Showing posts with label tyrone power. Show all posts
Showing posts with label tyrone power. Show all posts

Captain From Castile (1948) Review

Captain From Castile (1948)
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It's a shame that 20th Century Fox has yet to have released DVD editions of many of the films of the studio's biggest star, Tyrone Power. Almost impossibly handsome, enormously popular, and with excellent acting credentials, Power nearly singlehandedly kept the studio solvent in the traumatic transition years following WWII, with costume epics like "Captain from Castile" showcasing his strengths.
"Castile" echoes Power's earlier films, "The Mark of Zorro" and "Son of Fury", as again he plays a gallant standing against an arrogant aristocratic class, but this time he runs afoul of the Inquisition, and must flee Spain to re-establish his wealth and reputation, accompanied by loyal friend Lee J. Cobb, and a servant girl who secretly adores him (Jean Peters, in one of her best performances). Recruited into the service of the charismatic Hernando Cortez (Cesar Romero, who nearly steals the film), it's off to Aztlan (Mexico, today) with a small army to face the overwhelming but naive Aztec civilization.
While the film frequently drifts into melodrama, shooting on location in Mexico (with the permission and support of the Mexican government), in glorious Technicolor, gives even the most mundane moments a sense of spectacle, and the cast is in top form. Worth singling out is a terrific supporting performance by Thomas Gomez, as a soldier/priest who dispenses common sense as well as religion, and helps Power realize that the woman he truly loves is not on a balcony, in Spain, but beside him, as they march towards their destiny.
Two aspects of the film deserve special recognition; Alfred Newman's score, featuring the vaulting 'Conquest' march, is one of the finest of his long career, and is even more popular today than when the film was released; and Arthur E. Arling and Charles G. Clarke's cinematography is truly magnificent, particularly in the breathtaking finale, as Cortez' forces proudly march across a broad plain, with active volcanoes in the backround. Never has going 'on location' been more justified, as the image is unforgettable!
If any 'Powers that Be' are reading this review, PLEASE offer this film on DVD, soon! And while you're at it, consider Power's other great films of the 40s and 50s; he deserves to be 'rediscovered' by audiences, today...



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Forced to flee his home during the Spanish Inquisition, nobleman Pedro De Vargas escapes with a beautiful peasant girl and joins Cortz on his dangerous expedition to conquer Mexico, as the young couple fall deeply in love, Pedro's great courage brings his leader honor and glory with every challenge, even as an evil officer threatens the success of the entire expedition.

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Fox Western Classics (Rawhide / The Gunfighter / Garden of Evil) Review

Fox Western Classics (Rawhide / The Gunfighter / Garden of Evil)
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Three long overdue for DVD Westerns are together in one collection. Each of these movies are great individually, but together, makes this a must-have Western film. Here are the three films -
Rawhide - Rawhide deserves not only a DVD release, but recognition as one of the greatest Westerns ever. Taut, masterful direction by the great Henry Hathaway, and excellent perfomances by everyone makes this a must have film for anyone who loves the Western genre.
Tyrone Power and Susan Hayward are trapped at a stage way station by a gang of desperate criminals. Surprises and tragedy unfold as Power, Hayward, and Hayward's baby try to survive and outwit the criminals.
There are scenes in this film that are so tense that even today's hardened, jaded moviegoers will appreciate. This was not a film with larger than life heroes or cardboard cutout villains, but real people well portrayed with great lines from a magnificent script.
The Gunfighter - Gregory Peck, with his natural, spare acting style, and his folksy, plain demeanor, was a natural for Westerns, and his greatness in this genre was never more evident in this 1950 film, which was one of the earlier psychological Westerns.
Peck plays Jimmie Ringo, the most notorious gunfighter in the West, is running from the brothers of a man he killed. He shows up in a town where his ex-wife lives with their young son. Ringo holds up in the town saloon as a favor to the town marshal, who an old friend, while he waits for an opportunity to see his wife.
Meanwhile, the town is taken over with the nervous enthusiasm of people wanting to see a celebrity, a shootout, or a dead celebrity. At the same time, a young punk, would-be gunfighter has heard that Ringo is in town, and is itching to make his reputation off of killing Ringo.
Everyone delivers excellent performances, and the movie has a lot to say about voyeurism, celebrity, longing, and regret. This is a fantastic movie, and without question, one of the best Westerns ever made.
Garden of Evil - This great Western was never even released on VHS, much less video, which is a shame since it had great performance from two great Western actors, Gary Cooper and Richard Widmark. Cooper, Widmark, and two other soldiers of fortune, played by Cameron Mitchell and Victor Manuel Mendoza, arrive in Mexico having responded to an add to make lots of money. They are greeted by Susan Hayward, who takes them on a perilous journey to rescue her husband, who has been injured in a mining accident. If the journey and the rescue weren't hard enough, the location of the mine in in Indian territory. Soon, alliances are made, broken, and remade, and emotions, greed, and violence ensues.
This film may be regarded as the least of the three by some, but it has terrific acting by all, and is a wonderful showcase of Cooper beginning the twilight phase of his magnificent career, where he tended to play veteran loners who find that they still have lots to live for, and who usually finds love and renewed courage along the way.
All three films are excellent, and should have merited individual releases, making this release combining all three is even more special.

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Disc 1: Garden of Evil (1954) Feature Film Disc 2: The Gunfighter (1951) Feature Film Disc 3: Rawhide (1951) Feature Film

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The Black Swan (1942) Review

The Black Swan (1942)
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What is perhaps the most perfect thing about this movie is that it captures the true essence of the swashbuckling films. "The Black Swan" is both directed and acted with a refreshing abandonment. Everything is let loose and blown up and had fun with, and it's quite a ride from beginning to end. Even such props as the costumes, which can overshadow the people in them, or the script, which can sometimes seem too lofty, only compliment the overall treat. We're given a daring adventure, vibrant characters, and exquisite scenery, and all we're asked is to have fun while we're visiting.
Tyrone Power (as Captain Jamie Waring) and Maureen O'Hara (as Margaret Denby) create the ultimate classic pirate/noblewoman couple, complete with Tyrone's charismatic charm and Maureen's signature spitfire nature. Their scenes together spark with that unique chemistry and also with an effortless humor that is more intelligent than slapstick and yet remains by and large unpredictable. They take turns being abused by just about everyone, including each other, and what should have been the most romantic moment (in bed together, a distinct no-no in Hollywood at the time) is rather a tense moment with death leering over them literally. They make a memorable couple, surrounded by a host of splendid actors.
George Sanders is once again a convincing villain, though far removed from his customary suave and sophisticated roles, and his coarse red beard helps those who might have trouble with this new image. Anthony Quinn is his nasty sidekick, alternately grinning maliciously at Jamie or leering over Margaret. Laird Cregar is wonderful as Captain Morgan, alternately proud of and frustrated with Jamie. Thomas Mitchell is perfectly cast as Jamie's right hand man and the would-be source of wisdom for all of Jamie's women troubles.
You must watch this movie in the same spirit that it was made, with your hair down and your heart open to excitement and your mind turned away from somber matters. Watch it if you want to lose a foul mood, or if you want to see some marvelous (award-winning) cinematography, or if you simply want to escape back into this fantasy world that Hollywood created so long ago--when leading men were as beautiful as their female counterparts, and when leading ladies always wore impeccable makeup, and when grand adventures didn't need to start or end on a tragedy.

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