Showing posts with label silver screen classics. Show all posts
Showing posts with label silver screen classics. Show all posts

The Go-Between (1971) Review

The Go-Between  (1971)
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The third, last, and probably most famous of the collaborations between director Joseph Losey and Harold Pinter, "The Go-Between" is a coming of age story for adults. While containing all the ingredients of the standard "summer I became a man" situation, "The Go-Between" presents a bitter, sophisticated view of sexual awakening that may take many viewers by surprise.
Like another great American expatriate filmmaker, Stanley Kubrick, Losey was a visual stylist with a bleak take on humanity. Losey's considerable technical skill--and pessimism--are at peak in "The Go-Between." Set on an English country estate during the summer of 1900, everything that contributes toward the sense of the past is ravishingly textured. A long, hot summer afternoon relieved by an impromptu bathing party, the justly famous cricket match sequence, thick with lassitude, the services before Sunday breakfast, stiffly formal, familiar yet remote at the same time, the games of croquet, seen from a pretty distance, as if watching chess pieces in boaters and crinolines--all testify to the director's ability to find those details that help to make the past come to life.
Amid the lush green fields, the breezes blowing through the trees, the sun dancing across the reeds and the sparkle of the water, a group of selfish, repressed upper and middle-class English pose, lie and suffer through the heat. At the center of the story is Leo Colston, a thirteen year old visitor to the estate who gets caught up in the adults' deceptions and machinations. As with most of Losey and Pinter's work, it's never entirely clear exactly who knows what. There is only the constant, heavy implication that something lurks just beneath the surface, and it is probably unpleasant. "The Go-Between" is practically a circus of raised eyebrows passed between the characters in knowing, unspoken comment. Leo, the innocent outsider, ends up impaled on their smug superciliousness, and for all the summer lyricism, the net effect is ashen.
All of the actors are superb. Margaret Leighton, as the matriarch of the household deserves special mention for her quicksilver motions, her ability to convey Madeleine's barely constrained neurasthenic rage. The music, by Michel Legrand, can be painfully loud and abrupt in places, but there's no denying that it's catchy. (How appropriate it is is another matter.) The transfer is not grossly awful, but it doesn't allow much informed evaluation of the cinematography. At the very least it would be nice to see the film in the correct aspect ratio. Contrasty, over-saturated, with a warbly soundtrack, the video makes you long for DVD. While I don't have much hope of it (Columbia is the studio, after all, that allowed "Lawrence of Arabia" literally to rot in its vaults), perhaps we can look forward to a new transfer that takes advantage of DVD's capabilities. This movie certainly deserves the best the studio can offer.

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Butterfly (1982) Review

Butterfly  (1982)
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Lord only knows how old she looks and she makes Orson Welles and Stacy Keach nearly both die of heart attacks. It's really hard to remember what it's about -- something to do with gold mines and incest -- but the only point is to watch the diminutive firecracker cater to every sordid fantasy being conjured up by every dirty man and boy sitting alone in the darkened theater in, what? 1981? That Orson Welles is in the damn thing makes you feel kinda highbrow, but, please, you're there for Pia. If she gave us ten more of these, she could have been the most famous actress in the world, but, no, she had to go and do something with a garden hose in the next film, which is dreadful, and then go Vegas or something, I don't really know. But this is one of the good filthy ones.

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Errol Flynn Westerns Collection (Montana / Rocky Mountain / San Antonio / Virginia City) (2008) Review

Errol Flynn Westerns Collection (Montana / Rocky Mountain / San Antonio / Virginia City) (2008)
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Only "Virginia City" has an A-film feel about it with Michael Curtiz directing and notable Warner costars. The other three are B Westerns in my opinion, but Flynn's presence always made any film much better. His performances in all of these films are very good, he just doesn't always have the best material with which to work, and in some cases he is working with some very bizarre casting. The extra features bring this package up to four stars in my opinion, but I don't understand why WHV just didn't go ahead and add "Silver River" to the set and make it the usual five film classic box set. Someone else has already done an excellent job of summarizing each film. So I'll just mention the extra features for the set, the director in each case, and my personal rating of each film on a five star scale:
Montana (1950) directed by Ray Enright. (3/5)
The weakest of the four films in the set.
Extra Features:
Vintage Newsreel
Warner Night at the Movies 1950 Short Subjects Gallery
Joe McDoakes Comedy Short: So You Want a Raise
Classic Cartoon: It's Hummer Time
Trailers of Montana and 1950's Chain Lightning
Bonus Gallery of Santa Fe Trail Series Western Shorts: Oklahoma Outlaws, Wagon Wheels West and Gun to Gun
Rocky Mountain (1950) directed by William Keighley (3.5/5)
Begins well, ends well, but the middle does sag a bit, which is unusual for a Flynn film of any genre.
Extra Features:
Commentary by biographer Thomas McNulty [McNulty looks at Flynn's career, his unique qualities as a Western hero and his romance with costar Patrice Wymore.]
Warner Night at the Movies 1950 Short Subjects Gallery
Vintage Newsreel
Trailers of Rocky Mountain and The Breaking Point
Bonus Gallery of Santa Fe Trail Series Western Shorts: Roaring Guns, Wells Fargo Days and Trial by Trigger
Classic Cartoon: Two's a Crowd
Joe McDoakes Comedy Short So You Want to Move
San Antonio (1945) directed by David Butler (3.5/5)
Extra Features:
Warner Night at the Movies 1945 Short Subjects Gallery:
Vintage Newsreel
Oscar-Nominated Vitaphone Varieties Short Story of a Dog
Vintage Shorts: Frontier Days and Peeks at Hollywood
Classic Cartoons: A Tale of Two Mice and Wagon Heels
Trailers of San Antonio and The Corn Is Green
Virginia City (1940) directed by Michael Curtiz. (4/5)
How weird to see Humphrey Bogart playing his role of the bandit with some of the oddest diction ever. Not nearly as good as Dodge City but still good.
Extra Features:
Commentary by historian Frank Thompson [Thompson discusses this all-star collaboration with Flynn, Humphrey Bogart, Randolph Scott and Miriam Hopkins, and the challenges faced by director Michael Curtiz throughout production.]
Warner Night at the Movies 1940 Short Subjects Gallery
Vintage Newsreel
Technicolor Shorts: Cinderella's Feller and The Flag of Humanity
1936 WB Short: The Light Brigade Rides Again
Classic Cartoons: Cross Country Detours and Confederate Honey
Trailers of Virginia City and A Dispatch from Reuters
Recommended for the Errol Flynn completist. If you haven't got them already, get the excellent two volumes of Errol Flynn's Signature Collection. They are a very good introduction to Flynn's work - especially volume one - and should give you a better idea if you would like this set.

