Showing posts with label japanese cinema. Show all posts
Showing posts with label japanese cinema. Show all posts

A Fistful of Fuku Review

A Fistful of Fuku
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I believe this was one of Zen's movies early releases, If you're familiar with them
you know what to expect, lots of action sequences and girls in skimpy clothes. The
problem here is that the actress that plays the lead character doesn't have much of
a personality (and acting ability) , so you really never care much for her. There
are plenty more titles from Zen's pictures to choose from.

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Female Combatants Battle School/Demonic Heroine in Peril Review

Female Combatants Battle School/Demonic Heroine in Peril
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With the last sentai/tokusatsu release of of "Akiballion Battlemaids of Akihabara!", Switchblade Pictures continues with more sentai goodness with the latest double feature "Female Combatants Battle School/Demonic Heroine in Peril". With the majority of Zen Pictures focusing on the heroines, this time this double feature focuses on the women who fight on the side of evil and showing that sometimes, being on the other side is not all it's cracked up to be.
Female Combatants Battle School
"Female Combatants Battle School" is a 2009 film which manages to capture the sentai badgirls with tight black and red vinyl (and the usual enemy cooing) as these bad girls work for the Bad Mist organization. Their biggest rival in their way of doing crime is the masked heroine known as Asterea (played by Tsugumi).
Bad Mist is a group that recruits troubled young women and brainwashes and trains them to fight against good and to make sure they can literally kick butt in battle. The Under Cover Agency (UCA) knows that they need to bring this organization down, so they bring in their UCA agent Aoi Kono (played by Yuri Higashi) to infiltrate and pose as one of them. She gets in and is given the name of 841.
But 841 is quickly going to learn that to gain the trust of the other soldiers, she's going to have to start from the bottom and fight. On her first day of initiation, she's beaten and ridiculed by the other ladies. They beat on her, they step on her and how much will this agent be able to take. Can 841 manage to gain the trust of the women of the Black Mist? Or will her cover be blown? And what will she do when the masked heroine Asterea is captured by the Black Mist?
Demonic Heroine in Peril
For the second film "Demonic Heroine in Peril", the 2005 film is about a group of aging men who are Triongers (yes, think of Power Rangers). But these old, overweight men can secretly transform into their more athletic ranger counterpart with ease.
As Akira (Trio Blue) comes to visit his young friend named Shota. Shota dreams about becoming a Trionger when he grows up and while the two run and play near the playground, Shota accidentally runs into a woman in tight leather clothing. As she leaves, the other two Triongers come to visit but unbeknownst to them, an evil enemy lurks in the background with his minions waiting for a time to attack.
When Akira goes home, he is attacked by these minions and then suddenly turns into his ranger counterpart - Trio Blue. He eventually beats the bad guys but all of a sudden, the woman he met earlier in the day, the woman in black leather comes to fight. Donning her red, ninja like outfit...the woman turns out to be one of Go-ma's Four Kings a.k.a. "Outsider" (played by gravure model MISAKI).
She easily beats Trio Blue and the minions go to finish him off... but for some reason, she tells them to stop. But the evil antagonist comes and tells her that by orders, the rangers must die and thus he picks up Akira by his neck and squeezes it until he dies. He laughs but she feels disgusted but yet Go-ma gives "Outsider" the credit, angering the evil man who had killed Akira.
The following day, she feels compassion for what happened to Akira, knowing that he was good friends with the boy Shota. So, she goes to visit the boy Shota and learns that he wants to become a Trionger, not telling him that she works for the evil Go-Ma who is trying to kill them off. But Takumi (Trionger Red) and Trionger Yellow shows up and the both of them take on the Outsider and begin to fight. She easily beats them but lets them live. Unknown to her that the evil guy is watching her every move and now knows that she has betrayed them by not killing the Triongers.
Because of her actions, Outsider has been branded as a spy, the woman who was once the evil enemy of the Triongers must now fight alongside with them and try to prevent Go-ma from using a viral weapon that he plans to unleash on Japan.
VIDEO & AUDIO:
"Female Combatants Battle School / Demonic Heroine in Peril" feature two different aspect ratios. The first, "Female Combatants Battle School" is featured in 16:9 and shot digitally. "Demonic Heroine in Peril" is shot in 4:3 and also shot digitally.
Audio is in Japanese Dolby Digital 2.0 and for the most part is front channel driven. If you have a home theater receiver capable of stereo on all channels, personally it was my preference for a more immersive soundtrack.
Subtitles are in English.
SPECIAL FEATURES:
"Female Combatants Battle School / Demonic Heroine in Peril" comes with no special features but trailers from Switchblade Pictures.
JUDGMENT CALL:
In Japan, Zen Pictures has found a pretty good sized niche with the fans who are into sentai and tokusatsu shows but instead of focusing on the guys, taking bikini/lingerie models and outfitting them in these kinky Power Ranger-esque outfits (or sometimes an outfit that is barely covering much). In the US, there are also a niche of fans who follow sentai and tokusatsu shows like they follow anime series and have been wanting these films here in the US. And fortunately, Switchblade Pictures is bringing these films to the US.
With "Female Combatants Battle School/Demonic Heroine in Peril", you're getting two films for the price of one. With "Female Combatants Battle School", this is more for those who want to see women fighting in very tight outfits, while "Demonic Heroine in Peril" features MISAKI barely wearing anything and in some way, very Mai Shiranui-like (for those familiar with the "King of Fighters" character and her slinky ninja outfit).
As for story, there is a story but it's important to note that people don't exactly watch these Zen Pictures films for the acting because frankly a lot of these women are known for their bodies and wearing hardly any clothing. Acting is not their forte. But for these two films and having seen several Zen Pictures films, these two are among the better ones that have been released in the US thus far. Also, these are low budget independent films and so, you'll see the occasional family far in the background watching the people fight.
My favorite film of the two would have to be "Demonic Heroine in Peril". It's a more Power Rangers-like driven series and quite humorous as the Rangers themselves are old men and when they get into costume, they are slimmer and still can fight. And the young boy in the film, is actually sporting a mask. It's hilarious in some way, whether or not it was intentional or not.
As for the rating of having nudity and violence, there is violence in the film as character are killed off. As for the nudity, there really isn't any. I suppose that because there are a lot of crotch shots (with the women wearing clothing) and in "Demonic Heroine in Peril", main actress/model MISAKI is barely wearing any clothes but by no means is she nude.
For those wanting to begin their Switchblade Pictures collection of Zen Pictures sentai/tokusatsu heroines/bad girls-style of films, "Female Combatants Battle School / Demonic Heroine in Peril" is a good place to start.

