Showing posts with label crime and punishment. Show all posts
Showing posts with label crime and punishment. Show all posts

Dr. Bell and Mr. Doyle - The Dark Beginnings of Sherlock Holmes (2000) Review

Dr. Bell and Mr. Doyle - The Dark Beginnings of Sherlock Holmes (2000)
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"Murder Rooms" consists of five episodes, starring Ian Richardson as Dr. Joseph Bell, the historical personage on whom Arthur Conan Doyle allegedly based Sherlock Holmes; with Dr. Watson based on Doyle himself. The 116-minute first episode ("Dr. Bell and Mr. Doyle, The Dark Beginnings of Sherlock Holmes") was a BBC series pilot released in January 2000. In "Dr. Bell and Mr. Doyle...," Robin Laing starred as the young Doyle in medical school. This pilot has been available in NTSC for two years (see Amazon's listing) and IS NOT INCLUDED IN THIS PACKAGE. In the remaining four 90-minute episodes comprising this set (on BBC in September-October 2001), episode chronology begins three years later, Charles Edwards assuming Laing's role as the young, idealistic but adult Doyle with his own medical practice. Information on source books, author David Pirie, screen credits, histories, plot synopses and cast are available at murder-rooms.com
FOR BEST APPRECIATION, ONE MUST TREAT THIS SERIES AS AN INTEGRATED FIVE-PART, EIGHT-HOUR MINISERIES, beginning with the pilot "Dr. Bell and Mr. Doyle..." setting the backdrop against which the other four, described IN ORDER below, play out. Missing "Dr. Bell and Mr. Doyle...," this reviewer STRONGLY RECOMMENDS you purchase this set now and set it aside until that pilot can be seen. In "The Patient's Eyes," a black-shrouded cyclist repeatedly stalks a lady patient cycling to Dr. Doyle eye appointments through eerie wooded terrain, leading to a mysterious abandoned house, love-interest conflicts, betrayal, and murder. (There are striking scene similarities to "The Solitary Cyclist.") In "The Photographer's Chair," a series of murder victim corpses bearing strange marks lead to mesmerism, spiritualism, séances, apparitions, erotic mutilation, daguerreotype photography, and genuinely chilling moments. In "The Kingdom of Bones," the publicized spectacle of unwrapping an apparent Egyptian mummy for scientific study yields highly unexpected results leading to suicide, dinosaur bones, gypsies, kidnapping, attempted murder, multiple murders, and political terrorism. And in "The White Knight Stratagem," Doyle and Bell come to a near falling-out involving a Dickensian business climate leading to suicide and murder; with a curious chess enigma hovering over everything. This last episode concludes the miniseries and should be viewed last.
These adaptations get this reviewer's highest commendation, being at least the equal (or better?) of the David Suchet / Jeremy Brett adaptations in their prime.The general tone is exceedingly dark, uncompromising, and far more menacing than the light-hearted Poirot-Holmes adaptations. (The atmospherics remind this reviewer of that excellent film "From Hell.") Excepting as discussed below, nothing in these episodes is short of first-class: plots, incredible principal and supporting cast, direction, cinematography depicting 1880s Victorian Edinburgh, hauntingly mysterious musical score, period mood, and the appallingly brutal times with modern medicine in infancy. Sound is fine; extraneous background noise is nil; diction is clear with no accent barriers.
So superior is MPI's production that current PAL DVD owners may want to buy the NTSC release anyway! The widescreen 16x9 anamorphic picture is excellent, with night scenes sharp yet still mysterious. This reviewer doesn't know how the original episodes were recorded, but suspects that the widescreen image seen here was likely achieved by slicing off top and/or bottom portions of an original 4x3 TV image: some close-up shots have head-tops suspiciously out of range, a typical symptom. But such trimming is a small price for what one sees on an HDTV system as contrasted to the original PAL release. Unlike that release, MPI also provides both running time display and chapter breaks; and the periodic PAL scene blackout interruptions (presumably omitting advertisements) are gone, greatly enhancing the narrative flow. There are two DVDs contained in one keep-case with an inner leaf. Each DVD has two episodes on the same side with full menu accessibility.