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ERROL FLYNN WESTERNS COLLECTION - DVD Movie

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Love Among the Ruins (1975) Review

Love Among the Ruins  (1975)
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I remember seeing this film while a graduate student at West Virginia University and bursting into tears at the end because it was such a perfect and beautiful film. I now proudly own the VHS of it and have watched it several times and each time I see it, it gets better. Olivier and Hepburn are perfectly matched and the score by John Barry is incredibly beautiful. Thank goodness Katherine Hepburn made the comment on Dick Cavett's show that Olivier was one star with whom she had not acted and would like to and that George Cukor and ABC had the smarts to do
something this beautiful. It will forever remain one of my favorites and is one of the great events of TV history.

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Strange Bedfellows (1965) Review

Strange Bedfellows (1965)
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Rock Hudson and Gina Lollobrigida (the former co-stars of 1961's "Come September") once again make a smashing team in the cute romantic comedy STRANGE BEDFELLOWS (produced and directed in 1965 by Melvin Frank).
Hudson plays Carter Harrison, a womanising company exec who marries Antonia (Lollobrigida), an Italian spitfire who is heavily into art and politics. When their marriage fails, Carter doesn't hear from Toni for many years, until his boss decides Carter will get a promotion if he can prove that he is a respectable (and, more to the point, MARRIED) man. He decides to lead Toni on to get the promotion but finds himself falling in love with her all over again. The memorable supporting cast includes Terry-Thomas, Nancy Kulp, Gig Young, Arthur Haynes and Edward Judd.
As other reviewers have noted, the film is presented in the wrong widescreen ratio, which will impact you if you own a widescreen television or 16:9 display. Still, we're lucky to have this movie on DVD in the first place.
The DVD includes the trailer. (Single-sided, single-layer disc).

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Walker (The Criterion Collection) (1987) Review

Walker (The Criterion Collection) (1987)
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Walker is an unconventional biopic that effectively burned any remaining bridges Alex Cox had with Hollywood. He took a modest amount of studio money and made a film about William Walker, an opportunistic American who invaded Nicaragua and became its president from 1855 to 1857, instituting slavery which didn't go over too well with the locals, and he was eventually executed in 1860. Cox wasn't interested in making a traditional biopic and, with screenwriter Rudy Wurlitzer, decided to include the occasional modern anachronism (Walker appears on the covers of Newsweek and Time; a Mercedes drives past a horse-drawn carriage) to give the film a satirical howl of protest against the Reagan administration's support of the contra war against the democratically elected Sandinista government. This did not endear Cox to his studio backers.
Cox sets an absurdist tone and never looks back. This is evident in Walker's first battle in Nicaragua. As his men are gunned down in the street, he brazenly walks through seemingly oblivious to the carnage going on around him. He takes refuge in a building and plays the piano as bullets whiz around him. It's a crazy scene but works because of Ed Harris' conviction. He portrays Walker as a self-important, power-hungry madman with characteristic charismatic intensity.
Cox actually had the chutzpah to make Walker in Nicaragua with the approval of the Sandinista government which demonstrates just how far he was willing to put his money (or rather the studio's) where his mouth was. The filmmaker adopts a very playful attitude as he gleefully deconstructs the biopic (much as he shredded the spaghetti western and gangster film genres in Straight to Hell) in such an off-kilter way that had never been done before and rarely attempted since (perhaps Kevin Spacey's take on Bobby Darin in Beyond the Sea or Tony Scott's gonzo take on Domino Harvey in Domino (Widescreen New Line Platinum Series)). However, Walker remains a cinematic oddity as he applies the punk aesthetic to the biopic, making a political statement about the abuse of power that is eerily relevant today as it was in 1987.
There is an audio commentary by director Alex Cox and screenwriter Rudy Wurlitzer. The two men talk about how they took a traditional historical narrative and proceeded to break all of its rules. They praise Joe Strummer's emotional score and touch upon the mood it creates. Cox is funny and full of energy with Wurlitzer providing his own laconic take on the film.
"On Moviemaking and the Revolution" is an audio excerpt from an extra on the film who recounts their experiences and providing a snapshot of the crazy atmosphere of filming on location.
"Dispatches from Nicaragua" is a 50-minute retrospective look at the making of Walker. It provides the historical context in which Cox made his film. There are all kinds of great behind-the-scenes footage of the filmmaker and his cast and crew hard at work. We see what a logistical nightmare this film was and the challenges of shooting in Nicaragua.
There is another extra where Cox quotes from and responds to the scathing reviews of his film from back when it first came out.
"The Immortals" features two still galleries, one of behind-the-scenes photographs taken on the set and Polaroids of various cast members in costume.
Finally, there is a theatrical trailer.

