Showing posts with label british. Show all posts
Showing posts with label british. Show all posts

CHAIN REACTION (1996) Review

CHAIN REACTION (1996)
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I was hoping this movie would be either a porn or a documentary. It turned out to be neither. Although I'm an admitted fan of the Bel Ami boys - especially Johan - I was pretty disappointed. It's about as close to an R-Rated gay porn as you can get.
It's trying to be a documentary about a young gay's "struggle with being gay" (Can you say... Cliche?) and it is missing the mark completely. The only dialog in the movie is a British voice using an annoying echo to represent Johan's thoughts. I'm sure even the real Johan is disappointed with the "thoughts" which are more like random ramblings.
If you like looking at naked Bel Ami bodies (presented in the "Playboy Channel" style) and are willing to use ALOT of imagination, this is your film. But be warned, there are much better ways to spend your dollars and see these same bodies doing much more. These are all XXX gay porn stars. This must have been a walk in the park for them.
My advice is not to waste your time or money on this movie.

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Explotation Cinema: Satan's Slave / Terror Review

Explotation Cinema: Satan's Slave / Terror
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This double-feature DVD includes two 1970s exploitation flicks from British director Norman J. Warren: SATAN'S SLAVE (1976) and TERROR (1978). Both films were penned by David McGillivray, who also scripted two excellent films--HOUSE OF WHIPCORD (1974) and FRIGHTMARE (1974)--from the better-known director of British horror and exploitation, Pete Walker.
SATAN'S SLAVE, the weaker of these two films, stars beautiful Candace Glendenning as a young woman who is the descendant of a powerful and evil witch. After her parents are killed in a suspicious accident, she goes to live with an uncle and his son, and soon after she discovers that her relatives plan to sacrifice her during a ritual that will resurrect her infamous ancestor.
While the acting is okay and the directing adequate, the script for SATAN'S SLAVE is rather uneven and the plot is overly convoluted and hard to follow. As an exploitation horror flick, however, this film delivers the goods with plenty of gratuitous nudity and numerous gore shots that include a smashed head, a bloody suicide, and a gruesome eyeball stabbing.
The second film, TERROR, is the actual highlight of this double feature. It opens as a mob of medieval villagers capture a fleeing witch and attempt to burn her at the stake. The witch calls upon satanic forces to rescue her from her the flames, and as she escapes, she places a curse upon the descendants of the noblewoman who incited the villagers to rise up against her. This entire scene is then revealed to be the ending of a horror film, and the filmmaker claims that the story is based upon true events from his own family history. He and his female cousin, he says, are the last descendants of the noblewoman whose family was cursed by the witch. Naturally, there is skepticism among the audience for whom he has just screened the film. But at a wrap party later that evening, the filmmaker's cousin falls into a trance and attacks him with a sword...and he and his cousin begin to worry that the family curse just might be real after all.
Like the other film on this DVD, TERROR has a fair amount of female nudity--the stripper in the nightclub scene is especially eye-popping--and lots of outré gore. But this film also has a logical, comprehensible story line that is bolstered by strong performances and able directing, and the exceptional production design and cinematography create an ambiance that is exponentially eerier than that of SATAN'S SLAVE. Indeed, hardcore horror fans will recognize the distinct influence of giallo master Dario Argento on this film, especially in regards to atmosphere and gore.
This double-feature DVD offers both films at their original theatrical aspect ratios (enhanced for 16x9 TVs), and though the prints used for the transfers aren't in perfect condition, the images are very good and the soundtracks are fairly crisp and clear. Bonus materials on the DVD include a handful of trailers for other 1970s-era grindhouse and exploitation films, as well as a "grindhouse experience" option that allows you to watch both films back-to-back with concession-stand adverts and trailers inserted therein. It's almost like being in one of Manhattan's 42nd Street theaters back in the grindhouse heyday.

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The Politician's Wife (1996) Review

