Showing posts with label bards and minstrels. Show all posts
Showing posts with label bards and minstrels. Show all posts

Captains Courageous (1996) Review

Captains Courageous (1996)
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Captains Courageous DVD
Captain Courageous is updated version of a story by Rudyard Kipling"Captains courageous." (Kipling dollar library for young moderns). In the movie, staring Robert Urich as a fishing boat's captain, and Kenny Vodas as a young, spoiled rich boy who falls overboard from a cruise liner and is rescued by a fishing boat and is required to work if he wants to eat is a great story about growing up.Highly recommended for any family who has a young teenage boy that is not use to minding his manners, respecting his elders, and doing chores as a responsibility.
Warning has a "tear-jerking" ending.
Gunner March, 2008


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Streetcar Named Desire (1995) Review

Streetcar Named Desire  (1995)
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While it will not replace the classic 1951 Kazan film version, this television production of Tennessee Williams' "Streetcar Named Desire" comes textually closer and remains more faithful to what Williams actually wrote (with the exception of a few minor deletions). The most noticeable restoration is the issue of homosexuality in regard to Blanche's dead husband, which in 1951 had to be sidestepped. The performances are all quite good. Diane Lane as Stella and John Goodman as Mitch are more human and less deliberate than their Kazan counterparts, Kim Hunter and Karl Malden. Alec Baldwin does quite well, especially considering the shadow of Brando which hangs over the role of Stanley Kowalski. Baldwin may lack the complete rawness and animal sexuality, but he improves over Brando in giving Stanley a sympathetic edge; another advantage is that Baldwin does not mumble.
Which brings us to Jessica Lange, whose portrayal of Blanche is both delicately shaded and strongly characterized; she is heart-breaking and luminous. Comparing her to Vivian Leigh, it is impossible to rank one over the other, as both performances seem "definitive" (now if we only had the performances of Jessica Tandy, Uta Hagen, and Tallulah Bankead preserved). The production design for once truly emphasizes the squalor in which Stella and Stanley live and which so shocks Blanche upon her arrival. Worth purchasing, especially for devotees of Williams.

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Shakespeare Collection (Hamlet 1996 / A Midsummer Night's Dream 1935 / Othello 1965 / Romeo & Juliet 1936) (1935) Review

Shakespeare Collection (Hamlet 1996 / A Midsummer Night's Dream 1935 / Othello 1965 / Romeo and Juliet 1936) (1935)
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I was very pleased with my "Literary Classics Collection" and "Motion Picture Masterpieces Collection" that I purchased from Warner's, and it looks like the studio originally known for gritty urban dramas continues to go highbrow with this collection of four movies featuring interpretations of works by the Bard. The press release by Warner Home Video has the following extras listed for each movie:
A Midsummer Night's Dream (1935)
Cast includes James Cagney, Olivia de Havilland (in her screen debut), Joe E. Brown, and Mickey Rooney. The film was nominated for four Academy Awards, including Best Picture. It won for Best Cinematography and Best Film Editing.
DVD Special Features:
Commentary by film historian Scott MacQueen
Olivia de Havilland screen test
Vintage featurette "A Dream Comes True" (8 minutes)
Presenting... Gallery of 6 teaser trailers showcasing cast members
Warner Bros. Studio Café teaser trailer
Musical short "Shake Mr. Shakespeare"
Theatrical trailer
Subtitles: English, French and Portuguese (feature film only)
Romeo and Juliet (1936)
This was actually an MGM production. George Cukor directs with Norma Shearer and Leslie Howard in the title roles. Nominated for four Academy Awards including Best Picture.
DVD Special Features:
Vintage short "Master Will Shakespeare"
Classic MGM cartoon "Little Cheeser"
Theatrical trailer
Subtitles: English (feature film only)
Othello (1965)
Lawrence Olivier in the title role, Maggie Smith as Desdemona, Joyce Redman as Emilia, and Frank Finlay as Iago. All four performers were nominated for Academy Awards for their performances.
DVD Special Features:
Vintage featurette "Olivier Talks About Othello"
Theatrical trailer
Subtitles: English (feature film only)
Hamlet 2-Disc Special Edition (1996)
Cast includes actor/director Kenneth Branagh, Kate Winslet, Derek Jacobi, Julie Christie, Robin Williams, Jack Lemmon, Billy Crystal and Charlton Heston. This rendition is set in the 19th century.
DVD Special Features:
Introduction by director/star Kenneth Branagh
Commentary by Kenneth Branagh and Shakespeare scholar Russell Jackson
New digital transfer from original 70mm elements
Soundtrack remastered in Dolby Digital 5.1
Featurette "To Be on Camera: A History with Hamlet"
1996 Cannes Film Festival promo
Shakespeare movies trailer gallery
Subtitles: English, French and Spanish subtitles. (feature film only)