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Captain From Castile (1948) Review

Captain From Castile (1948)
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It's a shame that 20th Century Fox has yet to have released DVD editions of many of the films of the studio's biggest star, Tyrone Power. Almost impossibly handsome, enormously popular, and with excellent acting credentials, Power nearly singlehandedly kept the studio solvent in the traumatic transition years following WWII, with costume epics like "Captain from Castile" showcasing his strengths.
"Castile" echoes Power's earlier films, "The Mark of Zorro" and "Son of Fury", as again he plays a gallant standing against an arrogant aristocratic class, but this time he runs afoul of the Inquisition, and must flee Spain to re-establish his wealth and reputation, accompanied by loyal friend Lee J. Cobb, and a servant girl who secretly adores him (Jean Peters, in one of her best performances). Recruited into the service of the charismatic Hernando Cortez (Cesar Romero, who nearly steals the film), it's off to Aztlan (Mexico, today) with a small army to face the overwhelming but naive Aztec civilization.
While the film frequently drifts into melodrama, shooting on location in Mexico (with the permission and support of the Mexican government), in glorious Technicolor, gives even the most mundane moments a sense of spectacle, and the cast is in top form. Worth singling out is a terrific supporting performance by Thomas Gomez, as a soldier/priest who dispenses common sense as well as religion, and helps Power realize that the woman he truly loves is not on a balcony, in Spain, but beside him, as they march towards their destiny.
Two aspects of the film deserve special recognition; Alfred Newman's score, featuring the vaulting 'Conquest' march, is one of the finest of his long career, and is even more popular today than when the film was released; and Arthur E. Arling and Charles G. Clarke's cinematography is truly magnificent, particularly in the breathtaking finale, as Cortez' forces proudly march across a broad plain, with active volcanoes in the backround. Never has going 'on location' been more justified, as the image is unforgettable!
If any 'Powers that Be' are reading this review, PLEASE offer this film on DVD, soon! And while you're at it, consider Power's other great films of the 40s and 50s; he deserves to be 'rediscovered' by audiences, today...



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Forced to flee his home during the Spanish Inquisition, nobleman Pedro De Vargas escapes with a beautiful peasant girl and joins Cortz on his dangerous expedition to conquer Mexico, as the young couple fall deeply in love, Pedro's great courage brings his leader honor and glory with every challenge, even as an evil officer threatens the success of the entire expedition.

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The Legendary Jerry Collection (The Bellboy / Cinderfella / The Delicate Delinquent / The Disorderly Orderly / The Errand Boy / The Family Jewels / The Ladies Man / The Nutty Professor / The Patsy / The Stooge) (1964) Review

The Legendary Jerry Collection (The Bellboy / Cinderfella / The Delicate Delinquent / The Disorderly Orderly / The Errand Boy / The Family Jewels / The Ladies Man / The Nutty Professor / The Patsy / The Stooge) (1964)
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The author of a recent book in appreciation of Lewis' film work, Enfant Terrible! notes that he's been honored primarily not in the US but in France, by "those incomprehensible hedonistic strangers across the sea." This set affords an opportunity to reappraise his standing in the cinema, and I find myself falling in with the hedonistic strangers in appreciation of his considerable talents.
I can remember as a kid laughing my head off in the theater watching Who's Minding the Store? (not included in this set), but it wasn't until I saw Martin and Lewis on the Colgate Comedy Hour shows on DVD that I had any idea of his range and versatility. Then I saw the first Dean and Jerry movie, My Friend Irma, a film based on a radio show, and thoroughly forgettable but for one thing: the Martin/ Lewis interplay. Paramount long ago saw what I'm just finding out, and the duo made sixteen movies together.
Only their last film in that series is included in this set, The Stooge, from 1953, in which, as Leonard Maltin has noted, Lewis shows hidden depths as an actor. His first solo outing, The Delicate Delinquent (1957) is surprisingly poignant, with only intermittent comic bits. This unimaginably rich set of ten films from 1953 to 1965 may not convert staid critics on this side of the Atlantic, but it certainly will prove the Lewis lover's cup of tea. The films are on ten single sided DVDs in five slimline cases which fit in a box set. The slim cases are too thin to comfortably hold two discs, however, and plastic pieces had broken off in all the cases I opened. The DVDs were still OK though (single sided discs are tougher than double sided ones), and except for that problem this is an attractively packaged set.
The ten films are in widescreen, four in black and white and six in color. In chronological order they are: The Stooge (1953, black and white), The Delicate Delinquent (1957, black and white), The Bell Boy (1960, black and white), Cinderfella (1960, color, with Ed Wynn as the fairy godfather), The Errand Boy (1961, black and white), The Ladies Man (1961, color), The Nutty Professor (1963, color, special edition), The Patsy (1964, color), The Disorderly Orderly (1964, color, with an opening song by Sammy Davis Jr.), and The Family Jewels (1965, color, in which Lewis plays six roles). There's not much information on the box, but many films include trailers and extra features, listed inside the DVD cases. The piece de resistance is a personal note from Jerry slipped into the box, expressing his hope that the Martin/ Lewis films will also soon make it to DVD. A sentiment we fans, mon ami, fervently echo.


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Contains: The Nutty Professor, The Ladies' Man, The Delicate Delinquent, Cinderfella, The Bell Boy, The Errand Boy, The Patsy, The Disorderly Orderly, The Family Jewels, and The Stooge.

