Showing posts with label gangster. Show all posts
Showing posts with label gangster. Show all posts

Dreaming of Julia ( Cuba Libre ) Review

Dreaming of Julia ( Cuba Libre )
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I have to admit I had no expectations for this movie. It surprised me. Well paced, interesting enough characters an overall feel good flick if thats possible with a backdrop like the cuban revolution.

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Mi vida loca (1994) Review

Mi vida loca  (1994)
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"Mi Vida Loca (My Crazy Life)" is an HBO movie about Hispanic girls growing up in Echo Park. Each main character was allowed to tell his or her story and the director effectively blended these lives into a tale about real people facing death on the streets. It shows what it means to belong to a neighborhood, how the neighborhood gangs provide support, and how people, especially women, cope with the deaths around them. There were no "bad" people here, just nice kids who accept murder as an effective way to solve problems in a dangerous environment. I highly recommend the film to anyone who has seen "Kids" for a more mundane but believable take on poor urban teens.

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Jessica Sinclaire's Confessions of a Lonely Wife (2009) Review

Jessica Sinclaire's Confessions of a Lonely Wife (2009)
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the title speaks for itself. from beginning to end this movie was crap.storyline was poor.acting the pits. basically it begins with the husband getting killed (it's not revealed at first who killed him), the wife giving her story about her husband(an unscrupulous record producer) who screws everything in a dress and embezzles money from his recording company, she knowing about his affairs and stupidly stays married to him in spite of, and finally when he elevates to beating her that's when he gets killed by the wife's cousin, (the revelation comes at the end of the movie ) who was also sleeping with the guy unknown to the wife. In the end we see the wife getting a hold of all the money the husband embezzled and on the day of hubby's funeral, we see the wife getting killed by her cousin and said money being stolen by the cousin who was apparently jealous because the wife was "skinny,beautiful,rich" and had the life she wanted.
It was a dumb movie don't waste money to buy it online, wait for it from a dvd club or something.

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The Warner Gangsters Collection (The Public Enemy / White Heat / Angels with Dirty Faces / Little Caesar / The Petrified Forest / The Roaring Twenties) (1938) Review

The Warner Gangsters Collection (The Public Enemy /  White Heat / Angels with Dirty Faces / Little Caesar / The Petrified Forest / The Roaring Twenties) (1938)
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Who can argue that this isn't the greatest collection of classic gangster films ever made?
If you need more proof about how good these are, I have 3 sources that rated these films BEFORE they were released to DVD.
Leonard Maltin (represented by LM, his highest rating is 4 stars),Nick Martin & Marsha Porter (authers of DVD & Video guide - represented by DVDG), and All Movie Guide (Represented by AMG).
Let's go Chronologically:
Little Caesar: LM- 3 1/2; DVDG - 3; AMG - 5
The Public Enemy: LM - 3 1/2; DVDG - 4 1/2; AMG - 5
The Petrified Forest: LM 3 1/2; DVDG - 4 1/2; AMG - 4
Angels With Dirty Faces: LM - 3 1/2; DVDG - 4 1/2; AMG - 4 1/2
The Roaring Twenties: LM - 3; DVDG - 4 1/2; AMG - 4 1/2
White Heat: LM - 3 1/2; DVDG - 4 1/2; AMG - 5
If you really look at the ratings (and consider that Maltin uses a 4 star rating system (as opposed to a 5 star)),you will see that the profesional critics rate these as quite high. Let's face it. These are the cream of the Warner gangster library. Another neat thing that was done for the DVD is the Warner Night at the Movies (Similarly done with Yankee Doodle Dandy, Treasures of the Sierra Madre, and the Adventures of Robin Hood - also introduced by Leonard Maltin) which gives you the option of viewing the film the way it was in theaters during that year (complete with trailer, news item, short, cartoon, & movie). They all have commentaries by notable historians, and have "Making of" special features (a few which include Martin Scorsese).
The prints are the cleanest I've seen in years (Turner does a top notch job of getting the best available source material).
The sound is above average to good. There are subtitles for the films, and closed captioning. Subtitles in english, french, and spanish.
The bottom line is if you are into this genre, you are going to want to get all 6 of these films (watch them in chronological order, the way the "making of"s are presented is much more rewarding if you do). These are simply the best of the gangster films. Second to none, and (to quote Cagney) "Top of the World".

