Showing posts with label musicals. Show all posts
Showing posts with label musicals. Show all posts

Child Star - The Shirley Temple Story (2001) Review

Child Star - The Shirley Temple Story  (2001)
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When this movie was first played on TV, I was so excited because I have been a major Shirley fan since I was 9(I'm now 21) but when I was watched I was highly dissapointed. The story is supposed to be based on Shirley Temple Black's autobiography "Child Star" and I only saw a handful of items that were actually taken from the book, the rest of it was just fluff. Plus they didn't go past Shirley's early teens when the book covers up until after she marries her second husband. They seemed to only want to focus on the happy aspects of Shirley's life but she and her family were not always so happy go lucky. Ashley Orr is horrific at playing Shirley-first of all she's too old to play 5,6,7 and even 8 year old Shirley and she was too sticky sweet, I know Shirley was too but not that sweet. I would have actually given this movie 0 stars if I had the option, it was horrible. So if you want to know the real story find her book "Child Star" and if you want to see the real Shirley work her magic on the screen go find any of her movies and stay away from this one.
"Bright eyes" , "Heidi" , and "Poor Little Rich Girl" are good movies to start off with.

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Inspector Gadget (1999) Review

Inspector Gadget  (1999)
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I know that the movie didn't do as well in the box office and that critics bashed it. The question is why I bought this DVD. I have a few reasons actually. #1) I was a big fan of the animated series as a child. #2) I like Disney films #3) It was on sale. Three major reasons and yet I even struggled to watch it because it was bashed on so much and it was only 78 minutes long.
So, I was expecting a bad film but you know what. I enjoyed it. I actually liked the movie. It's definitely not below average.
Matthew Broderick is actually a good Inspector Gadget. I think with the way movies are, many people tend to want to see a different Inspector Gadget, perhaps someone more violent. Well, if that's the case...there is the Criterion edition of Robocop with the added gory scenes that you can buy. This movie was made for kids as was the cartoon and I'm a kid at heart because I grew up with the show.
One of the things you'll notice is that it's a Disney DVD with extra's. Yes, it's a miracle isn't it. The majority of all Disney DVD's don't have squat in them. This one has a 30 minute featurette on "Go Inside Inspector Gadget".It also has a music video from Youngstown and the trailer. Not bad Disney...keep adding more! Also, the sound is well done with the 5.1. Good use of the rear channels!
One negative was the layer change. It was during a so-so important scene and that was not good to place it in that area of the movie. They could of put it somewhere else.
Otherwise a good movie for the young ones. Just a little warning for parents with younger children: Seeing Broderick with his head backwards or seeing him get blown up may frighten your child.
So, all in all an enjoyable movie for the family.

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Pin-Up Girl (1944) Review

Pin-Up Girl (1944)
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It is WONDERFUL that FOX is releasing some Betty Grable movies once again...and finally on DVD!! "Pin Up Girl" was primarily a
follow up to the release of millions of copies of her famous pin up picture in 1943. It is a typical Fox Musical...with a large dash of vaudeville (roller skating specialties) and Our Betty playing a secretary (watch her take off her glasses and WOW just about everybody!)...who pretends to be a musical comedy star. There is A BIG NAME BAND and Betty dances with
Hermes Pan! O.K....we watch Betty because she is a great entertainer (and by popular demand, A PIN UP)...her films are
bright and colorful light entertainment. Betty suffers the
embarassment of plots that bring on migraine, but Betty is a
trouper. Bottom line: you will LOVE BETTY...not the movie. We can hope that this will triger the release of some of Betty's
films that have never been on video of any kind. I would really prefer to buy my Betty Grable movies from Fox than from mysterious people on e-Bay and I sincerely hope that this means we will soon be able to do that! Please bring us "Coney Island", "Sweet Rosey O'Grady", "The Dolly Sisters", "Mother Wore Tights"....and everything she made between 1950 and 1955.
Betty Grable was a wildly popular star. Some of her plots are
a little threadbare by now...but BETTY will always be THE WOMAN WE WON THE WAR FOR and a phenomenal popular entertainer. Thanks for bringing her back to us. THREE stars for the movie.
For BETTY: a THOUSAND!!