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The Busby Berkeley Collection (Footlight Parade / Gold Diggers of 1933 / Dames / Gold Diggers of 1935 / 42nd Street) (1935) Review

The Busby Berkeley Collection (Footlight Parade / Gold Diggers of 1933 / Dames / Gold Diggers of 1935 / 42nd Street) (1935)
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I am sure that I am one of many who are incredibly excited about the upcoming release of these brilliant Busby Berkeley musicals! Each of these films contain many of the big screen's most unforgettable moments, and all five merit inclusion in this fine DVD package.
For fans of musicals and for those who simply enjoy excellent cinema, these movies have it all! First and foremost, the artistry of Berkeley's musical sequences make these films a must-see! It doesn't matter if you are a musical maven or not. The inimitable Busby Berkeley production numbers will dazzle you, even with the sound turned down! In addition to being renowned musicals, these films are also some of the wittiest comedies from the 30's era. I don't think anybody can resist the well-written snappy dialogue and sly innuendo, particularly from the pre-code releases included here.
My mini-reviews:
FOOTLIGHT PARADE -- Great pre-code dialogue, and a fantastic showcase for the comedic talents of both Joan Blondell and James Cagney, the latter demonstrating his incredible footwork that helped him score his Oscar winning role in Yankee Doodle Dandy!
GOLD DIGGERS OF 1933 -- My personal favorite of this collection. it features the famous Ginger Rogers number "We're In The Money", and the unforgettable "Forgotten Man" performed by Joan Blondell! Great production numbers and more entertaining pre-code comedy.
DAMES -- In addition to the great production number of the title song, it features an hilarious performance by Hugh Herbert, probably (though debatably) his best!
GOLD DIGGERS OF 1935 -- This one introduces the great production number, "The Lullaby Of Broadway" and also features a great comedic performance from Gloria Stuart (of "Titanic" fame).
42nd STREET -- This is the film that reinvented the movie musical!Nuff said, except that Ginger Rogers' chaffing is a wonderful highlight.
The extras look nice, though I'm sorry no commentaries seem to be included. I'm looking forward to seeing the new featurettes. All in all, this is a very reasonably priced package that is worth every penny. Enjoy!

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The Busby Berkeley Collection is a 6-disc compilation of five remastered Warner Bros. classics from one of the greatest motion picture choreographers of all time.

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The Best of Everything (1959) Review

The Best of Everything (1959)
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I saw this film back in 1959 when it first came out and I also read Rona Jaffe's book on which it was based. It was about the world of New York secretaries. And it seemed to speak directly to me as I was then working as a secretary for a large management-consulting firm. I loved it then because it seemed so real. Now, 44 years later, I'm reminded of that reality.
I remember wearing white gloves and a hat to work each day, even in the summer. I remember setting my hair in pincurls. I remember my electric typewriter, which was the latest technological advance. I was married then and remember being addressed as "Mrs." by my boss, even though I was only 19 years old. All the secretaries had desks next to each other in one open room; it was years before the advent of cubicles made famous by the Dilbert cartoon. And years before any of my fellow co-workers aspired to anything other than marriage and children. The one female executive was pitied and looked at as a sour old maid.
In the film Joan Crawford is cast as that one office "witch", who had not married because she was involved with a married man and was paying for her bad decision. Indeed, there was more than one married man involved in affairs in the film, but it was always the woman who was made to suffer. Hope Lange had the role of the young hopeful who, because of being jilted by her boyfriend, starts to achieve some success in business. Then there is Diane Baker, fresh faced and innocent at the beginning, but whose life is almost ruined by the wrong man. Most pitiful of all though is Suzy Parker, who gives up her secretarial job to be an actress and is used and then dropped by an important director. The men are all cads with the exception of Stephen Boyd who accuses Hope Lange of wanting to achieve success because she's afraid of being a "real woman". Brian Ahern is a lecher who is always pinching the girls; their reaction though is typical of the times --they just laugh it off and don't take him seriously. Robert Evans is a seducer with no morals. And Louis Jourdan is the director who keeps a girl around only for as long as she amuses him.
This is a film that could never have be made today.All the women are secretaries. All the men are bosses. Everyone is white and middle class. They all have the same values. However, in spite of all that, it is a really good story. It moves fast and held my interest throughout. And the acting is quite good. In a limited way I found myself really caring about the characters. I really do know people who were just like those depicted on the screen. Therefore, I recommend this video - even if it's for no other reason to see what life was like back in 1959.

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Rona Jaffe's best-selling novel comes to life in this witty tale about the personal and professional lives of the men and women in a New York publishing firm.Heading a huge cast. JOAN CRAWFORD "gives an excellently etched performance" (Hollywood Reporter) as a tough-talking editor who can't seem to win at love.There are a few more interesting stories around the office than there are in the manuscripts at Fabian Publishers.Among the principal players: a new secretary (HOPE LANG) who quickly gets her boss's (CRAWFORD) job and romances a handsome editor (STEPHEN BOYD); a Colorado secretary (DIANE BARKER) who falls for the wrong man (ROBERT EVANS); and a would be actress (SUZY PARKER) who's jilted by a two-timing director (LUIS JOURDAN).Slick and glossy, The Best Of Everything is a panorama of office politics before women's liberation.

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Band of Angels (1957) Review

Band of Angels (1957)
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Band of Angels is a very well-written screenplay about the oddities of race in America. I would have to compare it with "To Kill a Mockingbird" only I think Band of Angels is more thought provoking.
The plot involves a pre-Civil War Southern belle (whose father has sent her to school in the north which should give you a hint) who returns to Kentucky when her father falls ill. She arrives to see him being buried, and immediately afterwards hears first that her father was bankrupt and all the slaves will be sold and then that she herself is the child of a slave woman and therefore she too will be sold. It seems her father had an affair with a mulatto slave and raised the child as if the mother had been white and married to him. He has (somewhat unbelievably) concealed this from his child, who doesn't understand why her mother is buried outside the family cemetery. Our beautifully-dressed belle ends up being literally sold down the river -- she leaves pleasant Kentucky to be sold on a New Orleans auction block. (The further south you got, the worse conditions were: the other slaves are probably going to end up on a mosquito-infested sugar cane plantation and face a much worse fate than she does, but the movie fails to make this point). It's an eye-opener how particularly shocking the slave auction is when an apparently white woman is being auctioned -- which gives a lot of insight into subliminal racism.
Although a bit dated at parts (the music at the beginning, for example, and the scenes with the slaves singing like a choir), this is a very thought-provoking and yet entertaining movie. I highly recommend it.