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Item Name: Dr. Bell and Mr. Doyle - The Dark Beginnings of Sherlock Holmes; Studio:Bfs Entertainment

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Shakespeare Collection (Hamlet 1996 / A Midsummer Night's Dream 1935 / Othello 1965 / Romeo & Juliet 1936) (1935) Review

Shakespeare Collection (Hamlet 1996 / A Midsummer Night's Dream 1935 / Othello 1965 / Romeo and Juliet 1936) (1935)
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I was very pleased with my "Literary Classics Collection" and "Motion Picture Masterpieces Collection" that I purchased from Warner's, and it looks like the studio originally known for gritty urban dramas continues to go highbrow with this collection of four movies featuring interpretations of works by the Bard. The press release by Warner Home Video has the following extras listed for each movie:
A Midsummer Night's Dream (1935)
Cast includes James Cagney, Olivia de Havilland (in her screen debut), Joe E. Brown, and Mickey Rooney. The film was nominated for four Academy Awards, including Best Picture. It won for Best Cinematography and Best Film Editing.
DVD Special Features:
Commentary by film historian Scott MacQueen
Olivia de Havilland screen test
Vintage featurette "A Dream Comes True" (8 minutes)
Presenting... Gallery of 6 teaser trailers showcasing cast members
Warner Bros. Studio Café teaser trailer
Musical short "Shake Mr. Shakespeare"
Theatrical trailer
Subtitles: English, French and Portuguese (feature film only)
Romeo and Juliet (1936)
This was actually an MGM production. George Cukor directs with Norma Shearer and Leslie Howard in the title roles. Nominated for four Academy Awards including Best Picture.
DVD Special Features:
Vintage short "Master Will Shakespeare"
Classic MGM cartoon "Little Cheeser"
Theatrical trailer
Subtitles: English (feature film only)
Othello (1965)
Lawrence Olivier in the title role, Maggie Smith as Desdemona, Joyce Redman as Emilia, and Frank Finlay as Iago. All four performers were nominated for Academy Awards for their performances.
DVD Special Features:
Vintage featurette "Olivier Talks About Othello"
Theatrical trailer
Subtitles: English (feature film only)
Hamlet 2-Disc Special Edition (1996)
Cast includes actor/director Kenneth Branagh, Kate Winslet, Derek Jacobi, Julie Christie, Robin Williams, Jack Lemmon, Billy Crystal and Charlton Heston. This rendition is set in the 19th century.
DVD Special Features:
Introduction by director/star Kenneth Branagh
Commentary by Kenneth Branagh and Shakespeare scholar Russell Jackson
New digital transfer from original 70mm elements
Soundtrack remastered in Dolby Digital 5.1
Featurette "To Be on Camera: A History with Hamlet"
1996 Cannes Film Festival promo
Shakespeare movies trailer gallery
Subtitles: English, French and Spanish subtitles. (feature film only)

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HAMLET: "Hamlet has the kind of power, energy and excitement that movies can truly exploit," award-winning actor/director Kenneth Branagh says. In this first-ever full-text film of William Shakespeare's greatest work, the power surges through every scene. The timeless tale of murder, corruption and revenge is reset in an opulent 19th-century world, using sprawling Blenheim Palace as Elsinore and staging much of the action in shimmering mirrored and gold-filled interiors. The energy is electrifying, due to a luminous cast. The excitement of the Bard's words and an adventurous filmmaking style lift the story from its often shadowy ambience to fully-lit pageantry and rage. Now presented in an amazing 2-Disc Special Edition. ROMEO & JULIET: Norma Shearer and Leslie Howard in the title roles are "so good that one can forget they are too old for the roles" (Leonard Maltin's Movie Guide). Adding to this allure of this nominee for four Academy Awards?* including Best Picture are lavish sets and costumes (Botticelli paintings inspired Shearer's wardrobe) that fuel the film's then-astonishing $2-million budget. OTHELLO: The original cast and soul-shattering impact of the play's 1964 staging by the National Theatre of Great Britain are captured on film. As the valiant war hero swept into a maelstrom of jealousy and revenge, Olivier won his seventh Academy Award? nomination.* The movie's Desdemona (Maggie Smith), Emilia (Joyce Redman) and "honest Iago" (Frank Finlay) also captured Oscar? nominations.* And the result, Bosley Crowther wrote in The New York Times, is that "this Othello is one of the boldest you'll ever see." A MIDSUMMER NIGHT'S DREAM: Love is blind, fickle and true. And under the sway of capricious fairies it becomes blinder (a queen romances a donkey), more fickle (best friends swoon over each other's beau) and truest of all (lovers repledge their devotion). "Lord, what fools these mortals be!" in Shakespeare's bewitching comedy. James Cagney, screen-d

