Showing posts with label nc-17. Show all posts
Showing posts with label nc-17. Show all posts

Zandalee (Unrated) (1991) Review

Zandalee (Unrated) (1991)
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While in New Orleans 13 or so years ago, we noticed that a movie was being shot in Jackson Square. A really beautiful actress was jogging through the Square and a bunch of mimes and street people were doing their thing in the back ground. A couple of years later, planning a return trip to NO, I picked up Zandalee in the rental place. We immediately noticed that it was the movies we had seen being made. So, maybe that makes me give it a better rating than if I had just rented it with no "connection" to the movie.
I agree with almost every review that the girl is breathtakingly beautiful, her husband is pathetic and Johnny is a scary loser. You wonder why in the world Zandalee would even speak to him much less have sex over and over with him. That said, the scene early in the AM with Johnny working on the garbage truck and her panties hitting the ground is about the sexiest thing filmed especially since you see nothing further in that scene.
I suppose the ending is almost a requirement but the movie would have been better without it.
If you love New Orleans and its sleasiness and can handle a seemingly normal young woman having a mindless affair with a loser, this is a great movie. We own the VHS version and watch it at least every year or so. Usually, we cut it off right before the end. The sex/love scenes are very good if not explicit enough to rate an X. This is the movie Nicolas Cage never admits to having made.

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Item Name: Zandalee; Studio:Panorama

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The Emmanuelle Collection (Emmanuelle / Emmanuelle 2 / Good-bye Emmanuelle) (1974) Review

The Emmanuelle Collection (Emmanuelle / Emmanuelle 2 / Good-bye Emmanuelle) (1974)
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This boxed set presents the three original Emmanuelle movies, the ones starring Sylvia Kristel. There were lots of imitators, most ranging from bad to worse and beyond. At the time of the first Emmanuelle, though none of that had yet happened - please hold that happy thought. Perhaps these three aren't high art, but they're generally good entertainment for adults. They are also so different from each other that they deserve to be reviewed individually, not as a lump.
* Emmanuelle: Back in the 70s, this was a groundbreaking movie. It was openly erotic, and openly meant for the general public. I'll leave the social commentary to others. For me, it's just a beautiful movie. It's set in beautiful tropical locations. It stars beautiful actresses, back before implants were part of the uniform. Most of all, it shows beautiful (if artificial) exchanges of physical affection between Emmanuelle and just about everyone, man and woman.
Still, there were a few things about this movie that I didn't care for. It usually depicts Emmanuelle as a passive figure, to be led and acted upon. I prefer the stronger character in the sequel. Later parts of the movie depict coercion, something I really don't care for. The haughty poseur at the end was annoying, but distantly true to the book. Still, book fans shouldn't get their hopes up. This movie is its own creature, and pleasant enough if taken on its own terms.
* Emmanuelle 2: The best of the bunch, I think. This is a warmly sensuous film. This might even be the one to use for introducing a shy viewer to movies about physical happiness. Emmanuelle is fully her own woman - every scene lies well within her consent and enjoyment. A new character, Anna Maria, is a sweet, innocent young thing. Emmanuelle, of course, broaches that innocence in an elegantly filmed sequence of encounters. A few scenes, like the infamous "Jade Club", come across as crude, but only when meant to. Still, they don't seem threatening. That's another aspect of this film that I like better than the first.
It's too much to say that this movie has a plot, but it does have a story line of sorts. The movie is really just about happy eroticism, though, the kind that relies more on your imagination than on actual imagery. It's sort of like a musical where I come out humming the tunes even if I can't remember the words. Couples might like this movie, even bashful couples, and might like playing along with the actors on screen.
* Goodbye Emmanuelle: This is the third and last of Kristel's Emmanuelle movies, but don't hold her responsible. The backer had run into censorship problems with the second movie, and wanted to make sure that didn't happen again. The result is a disappointing attempt at being serious. It completely lacks the warm mood and physicality of the two earlier efforts. Even the background music has a very different style, one that I found far less successful in framing the visuals and dialog.
It tries to show Emmanuelle and husband Jean growing into a more stable, monogamous relationship. Instead, it just descends into petty jealousies and possessiveness. Jean, especially, pulls tricks that would have seemed silly even in high school. Perhaps the movie meant to show swelling affection and bruised feelings. Instead, it just showed swollen egos and bruised pride.
//wiredweird


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Her name evokes visions of lush sensual discovery and the extremes of forbidden ecstasy. She is Emmanuelle, and these are the films that changed the look and feel of erotic cinema forever. The incomparably beautiful Sylvia Kristel stars in this landmark adult trilogy that begins with the sumptuous "Emmanuelle," continues with the explosive "Emmanuelle 2," and climaxes in the daring final chapter "Good-Bye Emmanuelle," which is only available in this collection.

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The Dreamers (Original Uncut NC-17 Version) Review

The Dreamers (Original Uncut NC-17 Version)
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...this film is (for the lack of a better word) a dream--a dream you would not willingly want to wake up from. Completely and utterly mesmerizing, "The Dreamers" pays homage to film, Paris, the 60's, and love. Apart from some of the awkward moments this movie tends to present sporadically, the movie itself was not mired by the abnormalities of some of the main characters. Though, this movie is one of the greatest I've ever viewed, it is not for everyone and cannot be readily recommended without reviewing some of the pros and cons I caught.
CONS:
-First off, if you're offended, in any way, by frontal nudity from either sex... caution: it contains a lot!
-For some, if the ending is a chief factor in deciding that you like a movie, it is possible you could be dissapointed (it ends in an unlikely manner). But if you can appreciate the ending, it doesn't hurt the film at all... Maybe people were disappointed by the ending because they didn't want it to end :)
-If not accustomed to slower-moving movies, based on a load of story depth or the like opposed to action or thiller movies, then it could be a let down.
But the cons are heavily outweighed by the pros...
PROS:
-For film buffs, Bertolucci doesn't dissapoint. The b/w segments intermingled within the storyline are anything short of genius and, for me, was the most beautiful and spellbinding part of this movie.
-For anti-censorship viewers, this movie could seem to be sent from heaven, because it doesn't leave much out.
-The acting is on a par with almost perfection, all three main characters are played flawlessly and completely take on the people they are supposed to evoke... Eva Green is especially amazing.
-The soundtrack is excellent as well. The tone that the music sets is completely appropriate and only adds to the dreamy atomsphere of the film; totally reminiscent of the 60's.
-A perfect representation of Paris in the 60's; eventhough the film's centerpoint is the main characters and their relationship with one another, the artist's home of Europe couldn't be portrayed to be more gorgeous (with the exception of the student riots in foreground).
It is difficult to stop thinking of this movie, even between viewing other movies... if I could i'd give it six stars.

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From Academy Award®-winning director Bernardo Bertolucci (The Last Emperor, 1987), comes an erotic tale of three young film lovers brought together by their passion for movies -- and each other. When Isabelle and Theo (Eva Green, Louis Garrel) invite Matthew (Michael Pitt) to stay with them, what begins as a casual friendship ripens into a sensual voyage of discovery and desire in which nothing is off limits and anything is possible. Featuring an engaging, seductive cast, The Dreamers is a ?spellbinding, provocative feast!" (Ebert & Roeper)

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