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In an attempt to carry on in his great Rhett Butler tradition, Gone With The Wind star Clark Gable once again flexes his muscular charms in another Civil War-era movie about the torrid romance between a plantation owner and a half-caste beauty. Directed by Raoul Walsh, and also starring Yvonne De Carlo and Sidney Poitier, the film is highlighted by a stunning musical score by Gone with the Wind composer Max Steiner. DVD Features:FeaturetteTheatrical Trailer


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The Last Wagon (1956) Review

The Last Wagon (1956)
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In The Last Wagon, Richard Widmark proved that he was a seamless fit for the Western genre. Although he played his share of heroes, villains, and a little of both in a number of Westerns, his acting always seemed suited for delivering just the right tone at just the right time.
In The Last Wagon, Widmark plays Comanche Todd, a white man raised with Indians and a wanted killer who took revenge on the men who killed his Indians wife and children. Captured by lawmen, Todd is kept by the lawmen at a wagon train headed through dangerous Apache territory. However, the Apaches attack the wagon train, leaving only Todd, two women, and children alive. Now Todd must try to get the family through hostile territory to the nearest fort and certain trial and execution for his crimes.
In the hand of great Western movie director Delmer Daves, The Last Wagon has more than its share of excitement and tense moments. The actors are very good, even though the ending strains credibility to the limit. This is a film that deserved to be released on DVD, and Western film lovers should have a good time watching it.

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Film Noir Classic Collection, Vol. 4 (Act of Violence / Mystery Street / Crime Wave / Decoy / Illegal / The Big Steal / They Live By Night / Side Street / Where Danger Lives / Tension) (1950) Review

Film Noir Classic Collection, Vol. 4 (Act of Violence / Mystery Street / Crime Wave / Decoy / Illegal / The Big Steal / They Live By Night / Side Street / Where Danger Lives / Tension) (1950)
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This collection is the DVD debut for all ten of these films, and I don't even know if any of them are available on VHS. I've only seen them thanks to Turner Classic Movies playing them at odd hours, along with other cable channels presenting them over the years. They are excellent but not well remembered film noirs. I would rate them all between 4 and 5 stars. I thought I would list their descriptions, stars, and special features below, not in any particular order:
Crime Wave: (1954) Starring Sterling Hayden and Gene Nelson. An ex-con is trying to go straight, but circumstances force him into crime one more time. Gene Nelson plays a hard-nosed cop. Note a young Charles Bronson playing a minor role.
Commentary by James Ellroy and Eddie Muller
Crime Wave: The City is Dark
Theatrical trailer
Decoy: (1946) Starring Gene Gillie and Edward Norris. Sci-Fi meets Film Noir in this story of a woman who will stop at nothing to retrieve 400K stolen in a robbery. Gillie would make Barbara Stanwyck proud as she chews up man after man in her quest.
Commentary by Stanley Rubin and Glenn Erickson
Decoy: A Map to Nowhere
Theatrical trailer
Illegal: (1955) Starring Edward G. Robinson and Nina Foch. Robinson plays a D.A. whose upwardly mobile career faces a train wreck when a man he convicted is executed and then found to be innocent. After he hits bottom he resurrects his legal career, this time as a criminal attorney. The plot can be hard to follow, but Robinson's performance is great.
Commentary by Nina Foch and Patricia King Hanson
Illegal: Marked for Life
Behind the Cameras: Edward G. Robinson
Theatrical trailer
The Big Steal: (1949) Starring Robert Mitchum and Jane Greer. The lead duo from "Out of the Past" trade wisecracks and insults in a cross-country chase over a suitcase full of stolen money. For once, Mitchum is actually not the bad guy. Almost too much fun to be considered Film Noir.
Commentary by Richard B. Jewell
The Big Steal: Look Behind You
They Live By Night: (1948) Starring Cathy O'Donnell and Farley Granger. The story of an escaped convict trying to live a normal life with the help of his girlfriend. Granger plays the convict who isn't entirely bad, but not entirely reformed either.
Commentary by Farley Granger and Eddie Muller
They Live By Night: The Twisted Road
Theatrical trailer
Side Street: (1950) Starring Cathy O'Donnell and Farley Granger. Granger plays a struggling husband trying to make ends meet when he spots some cash lying around in an office one day. He takes the money, but finds out it is much more than he thought. When he tries to return the money, he gets caught up in a murder mystery. Hitchcock-like in its twists and turns.
Commentary by Richard Schickel
Side Street: Where Temptation Lurks
Theatrical trailer
Where Danger Lives: (1950) Starring Robert Mitchum and Faith Domergue. The plot is somewhat unbelievable, even for Film Noir, but Mitchum gives a strong performance that makes it worthwhile. Mitchum plays a doctor who becomes taken with a patient. Due to a concussion, his judgement becomes clouded and he believes he has murdered the patient's husband. He and the woman go on the run, have some strange adventures, and then Mitchum realizes what kind of illness his new girlfriend was being treated for in the first place.
Commentary by Alain Silver and James Ursini
Where Danger Lives: White Rose for Julie
Theatrical Trailer
Tension: (1950) Starring Richard Basehart and Audrey Trotter. Basehart plays a mild-mannered man whose salary and disposition are not enough for his wife. She leaves him for a tough and wealthy man. Why Basehart would want her back is anyone's guess, but he does and plans to murder his wife's new boyfriend. The tough guy is murdered, but not by Basehart's character.
Commentary by Alain Silver and Elizabeth Ward with Audrey Trotter
Tension: Who's Guilty Now?
Theatrical Trailer
Act of Violence: (1948) Starring Van Heflin and Robert Ryan. Van Heflin plays a family man trying to adapt to life after the war and internment in a prison camp. Enter Robert Ryan, who plays a man with Terminator-like determination in his quest to murder Heflin's character for something that happened during their joint stay in the German prison camp.
Commentary by Dr. Drew Casper
Act of Violence: Dealing With the Devil
Theatrical Trailer
Mystery Street: (1950) Starring Ricardo Montalban and Sally Forrest. Montalban plays a detective who, working with a forensics expert, tries to solve a murder case and exonerate the lone circumstantial suspect. One of the first films I know of to use science to help solve a murder decades before DNA made this aspect of crime solving so interesting and important.
Commentary by Alain Silver and Elizabeth Ward
Mystery Street: Murder at Harvard
Theatrical Trailer