The Politician's Wife (1996)
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The Politician's Wife plays out in three installments, each lasting a little over an hour. This playing time is needed to allow for the intricate plotting of this complex drama. In the first part Flora Matlock, wife of Tory minister and rising star Duncan Matlock, learns that her husband has been unfaithful to her. This infidelity is ironic given that Duncan represents the family in the conservative English government. At first Flora is surprised and angry. We watch as she packs her bags to leave her husband. Before she finishes her packing she gets pressure from all sides to support her husband. She gives in to the manipulations of the men who want to keep Duncan in power. A little later on Flora learns from Duncan's assistant that the affair with an escort girl, Jennifer Cairn, lasted for a year or so. She is given pictures and an audio tape documenting Duncan's infidelity.
In part two Flora, an exceptionally bright and capable woman, plots Duncan's downfall. Whenever she begins to question her motives, she listens to the audio tape to steel her in her resolve. Flora is as clever as Iago in Othello. We marvel at her political astuteness as she makes her plans and lays her traps for her husband, who deserves everything she does to him. In part three we hold our breath as she springs the trap and sets in motion a string of events that should keep all viewers watching closely to see what will happen next.
The Politican's Wife represents the best of television drama. The acting is first-rate by all participants, particularly Juliet Stepenson as Flora, Trevor Eve as Duncan, Ian Bannen, unfortunately now dead, as Sir Donald Frazier, confidant to Flora, and Minnie Driver as the escort girl. A large cast supports these principals superbly.
The story moves quickly and inexorably to the finale. The only mild violence in the plot happens in the bedroom as we watch Flora begin to take control over her wayward husband by playing to his many sexual weaknesses. Duncan is a manipulative villain and Flora is every bit his equal when it comes to scheming. Flora can lie and cheat with the best of the men who surround her.
Is lying ahd cheating what it takes to succeed in government? The Politician's Wife suggests that honesty is for losers and those on the fast track to political power need to learn to manipulate the system to their advantage if they are going to have any chance at success. The Politician's Wife demontrates dramatically that women are not the weaker sex -- quite the contrary. Highly recommended.


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When the tabloids scream the news that Minister of the Family Duncan Matlock has been caught in an affair with an "escort" girl, no one is more stunned than Flora, his wife. As her husband and the Tory establishment behind him expect, Flora maintains her loyal façade. But behind her public smiles, she seethes with mounting fury. Employing strange sexual games and covert political tactics, she plots to exact the ultimate revenge against her husband and the system that created him. This powerful, award-winning PBS drama stars Juliet Stevenson (Truly, Madly, Deeply; Bend It Like Beckham), Trevor Eve (In the Name of the Father), and Minnie Driver (Good Will Hunting, Grosse Pointe Blank). DVD SPECIAL FEATURES INCLUDE background essay by writer Paula Milne and cast filmographies. "Splendidly wicked" -The New York Times "Smashing!" -TV Guide "A true PBS ‘Masterpiece'. . . a brilliant, incisive political potboiler"-Los Angeles Times

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Shaun the Sheep: Off the Baa (2010) Review

Shaun the Sheep: Off the Baa (2010)
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Too good to miss! Ageless humor guaranteed to bring cheer. Watch for the eventual availability of all 40 cartoons in the U.S.
Shaun the Sheep, appearing in the thirty minute feature "A Close Shave" appeared in the UK (and other non-U.S. nations) as seven minute Oscar winning cartoons in 2007. "Off the Baa is a collection of eight of these cartoons from the first season (listed below). Shaun is the star of farm and flock in episodes that fascinate adults and children. There are no speaking parts, but the antics stretch reality and lighten any mood using animal and people sounds.
Disney Channel seems to be the only source for Shaun cartoon broadcasts in the United States, except videos from some foreign Youtube-like sites. If you buy any videos, beware of DVD regional coding, making sure it is zero or one for the U.S. Watch for other collections of eight cartoons each - including "Wash Day", "Sheep on the Loose", "Saturday Night Shaun", and "Abracadabra". "Back in the Ba-a-ath" is also available, but I cannot find the number of episodes it includes.
A little searching will reward you with plenty of Aardman Animations videos including Shaun the sheep exercise video, BBC shorts, as well as Wallace and Grommit features, "Cracking Contraptions", full length films, cartoons, advertisements, and over a dozen new characters.. The new "A Matter of Loaf and Death" will begin to be available in June 2009 in the U.S.
Two further recommendations: First, BEWARE of torrent downloads of Shaun the Sheep series. One is a vicious scam. Second, Wikipedia has a rather complete write up on Shaun.Links too.
Off the Baa includes the following eight episodes from the first season:
Off The Baa!
Timmy In A Tizzy
Buzz Off Bees
Things That Go Bump
Mower Mouth
Fleeced
Shaun Shoots The Sheep
Mountains Out Of Molehills
(episodes 1, 4,13, 20, 7, 14, 15, 18 respectively)
Happy Sheeping. Oh, and you may see clips on Amazon.uk

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Lock, Stock & Two Smoking Barrels (Widescreen Edition) (1999) Review

Lock, Stock and Two Smoking Barrels (Widescreen Edition) (1999)
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If you own the previous edition of Lock, Stock you might really want think about if it is worth double-dipping. The transfer for this one is as good if not slightly worse than the previous 2003 release. There are only two (slight) new extras on this edition. "One Smoking Camera" features the film's cinematographer talking about how he shot the film. He takes us through a few key sequences and shows how they were shot or edited.
Finally, there is "Lock, Stock and Two F**king Barrels," a montage of colourful insults and curse words used throughout the film by various cast members.
Why the extras on the superior Region 2 release weren't ported over is a mystery and as a result this edition is really not worth your time.