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HAMLET: "Hamlet has the kind of power, energy and excitement that movies can truly exploit," award-winning actor/director Kenneth Branagh says. In this first-ever full-text film of William Shakespeare's greatest work, the power surges through every scene. The timeless tale of murder, corruption and revenge is reset in an opulent 19th-century world, using sprawling Blenheim Palace as Elsinore and staging much of the action in shimmering mirrored and gold-filled interiors. The energy is electrifying, due to a luminous cast. The excitement of the Bard's words and an adventurous filmmaking style lift the story from its often shadowy ambience to fully-lit pageantry and rage. Now presented in an amazing 2-Disc Special Edition. ROMEO & JULIET: Norma Shearer and Leslie Howard in the title roles are "so good that one can forget they are too old for the roles" (Leonard Maltin's Movie Guide). Adding to this allure of this nominee for four Academy Awards?* including Best Picture are lavish sets and costumes (Botticelli paintings inspired Shearer's wardrobe) that fuel the film's then-astonishing $2-million budget. OTHELLO: The original cast and soul-shattering impact of the play's 1964 staging by the National Theatre of Great Britain are captured on film. As the valiant war hero swept into a maelstrom of jealousy and revenge, Olivier won his seventh Academy Award? nomination.* The movie's Desdemona (Maggie Smith), Emilia (Joyce Redman) and "honest Iago" (Frank Finlay) also captured Oscar? nominations.* And the result, Bosley Crowther wrote in The New York Times, is that "this Othello is one of the boldest you'll ever see." A MIDSUMMER NIGHT'S DREAM: Love is blind, fickle and true. And under the sway of capricious fairies it becomes blinder (a queen romances a donkey), more fickle (best friends swoon over each other's beau) and truest of all (lovers repledge their devotion). "Lord, what fools these mortals be!" in Shakespeare's bewitching comedy. James Cagney, screen-d

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Devil's Disciple (1959) Review

Devil's Disciple  (1959)
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This classy film mixes fact and fiction. Bernard Shaw's take on the American Revolution has all the smart touches that we associate with his plays with some scant reference to history thrown in. What makes this movie a hit are the three great actors who are all in their prime here. Laurence Oliver's John Bourgoyne (Gentlemanly Johnny) is simply brilliant. His acid wit makes for a most stunning portrait of this famed general. Shaw was probably inspired to write a play on this subject because Bourgoyne was something of an ametuer playwright himself in the 1770s. The film losely depicts his 1777 campaign from Canada to divide the northern colonies. The plan envisioned Bourgoyne's 9,000 (British, Hessian and Loyalists, with a few Indians) to combine with a drive up from New York under general Sir William Howe's main army. Berry St.Leger was to come down from Oswego with a smaller force. All three were to meet in Albany to divide and conquer the colonies.
Bourgoyne's plan, while elegant on paper did not reflect the logistical reality as far as 18th century armies were concerned. The events were to show that great miscalculations were made. The movie is based losely on the campaign. The towns and locales shown, as well as the characters of Lancaster and Douglas are purely fictional. But the clever plot and role reversal, plus the way these characters evolve in response to events illustrates how the Revolution must have seemed to many not directly involved in it.
The British were fighting a war for the hearts and minds of the Americans (sounds familar in Iraq now). The movie shows this quite well. While a little slow in the beginning, this short film quickly gains speed while its trio of lengendary actors unfold their magic on screen. Its interesting that the production was B&W as the color of the period and the unifroms would have come out better in color. The production value of the movie is quite good with correct period detail, unifroms, military bands, and artillery. While the emphasis of the movie may not be on the Revolution per se, it provides excellent period details all the same.
This sophisticated look at the American Revolution may appear too wordy for some, but it runs circles around such films as the "The Patriot". Whether you are a fan of the great actors shown here, love wity dialogue, or are seeking an unusual period movie, "The Devil's Disciple" has it all.

