Showing posts with label crime drama. Show all posts
Showing posts with label crime drama. Show all posts

Trapped Review

Trapped
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As a producer on this film, I have a unique perspective. I knew the script, I saw the film being shot, and I watched pieces of the editing process. However, it wasn't until we screened the film for an audience that I really got a feeling for the film. The script read like a murder mystery, but as the film played out on screen - there were a number of scenes where the audience ended up laughing. That's when I realized that although meant to be a murder/mystery type of film, it comes across more like a black comedy.
There are some great one liners in the film. 1) Where were you yesterday morning? Wait a minute, it's coming back to me now....I was in bed....with your mother. 2) I've been doing this long enough, that I can smell a murderer, and Mr....You Stink! 3) Sorry? I think we're a little late for sorry! - look at her, she's dead!
When I watch the film in it's entirety, I'm reminded of other black comedy films, such as "The Ice Harvest" with John Cusack and "Fargo".
Give it a try, and all of us at Winter Morning Pictures hope that you enjoy it!
Mike Hamilton

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Trapped is the story of a high-stakes business swindle that involves financial deviousness, emotional blackmail, sexual deception, psychological coercion, fraud, forgery, extortion, intimidation, and ultimately murder. As friends and family celebrate the successful career of Edward Roth Hutton (Corbin Bernsen), and the closing of a very important business contract for Hutton Industries, we learn that far from being his loyal senior partner, Tighe `Ty` MacArthur (Tony Bingham) is not only sleeping with Hutton's wife, Margot Schugart Hutton (Dana Hardy), but is also conspiring with Margot and a shadowy compatriot, Liam (Jeff Carpenter), to murder his boss and mentor, Hutton.

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Dr. Lamb (1992) Review

Dr. Lamb (1992)
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The next year after Dr. Lamb Danny Lee as a director shot The Untold Story which came out to be a bit better than Dr. Lamb and became somewhat classic in the circles of gorehounds and category III movie lovers. But in Dr. Lamb some elements can be found that later made The Untold Story so popular.
In the beginning of Dr. Lamb police arrest a taxi driver accusing him in a number of girl murders throughout Hong Kong. Young man doesn't want to confess at first, but finally starts telling his story, and we see the rest of the film as a flashback. Dr. Lamb is pretty gory, with notorious episodes for example of woman's breast being cut off or chunks of human meat floating in a fish tank, although with nothing overly-disturbing which can shock those who's seen plenty of such movies. And altogether Dr. Lamb could become totally senseless and stupid exploitation schlock like, say Ebola Syndrome, but it didn't.
Danny Lee turned this gorefest into a pretty serious film. I wouldn't call it a drama, but it definately is much more than your ordinary splatter movie. As The Untold Story makes a sudden turn after the cannibal is seized, Dr. Lamb keeps it realistic from the very beginning. We see the taxi driver's family which doesn't want to believe that their relative is guilty, but as soon as he confesses they all turn their backs on him. We see this guy being interrogated in a police precinct and how cops - calling a spade a spade - torture him to get a confession. At this moment you don't even know whom to feel for - cops or a murderer. Dr. Lamb at many points turns out to be pretty ambiguous and thoughtful albeit it doesn't necessarily have to. It strongly reminded me of William Lustig's Maniac. This is the case when an exploitation film happens to be something more, and that's always a nice surprise for a viewer.

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Axe (2004) Review

Axe (2004)
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this is a low-budget thriller with no-name actors but the director did the best with what he had and got the most out of his performers. it is a combination horror (psycho)/thriller combined with a crime story. two pretty girls run afoul of some bad bikers, and steal a bag full of money. then they are pursued by the bikers, a crooked law enforcement officer and a psycho-maniac freshly escaped from a local mental hospital! talk about a lot of bang for your buck! it's like watching 2-3 movies all at once. some blood and guts, and lots of profanity. no nudity but sexual situations are strongly implied. the tables are turned on you more than once and there is a surprise ending to shock you one last time. actress Darlena Tejeiro reminds me a lot of michelle rodriguez. hope to see much more of her in the future.


