Showing posts with label eva green. Show all posts
Showing posts with label eva green. Show all posts

Kingdom of Heaven: Director's Cut (Four-Disc Special Edition) (2005) Review

Kingdom of Heaven: Director's Cut (Four-Disc Special Edition) (2005)
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(Please note: This is for the 4 disc director's cut--for some reason this is combined with ALL versions of the movie including the Blu-ray. The Blu-ray features ONLY the first two discs of this set on one Blu-ray disc. None of the discs with extras are included as part of the package).
Sometimes longer is better particularly when you have a complex story. The theatrical version of "Kingdom of Heaven" was flawed from the beginning with significant narrative gaps that undermine the character development and the smooth momentum of the story. That's because Fox had Scott cut the film by nearly an hour deleted significant and important character development at the expense of trying to fit in more showings per theater. The result was a sprawling ambitious project that had the epic scope of "Lawrence of Arabia" without the narrative strength. Thank God for DVD. "Kingdom of Heaven: The Director's Cut" restores the material demonstrating that the original 3 hour cut was a brilliant film that played theatrical late last year after the film had bombed at the box office. The reason the film bombed was the idiotic decision to cut the film and make it shorter reducing the film's impact. While it might not have made a huge amount of money it would have done well at the box office as a prestige film AND would have deservedly been nominated for Oscars. Much of the background story is fleshed out and the relationships between the various characters are more clearly defined. "Kingdom of Heaven" is a magnificent epic film that recalls the power of David Lean's epics and allows Scott's historical drama to breath. If you've seen the theatrical cut you owe it to yourself to see this major film from a major talent.
The film is presented like the "Lord of the Rings" deluxe sets with the film spread over two discs. Featuring a beautiful anamorphic transfer this version of the film actually looks superior with less issues with digital artifacts when compared to the previous edition of the film. The 5.1 audio presentation sounds wonderful with both a 5.1 and 5.1DTS track that makes exceptional use of the format. You'll feel like you've put plopped down into the middle of the battle sequences in the action sequences and there's wonderful ambient sound effects sprinkled throughout the film even during sequences that are dialogue driven.
Special features are terrific in this set. We start off with an introduction by Scott discussing the "Director's Cut" compared to the theatrical version of the film. Featuring Scott, writer William Monahan and actor Orlando Bloom the first commentary track (it was recorded separately and pieced together) becomes a rich resource of trivia beginning with the origin of the project and how Scott and Monahan ended up working together. The second commentary track has visual effects director Wes Sewell, assistant director Adam Somner and producer Lisa Elizey discussing the technical aspects of the shoot and the challenges they faced covering everything from the use of digital and on set effects to second unit photography. The last commentary has editor Dody Dorn discussing the two different versions of the film. We also have production notes and information about the shooting of the film provided as text commentary.
The third and fourth discs have most of the supplements. Unfortunately neither has the excellent A&E documentary that was part of the two disc set so you may want to hold on to your other set if you haven't sold it already. We have "The Path to Redemption" presented in six separate parts with each running anywhere from a half hour to twenty minutes a piece covering the making of the film. The first of the three parts include text, images, early screenplay drafts and notes on the shooting of the movie. The second part has cast rehearsals covering everything from the training with the weapons to costume tests. The third of the three parts has storyboards as well as a short documentary featuring scholars discussing the accuracy of the film.
The fourth disc features the last three parts on the film and includes video shot on location, storyboard galleries and photo galleries as well as deleted/extended/alternate scenes with optional commentary by Scott and editor Dorn. There's also a section on the visual effects of the film as well as various sound elements to create the unique sound mix of the film presented in various stages. The last section features trailers, TV spots, the Showest presentation. There's also footage from various premieres around the world, poster galleries, footage of the press junket shot on video, image and poster galleries as well as a brief featurette similar to the one done for "Gladiator: The Extended Version" that discussed the creation of this special edition.
An exceptional film that was badly butchered by Fox prior to its premiere due to skittish leadership at Fox, the film has finally been presented the way it should have been in the first place. Fox DVD has done an exceptional job in putting together this package and has made amends for the way it handled the film when it was released theatrical last year. Highly recommended.