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Jungle Book: Mowgli's Story (1998) Review

Jungle Book: Mowgli's Story  (1998)
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I think young kids 6 years old and younger would really like this movie. Little kids love animals, let alone animals they think are talking! OK, it doesn't exactly follow the Rudyard Kiplings "Jungle Book" version, but I think this was suppose to be light and fun for young children to enjoy, not so much for us adults. My kids enjoyed watching this video over and over again.

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A Kid In King Arthur's Court (1995) Review

A Kid In King Arthur's Court  (1995)
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No matter how many times I watch this movie, or the older I get, I am still in love with it! Being a fan of the time of King Arthur, and time travel without the use of science fiction novel tactics, this movie was a thrill for me to watch!
The lead character, Calvin, is a less than popular guy back in his home town of Receda, California. When he is suddenly thrown through time with the help of Merlin, he finds himself in a completely different world. Although the plot doesn't exactly follow any of the stories of King Arthur (i.e. King Aurthur and Guinevere never had any kids, obviously. She ran away w/ Lancelot) but it has the romantic appeal of the time period, and Calvin's friendships with the king and his youngest daughter, Princess Catherine are wonderful! As it goes on, his character flaws are sraightened out and he becomes a stronger person, faced with many tasks most persons never endure. The final scene's tie it all together until he finally goes home, and realizes he can be the person he aspires to.
The film is absolutely wonderful with the adventure, romance, and humor tying togther to make a memorable occassion. I strongly suggest A Kid in King Arthur's Court to anyone who wants a great time, a laugh and a smile!

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Prince Charming (2003) Review

Prince Charming (2003)
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CHRISTINA APPLEGATE IS WONDERFUL IN THIS CAPTIVATING AND REFRESHING NEW TAKE ON A MAGICAL FAIRY TALE. I WATCHED THIS ON TNT THIS FIRST NIGHT IT AIRED, THINKING IT WOULD BE A MINDLESS MOVIE TO SLEEP THROUGH. WRONG!WRONG!WRONG! THE PRINCE IS A RAKE BUT EVENTUALLY HE LEARNS THAT LOVE IS WHAT LASTS. HE LEARNS THIS THROUGH CENTURY'S AS A FROG, HIS SQUIRE PLAYED BY TALENTED MARTIN SHORT, AND HIS HEART'S DESIRE, CHRISTINA APPLEGATE. IF YOU LIKE MODERNIZED FAIRY TALES, YOU WILL LOVE THIS MOVIE. ALSO, CHECK OUT JACK AND THE BEANSTOCK - THE TRUE STORY AND SNOW WHITE PRODUCED BY HALLMARK ENTERTAINMENT. THEY ARE AWESOME AS WELL.

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Baz Luhrmann's Red Curtain Trilogy (Strictly Ballroom / Romeo + Juliet / Moulin Rouge) (1993) Review

Baz Luhrmann's Red Curtain Trilogy (Strictly Ballroom / Romeo + Juliet / Moulin Rouge) (1993)
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The colorful, whirling world of Baz Luhrmann is brought to life in the Red Curtain Trilogy, comprising "Strictly Ballroom," "Romeo + Juliet," and "Moulin Rouge." While there are sticky patches -- particularly the pairing of Danes and DiCaprio in "Romeo + Juliet" --the overall effect is beautiful and poignant.

"Strictly Ballroom" is the problem in Scott's (Paul Mercurio) life. He's an outstanding dancer, but he refuses to conform to the Australian ballroom rules -- he wants to dance his own steps. When he loses his partner, awkward Fran (Tara Morice) enters the scene and asks to dance with him. These two outcasts of the ballroom start to fall in love as they try to win a major competition.

"Romeo + Juliet" gives a modern Californian twist to the classic tale of feuding families and starcrossed young lovers. Romeo (Leonardo DiCaprio) and Juliet (Claire Danes) come from a pair of families locked in a deadly feud, but they fall in love anyway. Their desperate efforts to be together lead to tragedy...