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Above Suspicion (1995) Review

Above Suspicion (1995)
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This movie was Christopher Reeves last movie before his freak accident that left him paralyzed. The acting is what makes this movie great, but you must get by your emotions during the brother's affair with Reeves' wife. Definitely not for children.

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Tiger Bay (1959) Review

Tiger Bay (1959)
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I first saw this movie at Goose Bay AFB in Labrador on a cold winter's night at the base theatre. I had no idea what was being shown, nor had any of the other GI's who attended that evening. Near the end of the film there is a particularly exciting moment and the entire audience - well over a thousand guys! - gasped with astonishment! At the end there was applause and shouts of "Great movie!" Several of us followed the movie as it wound its way to the many theatres on the air base, and we took others who hadn't seen it who were also deeply moved by the story. Over the years, now on video tape and DVD (Hurrah!) this "little" movie never fails to deliver its huge emotional impact. Hayley Mills (pre-Disney) and Horst Buchholz (pre-Magnificent Seven) will break your heart and then restore it. A truly great motion picture, one once discovered is never forgotten! If you haven't seen it you are missing one of the all-time classic films!

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Chiefs TV Mini-Series (1983) Review

Chiefs TV Mini-Series  (1983)
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I still place Stuart Woods's "Chiefs" among the best police dramas ever written. Since I learned that a TV adaptation of the book was made, I've always wanted to see it - and, about a year ago, I finally found and bought the DVD release of the series (which seems to be unavailable outside R2). I actually did not expect much, but what I received surprised me - and it was a positive surprise. The series is an excellent adaptation of the novel and manages to do it justice, which is a rarity... as is the fact that very little of the book's plot is omitted. Certainly, some of the details - such as Will Henry's growing obsession with the mysterious murders, and the technical sides of his investigation - have to be treated superficially, but every important subplot and aspect of the book is present in the film; consequently, the series manages to be just as thrilling and involving as the novel. Amusingly enough, the credits on the box of the DVD misled me slightly - I assumed Charlton Heston, Keith Carradine and Billy Dee Williams would be playing the three chiefs, chronologically; of course, this is not the case. Of course, a Collector's Edition, with some extras and a commentary (perhaps even by Stuart Woods?) would be even better, since the DVD I have is bare-bones, with only a spartan menu and chapter selection, but that's unlikely to happen with a TV series. Then again, it's been done with, for instance, "IT!", so... you never know. If a Special Edition DVD is ever released, I'll certainly buy it in addition to the standard one I have.

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Item Name: Chiefs [Region 2]; Studio:(null)

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Masked Avengers (1982) Review

Masked Avengers (1982)
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Masked Avengers may be my favourite Shaw Brothers film... certainly it rates highly. I've bought, copied and stayed up late to tape it more times than bear mention. Naturally I was thrilled to see it on DVD... in digital format at last!!
But the product is mediocre at best. It is mastered from a very old video copy with plenty of artifacts, and very clearly not from film. It's not letterboxed, making much of the dialogue literally one-sided (since you can only see half of the screen), and as with other films released by NS and Ground Zero, there are gaps in the sound. To put it bluntly, there are plenty of better copies out there in private collections. Even the uncompleted synopsis on the box ("...a stunning climax at the Mask Gang's"-- what? The Masked Gang's what?!) indicates the level of carelessness that went into this "Limited Collector's Edition."
Still, this is likely to be the one and only digital print of a Chang Cheh milestone, and it's no worse than a 3am broadcast of Black Belt Theatre. Unfortunately, it's no better. Admittedly it's nice to see these old workhorses finally being immortalised and made available for sale. It would be nicer, however, if it could be done professionally, and with a bit of the affection that makes diehard fans buy them

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Item Name: Masked Avengers; Studio:SB

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Undercover Kids (2006) Review

Undercover Kids (2006)
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KIDS ACTION & ADVENTURE-Nicole & Nelson are twins with psychic powers. On the first day of school, everyone is talking about the recent vandalism at school. Nicole & Nelson decide to go undercover to find the culprit. The twins get child genius George & his high tech gadgets to help them solve the mystery. With the clock ticking, the kids race to break the case open before the big school board meeting where they must reveal the true person responsible for the vandalism. Will the Undercover Kids solve the crime before time runs out? BONUS: Trivia Game,Behind The Scenes, Trailer, Optional Subtitles: Espanol.