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Among the best directors of our time, Ridley Scott (Gladiator), contributes generously to this extraordinary Collector?s Edition of Kingdom of Heaven. Featuring his Director?s Cut of the film and hours of fascinating extras including a six-part tour from conception to completion of filmmaking this definitive set makes what Variety called a "genuinely spectacular" film even more so!An epic marvel that's as beautifully acted as it is visually awesome, Kingdom of Heaven stars Orlando Bloom as Balian, a Jerusalem blacksmith who has lost his family and his faith.But when his father (Liam Neeson) shows him his destiny, Balian vows to defend his country, and in the process, falls in love, becomes a formidable leader, and steps forever into history

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The Dreamers (Original Uncut NC-17 Version) Review

The Dreamers (Original Uncut NC-17 Version)
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...this film is (for the lack of a better word) a dream--a dream you would not willingly want to wake up from. Completely and utterly mesmerizing, "The Dreamers" pays homage to film, Paris, the 60's, and love. Apart from some of the awkward moments this movie tends to present sporadically, the movie itself was not mired by the abnormalities of some of the main characters. Though, this movie is one of the greatest I've ever viewed, it is not for everyone and cannot be readily recommended without reviewing some of the pros and cons I caught.
CONS:
-First off, if you're offended, in any way, by frontal nudity from either sex... caution: it contains a lot!
-For some, if the ending is a chief factor in deciding that you like a movie, it is possible you could be dissapointed (it ends in an unlikely manner). But if you can appreciate the ending, it doesn't hurt the film at all... Maybe people were disappointed by the ending because they didn't want it to end :)
-If not accustomed to slower-moving movies, based on a load of story depth or the like opposed to action or thiller movies, then it could be a let down.
But the cons are heavily outweighed by the pros...
PROS:
-For film buffs, Bertolucci doesn't dissapoint. The b/w segments intermingled within the storyline are anything short of genius and, for me, was the most beautiful and spellbinding part of this movie.
-For anti-censorship viewers, this movie could seem to be sent from heaven, because it doesn't leave much out.
-The acting is on a par with almost perfection, all three main characters are played flawlessly and completely take on the people they are supposed to evoke... Eva Green is especially amazing.
-The soundtrack is excellent as well. The tone that the music sets is completely appropriate and only adds to the dreamy atomsphere of the film; totally reminiscent of the 60's.
-A perfect representation of Paris in the 60's; eventhough the film's centerpoint is the main characters and their relationship with one another, the artist's home of Europe couldn't be portrayed to be more gorgeous (with the exception of the student riots in foreground).
It is difficult to stop thinking of this movie, even between viewing other movies... if I could i'd give it six stars.

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From Academy Award®-winning director Bernardo Bertolucci (The Last Emperor, 1987), comes an erotic tale of three young film lovers brought together by their passion for movies -- and each other. When Isabelle and Theo (Eva Green, Louis Garrel) invite Matthew (Michael Pitt) to stay with them, what begins as a casual friendship ripens into a sensual voyage of discovery and desire in which nothing is off limits and anything is possible. Featuring an engaging, seductive cast, The Dreamers is a ?spellbinding, provocative feast!" (Ebert & Roeper)

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Camelot - The Complete First Season (2011) Review