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Baz Luhrmann's Red Curtain Trilogy (Strictly Ballroom / Romeo + Juliet / Moulin Rouge) (1993) Review

Baz Luhrmann's Red Curtain Trilogy (Strictly Ballroom / Romeo + Juliet / Moulin Rouge) (1993)
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The colorful, whirling world of Baz Luhrmann is brought to life in the Red Curtain Trilogy, comprising "Strictly Ballroom," "Romeo + Juliet," and "Moulin Rouge." While there are sticky patches -- particularly the pairing of Danes and DiCaprio in "Romeo + Juliet" --the overall effect is beautiful and poignant.

"Strictly Ballroom" is the problem in Scott's (Paul Mercurio) life. He's an outstanding dancer, but he refuses to conform to the Australian ballroom rules -- he wants to dance his own steps. When he loses his partner, awkward Fran (Tara Morice) enters the scene and asks to dance with him. These two outcasts of the ballroom start to fall in love as they try to win a major competition.

"Romeo + Juliet" gives a modern Californian twist to the classic tale of feuding families and starcrossed young lovers. Romeo (Leonardo DiCaprio) and Juliet (Claire Danes) come from a pair of families locked in a deadly feud, but they fall in love anyway. Their desperate efforts to be together lead to tragedy...

"Moulin Rouge" gives us another kind of bittersweet love story -- a musical rather than a revamped classic. Bohemian poet Christian (Ewan McGregor) dips into the sensuous, flashy world of Moulin Rouge. There he falls in love with the beautiful, sickly Satine (Nicole Kidman), a star at the club, and a well-known courtesan. Unfortunately, their growing love is threatened by a duke, who wants Satine all for himself.

As a boy, Baz Luhrmann grew up around ballroom competitions, which give the heart to these movies. But the soul is in the presentation. It's theatrical, colorful, dazzling to the eyes and centered on classic tales of doomed love and succeeding against the odds.

Luhrmann's sense of the theatrical is included in his direction -- it can be very sharp and fast, and sometimes downright crazy. With another director, it might seem flashy and gaudy, but Luhrmann's unique style works. A particular risk is making a musical, something which spelled death for movies for a long time... until Luhrmann revived it with Moulin Rouge. Or the postmodern tale of Romeo and Juliet, which is imperfect, but still quite pleasant.

The acting tends to be excellent, although the acting in "Romeo + Juliet" is spotty, and DiCaprio and Danes have zero chemistry. But McGregor and Kidman in particular are outstanding, and Tara Morice and Paul Mercurio of "Strictly Ballroom" have electricity and sweetness to spare. The supporting actors are quite good as well.

And the three-DVD set is graced with plenty of extras -- documentaries, commentary on each film, behind-the-scenes peeks, featurettes, and some gorgeous music videos. And there's even an extra disc included with a "Red Curtain" documentary about Luhrmann's style, scripts, screensavers, more music videos, and more.

Baz Luhrmann reinvented the musical and gave his movies a lush, strange look that entices viewers even now. Sensuous, fun and funky, this is a trilogy to definitely check out.