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Joyride (1977) Review

Joyride (1977)
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"Joyride" is an independent 1977 road flick starring the sons of Desi Arnaz (and Lucy) & John Carradine and the daughters of Tippi Hedren & June Lockhart.
THE STORY: Three footloose youths, two guys and a girl (a young Melanie Griffith) all around the ages of 18-20, decide to leave their dead-end jobs and travel to Alaska. They have some half-baked plan to become salmon fishermen, but they're more likely just looking for adventure, fun and possibly a sense of purpose. Unfortunately they're forced to pick up other dead-end jobs, including working for the oil pipeline. Desperation leads to crime where they acquire a hostage (Anne Lockhart), who ultimately becomes a willing partner.
I never heard of this film before and took a chance picking it up. I was under the impression that it was a fun 70's car-chase flick like "Eat My Dust" or "Grand Theft Auto." Although it shares aspects of those types of films I was surprised to discover that "Joyride" is essentially a serious road flick, the second half taking on elements of "Bonnie And Clyde."
Although this is a fairly low-budget independent film it's quite professionally made. The Washington locations are great and the acting is fine. Anne Lockhart is easy on the eyes and Melanie isn't bad either.
I encourage you to read M.G. DaVega's review from May 11, 2008, because he accurately points out what may turn some viewers off. The story has a meandering vibe because the kids are living aimless lives. They're not necessarily "bad kids" or unlikable (although they later turn bad via bad choices); in fact, one part of the story shows one of the guys boldly taking a stand for what's right while working security for the pipeline, but it ends up costing them. DaVega rightly argues that the viewer is unsympathetic towards the youths because they increasingly turn to crime as the story progresses. He calls them "half-wits" who do stupid things and engage in unsavory & deplorable acts like shoplifting, public drunkenness, pissing contests (literally), auto theft, breaking & entering, and armed robbery of the pipeline company.
DaVega also points out that they (seemingly) learn no moral lesson through their experiences and are not much different at the end than at the beginning.
These valid criticisms will certainly turn some viewers off, but I'd like to point out that the events in the story aren't even close to being as morally shocking & appalling as in, say, 1966's "The Wild Angels."
Although the characters seemingly learn no moral lesson, the film itself is a moral lesson, not to mention it smacks of reality. I can remember when I was in my mid-to-late teens, living an aimless existence and doing incredibly stupid things, just as dumb and senseless as depicted in the movie. So I can relate to the kids, their situations and foolish choices. Simply put, "Joyride" is a portrait of lost, fallen humanity. The title is sarcastic because the kid's adventure is more laborious and miserable than fun and joyful (but, don't get me wrong, there are some lighthearted moments).
The film successfully depicts the meaningless, aimless and darkened nature of life "under the sun," in particularly for those who are unaware of the designs of the Creator, or who simply refuse to seek/acknowledge the Almighty. Read the relatively short ancient book of Ecclesiastes to get my drift.
Anyway, the picture ends with the kids getting lost and stranded in the Northwest wilderness, which is reminiscent of that family that got stranded near the Rogue River in Oregon a couple of winters back.
BOTTOM LINE: DaVega is wrong to say that anyone who likes this film has "extremely low standards for movies." I can see why the film turned him off, but his objections are based soley on moral grounds. This doesn't mean "Joyride" isn't worthwhile or well-made for an independent 70's flick. On the contrary, the meandering story keeps the viewer's attention (which is one of the most important gauges for discerning the worthiness of a picture), and the film itself makes a potent moral point about the fallen nature of humanity. Plus the viewer gets a good glimpse of what it was like to work on the pipeline back then.
If nothing else, "Joyride" is worth seeing because it's like traveling back in time to 1977.

