Showing posts with label foreign language films. Show all posts
Showing posts with label foreign language films. Show all posts

Dreaming of Julia ( Cuba Libre ) Review

Dreaming of Julia ( Cuba Libre )
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I have to admit I had no expectations for this movie. It surprised me. Well paced, interesting enough characters an overall feel good flick if thats possible with a backdrop like the cuban revolution.

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Kinamand / Chinaman Review

Kinamand / Chinaman
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I rented this film from Netflix (but cannot buy this in a Region 1 DVD!), and I loved this film! Keld is much more likable than the product description of "overweight uninspired Danish plumber" would suggest. His basic decency and very human desire to love makes him lovable, and his life situation makes him a sympathetic character. This is truly a love story. The way it shows the growing feelings between Keld and Ling is absolutely heartwarming. This is done in a quiet, genuine way, so the human emotions, difficulties, and successes are the interest factor here. Overall, a really good experience.

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Mi vida loca (1994) Review

Mi vida loca  (1994)
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"Mi Vida Loca (My Crazy Life)" is an HBO movie about Hispanic girls growing up in Echo Park. Each main character was allowed to tell his or her story and the director effectively blended these lives into a tale about real people facing death on the streets. It shows what it means to belong to a neighborhood, how the neighborhood gangs provide support, and how people, especially women, cope with the deaths around them. There were no "bad" people here, just nice kids who accept murder as an effective way to solve problems in a dangerous environment. I highly recommend the film to anyone who has seen "Kids" for a more mundane but believable take on poor urban teens.

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Alaska (1996) Review

Alaska  (1996)
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I can't believe that "Alaska" isn't getting better reviews than it is. A movie doesn't have to be one of the best ever to be a great movie. I thought it was a good all around movie. Two teens go on a search for their father after his plane crashes and the police show that they're not willing to search for him as much as the kids think they should be. Along the way, the kids run into poachers and they find a friendly polar bear that follows them the rest of the way trying to protect them. They have to find their father and then figure out a way to rescue him.
"Alaska" works well as a good adventure movie and it realistically shows family drama at the beginning of the movie. Surprisingly, parts of it such as when the kids are trying to save their dad, are even exciting. All the way through the movie you'll see spectacular scenery, which goes along great with the plot. Myself, I liked "Alaska" and I don't see why a lot of people don't like it that much, except for maybe that they're expecting too much from the movie. Just don't watch "Alaska" and expect it to be like a movie blockbuster, just watch it like it's a regular Tv movie, and you should like it pretty well. I recommend this movie for anybody.

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Shall We Dance? (1997) Review

Shall We Dance (1997)
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I see over one hundred well-written summaries on these pages, with an average five-star rating. While adding my rave review to the list, I ask the question: Why tamper with perfection? The US-made re-make is about to hit the screens with A-list cast Richard Gere, Jennifer Lopez, and Susan Sarandon. I know for a fact that a large majority of the U.S. population will never watch a subtitled film, so I can understand the reason for re-making it. However, I think everyone who has written here will agree that there's no way this Gere/Lopez/Sarandon re-make will capture the spirit of the original, certainly not the two driving forces that propel it.
First, there's the drudgery of the Japanese salaryman...like millions of others Tokyo-based wage slaves, Koji Yakusho's unhappy accountant takes his hours-long train ride home each evening, beaten down a bit more by his lot in life. He spies a dance studio, a dancer...and slowly - night after night - develops a small dream. The night he finally decides to get off the train is a magnificent scene...there's a complete struggle going on inside his body to hop off and stay off that train. I wonder how the re-make will possibly capture even a smidgen of that angst.
Second, there are the strong mores of Japanese society and the overrriding ethos of "the upright nail gets hammered down." In the U.S., to a large extent, the spirit of the individual endures - if you want to dance, you dance. In Japan, not only is Koji Yakusho's character battling himself, he's battling his country's perception of his decision to dance, which basically can be summarized as: "Guys don't." Again, I challenge the re-make to capture this tension.
I will point out that I'm not dead set against any re-make: I'm a big fan of the Argentinian film "Nueve Reinas," and thought that 2929 Entertainment's recently released "Criminal" really compared quite well to the original. Still, I urge those of you with any interest in seeing the upcoming release of "Shall We Dance" to do yourself a favor and invest 118 minutes in the original, a great look at Japanese society.

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SHALL WE DANCE - DVD Movie

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Amelie (2001) Review

Amelie (2001)
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I have seen thousands of films in my life, and thought nothing could surprise me anymore on a screen. Amelie proved me I was wrong. Instead of writing another "best film ever" comment, I would like to give some indications for non-french speaking viewers, as the translation might have made some lines a bit obscure.
Amelie says to Colignon "Meme les artichauds ont du coeur" (Even artichokes have a heart). In french, "un coeur d'artichaud" (an artichoke heart) is a person that falls very often and easily in love.
Colignon calls Amelie "Amelie-melo" (pronounce "ah-may-LEE-may-low") which sounds like "un meli-melo", a muddle or mix-up.
In the cafe, people discuss about time and weather, as the same word "temps" means both "le temps qui passe" (time that passes) and "le temps qu'il fait" (the weather). So goes Hippolito's theory : they speak about the weather because they are afraid of the passing time.
Collignon says about his mother : "Elle a une memoire d'elephant, un elephant de mer" (literally: she has memory like an elephant, a sea elephant). A "sea elephant" is a sort of walrus, and "mer" (sea) and "mere" (mother) are pronounced the same.
When Amelie is in a theater, she watches "Jules & Jim", a movie by Francois Truffaut. There are many references to Truffaut in the movie : Claire Maurier plays the mother in "the 400 blows" and many scenes refer to "Bed and Board", which itself refers to Hitchcock's "Rear window". I still have to figure which was the movie whith Spencer Tracy driving without watching...
When Amelie watches her projected life on TV, a scene that refers to Woody Allen's "Zelig", the voice over is from Frederic Mitterand, nephew of his uncle, who is famous for commenting weddings or funerals of aristocrats on french TV.
The "likes/dislikes" narration was experimented by Jeunet in a short movie "Foutaise" with Dominique Pinon, that will be included in the collector edition of the DVD. It also refers to "La vie, mode d'emploi" (Life: a user's manual) from Georges Perec, although Jeunet admits he could never finish the book.
Most TV scenes are stock shots. The story about the horse running in the Tour de France is true. Most stories told in the film are true, including the one about collecting discarded pictures.
There are numerous references in the movie, including to other Jeunet films. The scene in the mystery train is almost a copy of a similar scene in Alien : Resurrection where Ripley has an almost tender behaviour with the alien.
Finally, "Amelie" comes from "Emily", as Emily Watson was supposed to play the role, and "Poulain" is both a young untrained horse and a chocolate brand. And this is not a coincidence.

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Nominated for five Academy Awards including Best Original Screenplay, this magical comedy earned overwhelming acclaim nationwide! A painfully shy waitress working at a tiny Paris cafe, Amélie makes a surprising discovery and sees her life drastically changed for the better! From then on, Amélie dedicates herself to helping others find happiness ... in the most delightfully unexpected way! But will she have the courage to do for herself what she has done for others?

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