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The Public Enemy showcases James Cagney's powerful 1931 breakthrough performance as streetwise tough guy Tom Powers. When shooting began, Cagney had a secondary role but Zanuck soon spotted Cagney's screen dominance and gave him the star part. From that moment, an indelible genre classic and an enduring star career were both born.As a psychotic thug devoted to his hard-boiled ma, James Cagney - older, scarier and just as elctrifying - gives a performance to match his work in The Public Enemy as White Heat's cold-blooded Cody Jarrett. Bracingly directed by Raoul Walsh, this fast-paced thriller tracing Jarrett's violent life in and out of jail is also a harrowing character study.Jarrett is a psychological time bomb ruled by impulse. It is among themost vivid screen performances of Cagney's career, and the excitement itgenerates will put you on top of the world! In Angels with Dirty Faces, Cagney's Rocky Sullivan is a charismatic ghetto tough whose underworld rise makes him a hero to a gang of slum punks. The 1938 New York Film Critics Best Actor Award came Cagney's way, as well as one of the film's three Oscar nominations. Watch the chilling death-row finale and you'll know why. "R-I-C-O, Little Caesar, that's who!" Edward G. Robinson bellowed into the phone. And Hollywood got the message: 37-year-old Robinson, not gifted with matinee-idol looks, was nonetheless a first-class star and moviegoers hailed the hard-hitting social consciousness dramas that became the Depression-era mainstay of Warner Bros. Little Caesar is the tale of pugnacious Caesar Enrico Bandello, a hoodlum with a Chicago-sized chip on his shoulder, few attachments, fewer friends and no sense of underworld diplomacy. And Robinson - a genteel art collector who disdained guns (in the movie, his eyelids weretaped to keep them from blinking when he fired a pistol) - was forever associated with the screen's archetypal gangster. A rundown diner bakes in the Arizona heat. Inside, fugitive killer Duke Mantee sweats out a manhunt, holding disillusioned writer Alan Squier, young Gabby Maple and a handful of others hostage. The Petrified Forest, Robert E. Sherwood's 1935 Broadway success about survival of the fittest, hit the screen a year later with Leslie Howard and Humphrey Bogart magnificently recreating their stage roles and BetteDavis ably reteaming with her Of Human Bondage co-star Howard. Sherwood first wanted Bogart for a smaller role. "I thought Sherwood was right," Bogart said. "I couldn't picture myself playing a gangster. So what happened? I made a hit as the gangster." So right was he that Howard refused to make the film without him...and helped launch Bogie's brilliant movie career. In The Roaring Twenties, the speakeasy era never roared louder than in this gangland chronicle that packs a wallop under action master Raoul Walsh's direction. Against a backdrop of newsreel-like montages and narration, it follows the life of jobless war veteran Eddie Bartlett (James Cagney) who turns bootlegger, dealing in "bottles instead of battles." Battles await Eddie within and without his growing empire. Outside are territorial feuds and gangland bloodlettings. Inside is the treachery of his double-dealing associate (Humphrey Bogart). It would be 10 years before Cagney played another gangster (in White Heat), a time in which gangster movies themselves became rare. "He used to be a big shot," Panama Smith (Gladys George) says at the finale, marking Bartlett's demise...and signaling the end of Hollywood's focus on the gangster era.