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The Warner Gangsters Collection (The Public Enemy / White Heat / Angels with Dirty Faces / Little Caesar / The Petrified Forest / The Roaring Twenties) (1938) Review

The Warner Gangsters Collection (The Public Enemy /  White Heat / Angels with Dirty Faces / Little Caesar / The Petrified Forest / The Roaring Twenties) (1938)
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Who can argue that this isn't the greatest collection of classic gangster films ever made?
If you need more proof about how good these are, I have 3 sources that rated these films BEFORE they were released to DVD.
Leonard Maltin (represented by LM, his highest rating is 4 stars),Nick Martin & Marsha Porter (authers of DVD & Video guide - represented by DVDG), and All Movie Guide (Represented by AMG).
Let's go Chronologically:
Little Caesar: LM- 3 1/2; DVDG - 3; AMG - 5
The Public Enemy: LM - 3 1/2; DVDG - 4 1/2; AMG - 5
The Petrified Forest: LM 3 1/2; DVDG - 4 1/2; AMG - 4
Angels With Dirty Faces: LM - 3 1/2; DVDG - 4 1/2; AMG - 4 1/2
The Roaring Twenties: LM - 3; DVDG - 4 1/2; AMG - 4 1/2
White Heat: LM - 3 1/2; DVDG - 4 1/2; AMG - 5
If you really look at the ratings (and consider that Maltin uses a 4 star rating system (as opposed to a 5 star)),you will see that the profesional critics rate these as quite high. Let's face it. These are the cream of the Warner gangster library. Another neat thing that was done for the DVD is the Warner Night at the Movies (Similarly done with Yankee Doodle Dandy, Treasures of the Sierra Madre, and the Adventures of Robin Hood - also introduced by Leonard Maltin) which gives you the option of viewing the film the way it was in theaters during that year (complete with trailer, news item, short, cartoon, & movie). They all have commentaries by notable historians, and have "Making of" special features (a few which include Martin Scorsese).
The prints are the cleanest I've seen in years (Turner does a top notch job of getting the best available source material).
The sound is above average to good. There are subtitles for the films, and closed captioning. Subtitles in english, french, and spanish.
The bottom line is if you are into this genre, you are going to want to get all 6 of these films (watch them in chronological order, the way the "making of"s are presented is much more rewarding if you do). These are simply the best of the gangster films. Second to none, and (to quote Cagney) "Top of the World".

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The Public Enemy showcases James Cagney's powerful 1931 breakthrough performance as streetwise tough guy Tom Powers. When shooting began, Cagney had a secondary role but Zanuck soon spotted Cagney's screen dominance and gave him the star part. From that moment, an indelible genre classic and an enduring star career were both born.As a psychotic thug devoted to his hard-boiled ma, James Cagney - older, scarier and just as elctrifying - gives a performance to match his work in The Public Enemy as White Heat's cold-blooded Cody Jarrett. Bracingly directed by Raoul Walsh, this fast-paced thriller tracing Jarrett's violent life in and out of jail is also a harrowing character study.Jarrett is a psychological time bomb ruled by impulse. It is among themost vivid screen performances of Cagney's career, and the excitement itgenerates will put you on top of the world! In Angels with Dirty Faces, Cagney's Rocky Sullivan is a charismatic ghetto tough whose underworld rise makes him a hero to a gang of slum punks. The 1938 New York Film Critics Best Actor Award came Cagney's way, as well as one of the film's three Oscar nominations. Watch the chilling death-row finale and you'll know why. "R-I-C-O, Little Caesar, that's who!" Edward G. Robinson bellowed into the phone. And Hollywood got the message: 37-year-old Robinson, not gifted with matinee-idol looks, was nonetheless a first-class star and moviegoers hailed the hard-hitting social consciousness dramas that became the Depression-era mainstay of Warner Bros. Little Caesar is the tale of pugnacious Caesar Enrico Bandello, a hoodlum with a Chicago-sized chip on his shoulder, few attachments, fewer friends and no sense of underworld diplomacy. And Robinson - a genteel art collector who disdained guns (in the movie, his eyelids weretaped to keep them from blinking when he fired a pistol) - was forever associated with the screen's archetypal gangster. A rundown diner bakes in the Arizona heat. Inside, fugitive killer Duke Mantee sweats out a manhunt, holding disillusioned writer Alan Squier, young Gabby Maple and a handful of others hostage. The Petrified Forest, Robert E. Sherwood's 1935 Broadway success about survival of the fittest, hit the screen a year later with Leslie Howard and Humphrey Bogart magnificently recreating their stage roles and BetteDavis ably reteaming with her Of Human Bondage co-star Howard. Sherwood first wanted Bogart for a smaller role. "I thought Sherwood was right," Bogart said. "I couldn't picture myself playing a gangster. So what happened? I made a hit as the gangster." So right was he that Howard refused to make the film without him...and helped launch Bogie's brilliant movie career. In The Roaring Twenties, the speakeasy era never roared louder than in this gangland chronicle that packs a wallop under action master Raoul Walsh's direction. Against a backdrop of newsreel-like montages and narration, it follows the life of jobless war veteran Eddie Bartlett (James Cagney) who turns bootlegger, dealing in "bottles instead of battles." Battles await Eddie within and without his growing empire. Outside are territorial feuds and gangland bloodlettings. Inside is the treachery of his double-dealing associate (Humphrey Bogart). It would be 10 years before Cagney played another gangster (in White Heat), a time in which gangster movies themselves became rare. "He used to be a big shot," Panama Smith (Gladys George) says at the finale, marking Bartlett's demise...and signaling the end of Hollywood's focus on the gangster era.