Camelot - The Complete First Season  (2011)
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There are some classic tales that have been so oft told, I could probably go my whole life without revisiting the topic. The legend of King Arthur is certainly one of those stories which has been covered from every angle possible. And I've seen them all--from classical interpretations (Boorman's Excalibur), musical productions (Lerner and Loewe's Camelot), modern day variations (Romero's Knightriders), introspective art house pieces (Bresson's Lancelot du Lac), and countless other incarnations. Yet the story is so vivid and enthralling, it's hard to resist its allure. When I heard that the Starz network was planning to reinvent the legend of "Camelot," I was somewhat apathetic, somewhat worried, but also strangely hopeful. The network is coming off a huge success with its over-the-top bloody sword and sandals epic "Spartacus." So it makes sense they wanted to tackle another period adventure. Love it or hate it, though, "Spartacus" is a graphic spectacle that will assault your senses and leave you reeling. "Camelot" doesn't attempt the same type of visceral in-your-face aggression, but it seems to want to have it both ways. This version is completely sanitized for modern viewers (I'll speak to that later) but still wants to be edgy and provocative (oh look, there's Guinevere topless).
I'm not going to recount the plot of the boy King, other than to say that this version sticks to the primary elements of the tale while trying some creative sleight of hand to reimagine peripheral aspects. When King Uther dies under mysterious circumstances, his sorceress daughter Morgan (Eva Green) seems the likely heir. But cunning Merlin (Joseph Fiennes), who is having visions of foreboding, has a big secret to reveal. Uther had a illegitimate son Arthur (Jamie Campbell Bower) who has been raised on an idyllic country farm. Merlin brings the boy to court and starts to build a new kingdom around Arthur--a rule that hopes to combine the disparate and warring factions of the land. The boy seems an unlikely leader (always does, in my opinion) but is soon learning the laws of the land while establishing new ones. His rule is challenged in many ways, most subversively by his own sister Morgan, but through all the power plays and political intrigues--don't worry there is still time for that expected dalliance with the lovely Guinevere (who happens to be married to one of his most trusted soldiers).
A lot of elements work just fine in this version. Green's Morgan begins and ends every scene with a glower, and truthfully, it's hard not to root for her success over the hapless wet noodle (I mean, King). Her plots and machinations, in cahoots with some intriguingly complex female advisers, provide much fun and menace to the series. Fiennes seems to be having fun with his role--a cross between genius and madman--and is certainly one of the more unpredictable Merlins you're likely to encounter. This can be both good and bad--I certainly could have lived without his isolated bout of depression. Arthur's men are strong and interesting. The sets, costumes, and production values are all noteworthy as well. Fight scenes are well choreographed and the momentum is kept at a nice clip.
For my money, the show still gets dragged down in several significant ways. First, I never bought, believed in, or rooted for this boy King Arthur. Campbell Bower is introduced as a charming and irresistible womanizer (in fact, in the hilarious opener--he has seduced his brother's girlfriend into a tumble. Classy, huh?). He's so slight, with the look of an angry and petulant child, he hardly cuts the inspiring figure we're supposed to believe in. But appearance aside, he also lacks the appropriate gravitas in demeanor to champion a nation. Guinevere has been updated to a modern woman status--she single handedly sets about righting the chaos in Camelot in very era inappropriate ways. What strong independence! This Camelot wants to exist as a politically correct entity. In this land, children aren't used as commodities and women aren't exploited. It's all so proper--but has nothing to do with the barbaric time in which this all transpires. One particularly painful episode dealt solely with a teenage girl who was going to made to have relations with a powerful land boss. Arthur and his crew liberated the town from such tyranny--when, in fact, such acts would be commonplace not abhorrent by medieval standards. Even manipulative Merlin, as I mentioned above, doubles over in painful remorse and depression when his acts cause an unnecessary death.
Playing to every modern day sensibility of right or wrong absolutely renders the time period details ineffectual. Take, as a comparison point, HBO's brutal but stunning "Game of Thrones." It is graphic and uncompromising, but also smart and sophisticated. A definite must-see for adult viewers who crave powerful character driven drama. "Camelot," however, plays largely as a kid's fantasy with flashes of skin for grown-up viewers. I still liked many elements--and thank goodness for the over-the-top zeal of Eva Green. But the show muddies its message by playing it safe and then acting like it's dangerous. 2 1/2 stars. KGHarris, 5/11.

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In the wake of King Uther's sudden death, chaos threatens to engulf Britain. When the sorcerer Merlin has visions of a dark future, he installs the young and impetuous Arthur, Uther's unknown son and heir, who has been raised from birth as a commoner. But Arthur's cold and ambitious half sister Morgan will fight him to the bitter end, summoning unnatural forces to claim the crown in this epic battle for control. These are dark times indeed for the new king, with Guinevere being the only shining light in Arthur's harsh world. Faced with profound moral decisions, and the challenge of uniting a kingdom broken by war and steeped in deception, Arthur will be tested beyond imagination. Forget everything you think you knowthis is the story of Camelot that has never been told before.

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