Showing posts with label louis jourdan. Show all posts
Showing posts with label louis jourdan. Show all posts

Can-Can (1960) Review

Can-Can (1960)
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Shirley MacLaine and Frank Sinatra kick up their heels in CAN-CAN, the sparkling film adaptation of the Cole Porter musical comedy.
The setting is the Montmatre district of Paris, circa 1896. The can-can dance has been ruled as immoral and scandalous by the polite society, but that doesn't stop Simone Pistache (Shirley MacLaine) from performing the routine at her cafe. She is helped by her boyfriend--crooked lawyer Francois Durnais (Frank Sinatra). Simone's happy existence comes crashing down when she's arrested on the orders of the new district judge, Philipe Forrestier (Louis Jourdan).
Francois decides that the best way for Simone to continue her activities is to seduce Philipe. Pretty soon, Simone has well and truly fallen for his charms, but the hilarious love triangle has only just begun!...
This version of Cole Porter's 1953 Broadway musical is a very enjoyable, breezy viewing experience. The costumes from Irene Sharaff are lavish, and the art direction is flawless. MacLaine and Sinatra (continuing the screen partnership they had established with "Some Came Running") have a very fun rapport. Maurice Chevalier and Louis Jourdan switch on their Gallic charm to maximum effect here.
The original Cole Porter tunestack was augmented with "You Do Something to Me", "Let's Fall in Love", and "Just One of Those Things"; whilst several extra character numbers were deleted ("If You Loved Me Truly", "Allez-Vous-En", "Never Give Anything Away"). The score was lushly arranged and conducted by Sinatra's frequent collaborator Nelson Riddle.
Choreography from Hermes Pan is full of colour and excitement. MacLaine (with the help of a life-sized dummy) is thrown and throttled in a precision-drilled "Apache Dance", and leads the troupe in the "Garden of Eden" Ballet. Juliet Prowse, as Claudine, offers a top performance, too.
TRIVIA: During her early Broadway days, Shirley MacLaine briefly considered applying for Gwen Verdon's understudy in "Can-Can".
The brand-new 2-disc DVD from Fox's "Marquee Musicals" series presents a beautifully-restored print, in complete Roadshow length with overture, intermission and exit music sequences. Extra features on the second disc include "A Leg Up: The Making of Can Can" which delves into the history of the Broadway musical (and features some superb rare footage of Gwen Verdon from the original production). "The Classic Cole Porter" offers a brief glimpse into the life of the celebrated composer. "Book by Burrows" is a salute to CAN-CAN's original author Abe Burrows with reminisces from his children.
The "Restoration Comparison" allows to you see the new DVD master with the earlier 1993 video/laserdisc release-print, and it's quite evident that the good people at Fox have gone above and beyond to restore CAN-CAN to it's original brilliance. There are also some still galleries plus the trailer. In addition, Fox has packaged a set of four postcard-sized lobbycards in the DVD case!
The new edition of CAN-CAN is a must for all fans of the classic musicals.

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A 1890's Montmartre Dance Hall Owner Constantly Raided For Performing The Illegal Can-Can Has To Use Her Own Resources When An Elderly Judge Is Replaced By A Younger More Serious One. Based On Abe Burrow'S Play. Music By Cole Porter.

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The Best of Everything (1959) Review

The Best of Everything (1959)
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I saw this film back in 1959 when it first came out and I also read Rona Jaffe's book on which it was based. It was about the world of New York secretaries. And it seemed to speak directly to me as I was then working as a secretary for a large management-consulting firm. I loved it then because it seemed so real. Now, 44 years later, I'm reminded of that reality.
I remember wearing white gloves and a hat to work each day, even in the summer. I remember setting my hair in pincurls. I remember my electric typewriter, which was the latest technological advance. I was married then and remember being addressed as "Mrs." by my boss, even though I was only 19 years old. All the secretaries had desks next to each other in one open room; it was years before the advent of cubicles made famous by the Dilbert cartoon. And years before any of my fellow co-workers aspired to anything other than marriage and children. The one female executive was pitied and looked at as a sour old maid.
In the film Joan Crawford is cast as that one office "witch", who had not married because she was involved with a married man and was paying for her bad decision. Indeed, there was more than one married man involved in affairs in the film, but it was always the woman who was made to suffer. Hope Lange had the role of the young hopeful who, because of being jilted by her boyfriend, starts to achieve some success in business. Then there is Diane Baker, fresh faced and innocent at the beginning, but whose life is almost ruined by the wrong man. Most pitiful of all though is Suzy Parker, who gives up her secretarial job to be an actress and is used and then dropped by an important director. The men are all cads with the exception of Stephen Boyd who accuses Hope Lange of wanting to achieve success because she's afraid of being a "real woman". Brian Ahern is a lecher who is always pinching the girls; their reaction though is typical of the times --they just laugh it off and don't take him seriously. Robert Evans is a seducer with no morals. And Louis Jourdan is the director who keeps a girl around only for as long as she amuses him.
This is a film that could never have be made today.All the women are secretaries. All the men are bosses. Everyone is white and middle class. They all have the same values. However, in spite of all that, it is a really good story. It moves fast and held my interest throughout. And the acting is quite good. In a limited way I found myself really caring about the characters. I really do know people who were just like those depicted on the screen. Therefore, I recommend this video - even if it's for no other reason to see what life was like back in 1959.