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Man Against the Mob: The Chinatown Murders Review

Man Against the Mob: The Chinatown Murders
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Man Against the Mob: The Chinatown Murders is a surprisingly good movie that anticipates the upcoming neo-noir/crime films like L.A. Confidential and Mulholland Falls (both of which came out 6 or 7 years after this one). While it may not be up to the level of those two films (it was a TV movie, after all), it isn't all that far off, either.
The script is actually fairly tight with some snappy dialogue, and the plot is also first rate for a TV movie. George Peppard is perfectly cast as the tough as nails cop heading the anti-organized crime squad in L.A. His performance is just right for the movie, and the supporting actors all do a fine job as well.
The sets, cars, and wardrobe all come across as authentic 1940's L.A. - except some high tension wire riggings across the docks in one shot. Other than that one flaw the movie really captures the atmosphere of the late 40's really well. The score is noteworthy as well - some really good Jazz written by Artie Kane.
Overall, Man Against the Mob: The Chinatown Murders is a great buy at under $5. If you like 40's film noir or crime movies, definitely check this one out. It may not be great, but it is good - and it is very entertaining.

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The Young Americans (1994) Review

The Young Americans (1994)
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Harvey Keitel stars as a FBI agent in this dark and death-filled tale of gangs in London. The premise is a simple one, one that we've seen in many other mob movies. The older, established mobsters have a code of honor and try to do things the proper way. The rash, up and coming punks care nothing for honor and just want quick cash and drugs. In this case, it's an American - Carl Frazer (played by Viggo Mortensen) who is causing the trouble. The FBI has sent John Harris (Keitel) to help the London police force to shut him down.
Carl is a truly psychotic drug / arms dealer who loves to gather up lost but innocent young men, tell them that they are special, and then turn them into cold blooded killers. Carl gets his thrills from corrupting the virtuous. There are many comments throughout the movie - both by the cops and the old time mobsters - about how these young, sweet kids are having their lives destroyed by drugs and the lure of cash. In one scene, an old mob guy is attacked by two of these 'kids' who are trying to kill him. When he turns the tables on them, he refuses to shoot them - he just tells them to leave him alone.
I admit that I have a bit of an issue with this constant referring to the adult men as "kids" - they appear to be in their early 20s, they are out drinking, working, having lives. It's always tragic when someone is led astray, but to call them helpless "boys" or "kids" is marginalizing their maturity, in my mind. Maybe if they'd made the boys in the movie in the 13-15 age range it would have played better with me.
In any case, the movie is a little cardboardy. You have the crooked cops. Keitel is the hard-FBI-guy-who-is-still-tender. The mob guy is rough but tender too. Viggo is over the top as the psycho who smashes a prostitute's face in at a party because she was snorting coke instead of doing her job. His main lines and action only let him show 'moralless insanity' without many shades of anything else. Keitel got a lot of good moments and depth in his role, being tough with the bad guys, really caring about the innocent, and wrapped up in knots by his home life. Another great role was provided to Craig Kelly - he was great as the young man (oops I mean helpless boy) who first tries to avoid getting sucked into the situation, but finally has to make some hard decisions.
On the violence end, there was a lot of it. There was also a lot of loud clubbing, meaning that either your ears are being blown out by the noise or you're missing the soft dialogue because it's muddled. I usually don't have any issues at all with sound balance on a DVD so I really did find it odd how the mix was done here. Maybe that was part of the intention - to make you feel like you didn't know what was going on and were immersed in this throbbing London scene.
A great movie to watch once - either rental or on TV - before you decide if you want to actually own it.