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Cats - The Musical (Ultimate Edition) (1998) Review

Cats - The Musical (Ultimate Edition) (1998)
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The `Cats' DVD is a cinematic record of the Andrew Lloyd Webber stage musical as performed on the London stage in, I believe, 1998 starring Elaine Paige in the `lead' role of Grizabella, although the only aspect of her role which warrants calling it the starring role is the fact that this character sings the `show-stopper' song, `Memory' which, if you are to believe writer / director Kevin Smith's bit in `Jersey Girl', has become a real Broadway cliché. The show is the most truly `ensemble' performance I can think of. Few characters stand out for more than the length of a single piece, yet practically all characters are on stage for over 50% of the two-hour performance. Aside from Paige, the only character / actor who is remotely familiar to me is John Mills who is on for but two scenes and who is more of a prop than a character.
I make a strong point of the fact that this is a recording of a stage performance rather than a conversion of the play to a more realistic environment. This conversion is done for most Broadway plays turned into movies, especially for big musicals such as `Oklahoma', `The Sound of Music', `My Fair Lady', and `Chicago'. But this conversion is not always successful. That is, the very big realistic setting is not always an enhancement. My best evidence for this is the film done of `The Fantasticks' with a cast including such high powered talent as Joel Gray and others. As someone how has seen the play done on the live stage three times with three different interpretations, including a performance by the New York City cast, I can say that the movie failed to breath any life into the classic minimalist staging it gets in intimate little theaters. The movie was simply not as good as the live performance. This is clearly not the case with this DVD record. It gives us the stage fantasy that needs practically no embellishment with a real ally or cinematic whiz-bang.
Like `The Fantasticks', I have seen `Cats' on the New York stage sitting in a mezzanine seat about 4 rows from the back of the Winter Garden theatre. And, while there is something about a live performance that simply cannot be recorded, I will say that this DVD (and VCR) recording is quite as good a record as you can get.
My most important criteria for evaluating a movie on DVD or VCR is whether or not the work wears well after the second or third or fourth viewing. For example, `Chicago' was fun to watch once, but I have no burning desire to watch it again. On the other hand, `Singin' in the Rain' I can watch about once a year and still find the time well spent. I will say with great conviction that I can watch this recording of `Cats' once a year and enjoy every minute spend with the experience, because I have done so over the last few years. The performance and its record are so durable that my second most important criteria for a DVD, a good commentary track, becomes unnecessary. And, the commentary track is basically a waste of time for a musical anyway, especially a musical based on famous poems written 65 years ago by the most notable poet, T. S. Eliot in `Old Possum's Book of Practical Cats'.
The play has the thinnest of plots based on a once a year selection of one Jellicle cat to ascend into some state of grace, presumably at the conclusion of their legendary nine (9) lives. The only other plot twist involves the kidnapping of the head cat, Old Deuteronomy, thereby preventing this feline apotheosis from being carried out.
This accounts for four or five out of the nineteen numbers. All the rest are based directly on fourteen out of the fifteen poems in Eliot's little book.
One may think that this work has but a single hit song and, therefore, the remaining musical numbers are second rate. This is certainly not the case. I find myself tapping my toe to all numbers, with especial pleasure coming from `Jellicle Cats', `Mungojerrie and Rumpleteaser', and `The Pekes and the Pollicles'. These are much more like stories in song than a simple ballad with easily remembered refrain.
Very highly recommended for anyone with a taste for musicals and worth a try for anyone who likes fantasy.


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The West Point Story (1950) Review

The West Point Story (1950)
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Set at West Point, this musical centers on Elwin Bixby's (James Cagney) misadventures as he tries to stage a show at the academy while trying to lure the young talented soldier Tom Fletcher (Gordon MacRae) away from army life and into showbusiness. Convinced that Tom's voice has star potential, Bixby uses pretty movie star Jan Wilson (Doris Day) as bait to try and charm Tom out of army life. But plans backfire when Jan falls under the spell of the handsome soldier.
Tons of singing and dancing by Gordon MacRae, Doris Day, Gene Nelson, James Cagney, and Virginia Mayo.

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Academy Award winner James Cagney puts on his dancing shoes again for The West Point Story, a spirited comedy packed with star-power and tunes by vetran songwriters Jule Styne and Sammy Cahn.

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The Desert Song (1953) Review

The Desert Song  (1953)
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I love those old musicals, and Gordon Macrae's wonderful baritone makes this one of my favorites. Macrae is a Clark Kent-ish anthropologist: mild, scholarly, and uninterested in love, also disguised as "the man of action" El Khobar, the secret Riff leader, dedicated to protecting the desert people in time of need. To spice up the plot enter Margot: the vibrant and capricious general's daughter who is searching for excitement and love. Add to this the hilarious gossip columnist who will risk anything to get his story, a jealous palace dancer rival for El Khobar's love, a dastardly villain, and a hauntingly beautiful musical score, along with the backdrop of the beautiful African desert. This operetta acheives a wonderful balance of romance, comedy, action, and music that you just don't see anymore!