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Girl in Captivity: Hitwoman in Chains 2 (2009) Review

Girl in Captivity: Hitwoman in Chains 2 (2009)
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This isn`t a sub-standard entry in the genre, not by any means, it`s just more of the same, and after viewing as many of these films as I have in my lifetime, I`m always hoping for a new twist or something more, and therein lies my lackluster afterthoughts. With these flix, plot is immaterial, only the self-delusional claim to purchase them for any other reason, these are promoted as 'Cinema Erotique' so we`re evaluating it`s exploitative value, not its cinematic one. The lead actress is fairly plain but looks great in a latex S+M outfit and naked in chains, and the only other woman in the film, a femme fatale, is sexier and has that "love you long time" sleaziness about her, and I mean that as praise. The story is similiar to all of the 'Zero Woman' series, nothing unfamiliar again, but on the plus side, there is ample nudity and a perversity that elevates it somewhat. If I wasn`t so friggin' jaded, I`d give it 4 stars (and it probably deserves it as exploitation) but I personally think these flix were done better in the 70`s than they are today. There was more to them then, an indefinable something that makes folks continue to remake them incessantly, but with shoddier results...

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Sins of Sister Lucia (1978) Review

Sins of Sister Lucia (1978)
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Sins of Sister Lucia (1978)- One of the few but significant nunsploitation flix emerging from Japan, along the lines of the fabulous 'School Of The Holy Beast' (1974) by Norifumi Suzuki (Star Of David:Beautiful Girl Hunter), this entry is a lot like its European counterparts from that time period, and all of these films hail from the womb of Ken Russell`s wickedly wonderful 'The Devils' (1971). After seducing her English teacher and stabbing one of her father`s hoodlum pals, Rumika is sent to a convent to clean her act up. Well, not so much. This convent is a 'hotbed' of deviant nuns who engage in strange spanking games, bondage, lesbian encounters, catfighting, etc. and the Mother Superior is screwing the parish Priest. And all of this happens before two escaped male prisoners break into the convent and begin 'servicing' the nun`s needs...whew. "If God wills it" indeed. Lots of indelible imagery and nudity for a 'naughty nun' flick, and Mondo Macabro always gives us loads of extras, this time several featurettes about the film, nunsploitation, the director, Nikkatsu Studio releases, and a slew of trailers. Big Fun. Praise the Lord. Amen.