"Moulin Rouge" gives us another kind of bittersweet love story -- a musical rather than a revamped classic. Bohemian poet Christian (Ewan McGregor) dips into the sensuous, flashy world of Moulin Rouge. There he falls in love with the beautiful, sickly Satine (Nicole Kidman), a star at the club, and a well-known courtesan. Unfortunately, their growing love is threatened by a duke, who wants Satine all for himself.

As a boy, Baz Luhrmann grew up around ballroom competitions, which give the heart to these movies. But the soul is in the presentation. It's theatrical, colorful, dazzling to the eyes and centered on classic tales of doomed love and succeeding against the odds.

Luhrmann's sense of the theatrical is included in his direction -- it can be very sharp and fast, and sometimes downright crazy. With another director, it might seem flashy and gaudy, but Luhrmann's unique style works. A particular risk is making a musical, something which spelled death for movies for a long time... until Luhrmann revived it with Moulin Rouge. Or the postmodern tale of Romeo and Juliet, which is imperfect, but still quite pleasant.

The acting tends to be excellent, although the acting in "Romeo + Juliet" is spotty, and DiCaprio and Danes have zero chemistry. But McGregor and Kidman in particular are outstanding, and Tara Morice and Paul Mercurio of "Strictly Ballroom" have electricity and sweetness to spare. The supporting actors are quite good as well.

And the three-DVD set is graced with plenty of extras -- documentaries, commentary on each film, behind-the-scenes peeks, featurettes, and some gorgeous music videos. And there's even an extra disc included with a "Red Curtain" documentary about Luhrmann's style, scripts, screensavers, more music videos, and more.

Baz Luhrmann reinvented the musical and gave his movies a lush, strange look that entices viewers even now. Sensuous, fun and funky, this is a trilogy to definitely check out.

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Contains: *Moulin Rouge *Moulin Rouge Bonus Disc *Romeo and Juliet Special Edition *Stricly Ballroom *Behind the Red Curtain

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Last Call (2002) Review

Last Call (2002)
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Another great movie that I stumbled upon. I cannot believe that there was not more written about this one. The beautiful Neve Campbell delivers a remarkable performance and Jeremy Irons along with Cissy Spacek ensure that you will be taken on a highly interesting ride.
Jeremy Irons - arguably the best living actor - truly becomes "Scott" in this harrowing display of creative downward spirals with momentary glimpses of genius.
Instead of glorifying or overly romanticizing the subject, the director paints a picture of the subtle and not-so-subtle relationship dynamics among the characters; particularly the struggles of Fitzgerald and his lovely, devoted and talented assistant.
This is one of those rare finds in the world of movies that falls under the radar but once discovered, becomes a treasure to the viewer.
Very nicely done.

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F. Scott Fitzgerald spent a lifetime battling demons - alcohol and aschizophrenic wife - and yet, wrote some of the greatest novels in American Literature.Despite a tumultuous relationship with his mistress, his ailing wife, declining health, andhis daily drinking binges, Fitzgerald secretly wrote a scathing novel about the filmindustry which some call his best novel.It was his final triumph. Last Call is based on atrue story about this troubled genius, starring Oscar, Emmy, and golden globe winnerJeremy Irons, Neve Campbell, and Academy Award winner Sissy Spacek.

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The Roman Spring of Mrs. Stone (1961) Review

