Showing posts with label foreign. Show all posts
Showing posts with label foreign. Show all posts

The Other Side of Sunday (1998) Review

The Other Side of Sunday (1998)
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The movie tells the story of a sixteen (?) year old girl, growing up in the cold environment of an orthodox, Norwegian church as the vicar's daughter. She is a very contemplative teenager, looking through the hypocrisy of the peolple that surround her. She strongly feels that the 'God' these people worship is a god that squeezes the life out of everyone who is trying to follow his heart. Her rebellion against this only grows by every question she poses against this rule-based Christianity that remains unanswered. It takes a lot of nerve and character strength to stand up against the prevailing morals in such a small community as she is living in, but at the end of the movie she has gathered enough courage to do so. By that time, this oppressing envinronment has cost the life of the only person in church she really could talk to. But saying more would be giving it all away. Though somewhat exagerating in black-and-white oppositions, this movie still tells a beautiful tale!

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Item Name: The Other Side of Sunday; Studio:Fox Lorber

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Of Freaks and Men (1998) Review

Of Freaks and Men (1998)
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OF FREAKS AND MEN is a constantly interesting story and film-------very well photographed---------about a strange, psychopathic pornographer who makes movies of women being whipped by a "nanny" for the underground market at the turn of the century. The film is shot in a sepia tone to give a nice authenticity to the proceedings. If you've seen photographs from the fin-de-siecle, you realize what marvelous recreations of those romantic-------though risqué--------photographs the filmmakers have achieved. Many of them look very much like the photographs of Julia Margaret Cameron----------one of the finest photographers working after the Civil War, who specialized in photographing women in dream like, highly romantic, almost spiritual scenes. She never did photos like this, of course, but the same care was taken in the art direction of this film.
But most interesting of all is the psychological workings of the minds of the very respectable middle class characters who find themselves drawn to this seedy business against their wills, but are quite willing to pursue their newfound inner freedom after the pornographer has left. This is one of Image Entertainment's most artistic releases for 2001.More please.
Jay F.

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The Return Review

The Return
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There is something about this movie that sticks with you long after you have watched it. Is it the way the story starts? The way it ends? The way your primary expectations are not met, and yet you find something else that you didn't expect? Hard to say, but it eventually matters very little. You are moved, you are disturbed, and you keep thinking about it... It beats those blockbusters that you forgot five minutes after you stepped out of the movie theater by a long shot.
I personally love movies where I am unable to predict anything. How refreshing and disturbing!
It is a movie made by a Russian director, with outstanding Russian actors (the kids!), but there's nothing "Russian" about the story. It is a "universal" story of a father returning to his wife and children after a twelve-year unexplained absence and taking his two sons - to whom he is a perfect stranger since he left when they were very little - on a fishing trip.
From then on, "unexpected" is the guideline and you hold your breath. What is going to be revealed? What is going to happen? How will the three characters deal with their new relationship?
You'll have to watch to find out...
The photography is beautiful, and the score at times adds real power to the images.
A must-see movie for cinema buffs, not for the average "movie goer".

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Studio: Kino InternationalRelease Date: 10/19/2004Run time: 106 minutes

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Amelie (2001) Review

Amelie (2001)
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I have seen thousands of films in my life, and thought nothing could surprise me anymore on a screen. Amelie proved me I was wrong. Instead of writing another "best film ever" comment, I would like to give some indications for non-french speaking viewers, as the translation might have made some lines a bit obscure.
Amelie says to Colignon "Meme les artichauds ont du coeur" (Even artichokes have a heart). In french, "un coeur d'artichaud" (an artichoke heart) is a person that falls very often and easily in love.
Colignon calls Amelie "Amelie-melo" (pronounce "ah-may-LEE-may-low") which sounds like "un meli-melo", a muddle or mix-up.
In the cafe, people discuss about time and weather, as the same word "temps" means both "le temps qui passe" (time that passes) and "le temps qu'il fait" (the weather). So goes Hippolito's theory : they speak about the weather because they are afraid of the passing time.
Collignon says about his mother : "Elle a une memoire d'elephant, un elephant de mer" (literally: she has memory like an elephant, a sea elephant). A "sea elephant" is a sort of walrus, and "mer" (sea) and "mere" (mother) are pronounced the same.
When Amelie is in a theater, she watches "Jules & Jim", a movie by Francois Truffaut. There are many references to Truffaut in the movie : Claire Maurier plays the mother in "the 400 blows" and many scenes refer to "Bed and Board", which itself refers to Hitchcock's "Rear window". I still have to figure which was the movie whith Spencer Tracy driving without watching...
When Amelie watches her projected life on TV, a scene that refers to Woody Allen's "Zelig", the voice over is from Frederic Mitterand, nephew of his uncle, who is famous for commenting weddings or funerals of aristocrats on french TV.
The "likes/dislikes" narration was experimented by Jeunet in a short movie "Foutaise" with Dominique Pinon, that will be included in the collector edition of the DVD. It also refers to "La vie, mode d'emploi" (Life: a user's manual) from Georges Perec, although Jeunet admits he could never finish the book.
Most TV scenes are stock shots. The story about the horse running in the Tour de France is true. Most stories told in the film are true, including the one about collecting discarded pictures.
There are numerous references in the movie, including to other Jeunet films. The scene in the mystery train is almost a copy of a similar scene in Alien : Resurrection where Ripley has an almost tender behaviour with the alien.
Finally, "Amelie" comes from "Emily", as Emily Watson was supposed to play the role, and "Poulain" is both a young untrained horse and a chocolate brand. And this is not a coincidence.

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Nominated for five Academy Awards including Best Original Screenplay, this magical comedy earned overwhelming acclaim nationwide! A painfully shy waitress working at a tiny Paris cafe, Amélie makes a surprising discovery and sees her life drastically changed for the better! From then on, Amélie dedicates herself to helping others find happiness ... in the most delightfully unexpected way! But will she have the courage to do for herself what she has done for others?

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