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KISMET (1955) (DVD MOVIE) Review

KISMET (1955) (DVD MOVIE)
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Howard Keel, Ann Blyth and Sebastien Cabot are wonderful in this version of "Kismet." Delores Gray is simply magnificent as the sultry Lalume, and I just loved Vic Damone's lovestruck Caliph. The dialogue is witty and quite ahead of its time. Songs like "Stranger in Paradise," "Night of My Nights" and "Not Since Nineveh" are unforgettable. The costumes and sets, though not historically accurate, are lovely - the lavish wedding procession remains one of my favorite film scenes.

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This lavish adaptation of the popular musical play tells the tale of a poor street poet who manages to outwit the powerful caliph and win mates for himself and his daughter.Format: DVD MOVIE Genre:DRAMA/CLASSICS UPC:883929002764 Manufacturer No:1000035645

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Rodgers and Hammerstein's Oklahoma (London Stage Revival) (1999) Review

Rodgers and Hammerstein's Oklahoma (London Stage Revival) (1999)
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The 1999 London production of "Oklahoma!", directed by Trevor Nunn with choreography by Susan Stroman, was the first major departure ever from the original Joshua Logan-Agnes De Mille production of 1943. It was a gamble that paid off big, for the performance recorded for posterity on this DVD is absolutely brilliant--funny, riveting, and deeply poignant. The dancing is astonishing, and the beloved Rodgers & Hammerstein songs have never sounded so good. Nunn and Stroman know how to stage each number for maximum dramatic effect, so that the songs come across less as songs than as dramatic monologues in music--which is, of course, exactly what Rodgers & Hammerstein wanted.The cast of this version is so wonderful that it is impossible to talk about them in anything but superlatives. (I might make a slight, regretful exception for Vicki Simon as Ado Annie, who is merely very good whereas everyone else is spectacular.) As Will Parker, Jimmy Johnston--an endearing if improbable cross between Will Rogers, Russ Tamblyn and Jack Black--barrels through his big number, "Kansas City," with infectious glee and astounding athleticism, including a dandy exhibition of trick roping. Some reviewers have pointed out that Peter Polycarpou's accent as Ali Hakim is shaky, but there's no quibbling with his singing or his comic timing; in appearance and talent, he reminds me more than a little of Tony Shalhoub. Maureen Lipman is a perfect Aunt Eller, tough as an old birch tree, plain-spoken and drily witty as she dispenses tough love to the residents of Claremore, Okla. Josefina Gabrielle is an earthier Laurey than we're used to, but she's a good singer and an exquisite dancer, and she makes Laurey's confused longings as painful as a punch in the gut. The real acting honors, however, must be divided between the romantic rivals--Hugh Jackman as Curly and Shuler Hensley as Jud. This production launched Jackman's international career, and no wonder--from the first few bars of "Oh, What a Beautiful Morning," you can't take your eyes off him. He is visually perfect as Curly, he dances well and sings beautifully, and--above all--he exudes charisma from every pore. Hensley combines a rich, operatic baritone with a brooding, menacing stage presence; he makes Jud a classic monster, evoking both pity and terror. His solo number, detailing both his pitiful loneliness and his doomed love for Laurey, is one of the most riveting pieces of dramatic singing I've ever seen or heard.

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Company: A Musical Comedy (2007) Review