The Roman Spring of Mrs. Stone (1961)
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The Roman Spring of Mrs. Stone is a film about need and seduction and the fear of being all-alone in the world. Legendary New York stage actress Karen Stone (the legendary Vivian Leigh) is unhappy with her latest performance, and is even more distraught when the play turns out to be a flop. She decides to retire from acting, telling everyone she needs a holiday to take care of her ailing husband.
However, when he dies on board a jetliner on the way to Rome, she decides to stay in the City and book herself into a lavish rooftop apartment. She wonders the streets, drifting in a haze of expensive loneliness, wondering what to do with her life now that acting is over for her. She soon falls in with the Contessa (Lotte Lenya), a female pimp, and a sharp procuress of handsome young men for forlorn wealthy old widows.
The Contessa hooks her up with the young Paolo di Leo (Warren Beatty). The sexy Paolo thinks nothing of acquiring money out of rich, older women, and with the Contessa's encouragement, he wines and dines Karen. Karen, however, isn't your typical widow. At around fifty, she's is still very beautiful, although she worries about getting older, she's obviously enamored of Paolo and she's desperate for affection, but she's determined that Paolo's need for money will not triumph her need for love.
They eventually become lovers. Karen showers gifts upon Paolo and they take a trip to Tangier. The Contessa becomes furious that Paolo isn't "cutting her fifty-fifty on the deal." Karen also doesn't heed the warnings of her friend, journalist Meg (Coral Browne) that she has "a disease" that can't be fulfilled. When Paolo begins to make the movies on younger starlet Barbara Bingham (Jill St. John), Karen begins to see Paolo for what he really is.
Based in Tennessee Williams novella, Roman Spring of Mrs. Stone is full of his trademark themes of desperation and isolation of fearful people aching to connect. There's no doubt that Paolo is an attractive man, but he's also selfish, spoilt and petulant and he thinks nothing of two-timing Karen. Karen is an intelligent and intuitive woman, and she's well aware of Paolo's agenda, but it's as though she's observing life through a looking glass, and is ultimately seduced by the gigolo lifestyle.
Director Jos? Quintero bathes the movie soft hews of gold and orange and he makes the most of Rome's stunning surrounds. Vivien Leigh remains a rather downcast presence - she's plays Karen with a fascinating mixture of neurosis and foreboding, she knows the relationship with Paolo will probably lead nowhere but she just can't help herself.
When their romance starts to sour, she and her young and deceitful companion trade sharp words but there no extravagant theatrical exchanges. Likewise Beatty plays down the truculent Paolo - much has been made of his Italian accent, but I found it perfectly suitable, and he's totally convincing as a manipulative pretty-boy Italian gigolo.
The Romance of Mrs. Stone was probably pretty sensational when it was released in 1961; and it's moral ambiguities - paying for sex and high-class prostitution, quite shocking to some. The film as aged well, although it dances around the more intimate aspects of the relationship - there's only one short love scene, which fades to black - the film certainly does a good job of highlighting the trials and tribulations of poor lonely women with bags of money who find themselves at a loss, living in exotic places and desiring to connect with someone. Mike Leonard May 06.


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An ageing starlet is off to vacation in Rome with her husband when he suffers a fatal heart attack on the plane. Mrs. Stone stays in Rome where she leases a magnificent apartment with a view of the seven hills from the terrace. Soon, a contessa comes calling and introduces Mrs. Stone and a young man named Paola. A wary Mrs. Stone ultimately succumbs to Paolo's charms.DVD Features:DocumentariesFeaturette:? New Featurette Mrs. Stone: Looking for Love in All the Dark Corners


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Lady Chatterley (1992) Review

Lady Chatterley (1992)
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It is rare that a novel can successfully be adapted to the screen without losing much of its force. Lady Chatterley, Ken Russell's adaptation of D.H. Lawrence's Lady Chatterley's Lover, however, loses almost none of the force of the original source. The novel was banned when it came out, and one viewing of Lady Chatterley will explain why.
The British VHS box for Lady Chatterley boasts that it is filled with "very, very erotic sex." That is about the most accurate statement you can make about this movie. Lest one get the wrong idea, however, this made-for-TV movie is not pornography. It utilizes the original plot, cutting out some of the more social aspects of the novel, to tell a beautiful story about one woman's search for love -- sexual and otherwise -- outside of her marriage and class.
Joely Richardson, best known in the U.S. for cavorting with Mel Gibson in "The Patriot," here bares it all early and often with Sean Bean. Both of them shine in their respective roles. Ms. Richardson is brilliant as a strong, independent woman whose husband is crippled during WWI, thus basically ending her sexual life prematurely. Sean Bean plays her lowly, gamekeeper lover, Oliver Mellors. The dirty, scruffy, growling Mellors is the perfect vehicle for Sean Bean's talent -- part bad guy, part sensual lover, in many ways a guilty pleasure (much like Sean Bean himself!)
This is not a movie for immature audiences -- it is as beautiful a story as it is erotic, much the way D. H. Lawrence wrote it. Nor is it for the faint of heart -- the sex scenes are revealing and very intense. It is beautifully shot, wonderfully acted, and overall, is an amazing cinematic experience. The 3.5 hours are well worth watching, at least for fans of Joely Richardson or Sean Bean.
Although the movie is extremely good, I would definitely recommend reading the original novel as well, particularly the unexpurgated version. Some of the best scenes in the novel were cut for censorship considerations and their inability to work onscreen. Nonetheless, fans of the novel will not be disappointed -- and those unacquainted with the novel will certainly be more than a little surprised at the force and eroticism of this movie.