Click Here to see more reviews about: Film Noir Classic Collection, Vol. 4 (Act of Violence / Mystery Street / Crime Wave / Decoy / Illegal / The Big Steal / They Live By Night / Side Street / Where Danger Lives / Tension) (1950)

Ex-World War II pilot Frank Enley (Van Heflin) is a respected contractor and family man. Then his troubled, gimp-legged bombardier (Robert Ryan) shows up with a gun and a score to settle. Perhaps neither man is what he seems to be as director Fred Zinnemann (The Day of the Jackal) guides a searing Act of Violence, "the first postwar noir to take a challenging look at the ethics of men in combat" (Eddie Muller, Dark City: The Lost World of Film Noir). Murder lives on Mystery Street. John Sturges (The Great Escape) directs a revealing-for-the-era procedural about a Boston cop (Ricardo Montalban) solving a whodunit with the help of a Harvard forsensic expert (Bruce Bennett). Welcome to CSI Noir.

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Tennessee Williams Film Collection (A Streetcar Named Desire 1951 Two-Disc Special Edition / Cat on a Hot Tin Roof 1958 Deluxe Edition / Sweet Bird of Youth / The Night of the Iguana / Baby Doll / The Roman Spring of Mrs. Stone) (1958) Review

Tennessee Williams Film Collection (A Streetcar Named Desire 1951 Two-Disc Special Edition / Cat on a Hot Tin Roof 1958 Deluxe Edition / Sweet Bird of Youth / The Night of the Iguana / Baby Doll / The Roman Spring of Mrs. Stone) (1958)
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This review isn't of the great movies contained but the DVD set and their respective presentations.
first..let me say the bonus DVD "Tennesse Williams South"...is exceptional..its a film made about and with him in 1974 and besides his own readings of his work , which are illuminating, it features legends like Burl Ives and Jessica Tandy re-creating his dialog..simply timeless!
now..onto the Discs/Movies
the bonus featurettes are all very well done however, seemingly shorter than they should/could be. By that I mean...they have current interviews with Karl Malden and Eli Wallach for BABYDOLL and Rip Torn for Sweet Bird of Youth and the ever beautiful Jill St John for The Roman Spring of Mrs. Stone, and yet the amount of face time these actual stars of the films in question get is barely a line here or there? Not that the featurettes aren't good...they are..it just seems they could be a could 10minutes longer each...
now...the opposite problem is in the second disc of Streetcar Named Desire....the feature length (90min) Elia Kazan: A directors Journey is wonderful..its a decade or so old but was done while he was still with us and his participation raised it above the level of talking heads documentaries of the day. The strange thing is that the new featurettes on this disc feature way too much culled from the aforementioned feature. I don't understand....WB has wonderful featurettes on all the movies that seem truncated and then BLOATS out the Streetcar featurettes with duplicate material from itself? Only the current footage of Karl Malden saves the Streetcar featurettes from their own plagerism.
Now..the films themselves are all in very good shape considering they go back half a century. I wasn't a particular fan of Tennesse Williams..but after viewing all these films and the bonus film...i most certainly put him in the genius category and am looking for more.
Also, the press is making a big deal about Marlon Brando's screen test which is being included in the Streetcar DVD bonus features...its only a curiosity , not amazing by any stretch. What is far more interesting is Karl Malden's lovely memories of his friendship and admiration for Mr Brando....truly touching and mezmorizing. Malden is a treasure of an actor who starred in more fine films than any but the most ardent fan would know as he was usually second billed...but he IS the star of this set.
Great American films and unlike Universals shameless packaging..WB continues to present these types of films lovingly with extras..oh yeah..and the commentaries aren't bad either...much to enjoy in this set.

Click Here to see more reviews about: Tennessee Williams Film Collection (A Streetcar Named Desire 1951 Two-Disc Special Edition / Cat on a Hot Tin Roof 1958 Deluxe Edition / Sweet Bird of Youth / The Night of the Iguana / Baby Doll / The Roman Spring of Mrs. Stone) (1958)

Streetcar Named Desire 2 Disc SE Cat on a Hot Tin Roof Deluxe Edition Sweet Bird of Youth Night of the Iguana Baby Doll Roman Spring of Mrs. Stone

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The Man Who Never Was (1956) Review

The Man Who Never Was (1956)
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Although the film was a ostensibly a 20th Century Fox production, THE MAN WHO NEVER WAS was filmed in England using primarily English crew and cast (though American leads). It belongs to a tradition of English war films in which aspects of the war are treated slowly, deliberately, and with great precision. While in the US war films tended to feature John Wayne leading Marines into combat, the British tended to focus much more on the preparation and plans of operations. For instance, the very fine film THE DAM BUSTERS features very little in the way of actual combat. And THE MAN WHO NEVER WAY has no combat whatsoever.
The movie is based on a book by the same name about Operation Mincemeat, in which the British attempted to mislead the Germans about the intended invasion spot for D-Day by planting a corpse with fake papers on a beach in Spain, knowing that the Spanish would pass the papers onto the Germans. The entire movie is involved with the formation of the plan, and then creating the man who never was, creating his papers and personal effects. On one level, not much happens in the film, but on another it is one of the most fascinating films ever made about the war, because of the practical problems they deal with in the executing of the operation. Knowing that it was all based upon real events greatly adds to the appeal of the film.
Clifton Webb, who was in fact far too old for the part, turns in a convincing performance as Lieutenant Commander Montagu. In most of his films he comes across as arrogant, but in this one he instead communicates competence and intelligence. Gloria Grahame is excellent as the primary female presence in the film. If you look carefully, you can spot Stephen Boyd in a small role, a few years before he would portray Messala in BEH-HUR.