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Lift Review

Lift
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This one is like watching a home video of someone you know personally. Although I don't agree with (or condone) much of what Niecy does, I can most definitely understand her making the decisions she made. Just watching the relationship between her and her mother made things easier to relate to.
Often times, it's the very same people that hold you to unobtainable standards, that push you to do emorale and/or illegal things in the first place. It's the unspoken words that sometimes hold the heaviest weight.
Without giving away any plot destroying information, I would like to say that this film proves that there are those out there on the wrong path that can, and will be able to turn their lives around for the better...
As always, Kerry Washington gives a brilliant performance.
I highly recommend this film...

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CHAOS Director's Cut (2005) Review

CHAOS Director's Cut (2005)
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By now everybody knows that "Chaos" is supposedly a violent, unrestrained film. It IS violent, and yet restrained, it's one of those films that promises a lot with it's hype and premise, and in this case delivers something FAR below expectations. You know your production is in trouble when the director is a guy who calls himself "The Demon," in this case David "The Demon" DeFalco. Oh DeFalco has spent a lot of time and energy defending the piece as a look at "real life" and pure evil blah blah blah, claiming this is the most brutal movie ever made eventhough Mel Gibson's "The Passion Of The Christ" outdoes the film in pure blood and violence, DeFalco and his producer have also been waging a childish print and video debate with Roger Ebert who rightfully gave the movie zero stars. At the end of the day what brings "Chaos" down isn't the subject matter, but the mere fact that this is pretty poor filmmaking. First there's the look of the movie, it looks like a straight to video production with really simple, pale lighting that doesn't even make the movie look sinister. This really looks more like a first term student film by students still learning to use the equipment. The camera work consists of a few hand held shots and pretty basic framing, nothing too intense. The actors are also very unconvincing, they deliver either performances that come off as too cheesy or too overdone. The biggest problem here though is the script which is so poorly crafted. Characters are cardboard cut-outs with no personality, they merely exist for the purposes of running, grinning, screaming and looking tough or scared. The dialogue is laughable and the story advances with such a choppy, simple rhythm that we can't take any of it seriously. The violence itself only reaches a shocking climax in two scenes, this is not a non-stop orgy of death and killing, in fact, I found the movie to be quite restrained. Oh sure the nipple slicing scene is pretty grotesque, and the final murder in the woods is also birthed from a disturbing use of the imagination, but a more intense, graphic movie would be Meir Zarchi's "I Spit On Your Grave" which makes "Chaos" look like child's play, or Pasolini's "Salo" based on the Marquis De Sade's "120 Days Of Sodom." DeFalco also needs to be a little more original, movie buffs are already signaling out all the obvious "Last House On The Left" rip-offs present in the movie. I see the film more as one of those cheesy attempts by a guy who thinks he's tapped into reality at trying to make "something real" when in fact it doesn't feel real at all. Evil is a topic best looked at when it's done with a balanced blend of violence and psychology as in "The Silence Of The Lambs," "Seven," "The Exorcist," and horror works best when it is attempted with a real sense of the disturbing and gritty as with the original "Texas Chainsaw Massacre." "Chaos" is more of a geek show, with scenes of pain, breasts and slobbering villains in a B-movie setting. This is not the most brutal movie ever made, or one of the best, or one worth checking out.