Company: A Musical Comedy (2007)
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Marry me a little,
Love me just enough.
Cry but not too often,
Play but not too rough.
Keep a tender distance
So we'll both be free.
That's the way it ought to be....
Only Stephen Sondheim could come up with such sophisticated couplets to a love song as disquieting as the beautiful "Marry Me a Little". I was very fortunate to have seen the enthralling 2006 production at the Ethel Barrymore Theater last season, and I'm thrilled it has been captured for posterity on DVD as part of PBS's "Great Performances" series. There is something supremely ironic about how a 37-year old show, already revived twice, can feel fresher than most Broadway musicals written today. However, when the music reflects Sondheim at his most accomplished with performers so adept, it becomes a moot point, even though several of the songs here have been inescapable at karaoke bars for years from the lips of overly zealous musical theater aficionados.
Staged like a minimalist cabaret act, John Doyle's joyous revival uses the same technique he used in his 2005 production of Sondheim's Sweeney Todd, specifically he has the actors play their own musical instruments, a daring move which actually helps underline the characters' feelings. The story is blessedly simple as it revolves around perennial bachelor Bobby, as he turns 35 and observes his circle of upscale Manhattanite friends, five married couples at different stages in various vignettes that make him reconsider what he wants out of life. Juggling three girlfriends, Bobby is a likeable but elliptical figure with commitment issues, and the story really follows his journey toward self-acceptance. There is an element of contrivance to the structure, but what I thought would be a severely dated libretto by George Furth continues to resonate with wit and insight.
For a canon as legendary and often erratic as his, Sondheim's sophisticated music and lyrics never seemed as accessible and hummable as they do here. So much of the show rides on the crucial casting of Bobby, and Raúl Esparza is terrifically bold and poignant in managing the precarious balance between yearning romantic and cynical hedonist. With a beautifully expressive singing voice coupled with a common-guy demeanor, he captures the character's arc with an escalating emotional intensity from the measured romanticism of "Someone Is Waiting" to the tender tentativeness of "Marry Me a Little" (with the beautiful, Sondheim-trademarked rolling piano) to the bursting climactic catharsis of "Being Alive".
The rest of the cast accomplish wonderful moments that already come with high expectations - Heather Laws' dexterously motors her way through "Getting Married Today" with her character's nerve-wracking intensity intact; Elizabeth Stanley brings a likable warmth to the dim-bulb flight attendant April as she duets sweetly with Esparza on the comically post-coital "Barcelona"; Angel Desai's saucy turn as hip Marta on "Another Hundred People"; the poignant "Sorry-Grateful" performed by the comparatively less spotlighted male ensemble; and of course, there are the lacerating observations in "The Ladies Who Lunch", handled with fierce worldliness by Barbara Walsh as Joanne. In the intimidating shadow of Elaine Stritch, Walsh lets out repeated primal screams at the end that pierce with wounding acuity.
TV director Lonny Price does a fluent job transferring the production to the small screen with minimum fuss. The 2008 DVD contains three terrific extras. First, there is a fifteen-minute interview with an articulate and thoughtful Esparza who discusses his connection with Bobby, the challenge of learning piano, and the alternating joy and pressure of working with Sondheim (for the third time). There is also a nine-minute interview with the erudite Doyle who explains how his unique use of actors as musicians went over with Sondheim. The centerpiece has to be a fascinating, 38-minute interview that Australian TV personality Jonathan Biggins conducted with Sondheim last year in Sydney's Theatre Royal. Sondheim is particularly forthcoming with humorous anecdotes about working with the likes of Leonard Bernstein, Ethel Merman, Barbra Streisand, and his mentor Oscar Hammerstein II during his long, illustrious career. This is a wonderful DVD for any Broadway aficionado and particularly for fans of Sondheim, Esparza and Doyle. I happen to be all three.

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Singin' In The Rain (Import, all-region, Theatrical Trailer) Review

Singin' In The Rain (Import, all-region, Theatrical Trailer)
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For those of you who don't know the story, it is an interesting movie that revolves around the transition from silent films to talking films. A previous reviewer put it quite well when he said that while the movie makes fun of the silent film era, it also shows a respectful nostalgia towards it.
Gene Kelly seems to have made an art out of covering his coincidental rise to fame with a single word: "Dignity." Gene Kelly works with Lena who is beautiful enough for silent films. But her unrefined voice makes us aware that she will have a problem if movies go to sound.
Gene Kelly later runs into Debby Reynolds. Their first meeting ends in a hilarious argument. If we know romances, we can sense that they will end up together. They later meet, and Kelly realizes that Reynolds is 'not so far above him.' But he is moved with compassion. (Perhaps due to his difficult past, he sees a parallel.)
Later, we see that movies are going to sound. While this presents difficulties to all, Lena will have the most problems if she wants to keep her job. The only weak link here is that I don't like how Lena is often made the object of scorn. (All she really wants is to keep her job.) She's no saint to be sure, but is she really so bad for wanting to keep her job?
Moving on, reynolds and Kelly meet again, and they begin working on a project together. We can see that the transition from silent films to talking films was not so easy. An especially hilarious moment is the miserable failure of the screen test (topped off by the sound going out of timing).
But Reynolds and Kelly (former enemies) work together and find a way to save the movie. One thing that makes this movie so great is the harmonious mixture of speaking parts, singing, and dancing.
One comical character worth mentioning is R.F. He gets a tad hypocritical: "Trust me, talking pictures will never amount to anything. They'll lose their shirts." Later, he says: "I told you talking pictures were a menace, but no one would listen."
In many ways, this film is a great treasure.

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