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Contains: *Moulin Rouge *Moulin Rouge Bonus Disc *Romeo and Juliet Special Edition *Stricly Ballroom *Behind the Red Curtain

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Murder One - The Complete First Season (1995) Review

Murder One - The Complete First Season (1995)
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TV Guide hailed Murder One as 'The Best Show You're Not Watching' mid first-season, and, believe me, they were right.
The premise of Murder One is simple enough; to take you, step by step, through a sensational murder trial. A series of twists and turns within the first four episodes leads to the arrest of drug-addicted movie star Neil Avadon who turns to his former lawyer Ted Hoffman for help.
The show takes you through the entire trial, from jury selection to the verdict and beyond. Each episode reveals more about the case itself, about the young victim Jessica Costello, and the tragic life she led up until her murder. The defendent, Neil, has no memory of the night she died and doesn't even know himself if he's innocent or guilty.
Ted Hoffman and Associates, the law firm at the center of the trial, is staffed with brilliant attorneys who passionately fight for Neil and their other clients with an exuberance and passion seldom seen in present-day law shows. They actually *care*, and through them you will, too. I'd love to tell you more, to detail the fascinating and brilliant plot twists and revelations that you'll journey through watching this show, but to do so would spoil the incredible experience of seeing it yourself, from episode one to the end.
This show first aired when I was eleven years old. Ten years later I still vividly remember it as one of the best, most well-written and riveting dramas I've ever had the pleasure of seeing.


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Sex. Lies. Murder. One day at a time until justice is served. From the creator of NYPD Blue, Hill Street Blues, and LA Law and in the same fashion as 24 - each episode of Murder One represents one day of a single sensational and explosive trial.

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Great Expectations (1999) Review

Great Expectations (1999)
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This movie is excellent. I stumbled onto it on the Net accidentally because of the leading actor (Ioan Gruffudd) and his earlier portrayal of another classic character--Hornblower. Great Expectations is by far my favorite of Dickens and of all other classic literature, and this movie portrays the book wonderfully! Every scene--nearly every WORD can be found in some form in the book, from the younger Pip's nervous recital of Old Clem, to Orlick's reappearance and attempted revenge. As with all adaptations, there are a few drawbacks (and for this reason I would HIGHLY reccomend reading the book itself!). But I've seen very few movies adapted as accurately as this. Very very fine!

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Ioan Gruffudd, Justine Waddell and Charlotte Rampling star in this adaptation of Charles Dickens' enduring classic Great Expectations, the story of a young orphan named Pip who lives with his sister and her blacksmith husband, Joe.One day Pip is sent to play at the residence of Miss Havisham, a frightening, elderly woman who seems locked in the past. She wears ancient bridal attire and never moves from the dusty upper rooms of her home. Miss Havisham's beautiful but contemptuous ward, Estella, makes Pip feel appallingly inferior, creating in him a desire to better himself-changing his life forever. But despite his efforts to improve himself, the frustrated Pip seems destined to remain Joe's apprentice. Until one day a lawyer calls to inform Pip that he has "great expectations:" Pip is to be released form his apprenticeship and educated in London as a gentleman! The benefactor who has made this life transformation possible, however, wishes to remain anonymous.

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The Ten Commandments (2006) Review