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Clifton Webb stars in this fascinating account of a daring intelligence operation designed to mislead the Nazis prior to the 1943 Allied invasion of Sicily.In an effort to convince the Germans to redeploy their defenses, Lt. Commander Montagu (Webb) creates a false English officer and fabricates letters that indicate the British intend to land in Greece.Montagu than plants these documents on a dead man and orchestrates the "discovery" of this "officer" on the coast of Spain, Knowing the papers will fall into German hands.What follows is a taut cat-and mouse game as British Intelligence waits for Berlin to respond, then races to stay one step ahead of the Nazi agent dispatched to determine if the dead man is genuine.This true story of ingenious deception is a riveting tale of wartime espionage.

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The Good, the Bad and the Ugly (Two-Disc Blu-ray/DVD Combo in Blu-ray Packaging) (1966) Review

The Good, the Bad and the Ugly (Two-Disc Blu-ray/DVD Combo in Blu-ray Packaging) (1966)
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MGM released a DVD edition of "The Good, the Bad and the Ugly" in the late 1990s, but it had few extras, a mono soundtrack, and a scratched print. Finally, MGM has given Sergio Leone's Western epic the double-disc special edition it deserves. The print is restored and as clear as I've ever seen it, the sound is now an astonishing 5.1 Surround (listen to the glass falling off Tuco after he springs through the window in the opening sequence!) nineteen minutes of footage from the Italian original have been restored, and the discs are packed with extras. Even the packaging is great: a sturdy interlocking box, with the DVDs kept in the upper and bottom parts of the two lids. Also inside the box are cards containing posters for the film in five different countries.
The film, like most of the European Westerns of the 1960s, was critically disregarded in its day. The New York Times said of it: "the most expensive, pious, and repellent movie in the history of its peculiar genre. There is scarcely a moment's respite from the pain." It's amazing how people missed the brilliance of this movie, which turned Western conventions upside down in such a wonderfully bizarre, European way. Now the film is considered a classic, and only Sergio Leone's own "Once Upon a Time in the West" (another great 2 DVD set, by the way) has more respect in the genre. Leone's strange style -- stretched out time, obsession with close-ups and extreme wide-shots, focus on rituals, and use of Morricone's wild and avant-garde score -- are all in full force in this tale of three treasure-seekers searching for a cache of gold coins on the Texas-New Mexico border during the Civil War. The implacable and unflappable 'hero' Blondie (Clint Eastwood), the crazy comic bandit Tuco (Eli Wallach), and the calculating immoral sadist Angel Eyes (Lee Van Cleef) cross each other's paths amidst the senseless violence of the war. Leone perfectly contrasts the self-interested men with the greater backdrop of the tragedy of war. It's a strangely emotionally affecting picture despite its focus on three men who are detached from normal society and seem not to care about anything but money. So many individual scenes stand out for their virtuosity that the movie a parade of "greatest hits." Most astonishing of all is "The Ecstasy of Gold" sequence where Tuco dashes madly through a cemetery, looking for the grave that might hold the gold. Morricone's music here is especially overwhelming.
Chances are you've seen the film and love it. What about the new scenes and the extras?
Nineteen minutes of footage have been restored that were never shown in the American prints. The scenes integrate perfectly into the film, and after seeing them once, you won't be able to imagine they were ever missing. Among the scenes are Angel Eyes visiting a destroyed fort; Tuco hiring bandits to help him chase Blondie; Blondie and Angel Eyes having a face-to-face when they first set out together to find the gold; and some extra conversation between Tuco and Blondie in the desert. However, these scenes were never dubbed into English in the 1960s. Therefore, the DVD producers had to newly dub them. Eli Wallach and Clint Eastwood do their own voices. An actor named Simon Prescott does the imitation of the deceased Lee Van Cleef. Admittedly, Wallach and Eastwood no longer sound the same, but I couldn't imagine someone else imitating their voices -- it couldn't have been done any other way. Prescott is pretty good as Angel Eyes, if a bit more gravelly.
The extras...
Disc 1 has audio commentary by Richard Shickel, a film historian who wrote Eastwood's biography and also did commentary on Leone's "Once Upon a Time in America" DVD. His comments can be pretty dry, and he focuses mostly on Leone's style and techniques instead of on background information on the filming itself. Nonetheless, there are many interesting insights, and Shickel manages to say a lot during the three-hour running time.
Most of the extras are on Disc 2:
"Leone's West" -- A 20-minute documentary about the making of the film. Includes interviews with Shickel, producer Alberto Grimaldi, author of the English dialogue Mickey Knox, and best of all, Eastwood and Wallach. There's some very interesting info and memories here, mostly from Knox and the two actors.
"The Leone Style" -- A 23-minute documentary, really just an extension of the first one. It spends more time on Leone's unusual techniques. The same interviewees appear here.
"The Man Who Lost the Civil War" -- A 14-minute documentary that was produced separately from the DVD. It makes no mention of the movie, but is about its historical backdrop: the disastrous General Sibley campaign in Texas. Sibley appears in the film briefly, and this short documentary gives the viewer an important insight into the world of Blondie, Tuco, and Angel Eyes.
"Reconstructing The Good, the Bad and the Ugly" -- An 11 minute look into the painstaking work involved with fixing the picture and sound, restoring the cut scenes, and re-dubbing it.
"Il Maestro: Ennio Morricone" -- 8 minutes; mostly an interview with music scholar John Burlingame about the film's score. At the end of the feature, you can choose to listen to an audio-only twelve-minute lecture by Burlingame that provides a much more in-depth analysis of the music.
"Deleted Scenes" -- Two scenes couldn't go back into the film. The extended torture scene had a damaged negative, so here it is in its rougher state. An apparently lost scene is reconstructed through text, stills, and clips from the French trailer.
Finally, there's a gallery of posters, the original trailer, and MGM tossing in some gratuitous advertising for their other films.
Don't miss this DVD. Not only is it one of the great action films and one the great westerns, but it's the kind of release that the DVD format was invented for!