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From the director of Women in Love and Altered States comes a retelling of the literary classic that launched the most celebrated obscenity trial of the 20th century. In adapting the famous tale of unbridled passion, Ken Russell has made a moving love story and some of the most talked about television of the 1990s. Joely Richardson (Return to Me, The Affair of the Necklace) stars as the young, sexually repressed Lady Chatterley, whose paralyzed husband (James Wilby, Gosford Park) urges her to find fulfillment and an heir for his fortune in the arms of another man. Sean Bean (Patriot Games, The Lord of the Rings) is the lowly gamekeeper whose scandalous attentions awaken her senses. DVD special features include an exclusive interview with writer/director Ken Russell, behind-the-scenes photo gallery, broadcast trailer, cast and crew filmographies and DH Lawrence biography.

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Hansel & Gretel (2002) Review

Hansel and Gretel (2002)
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With movies and books constantly having regurgitated story lines and predictable characters, this one is a refreshing difference. For those who berate this movie because it has flagrant disregard to the original story, I remind you of what Disney has done (and continues to do) to classic stories, such as "The Little Mermaid" and "Aladdin." Those movies are great because they have modern experiences put in so that children of today can relate. "Hansel and Gretel" does the same thing. What results is a hilarious, visually-stimulating, modern retelling of a story we have all grown to memorize, with an all-star cast. The movie is very satirical, that is why sometimes it seems "overdone," but over-all it's a great movie for children of all ages (especially the parents). Laughs and chills abound with this fairytale!

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When their wicked stepmother strands them in the Magic Forest, things look Grimm for little Hansel and Gretel. On their enchanted odyssey, they encounter everything from a scatter-brained Sandman and a bumbling Boogeyman to a wonderfully Wicked Witch who really likes kids - well-done! DVD Features:Electronic press kit:Behind The ScenesFeaturette:How To Make A Gingerbread House Guided Tour of The Monster ShopTheatrical Trailer


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The Fall of the House of Usher /The Pit and the Pendulum (1960) Review

The Fall of the House of Usher /The Pit and the Pendulum (1960)
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These two films revolutionized AIP. No longer were they pumping out black and white Academy aspect ratio films that became double features. Now they were making color cinemascope features. Both of these films feature Poe stories with Vincent Price in the lead and Roger Corman behind the lens. And they truly remind us that Corman made some great movies during his time at AIP. The Pendulum is truly a scary set.
These are essentials for your DVD collection if you have a Psychotronic shelf.

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THE FALL OF THE HOUSE OF USHER: Audio Commentary by Director Roger Corman Original Theatrical Trailer THE PIT AND THE PENDULUM: Rare Prologue

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Red Riding Hood Review

Red Riding Hood
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My almost four year old granddaughter picked this film as she already knew the story of Little Red Riding Hood from her mom and dad. I was a little concerned it might be too scary as it is PG but I should have realized that she was able to handle it very well.
The wolf is a werewolf. Lainie Kazan is the grandmother and is reading the story to her grandchildren. Lainie is wonderful in this!! If you are over 50 you may remember her singing on the Mike Douglas Show or on Ed Sullivan.
While the wolf swallows people whole, it is done by special effects that make it look cartoonish thus not scaring even my granddaughter! She really loved the whole film and was very enthusiastically telling her aunt, one of my other daughters, how good it was!!
If you have a mature preschooler who understands pretend and cartoon violence, they will enjoy this as the singing and fun stuff are hilarious. There is a precarious situation for the two kids in the film but even that is broken by humor and turning out not to be as dangerous as it looks. Otherwise I would recommend the viewing be by at least 5 or 6 year olds.

