Showing posts with label melodrama. Show all posts
Showing posts with label melodrama. Show all posts

Madame X (1966) Review

Madame X  (1966)
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"Madame X" was already an old story before Lana Turner and producer Ross Hunter decided to adapt it to the big screen. It was written in 1909 by Alexandre Bisson and had already had several movie adaptations, including one in 1929 which had made its star, Ruth Chatterton, the first major new dramatic actress of the talkies. In the early 1960's, Lana Turner was looking for a great vehicle which would reactivate her independent production company. After screening the 1937 version of "Madame X" (starring Gladys George), Lana eagerly discussed the idea of another remake with Ross Hunter. Hunter was the last of the producers who specialized in "women's pictures," and he easily sold the idea to the executives at Universal.
In 1962, Turner and Hunter bought the story rights from MGM and entered into a co-production deal involving Hunter's "crew" and Turner's own Eltee Productions. However, filming was delayed until April 1965, mainly due to disagreements over the script. Lana Turner hadn't had a really great role since 1959`s "Imitation of Life" (which was also produced by Ross Hunter), but her extraordinary performance in "Madame X" turned out to be the greatest of her entire career. It's simply a crime that she wasn't even nominated for an Oscar. Nearly all her fans both then and now agree that if ever Lana deserved an Oscar it was for "Madame X".
Lana Turner plays Holly Anderson, the wife of a wealthy diplomat. Neglected by her husband Clay (John Forsythe), she is slowly led astray and seduced by Phil Benton (Ricardo Montalban), a wolf with the ladies. When Holly tries to end their affair, Phil loses control of his temper, and during their struggle, he falls down a flight of stairs and is killed. Holly leaves Phil's house and goes to her mother-in-law, Estelle (Constance Bennett), desperate for help. But her mother-in-law has always resented Holly and already knows of her affair with Phil (she hired a private detective). Knowing that this is her chance to be rid of Holly, Estelle gives her an ultimatum: give up her family and leave the country, or else be tried for the "murder" of Phil. Estelle also convinces her that the scandal would wreck the lives of her husband and young son.
Holly reluctantly agrees, and she heads for Europe while her husband and son are told she died in a tragic accident. As time passes, she sinks into a life of alcoholism and prostitution, and she becomes addicted to absinthe. While staying in a Mexican hotel, she meets Dan Sullivan (Burgess Meredith), an experienced conman who gets Holly to be his partner in a blackmail scheme. But when she finds out that Dan's intended target is her husband, she shoots Dan and then faces a murder trial, known only as Madame X. Ironically, the young lawyer assigned to defend her is her own son (played by Keir Dullea), now grown up and eager to win his first case. Although neither know of the secret which ties them together, they grow very close to each other as the trial progresses. As the trial nears the end, Holly's strength and will to live diminish, while her son becomes more determined than ever to win the case for her sake.
Although "Madame X" was not the financial blockbuster that Turner and Hunter had hoped for, over the years it has gained the reputation it deserves, as a classic tear-jerker. Lana Turner stated that the role of Madame X was one of her personal favorites, along with Sheila Regan ("Ziegfeld Girl"), Cora Smith ("The Postman Always Rings Twice"), and Georgia Lorrison ("The Bad and the Beautiful"). While touring the country promoting the film in the Spring of 1966, she said this to one reporter about her performance: "I'm not a method actress, but the only way I can reach that kind of emotion is to call on situations and experiences in my own life. It's not easy to do because you lock them away. But it's the only way to get to that same level of intensity." Lana Turner had indeed suffered through much tragedy in her life before filming "Madame X" and I doubt if she could've given such an amazing performance early in her career. Like previous reviewers, I am puzzled why such a wonderful classic like this hasn't gotten a DVD release yet. If you love classic tear-jerkers then get this movie in ANY available format!

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The Best of Everything (1959) Review