The Ten Commandments (2006)
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In terms of adjusted box office, Cecile B. DeMille's 1956 film "The Ten Commandments" is the fifth biggest grossing movie of all time, ahead of "Titanic," but behind "Gone With the Wind," "Star Wars," "The Sound of Music," and "E.T." There was a sense in which that film, with the parting of the Red Sea sequence, was the first big special effects film. Of course, the story of how Moses led the Hebrews out of Egypt had more going for it and that story is certainly worthy of further examination. Yes, "Prince of Egypt" was a musical, but it also focused more on the relationship between Moses and Ramses, who were friends growing up, rather than the rivalry we saw between Charlton Heston and Yul Brynner. Now we have this 2006 mini-series. The good news is that it does try to tell us a different part of the story in its second half, but the bad news is for every step forward there are steps backwards, and on balance this version does not come out ahead.
The mini-series aired in two parts, with the end of Part 1 being the parting of the Red Sea (not a real cliffhanger). The first part moves through the story of Moses from the night he floated down the Nile in basket to that moment in front of the Red Sea at a fast clip. Moses (Dougray Scott) grows up, kills an overseer, goes off into the desert, saves Jethro's sheep and marries his daughter, sees the burning bush and is back in Egypt telling Ramses (Paul Rhys) to let the Hebrews go. The plagues of Egypt come quickly as well, and there is a clear suggestion of how the frogs, locust, etc., were related to the Nile turning to blood. This Moses is not raised alongside Ramses, but Menerith (Naveen Andrews), the natural son of the princess, and they are the brothers who are torn and who face each other at the edge of the Red Sea. Moses has enlisted his brother Aaron (Linus Roache) to speak for him, and this version deals more with the reluctance and doubts of Moses, more so as the leader than as the deliverer of the Hebrews out of bondage.
This is little in the first half of "The Ten Commandments" to justify having made the mini-series. The only things that stood out where the idea that God wants Moses to work out some things in his own mind and the scene where Moses is forced to work as a slave, which this time is after he returns to Egypt. What is important in the first part is the idea that even before their deliverance, the Hebrews challenge the leadership of Moses. However, after the conclusion of the parting of the Red Sea the rest of the second half is devoted to the period in which the Hebrews wandered in the desert before reaching the Promised Land. This is where this version of "The Ten Commandments" starts to tell a different story, for a lot happens in the hour between the Red Sea and the Golden Calf. There is manna in the wilderness and turning the slaves into an army. Above all this there is the need for Moses the Deliver to become Moses the Law Giver. However, the impetus for this transition comes from a melodramatic irony that smacks of soap opera more than scripture.
Time and time again I question what Ron Hutchinson, who won an Emmy in 1989 for writing "Murderers Among Us: The Simon Wiesenthal Story," is doing in this story. At one point Moses is training the army and Joshua (Karim Salah) refuses because he sees being a solider as an admission of not having faith in God. Moses then tells what must be the oldest story of how God helps people; certainly it is an older version of the one Karl Malden tells to Jed Bartlett on "The West Wing." The relevance of the story to the point being made is lost because we cannot believe Moses is telling this story. However, this is a Moses who is not a cool and commanding presence. His doubts and lack of resolve are arguably the biggest reasons why the people doubt God; they have problems believing in his messenger.
I have always been bothered by the Hebrews challenging the idea that their God WAS God during the Exodus. What happened at the Red Sea should prove the point once and for all. The manna in the desert and Moses smiting a rock to bring forth water might be "minor" miracles, but they are nothing to scoff at and reminders of everything God did to get them out of bondage. Being freaked because Moses has gone up on the mountain and you think he is not coming back is one thing, but making the Golden Calf is a really bad idea. Hutchinson sticks to the book of Exodus and covers the slaughter by the sons of Levi that was the bloody aftermath of the great sin the people sinned.
This becomes the final act before the denouement where Moses sees the Promised Land but is not allowed to cross over. Hutchinson does play with Biblical chronology, because the battles they fought are covered in Numbers. However, my final complaint is not about chronology but rather that the story essentially ends with the slaying of the three thousand men, and not as Exodus does with the construction of the tabernacle and the ark, symbolizing the renewal of the covenant, which I find to be the more important part of the story. I would have preferred seeing this version of "The Ten Commandments" be restricted to what happened after they crossed the Red Seas; after all, the Hebrews forget the evidence of the power of God. The other half of the min-series could have covered the history of Numbers and Deuteronomy, the part of the Exodus that remains to be told in such a format.

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The Ten Commandments unfolds with all of the spectacle, violent human drama, and grand inspiration that have earned it its distinction as the greatest story ever told. When an oracle prophesizes that a child will become Prince of Egypt, a time of danger approaches the kingdom. The Egyptian Pharaoh orders the massacre of all newborn males. But one child, Moses--the son of a Hebrew slave--escapes certain death when he is set adrift on the Nile. As years pass, he is raised in a royal Egyptian household and, with no memory of his family, rises to the stature of prince. Upon discovery of his true heritage, and inspired by a fiery message from God, Mosesembarks upon a noble and desperate fight to reclaim his destiny as the leader and liberator of the Hebrew people. With a stellar cast that includes Mia Maestro and Golden Globe winner Omar Sharif, The Ten Commandments is unsurpassed in its vision--both intimate and grand. DVD Features include: The Making of "The Ten Commandments", Closed Captioning.