Click Here to see more reviews about: The Good, the Bad and the Ugly (Two-Disc Blu-ray/DVD Combo in Blu-ray Packaging) (1966)

By far the most ambitious, unflinchingly graphic and stylistically influential western ever mounted, The Good, the Bad and the Ugly is an engrossing actioner shot through with a volatile mix of myth and realism. Clint Eastwood returns as the "Man With No Name," this time teaming with two gunslingers (Eli Wallach and Lee Van Cleef) to pursue a cache of $200,000and letting no one, not even warring factions in a civil war, stand in their way. From sun-drenched panoramas to bold,hard close-ups, exceptional camera work captures the beauty and cruelty of the barren landscape andthe hardened characters who stride unwaveringly through it. Forging a vibrant and yet detached style of action that had not been seen before, and has never been matched since, The Good, the Bad and the Ugly shatters the western mold in true Clint Eastwood style.
Audio: English: Mono, 5.1 DTS HD Master Audio / Spanish & French: 5.1 Dolby Digital
Language: Dubbed & Subtitled: English, French & Spanish
Aspect Ratio: Widescreen: 2.35:1


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TCM Spotlight: Errol Flynn Adventures (Desperate Journey / Edge of Darkness 1943 / Northern Pursuit / Uncertain Glory / Objective Burma) (1943) Review

TCM Spotlight: Errol Flynn Adventures (Desperate Journey / Edge of Darkness 1943 / Northern Pursuit / Uncertain Glory / Objective Burma) (1943)
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Here are the specifications of the extra features. Note the return of the Warner Night at the Movies that was last seen on the Warner Homefront Collection in late 2008. Also note that Objective Burma is a new release but that there are several new features on this new version.
Desperate Journey (1942) - directed by Raoul Walsh
BONUS FEATURES:
Warner Night at the Movies 1942 Short Subjects Gallery:
Vintage Newsreel
Oscar-Nominated Patriotic Short The Tanks Are Coming
Musical Shorts Borrah Minnevitch and His Harmonica School and The United States Army Air Force Band
Classic Cartoon The Dover Boys at Pimento University or the Rivals of Roquefort Hall
Trailers of Desperate Journey and 1942's Murder in the Big House
Edge of Darkness (1943)-directed by Lewis Milestone
BONUS FEATURES:
Warner Night at the Movies 1943 Short Subjects Gallery:
Vintage Newsreel
Musical Short The United States Service Bands
Classic Cartoons Hiss and Make Up and To Duck....or Not to Duck
Trailers of Edge of Darkness and 1943's The Hard Way
Northern Pursuit (1943) - directed by Raoul Walsh
BONUS FEATURES:
Warner Night at the Movies 1943 Short Subjects Gallery:
Vintage Newsreel
Wartime Short The Rear Gunner
Musical Short All-Star Melody Masters
Drama Short Over the Wall
Classic Cartoon Hop and Go
Trailers of Northern Pursuit and 1943's The Constant Nymph
Uncertain Glory (1944) - directed by Raoul Walsh
BONUS FEATURES:
Warner Night at the Movies 1944 Short Subjects Gallery:
Vintage Newsreel
Musical Short Unted States Coast Guard Band
Classic Cartoons Brother Brat and Russian Rhapsody
Trailers of Uncertain Glory and 1944's The Mask of Dimitrios
Objective, Burma! (1945) - directed by Raoul Walsh
BONUS FEATURES :
2 Classic Warner Brothers Wartime Shorts
1941's The Tanks are Coming With George Tobias, Richard Travis and Gig Young
1943's The Rear Gunner with Burgess Meredith and Ronald Reagan
Raoul Walsh Profile
Theatrical Trailer
Commentary by Historians Rudy Behlmer, Jon Burlingame and Frank Thompson
Warner Night at the Movies 1945 Short Subjects Gallery:
Vintage Newsreel
Joe McDoakes Comedy Short So You Think You're Allergic
Classic Cartoon A Tale of Two Mice
Trailers of Objective, Burma! and 1945's Pride of the Marines
All of these films have a World War II theme and all five are very good with the exception of "Northern Pursuit" which is ridiculous and - worse for a Flynn film - painfully slow. There have been some disagreements on what I've seen for extra features on Objective Burma. Some show the commentary as present, some do not. Overall, I'd recommend this set as a buy, especially if you don't already own Objective Burma in some form.

Click Here to see more reviews about: TCM Spotlight: Errol Flynn Adventures (Desperate Journey / Edge of Darkness 1943 / Northern Pursuit / Uncertain Glory / Objective Burma) (1943)

DESPERATE JOURNEY Allied airmen shot down over Germany fight their way back to England. ERROL FLYNN leads RONALD REAGAN and other flyboys in a rousing wartime spirit-lifter. EDGE OF DARKNESS They're everyday citizens - and extraordinary heroes. Flynn and ANN SHERIDAN rally Norwegians against the Nazi occupiers of their once-peaceful village. NORTHERN PURSUIT Icebound wilds and ice-blooded Nazis! Canadian officer Flynn infiltrates a cadre of saboteurs and guides them toward their destination'and into the unraveling of their scheme. UNCERTAIN GLORY The Gestapo decree: 100 Frenchmen will die if a resistance leader fails to turn himself in. Condemned French prisoner Flynn volunteers to pose as the wanted man. Powerful heroism! OBJECTIVE, BURMA! Pinned down in the jungle - and fighting back! Flynn commands a stranded paratrooper patrol in this gritty, volatile tale noted for its battlefield authenticity.

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