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Rona Jaffe's best-selling novel comes to life in this witty tale about the personal and professional lives of the men and women in a New York publishing firm.Heading a huge cast. JOAN CRAWFORD "gives an excellently etched performance" (Hollywood Reporter) as a tough-talking editor who can't seem to win at love.There are a few more interesting stories around the office than there are in the manuscripts at Fabian Publishers.Among the principal players: a new secretary (HOPE LANG) who quickly gets her boss's (CRAWFORD) job and romances a handsome editor (STEPHEN BOYD); a Colorado secretary (DIANE BARKER) who falls for the wrong man (ROBERT EVANS); and a would be actress (SUZY PARKER) who's jilted by a two-timing director (LUIS JOURDAN).Slick and glossy, The Best Of Everything is a panorama of office politics before women's liberation.

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Count Dracula (BBC Mini-Series) (2007) Review

Count Dracula (BBC Mini-Series) (2007)
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I first saw this version of "Dracula" on PBS back in the 70's (shortly after having read the novel) and thought it a wondererful (albeit a little stiff) and very faithful film adaptation of Bram Stoker's classic gothic novel. Of course there have been hundreds of films featuring Count Dracula down through the ages but very few of them adhered closely to the orignal source material. In fact most of them just borrowed a few key characters and maybe a plot thread or two and then just created their own story. Thankfully the BBC decided to rectify matters by filming their own adaptation for television and this is the first film that I am aware of that really does stay true to the novel. In fact this was the first film to show many of the famous scenes from the novel that previous films had ignored. Namely the scenes of Dracula crawling down the castle walls and a very controversial (at the time) scene where the Count offers a baby to his three vampire brides.
Now keep in mind this is 70's era BBC televsision. While the acting is quite good some of the other production values are not going to be of the same quality that many of today's viewing audiences are used to. For example many of the exterior scenes are filmed outdoors while the interior scenes are filmed on sets. Consequently there is going to be some sequences with a certain stagey quality to them. Some of the special effects shots are going to be...well, lets just say not all that special. Now having said all that I still can tell you that there are more chills to be had from this version than the BBC's most recent and very disapointing adaptation of "Dracula". In fact, I'll go so far as to say that this version is even better than Coppola's "Bram Stoker's Dracula". I never really cared for Coppola's version anyway but I will give it high marks for production values. One of the big mistakes with Coppola's film was the changing of Dracula's character from Stoker's concept of evil vampire to that of a silly, romantic love-struck vampire. Louis Jourdan (Gigi, Octopussy) does a fine job as the Count despite the fact that he is one of the few things in the film that doesn't quite mesh with Stoker's original concept. He does however convey very well that strange dichotomy of vampires. Namely the sensual yet evil qualities we've come to expect from many other screen Dracula's.
To sum up: this film may be cheap in the production values department but if you are looking for a version that is faithful to Stoker's original story, character and concepts then you are on the right track with this offering from 70's era BBC. There's lots of atmosphere and plenty of good chills to be had from this version despite the shortcomings it may have.

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This fan favorite three-part series from the BBC is now available on DVD for the first time! Louis Jourdan stars as the deliciously blood-thirsty Count Dracula in this version of Bram Stoker's horror classic. Keeping close to the original novel, the series begins with Jonathan Harker visiting the Count in Transylvania to help him with preparations to move to England. It is in the Count's castle that Jonathan becomes a prisoner, and discovers Dracula's true nature. Many scenes shot on location -- such as the Gothic graveyard of London's Highgate Cemetery -- add extra atmosphere to an already powerful production.

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