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Things to Do in Denver When You're Dead (1995) Review

Things to Do in Denver When You're Dead (1995)
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Scott Rosenberg's script for "Things to Do in Denver When You're Dead" skates the edge big time in this 1995 film. There are times when what comes out of the mouth of his characters is on a par with Elmore Leonard and Quentin Tarrantino, but there are also moments when the verbiage becomes so dense that the film loses momentum. But whether you think that Rosenberg comes out ahead in the end or falls short, I can guarantee you that you will never forget what it means to "Buckwheat" somebody and that "Boat drinks" will sound like a great idea until the day you die.
The situation in "Things to Do in Denver When You're Dead" is that Jimmy the Saint (Andy Garcia) and his buddies know there time is coming to an end any moment. Jimmy runs a business where dying people get to videotape words of wisdom from beyond the grave to their loved ones. Throughout the film we get to see clips from such tapes, and if you do not know who is going to appear on the last one then you are not really thinking ahead on this one. This might be a good idea but it is a lousy business and Jimmy has been losing money and what he owes is now due to the Man With the Plan (Christopher Walken), a psychotic paraplegic who knows exactly how Jimmy can work out his debt.
A widower, the Man's son has been arrested for trying to molest a young girl on a school playground in broad daylight. The Man thinks that the son will get himself right again if only he can get back together with his old girlfriend, but she has a new boyfriend. Jimmy is order to pick up the boyfriend when he comes back to Denver and "brace" him. So Jimmy rounds up the old gang to do the deed and makes the mistake of picking Pieces (Christopher Lloyd), a projectionist at a porno theater who has lost a couple of digits to leprosy, and Critical Bill (Treat Williams), a psycho who has not beaten up a live person in years because he blows off steam by pummeling corpses, out front.
Suffice it to say that things go wrong, horribly wrong ((if you see parallels between this film and "Reservoir Dogs" I should point out that director Gary Fleder made a point of telling people that Rosenberg's script was written long before Tarrantino's film was made). This is why Jimmy and the boys are dead because the Man is going to have them killed. And not just killed. The famous hit man Mister Shhh (Steve Buscemi) is coming to town to not only kill the boys, but "Buckwheat" them (short version: lots of pain and suffering before death). Fortunately, we do not get to see too much of the actual Buckwheating, but the idea of it is enough to make you start cringing every time another one of the gang goes down for the long count.
Beyond the obvious complication that Jimmy feels bad about causing the imminent deaths of his friends, which he tries to do something about without success, he has a couple of romantic entanglements. Jimmy has just fallen for Dagney (Gabrielle Anwar), making sure there was as little time between their first and second date (because there is no kissing on the first date), and he knows that the Man knows about her. But Jimmy also has a soft spoke for Lucinda (Fairuza Balk), who might be a hooker but he does not like it when johns take advantage of her, especially now that she is pregnant.
We have no reason to believe that Jimmy can get out of Denver let along the end of this movie alive. The rules of the game are too clearly established here, and there is a retired gangster at the local diner (Jack Warden) who helps to fill in the gaps. The question is whether Jimmy can put together some sort of moral victory before the lights go out, and while there are certainly moments when this film is too damn cute for its own good, I appreciate it when a character listens to me screaming at him what he has to do to payback the Man before the end and actually does it.
It took me a while to get around to this one, but it is nice to see that Rosenberg has shown surer footing nearing the edge in the scripts he has written since then for "Con Air" and "High Fidelity." Fleder has gone on to direct "Kiss the Girls" and "Runaway Jury," both of which are improvements on this effort as well. "Things to Do in Denver When You're Dead" is not a first level example of the modern film noir, but it aspires to be and it has some moments. Plus, you have Christopher Walken showing how menacing he can be when nothing works below the neck, which is certainly good for something as well.


