germans.) Side one of the disc contains 'Some Who Survived,' 'Eyes of the Holocaust,' and 'Children from the Abyss.' Side two contains 'I Remember' and 'Hell on Earth.'
'Some Who Survived' ('Algunos Que Vivieron') was originally released in Argentina, though it contains interviews from survivors now living in Argentina, Chile, and Uruguay. This is interesting because we ordinarily hear about survivors who moved to America, Canada, Israel, and sometimes Australia and England, but not so much about survivors who began new lives in South America, even though quite a few of them did move there. I also enjoyed the fact that it was in Spanish, a language I haven't really had much of a chance to hear or make much use of in awhile despite the fact that I studied it for 7 years. The survivors in this film all came from Eastern Europe, though they weren't all from the same place, which gives this film a bit more variety in its approach. In the other films, the survivors being interviewed were all from the same nations. This film is also of interest because towards the end it goes into the anti-Semitic terrorist acts committed in Argentina in recent decades, and the fact that many Nazis fled to South America, proving that hatred hasn't died yet and that many perpetrators evaded justice.
'Eyes of the Holocaust' ('A Holocaust Szemei') concerns the Shoah in Hungary, and is based around a young girl who has taken refuge from a heavy rain by going into a building where she finds a book with the abovementioned title. She sits down on a staircase and reads the book by candlelight. The book is kind of a dictionary/encyclopedia of the Shoah, with key words, events, and dates, and after she starts reading each selected entry aloud, we cut to the testimony of the survivors talking about the emotions and experiences behind them, making them more than just routine definitions and explanations in a book.
'Children from the Abyss' ('Dyeti iz Bezdna') is about the survivors from the former Soviet Union, and is narrated by the director Pavel Chukhrai in between the interviews with the survivors, who were children at the time of these events. The situation in the former Soviet Union was many times quite different from that in a place like Hungary or Poland, because a lot of these people never even made it to the camps. Many times entire villages were shot down into mass graves, such as in Babiy Yar. Very rarely did someone manage to run away, to be spared by one of the executioners (German or Soviet), or to crawl out of the pit of bodies and make it to safety when the coast was clear. The director explains that some of the pictures and films do not feature the children who are now elderly survivors, since many times they had no families or pictures to go home to afterwards, but that it shouldn't matter, since they represent all of the children, both the miraculous few who survived and the countless more who were murdered. Those who managed to escape into the part of the Soviet Union beyond Nazi control often had a better chance of survival, but for those who remained in the part of the country invaded by the Germans or who didn't flee in time, their odds of survival were much much lower.
'I Remember' ('Pamietam') was directed by the legendary Andrzej Wajda, and employs a different technique than the other films. It's shot entirely in black and white and contains no historical film footage or still pictures from the past. Unlike the other films, here only four survivors are interviewed. We periodically cut between their testimonies and images of a group of young people on the March of the Living. This strategy could be considered very effective in that it forces the viewer to pay attention to the testimonies and not be distracted by other images, but it can also seem a bit dull at times because it's not backed up by accompanying footage or pictures that bring to life what these four men are talking about. It's also interesting to note how for the most part, these men relate their stories in a steady manner, quite keeping their emotions under control instead of, like a number of the other survivors do, sometimes having to temporarily stop because they were overwhelmed by the memories and broke down.
'Hell on Earth' ('Peklo na Zemi') is from the Czech Republic, where the majority of people were taken to Terezin (Theresienstadt) before being deported to Poland. There are some pretty horrifying images here (not to say that the other films don't have stark and shocking pictures and film footage). The images of dead emaciated corpses and the living-dead here are perhaps so shocking and horrifying because some of them are in color, and we're so used to seeing and thinking about these events in black and white. Color just brings them to life in a shocking and vivid way, makes the horror even more real and undeniable. Some of the survivors were children at the time, and some of them were teenagers or young adults. They all have compelling stories to tell, even in spite of their different backgrounds and ages.
All in all, these films are highly recommended. They represent a wide range of experiences and were made to bring these stories to people who don't really know anything about the Shoah, and the linguistic variety was also an added bonus to someone who loves languages and has studied three of the five represented and is interested in the other two. These aren't exactly the types of films you watch on a rainy day or to kill time, but they are important moving historical documents that should be seen by anyone who cares about remembering the past and preventing such things from happening ever again. It's easy to refuse to watch such images and to hear such testimonies because of how shocking, disturbing, unsettling, and heartbreaking it is, but sometimes one has no choice but to hear and see such things, to honestly face the past, to be shocked and jolted out of complacency. Who could ever forget such words and images, and who wouldn't be angry and compelled enough to want to work to ensure that it never happens again?