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A MODERN CRIME COMEDY ABOUT FOUR LADS GETTING IN OVER THEIR HEADS IN LONDON'S UNDERWORLD.

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The Englishman Who Went Up a Hill But Came Down a Mountain (1995) Review

The Englishman Who Went Up a Hill But Came Down a Mountain (1995)
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"All this fuss...over what? Is it a hill, is it a mountain? Perhaps it wouldn't matter anywhere else, but this is Wales."
So what happens in this epic story about the Englishman who went up a hill but came down a mountain? On Sunday, 17 June 1917, cartographers/retired army officers Reginald Anson and George Garrad come to a Welsh village to measure Ffynnon Garw to determine whether it's a hill or a mountain. Their presence causes anxiety among the villagers, who are on pins and needles when they hear the British standard of a mountain defined as anything over 1,000 feet. The Britons stay at the inn of the cheeky Morgan the Goat (as opposed to Morgan the Sheep?), intending to leave after their task is completed. However, guess what height Ffynnon Garw is less than?
The villagers put things in motion with two objectives: one, to make sure their beloved Ffynnon Garw becomes a mountain, and two, to extend the Britons' stay, such as something involving two pounds of sugar and a gas tank, and a knife. The first objective forms the action of the movie, villagers moving dirt from their gardens bucket by bucket, tray by tray, through toil, sweat, and sacrifice, and placing them...guess where? And excuses for delay? The war--take note of the date listed above.
There's also a conflict between the religiously fervent Reverend Jones and Morgan, as the latter doesn't go to church and plies alcohol. When Jones asks Morgan, "Have you no shame?" Morgan flippantly pats himself down and says "No, can't think where I left it" and walks off, leaving Jones fuming.
During the movie, we see that the younger Anson is more sympathetic and humble to the villagers, while the stout and older Garrod is more logical, arrogant, and looks down on the Welsh. A typical British attitude during the period of Empire there. Anson is also taken by Betty, a maid who comes to help Morgan tend bar and also to charm the cartographers. It all goes back to Anglo-Welsh relations. The Welsh have had a rough time of it all, like the Irish. Those who survive the trenches of France return to labour only to die for coal. Sad times indeed for the Welsh.
The whole point of the movie is not just the standard height set for a mountain, but Welsh pride, of national identity. For the Welsh, all they have for monuments are mountains, no pyramids or temples. And if Ffynonn Garw isn't a mountain, then Anson might as well redraw the map and put the Welsh in England. After all, as Morgan tells Betty, "Maps are the undergarments of a country, they give shape to continents." And what's in a measurement anyway? As Morgan says, "Do we call a short man a boy or a small cat a dog? No! This is a mountain, our mountain, and if it needs to be a thousand feet, then by God let's make it a thousand feet!δΈ’ In other words, it's all relative.
The concept of telling the village people with identical surnames by their occupation or personality is ingenious and charming, so we can tell the difference between Williams the Petroleum from Williams the Deaf. Some are more telling, as in the case of Johnny Shellshock. And there are the Thomas Twps: Thomas Twp and his brother Thomas Twp 2. As one of them says, "we've no learning than most, so people say we're twp, but we're not twp as to not know that we're twp." Right, that makes sense.
All the leads are splendid, particularly Colm Meaney as Morgan the Goat and Kenneth Griffith as the strict but passionate Reverend Jones. And Hugh Grant (Anson) has another charming leading lady, Tara Fitzgerald (Betty), who ranks up there with Andie McDowell (Four Weddings) and Martine McCutcheon (Love Actually). She really has a winning smile and saucy brogue that makes her character lovable. And darn if Ian Hart keeps popping up, be it Harry Potter, Michael Collins, and now here, as Johnny Shellshock.
A wonderful little movie with a wonderful Celtic score, as the ideas and themes that emerge make this more than a one-joke movie. And for you boyos, this was written by Hamlow_the_Writer_Who_Went_Up_A_Paragraph_But_Climbed_Down_A_Review.

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