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Myrna Loy and William Powell Collection (Manhattan Melodrama / Evelyn Prentice / Double Wedding / I Love You Again / Love Crazy) (1941) Review

Myrna Loy and William Powell Collection (Manhattan Melodrama / Evelyn Prentice / Double Wedding / I Love You Again / Love Crazy) (1941)
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This collection contains five titles currently not on DVD that were made starring the famous duo during the same time frame as their "Thin Man" series. With the exception of 1947's "The Senator was Indiscreet", this puts all of the Loy/Powell films on DVD. The extras described below are from a press release from Warner Home Video. The biggest let-down about this set is the lack of commentary for any of the films, but Warner probably figures with the amount of documentary material they put in the Thin Man Boxed Set, they would just be going over old territory. The films, in chronological order, are as follows:
Manhattan Melodrama (1934)
This is more of a movie with Powell and Loy than one about them as a couple. The focus is more on Clark Gable and William Powell, who play two orphans who grow up together but wind up on opposite sides of the law. Myrna Loy plays the woman that both characters love. Gable plays the gangster in this film, Powell the guy who goes up the political ladder. The melodramatic part is that as D.A. Powell's character wins a conviction against Gable's character, and as a result he is sentenced to death. Later, as governor, Powell must decide whether or not to commute his childhood friend's sentence. Powell is very good here at playing a more serious role.
Special Features:
· Comedy short "Goofy Movies #2"
· Classic cartoon "The Old Pioneer"
· Theatrical trailer
· Subtitles: English & French (feature film only)
Evelyn Prentice (1934)
This one seems to miss a step as far as plot holes go, but it is still above average. Powell plays a defense attorney who is also part detective, and whose heavy-duty work habits cause him to neglect his wife, played by Loy in the title role. As a result of this neglect, Loy commits an indiscretion with a playboy and ultimately figures into her husband's next big murder case.
Special Features:
· Comedy short "Goofy Movies #3"
· Classic cartoon "Discontented Canary"
· Theatrical trailer
· Subtitles: English & French (feature film only)
Double Wedding (1937)
This is a different kind of film for Powell and Loy. Loy plays high-powered businesswoman Margit Agnew who is unhappy to learn that her little sister is planning to marry vagabond Charlie Lodge (William Powell) who, since he lives in a trailer, is hardly in a position to support her. Margit tries to intervene, and in the end winds up with Lodge herself. The plot is thin, but the comedy is very good. This film was shot partly before and after the death of Jean Harlow, who was Powell's lover and Loy's good friend. Filming was suspended for awhile due to the tragedy.
Special Features:
· Musical short "Dancing on the Ceiling"
· Classic cartoon "The Hound and the Rabbit"
· Theatrical trailer
· Subtitles: English & French (feature film only)
I Love You Again (1940)
My favorite non-Thin Man Loy and Powell movie and showcases everything that is great about the chemistry the two had on screen. Powell plays stuffy and rich Larry Wilson, who, after a blow to the head, realizes he is actually confidence man George Carey. Wilson is just some alternate identity he assumed after he first got amnesia nine years before. Realizing he has a sweet deal in his wealthy second identity, Carey decides to clean out Wilson's finances and leave town. However, when Carey meets Wilson's estranged wife, played by Loy, he falls for her and decides to hang around long enough to win her back.
Special Features:
· Crime Doesn't Pay Series short "Jackpot"
· Classic cartoon "Tom Turkey and His Harmonica Humdingers"
· Theatrical trailer
· Subtitles: English & French (feature film only)
Love Crazy (1941)
Another excellent entry in the Loy and Powell series of movies. After four years of marriage, Stephen Ireland (William Powell) runs into an old girlfriend that lives nearby. The two end up just talking, but a series of comic misadventures cause Stephen's wife, Susan (Myrna Loy), to believe Stephen is cheating on her and she decides to divorce Stephen. Desperate to keep Susan, Stephen decides to pretend he is not in his right mind to draw things out. He does such a good job that everyone believes him - except his wife. There is some great physical comedy here by Powell.
Special Features:
· Classic cartoon "The Alley Cat"
· Audio-only bonus: Screen Directors Guild Playhouse Radio Broadcast
· Theatrical trailer
· Subtitles: English & French (feature film only)