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Holocaust (1978) Review

Holocaust (1978)
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I used to teach Holocaust history for about 8 years at the high school level, and have not only read many books on the subject but also watched numerous films on the genre. This 1978 mini-series is in my opinion, one of the best depictions of the Holocaust on screen.
The series is set in Germany right about the time Adolf Hitler and the Nazi party are in power [the period covered is about 1935-45]. The series focusses on the trials of the Weiss family, a prominent Jewish family with the patriarch being a decorated war veteran, a grandmother, two sons, Dr Josef Weiss [Fritz Weaver] and his wife Berta [Rosemary Harris], a pharmacist Moses Weiss [Sam Wanamaker], and three grandchildren, an artist Karl [James Woods], a rebel Rudi [Joseph Bottoms], and young Anna.
The series begins with the celebration of the marriage between Karl [James Woods] and his Aryan wife Inga [Meryl Streep]. The Weiss portray the assimilated Jewish family, they are not particularly religious yet proud to be Jewish, and are at ease with their Gentile friends. Yet, dark clouds are starting to gather over them and the rest of Germany's Jews as the Nazi party's anti-semitic policies are about to be put into action. It begins with little things like Dr Josef Weiss not being able to treat his Aryan patients anymore and things get worse from that point on. Kristallnacht [Night of the Broken Glass] sees the destruction of Jewish property and businesses and worse is to come.
The series tries to portray the gradual persecution of the Jews before the escalation into the horror that became the Shoah. Dr Weiss is deported to Poland, where he ends up with his brother Moses in the Warsaw Ghetto. The other members of the family are also to suffer as Karl the artist is sent off to a concentration camp, leaving his wife Inga desperate to hear news of him. Rudi leaves home to join the partisans, and his mother and sister are left to fend for themselves.
There are some truly horrifying scenes in this series and may not be suitable for younger viewers. Mass murder, such as Jews being burned alive, the Babi Yar Massacre in the Ukraine, and of course the gassings are all portrayed with a high degree of realism that makes one flinch and grieve at the same time for all the innocent lives lost.
The series not only focusses on the Weiss family, for there is a parallel storyline involving a German named Erik Dorff [Michael Moriarty], an unemployed lawyer who at the behest of his wife decides to join the infamous SS, reporting directly to Reinhard Heydrich[ David Warner], the blond beast who was responsible for implementing many of Hitler's sadistic policies against the Jews. We see how Erik keeps justifying the murder of innocents ["We must keep killing them, don't you see? If we stop it's an admission of guilt!], and how he turns out to be such a cold-blooded human with no feelings whatsoever [a brief attack of conscience is soon forgotten]. This is very reminiscent of many of the high-ranking SS officers in history, as Rudolf Hoss, the Commandant of Auschwitz himself remained unrepentant till the end.
I am very glad that this amazing series of such important historic significance is to be finally made available on DVD and i hope that it will portray the series in its entirety with preferably added features such as interviews with the cast etc. A must-have for anyone interested in the Holocaust!
UPDATE: The DVD set contains 3 discs, and is NR. It runs approx. 7 hrs and 29 mins.When I compared my much worn out VHS version with the DVD set, I did notice some missing scenes. I'm not sure why this is so. Another customer actually commented that up to an hour of the original show is missing [?]. Once again, I'm not sure as to the justification for this. Also, there are no bonus features which is a disappointment considering this is the 30 year Anniversary edition. It would have been nice to have some interviews with cast members, the director, producer , even a Making Of segment.The quality of the picture transfer is average. However, despite these flaws, and considering the fact that it has taken 3 decades for this epic mini-series to be released on DVD, I would still recommend "Holocaust" as a must-watch for those interested in the genre.

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An original TV dramatization of one of the most monstrous crimes in world history – the slaughter of 6 million Jews by the Nazis. Dramatically and definitively, the story covers an entire decade, the eventful years from 1935 to 1945. HOLOCAUST focuses on the tragedy and triumph of a single family – the Weiss family. Their story is told in counter-poise to that of another fictional family, that of Erik Dorf, who portrays a Nazi aide to Germany's infamous Heydrich. Starring a brilliant international cast and filmed on location in Berlin and Vienna.

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