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Entrails of a Virgin Review

Entrails of a Virgin
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This bizarre film relates the story of two sleazy guys and three really stupid gals who run afoul of some sort of demonic swamp rapist creature. Unfortunately, even at only seventy minutes or so, it seems to take forever to really do anything. The majority of the film is filled with vast amounts of soft core porn. I am uncertain as to the directors intent with these sequences as they are not erotic and seem to do little other than pad out the running time. I suppose there is some message concerning a societies preoccupation with "things of the flesh" but I don't really know. Luckily, the demonic swamp rapist creature finally shows up to start raping and killing. The gore effects are marginal, one scene with a spear impalement is very poor, another with entrails being removed is a little better. None of the characters seem real, the two males are such jerks that only the most vapid of women would ever be around them. That said, the three women are so stupid that you end up with no character to identify with on any level. The film does not try to be scary it is essentially soft core porn in the beginning and then attempted horrific violence at the end. I ended up giving this film two stars based on its supposed historic value and an amazingly insightful interview with the director. After watching the interview, one can easily see why his characters behave so stupidly as he comes across as a complete moron. View at your own risk.

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Stray Dog (The Criterion Collection) (1949) Review

Stray Dog (The Criterion Collection) (1949)
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I am not a Japanese film historian, so others can elaborate on that aspect. When it started, I wasn't sure I would take to this film, but it draws you in inexorably. Shot on location in Tokyo, remarkably just 3 or 4 years after the end of WWII, it most reminds me of a Japanese Naked City, with echoes and moments reminiscent of other American gangster films all the way back to Public Enemy and The Roaring Twenties of the 30's.
The location photography alone is fascinating in depicting the Japan of 1948 or 49. And the story progresses as a very young Toshiro Mifune wanders through various levels of that postwar society in search of the thief who stole his Colt. On hand also, is that wonderful actor in Kurosawa's repertory company that was the leader of the 7 Samurai, and here too, is the older & wiser mentor to Mifune.
Finally, the movie wins you over for its own reasons. Though early, Kurosawa's composition, framing, and directorial skill is evident. The performances are fine. The atmosphere and location photography ground the film in reality. And it is a more complex film and story than it first appears. And, like early Ford, there is poetry amid the restrictions of budget and resources. And like early Ford, it presages what was to come. Good stuff if you've a mind for it. 5 stars for those folks.

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A detective whose revolver is stolen goes undercover to locate the thief, sinking to such depths that even his colleagues don't recognize the difference between him and the thief.Genre: Foreign Film - JapaneseRating: UNRelease Date: 25-MAY-2004Media Type: DVD

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Akira Kurosawa's Dreams (1990) Review

Akira Kurosawa's Dreams (1990)
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Akira Kurosawa's dreams are better than mine. If this is what he saw when he closed his eyes, then I can understand how from that mind sprang the Seven Samurai and the rest.
"Dreams" is maybe the most personal, most "Japanese" of Kurosawa's films, and along with that it is perhaps the most difficult one for Western audiences to appreciate. This is saying nothing against Western audiences, but many of the themes and myths on display may not be familiar, and the imagery and metaphors may be lost without the appropriate background. I definitely appreciated it more after living in Japan, and becoming familiar with the countries folklore and literary story-telling style. Hina Dolls, the Yuki Onna, the mountain villiges like islands of tradition amongst concrete modern Japan...
"Dreams" is beautiful, on a purely visual level. The cinematography is exquisite and the colors and light are displayed with the eye of a painter. It is appropriate that Van Gogh plays a role in one of the many dreams. Like Van Gogh, the stories in "Dreams" are expressionistic and vivid, yet with the subdued emotions that is the hallmark of Japanese literature. This is not the wild, raw statement of a younger Kurosawa.
Story-wise, the dreams play with the themes of death and loss, both human and of nature. The displacement of Japanese forests, the lack of safety standards at nuclear power plants, the loss of traditional Japan, the pointless loss of lives in war...melancholy themes at best. Yet at the end, hope is offered, in a small nook and cranny, like a flower blooming amongst concrete.
The DVD itself is a small disappointment, and I would rather have this belong to the Criterion Collection, but better to have it than not have it.

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One of the most visionary, deeply personal works in the 60-year career of the master behind Rashomon, The Seven Samurai and Ran. Featuring eight episodes rich in imagery and insight (and casting MARTIN SCORSESE as a feisty Vincent Van Gogh), it explores the costs of war, the perils of nuclear power and especially humankind's need to harmonize with nature. You will be enchanted ... and enthralled.

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