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Jungle Book (1994) Review

Jungle Book  (1994)
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Since the special features in "Rudyard Kipling's The Jungle Book" aren't mentioned in Amazon.com's usually thorough product info, here's a quick rundown:
- Widescreen (2.35:1) - Enhanced for 16 x 9 Televisions
- Audio Commentary With Director Stephen Sommers and Editor Bob Ducsay
- "The Making of Rudyard Kipling's The Jungle Book" Featurette
- Dolby Digital 5.1 Surround Sound
- Spanish Language Track
- Spanish and French Subtitles
All in all, a fine presentation of a fine family adventure film.

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One of Disney's most treasured animated classics comes to glorious life -- stunningly photographed on magnificent locations in India! Based on Rudyard Kipling's beloved short stories, this all-new adventure promises a journey beyond your wildest imagination! Raised by wild animals since childhood, Mowgli (Jason Scott Lee) is eventually drawn away from the jungle by Kitty, the beautiful daughter of Major Brydon (Sam Neill). Mowgli soon faces a corrupt Captain Boone (Cary Elwes), who wants both Kitty's hand in marriage and a hand on the mythical treasures of Monkey City, a place only Mowgli can find. Loyal animal friends Bagheera, Baloo, and Grey Brother must help Mowgli survive the untamed peril. All of Kipling's memorable characters spring wonderfully to life in Disney's THE JUNGLE BOOK, a bold, sweeping adventure brimming with treasures for the whole family!

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Tennessee Williams Film Collection (A Streetcar Named Desire 1951 Two-Disc Special Edition / Cat on a Hot Tin Roof 1958 Deluxe Edition / Sweet Bird of Youth / The Night of the Iguana / Baby Doll / The Roman Spring of Mrs. Stone) (1958) Review

Tennessee Williams Film Collection (A Streetcar Named Desire 1951 Two-Disc Special Edition / Cat on a Hot Tin Roof 1958 Deluxe Edition / Sweet Bird of Youth / The Night of the Iguana / Baby Doll / The Roman Spring of Mrs. Stone) (1958)
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This review isn't of the great movies contained but the DVD set and their respective presentations.
first..let me say the bonus DVD "Tennesse Williams South"...is exceptional..its a film made about and with him in 1974 and besides his own readings of his work , which are illuminating, it features legends like Burl Ives and Jessica Tandy re-creating his dialog..simply timeless!
now..onto the Discs/Movies
the bonus featurettes are all very well done however, seemingly shorter than they should/could be. By that I mean...they have current interviews with Karl Malden and Eli Wallach for BABYDOLL and Rip Torn for Sweet Bird of Youth and the ever beautiful Jill St John for The Roman Spring of Mrs. Stone, and yet the amount of face time these actual stars of the films in question get is barely a line here or there? Not that the featurettes aren't good...they are..it just seems they could be a could 10minutes longer each...
now...the opposite problem is in the second disc of Streetcar Named Desire....the feature length (90min) Elia Kazan: A directors Journey is wonderful..its a decade or so old but was done while he was still with us and his participation raised it above the level of talking heads documentaries of the day. The strange thing is that the new featurettes on this disc feature way too much culled from the aforementioned feature. I don't understand....WB has wonderful featurettes on all the movies that seem truncated and then BLOATS out the Streetcar featurettes with duplicate material from itself? Only the current footage of Karl Malden saves the Streetcar featurettes from their own plagerism.
Now..the films themselves are all in very good shape considering they go back half a century. I wasn't a particular fan of Tennesse Williams..but after viewing all these films and the bonus film...i most certainly put him in the genius category and am looking for more.
Also, the press is making a big deal about Marlon Brando's screen test which is being included in the Streetcar DVD bonus features...its only a curiosity , not amazing by any stretch. What is far more interesting is Karl Malden's lovely memories of his friendship and admiration for Mr Brando....truly touching and mezmorizing. Malden is a treasure of an actor who starred in more fine films than any but the most ardent fan would know as he was usually second billed...but he IS the star of this set.
Great American films and unlike Universals shameless packaging..WB continues to present these types of films lovingly with extras..oh yeah..and the commentaries aren't bad either...much to enjoy in this set.