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The Boys of St. Vincent (1994) Review

The Boys of St. Vincent (1994)
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Horror films as such have nothing on the THE BOYS OF ST. VINCENT. Loosely based on the Roman Catholic child molestation scandals as they unfolded in Canada, this 1991 film was first show on Canadian television but later shown theatrically in the United States. Directed by John N. Smith, featuring an extraordinary cast, and boasting an excellent script, the film is one of the most fearsome experiences you could ever endure.
The story falls into two parts, first offering a portrait of St. Vincent, a Catholic orphanage for boys, as it existed in the early 1970s; then presenting a portrait of the various characters some fifteen years later as the original accusations of child molestation and abuse result in a high profile court case. The film focuses on a number of characters, but most particularly on Henry Czerny, who begins the film as Brother Lavin of St. Vincent--a truly dangerous pedophile who uses his position to sate his desires while also looking the other way re abuse of children by other Brothers at the orphanage. When the scandal at last breaks around him, it is quickly hushed up by the authorities, and Lavin leaves the church. Some fifteen years later he is a respected businessman, a husband, and the father of two sons when the long-forgotten and covered-up case begins to explode relentlessly in the public eye.
The cast is truly amazing here, chief among them Henry Czerny as Lavin, who creates a truly multilayered portrait of a man at once pitful but both vicious and dangerous. Equally amazing are the cast of children and their adult counterparts in the latter half of the film, most particularly Johnny Morina and Sebastian Spence, who play the role of Kevin as a child and an adult respectively.
Perhaps the single most impressive accomplishment of the film is the delicate balancing act director Smith achieves, a stance which does not attack the Catholic Church as an institution but which relentlessly exposes the corruption that can exist within it. The film does contain some child nudity, all of it "back shots," and while some may find this in questionable taste it is all carefully filmed and not explotational--and indeed has the effect of further demonstrating the innocence of the children while emphasizing the evil of those who abuse them.
Painful as the film it is, I cannot recommend it too strongly. It should be seen by every responsible adult, not simply for the artistry involved in its presentation, but for the warning it offers. A must see.
--GFT (Amazon.com Reviewer)--

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Inside the walls of St. Vincent's Orphanage, young boys fall victim to sexual, physical and emotional abuse at the hands of their guardians. Henry Czerny (Mission: Impossible, Clear and Present Danger) gives a terrifying performance as Brother Lavin, the head of the orphanage who must juggle the teachings of the church with his own personal demons. The plight of the boys under his care remains a secret until the orphanage janitor and a local policeman speak out against the Brothers' appalling treatment of the orphans. During the ensuing investigation, the boys courageously testify against the Brothers. Fearing a scandal, religious and civil authorities conspire to shut down the case and quietly transfer the accused Brothers to new postings. Fifteen years later, still unhealed, the victims go public with their ordeal. As the veil of secrecy is finally lifted, their story will shock the world.From the director of Dangerous Minds comes this controversial story that was one of the year's most powerful and critically acclaimed films.

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Lethal Weapon (1987) Review

Lethal Weapon (1987)
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As much as i love this movie, I was turned off by the poor job that was done on the tranfer to Blue-Ray quality.
Save your money, Hopefully a better version will be released in the future.

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The Fallen Ones (2005) Review

The Fallen Ones (2005)
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For a channel that continually gives us such tripe as "Mosquito" and "Bugs", "The Fallen Ones" is far from the worst that the SciFi channel has to offer. But as with most of their offerings, "The Fallen Ones" is devoid of a comprehensible script, Robert Wagner is horrible, and every few minutes you end up asking yourself, "What's going on here? I'm confused."
But that's Ok, because the film is marginally saved by Tom Bosley, I gotta tell ya, you can put Mr Cunningham in any kind of movie, doing any kind of role and I'm going to be entertained.
And you have to mention Caspar Van Diehm...we are living in blessed times to have this generation's John Agar meandering his way through B-movie after B-movie, he is so bad in an "Ed Wood" kind of way, that he almost makes you believe he's a credible actor.
I liked the super-sized mummy, that was good imagination, unfortunately, most of the rest of the movie was lacking.

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