The Best of Everything (1959)
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I saw this film back in 1959 when it first came out and I also read Rona Jaffe's book on which it was based. It was about the world of New York secretaries. And it seemed to speak directly to me as I was then working as a secretary for a large management-consulting firm. I loved it then because it seemed so real. Now, 44 years later, I'm reminded of that reality.
I remember wearing white gloves and a hat to work each day, even in the summer. I remember setting my hair in pincurls. I remember my electric typewriter, which was the latest technological advance. I was married then and remember being addressed as "Mrs." by my boss, even though I was only 19 years old. All the secretaries had desks next to each other in one open room; it was years before the advent of cubicles made famous by the Dilbert cartoon. And years before any of my fellow co-workers aspired to anything other than marriage and children. The one female executive was pitied and looked at as a sour old maid.
In the film Joan Crawford is cast as that one office "witch", who had not married because she was involved with a married man and was paying for her bad decision. Indeed, there was more than one married man involved in affairs in the film, but it was always the woman who was made to suffer. Hope Lange had the role of the young hopeful who, because of being jilted by her boyfriend, starts to achieve some success in business. Then there is Diane Baker, fresh faced and innocent at the beginning, but whose life is almost ruined by the wrong man. Most pitiful of all though is Suzy Parker, who gives up her secretarial job to be an actress and is used and then dropped by an important director. The men are all cads with the exception of Stephen Boyd who accuses Hope Lange of wanting to achieve success because she's afraid of being a "real woman". Brian Ahern is a lecher who is always pinching the girls; their reaction though is typical of the times --they just laugh it off and don't take him seriously. Robert Evans is a seducer with no morals. And Louis Jourdan is the director who keeps a girl around only for as long as she amuses him.
This is a film that could never have be made today.All the women are secretaries. All the men are bosses. Everyone is white and middle class. They all have the same values. However, in spite of all that, it is a really good story. It moves fast and held my interest throughout. And the acting is quite good. In a limited way I found myself really caring about the characters. I really do know people who were just like those depicted on the screen. Therefore, I recommend this video - even if it's for no other reason to see what life was like back in 1959.

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Rona Jaffe's best-selling novel comes to life in this witty tale about the personal and professional lives of the men and women in a New York publishing firm.Heading a huge cast. JOAN CRAWFORD "gives an excellently etched performance" (Hollywood Reporter) as a tough-talking editor who can't seem to win at love.There are a few more interesting stories around the office than there are in the manuscripts at Fabian Publishers.Among the principal players: a new secretary (HOPE LANG) who quickly gets her boss's (CRAWFORD) job and romances a handsome editor (STEPHEN BOYD); a Colorado secretary (DIANE BARKER) who falls for the wrong man (ROBERT EVANS); and a would be actress (SUZY PARKER) who's jilted by a two-timing director (LUIS JOURDAN).Slick and glossy, The Best Of Everything is a panorama of office politics before women's liberation.

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A Simple Twist of Fate (1994) Review

A Simple Twist of Fate (1994)
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Steve Martin is primarily known for comedy, but in this heartwarming and heart-wrenching film he shows great ability
in a serious role. Martin stars as a man who is recently divorced after his wife had an affair and got pregnant. 5 years later as a carpenter, he has all of his gold coins stolen by a local politician's drug/alcohol crazed brother. But the local politican (Gabriel Byrne) has skeletons in his closet too..as he is hiding the illegitimate birth of a girl child to a heroin addicted woman. The woman dies outside Martin's home in the midst of a snowstorm, and the little girl wanders inside Martin's home and scares the heck out of him..in his own words "She came to replace my money" Maureen O'Hara costars.
A fantastic film which got very little credit. My daughter loved it! You will too!

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Big-screen favorite Steve Martin (FATHER OF THE BRIDE) shines in this heartwarming motion picture about a single dad who discovers the joys and pain of fatherhood after adopting a daughter. All is well with this special relationship until a local politician attempts to come between them. As they fight to remain a family, the bond between father and daughter is strengthened. With an all-star cast that features winning performances from Gabriel Byrne (POINT OF NO RETURN), Stephen Baldwin (THREESOME), and Catherine O'Hara (HOME ALONE), A SIMPLE TWIST OF FATE is a captivating movie treat that's sure to entertain you!

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Freaks (1932) Review

Freaks (1932)
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Tod Browning's Freaks is a prime example of what films used to be and a sad reminder that they will never quite be like this again. Based on the short story 'Spurs' by Tod Robbins, the movie tells the story of a circus midget who falls in love with a beautiful, 'normal' trapeze artist. When she and her strongman lover try to poison him for his money, the 'freaks' exact their revenge on them. Browning, a former circus performer himself, treats his unusual cast of real-life circus freaks with genuine sympathy. They are the true human element of the film. In most ways this is the first truely compassionate horror film ever made. But upon it's release, censors flipped, audiences ran in horror, and the film was yanked from the screen and banned in Europe for 40 years. A shame, indeed, as the film is a true triumph for Browning. A film that makes a convincing argument about our expectations of beauty and humanity. Sure, it's creepy and frightening. But it's also very sad. It shows you that it's not what we look like that makes us human or that we don't have to be beautiful to be respected. A strange argument for a 'horror' film to make. The only downside to this long-lost and vastly underappreciated film is that the sound can sometimes be rather muffled and a few of the actors have thick accents that sometimes make understanding the dialogue a chore. But it's a minor complaint and doesn't really distract from the wonder up on the screen. If you're in the mood for something a little... uh... different... definitely check this one out. You will be thankful you did.

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FREAKS - DVD Movie

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