Click Here to see more reviews about: Tennessee Williams Film Collection (A Streetcar Named Desire 1951 Two-Disc Special Edition / Cat on a Hot Tin Roof 1958 Deluxe Edition / Sweet Bird of Youth / The Night of the Iguana / Baby Doll / The Roman Spring of Mrs. Stone) (1958)

Streetcar Named Desire 2 Disc SE Cat on a Hot Tin Roof Deluxe Edition Sweet Bird of Youth Night of the Iguana Baby Doll Roman Spring of Mrs. Stone

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Click here for more information about Tennessee Williams Film Collection (A Streetcar Named Desire 1951 Two-Disc Special Edition / Cat on a Hot Tin Roof 1958 Deluxe Edition / Sweet Bird of Youth / The Night of the Iguana / Baby Doll / The Roman Spring of Mrs. Stone) (1958)

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Hans Christian Andersen (With Original Theatrical Trailer) (1951) Review

Hans Christian Andersen (With Original Theatrical Trailer)  (1951)
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Hans Christian Andersen (1805-75) was an Ugly Duckling. He lived in the third largest town Odense, in Denmark. The son of a cobbler he was poverty ridden and a failure as an actor and it wasn't until he moved to Copenhagen and won the patronage of Frederick VI, through his poetry, that he wrote his fairy tales and developed into a swan. Like many artists he wasn't particularly happy, and never did marry, although he was very fond of Jenny Lind (1820-87) the Swedish Nightingale a soprano given the name by P.T. Barnum during her tour of the United States between 1850-52.) Charles Vidor's film does state at the beginning, This is not the story of Hans Christian Andersen but a fairy tale about the great spinner of fairy tales. The Danes objected to the way Hans Christian Andersen was portrayed even though Goldwyn had rejected 21 previous manuscripts, so the film company inserted this statement in the credits.
Danny Kaye with his chiselled features does resemble H.C.Andersen when looking at his profile, but apart from this facial feature that's where it stops. Kaye had dark hair but Hollywood soon changed that and he became a blonde, Andersen also had dark hair but he kept it that way.
Unlike some earlier musicals, this film does have a strong story line with loads of songs written by "Baby, It's Cold Outside", Frank Loessen, such as Thumbelina, Ugly Duckling, No Two People, and of course Wonderful Copenhagen. The scenery is very clever, the backgrounds look like illustrations from fairy tale books, but as the camera zooms in to the foreground the buildings and props become three dimensional similar to a pop-up-book.
There are four ballet scenes that I probably found boring back in `52, but revisiting them now, they are visually very interesting, technically I wouldn't know if they are good or mediocre but for a Hollywood musical film, four ballets must of taken an enormous amount of consideration seeing as the film is really for kids. Once again the backdrops for the ballets also resemble fairy tale illustrations and pop-up-books.
Instead of a soprano, Andersen falls in love with a ballet dancer and here's a musical that doesn't have a very happy ending because poor Hans gets mixed up with a married woman. The ballet dancer Doro, is played by Zizi Jeanmaire, and is married to Niels played by Farley Granger. During the last part of the film, the audience is taken behind the scenes of the ballet company playing at the Royal Theater in Copenhagen, but this isn't a film of a show included in a show, similar to earlier musicals, but an uplifting musical film with lots of music with catchy tunes helped by a ton of children.
The last ballet scene takes 17 minutes, quite long for a popular movie. In the film Hans writes a story especially for his love Doro, unfortunately Niels locks him in a cupboard so Andersen never sees her perform but has to use his imagination.
The ballet takes place on land and under the ocean. The surface waves are pop-up so that the dancers can be seen dancing in between the swells, it's really very clever visually, and there's no trickery here. Under the sea filled with monsters and witches, the heroine is probably attached to a pulley so that she can be seen swimming for the surface. There are no blue screens in this film, all effects are up-front and work perfectly similar to a staged ballet. Once again the technicolor process is used and this enhances the fairy tale effect with vivid colors.
Hans Christian Andersen fairy stories are not violent when compared to the Grimm brothers, but the themes usually have a lesson, and in the story written for Doro's ballet, "The Little Mermaid," it is saying that aiming for the stars does not always bring happiness, but then of course Walt Disney hadn't yet arrived on the scene and he soon changed that philosophy.

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