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Sexy Andy Garcia (WHEN A MAN LOVES A WOMAN) heads an outstanding all-star cast in this riveting and highly original thriller! When a powerful mob boss (Christopher Walken -- PULP FICTION) gives ex-gangster Jimmy the Saint (Garcia) one last job, it's an offer he can't refuse! But when someone gets killed, Jimmy and his partners are marked for death, leaving Jimmy just 48 hours to put things right for his buddies and the woman of his dreams (beautiful Gabrielle Anwar -- SCENT OF A WOMAN)! Acclaimed by critics nationwide, THINGS TO DO IN DENVER WHEN YOU'RE DEAD delivers sensational edge-of-your-seat entertainment!

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Brotherhood - The Complete First Season (2006) Review

Brotherhood - The Complete First Season (2006)
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Showtime has been trying for years to brand itself as the new HBO, producing programming that it hopes will match the critical and popular success of its rival network (with "Sex and the City", "Sopranos", "Deadwood", "The Wire", "Six Feet Under" and "Curb Your Enthusiasm" as a few examples).
To me, most of the shows have fallen short. I did think, however, "Sleeper Cell" was better than most people gave it credit for --and "Weeds" has developed into a tidy little comedy. So check them out, too.
"Brotherhood", in my opinion, is their crowning achievement so far. It is sophisticated, morally ambiguous entertainment. The set-up is not unfamiliar--the classic cops versus criminals in a distinctly Irish neighborhood. Good brother in politics versus bad brother in crime. But how good is the good brother? And how bad is the bad? This show is very much about the choices we make and the complications and compromises that can arise.
But it's even more about family, obligations and loyalty. You will see this family for every flaw (and there are so many), but there is also much to be respected. I don't like shows to spoon-feed me ideology and tell me what to think. I like that "Brotherhood" doesn't pass judgment, it respects its characters and each viewer will likely react differently to their goings-on.
Two particular stand-outs in the cast are Jason Isaacs and Annabeth Gish. I've liked these performers for a while, but neither has achieved major stardom. Isaacs is ostensibly the "bad" brother and he is, at once, chillingly cold and charming. And Gish, as the politician's wife, is so lost and hopeless in many regards--but also, strangely, the voice of reason in many circumstances.
"Brotherhood" is complex, you do have to pay attention. It's serious drama done for people who appreciate serious drama. And I do! KGHarris, 9/06.

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A working-class Irish family is torn between right and wrong when two brothers live out their destinies on opposite sides of the law.BROTHERHOOD tells the story of two brothers who sometimes share a twisted sense of moral compromise--each with his own skewed, idealistic vision of what makes the American dream.

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Lock, Stock & Two Smoking Barrels (Widescreen Edition) (1999) Review

Lock, Stock and Two Smoking Barrels (Widescreen Edition) (1999)
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If you own the previous edition of Lock, Stock you might really want think about if it is worth double-dipping. The transfer for this one is as good if not slightly worse than the previous 2003 release. There are only two (slight) new extras on this edition. "One Smoking Camera" features the film's cinematographer talking about how he shot the film. He takes us through a few key sequences and shows how they were shot or edited.
Finally, there is "Lock, Stock and Two F**king Barrels," a montage of colourful insults and curse words used throughout the film by various cast members.
Why the extras on the superior Region 2 release weren't ported over is a mystery and as a result this edition is really not worth your time.

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A MODERN CRIME COMEDY ABOUT FOUR LADS GETTING IN OVER THEIR HEADS IN LONDON'S UNDERWORLD.

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Gotti: The Rise and Fall of a Real Life Mafia Don (1996) Review

Gotti: The Rise and Fall of a Real Life Mafia Don (1996)
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The movie had its moments some of the dialogue was hard to understand but the acting was fine. Assante and Quinn both were very good in their roles. It's worth buying if your into mafia movies.

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JOHN GOTTI ROSE TO FAME AS THE DON OF ONE OF AMERICA'S LARGESTCRIME FAMILIES. HE CLIMBED TO THE TOP OF THE CORPSES OF ANYONEWHO STOOD IN HIS WAY. BASED ON THE TRUE STORY OF THE RISE & FALL OF A REAL-LIFE MAFIA DON.

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