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CONTAINS: DOUBLE WEDDING, EVELYN PRENTICE, I LOVE YOU AGAIN,LOVE CRAZY AND MANHATTAN MELODRAMA.

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Midnight in Garden of Good & Evil (1997) Review

Midnight in Garden of Good and Evil (1997)
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This review refers to the Special Edition DVD(WB)......
New York free-lance jouranlist John Kelso(John Cusak) is in Savannah to cover an the elite annual Christmas party thrown by the nouveau-riche John Williams(Kevin Spacey).John is in awe of the splendor,the charms,the opulence, and history of his surroundings. The party takes place in the Mercer House, built by the grandfather of Johnny Mercer.John meets some very colorful characters at the party. They all seem to be living in another world, one that is decadent and oblivious to the rest of the world. John is about to wrap his little essay for "Better Homes and Gardens" magazine, but when the evening ends with a mysterius murder, he stays on and become embroiled in the odd trial that follows.
John decides to do a little investigating on his own, as he plans to write a book about the whole sordid affair. Jim Williams is the one on trial for the murder of a belligerent employee(Jude Law). Was he merely an employee though? What was the relationship of these two? During his investigating John encounters an eccentric array of characters, who all become important in some way to the trial. You'll meet Minerva, the voo-doo lady,who uses charms and spells to help Jim, "The Lady Chablis", a transexual who brings her own special charms to the story, and some of the jury members are pretty out there as well.John becomes one with this community as he must do whatever it takes to get this story. So meet him at the cemetary....at Midnight..in the Garden of Good and Evil!
Clint Eastwood directs this intriguing story that was based on John Brendt's book of the same name.(Which was based on actual events). Eastwood mixes the mysteriousness of these events, with the wonderful surroundings of Savannah, and adds the music of Johnny Mercer to bring us a rare gem. A film that will have you totally involved with all the characters. The cast also includes, Allison Eastwood, Geoffrey Lewis and Jack Thompson. "The Lady Chablis" plays "The Lady Chablis"! And..Uga V the Georgia bulldog actually plays his father Uga IV and does a darn good job!The soundtrack is fabulous, mostly Mercer songs, and the cinematogrpahy is beautiful.Eastwood once again displays his behind the camera talents.
The DVD is a great transfer. The picture is crystal clear and colors outstanding even in the nighttime scenes. The surround sound in the Dolby Digital 5.1 is very good. It is presented in widescreen, which enhances all the wonderful scenery of Savannah. Special Features include interviews, production notes,and a theatrical trailer. It may be viewed in English or French and also has subtitles in English, French and Spanish.
A terrific mystery, wonderful characters, well directed and a great DVD...enjoy...Laurie

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Academy award-winning director clint eastwood helms this story based on john berendt's best-selling book examining contemporary events and unique characters in picturesque savannah, georgia, following a shocking murder. alternately suspenseful, satirical

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Gotti: The Rise and Fall of a Real Life Mafia Don (1996) Review

Gotti: The Rise and Fall of a Real Life Mafia Don (1996)
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The movie had its moments some of the dialogue was hard to understand but the acting was fine. Assante and Quinn both were very good in their roles. It's worth buying if your into mafia movies.

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JOHN GOTTI ROSE TO FAME AS THE DON OF ONE OF AMERICA'S LARGESTCRIME FAMILIES. HE CLIMBED TO THE TOP OF THE CORPSES OF ANYONEWHO STOOD IN HIS WAY. BASED ON THE TRUE STORY OF THE RISE & FALL OF A REAL-LIFE MAFIA DON.

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