Showing posts with label california. Show all posts
Showing posts with label california. Show all posts

Hauntings In America Review

Hauntings In America
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This was a good mix of stories from accross America. Some well known some new and not so well known. If you like Haunted History you will like this video.


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Baz Luhrmann's Red Curtain Trilogy (Strictly Ballroom / Romeo + Juliet / Moulin Rouge) (1993) Review

Baz Luhrmann's Red Curtain Trilogy (Strictly Ballroom / Romeo + Juliet / Moulin Rouge) (1993)
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The colorful, whirling world of Baz Luhrmann is brought to life in the Red Curtain Trilogy, comprising "Strictly Ballroom," "Romeo + Juliet," and "Moulin Rouge." While there are sticky patches -- particularly the pairing of Danes and DiCaprio in "Romeo + Juliet" --the overall effect is beautiful and poignant.

"Strictly Ballroom" is the problem in Scott's (Paul Mercurio) life. He's an outstanding dancer, but he refuses to conform to the Australian ballroom rules -- he wants to dance his own steps. When he loses his partner, awkward Fran (Tara Morice) enters the scene and asks to dance with him. These two outcasts of the ballroom start to fall in love as they try to win a major competition.

"Romeo + Juliet" gives a modern Californian twist to the classic tale of feuding families and starcrossed young lovers. Romeo (Leonardo DiCaprio) and Juliet (Claire Danes) come from a pair of families locked in a deadly feud, but they fall in love anyway. Their desperate efforts to be together lead to tragedy...

"Moulin Rouge" gives us another kind of bittersweet love story -- a musical rather than a revamped classic. Bohemian poet Christian (Ewan McGregor) dips into the sensuous, flashy world of Moulin Rouge. There he falls in love with the beautiful, sickly Satine (Nicole Kidman), a star at the club, and a well-known courtesan. Unfortunately, their growing love is threatened by a duke, who wants Satine all for himself.

As a boy, Baz Luhrmann grew up around ballroom competitions, which give the heart to these movies. But the soul is in the presentation. It's theatrical, colorful, dazzling to the eyes and centered on classic tales of doomed love and succeeding against the odds.

Luhrmann's sense of the theatrical is included in his direction -- it can be very sharp and fast, and sometimes downright crazy. With another director, it might seem flashy and gaudy, but Luhrmann's unique style works. A particular risk is making a musical, something which spelled death for movies for a long time... until Luhrmann revived it with Moulin Rouge. Or the postmodern tale of Romeo and Juliet, which is imperfect, but still quite pleasant.

The acting tends to be excellent, although the acting in "Romeo + Juliet" is spotty, and DiCaprio and Danes have zero chemistry. But McGregor and Kidman in particular are outstanding, and Tara Morice and Paul Mercurio of "Strictly Ballroom" have electricity and sweetness to spare. The supporting actors are quite good as well.

And the three-DVD set is graced with plenty of extras -- documentaries, commentary on each film, behind-the-scenes peeks, featurettes, and some gorgeous music videos. And there's even an extra disc included with a "Red Curtain" documentary about Luhrmann's style, scripts, screensavers, more music videos, and more.

Baz Luhrmann reinvented the musical and gave his movies a lush, strange look that entices viewers even now. Sensuous, fun and funky, this is a trilogy to definitely check out.

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Contains: *Moulin Rouge *Moulin Rouge Bonus Disc *Romeo and Juliet Special Edition *Stricly Ballroom *Behind the Red Curtain

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National Geographic: Climbing Redwood Giants (2009) Review

National Geographic: Climbing Redwood Giants (2009)
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This 45 minute length documentary will not tell you all you might like to know about redwood trees, but the cinematography is spectacular. I have never seen such incredible footage of redwood forests before. This National Geographic special focuses on the work of Steve Stillet of Humboldt University. Stillet is a pioneer of redwood research having climbed hundreds of them beginning back in 1996. Apparently he is the first scientist to have scaled a redwood, but has done much more than tree hugging. Stillet has analyzed the canopies of the redwoods and studied the unique ecosytems atop such giants making new discoveries regarding the flora and fauna far up in the air. This documentary simultaneously tells the story of Mike Fay, an interprid explorer and chronicler, who treked across the length of equatorial Africa back in the year 2000. Fay now applies the same spirit of determination and exploration to do something unique: trek the length of the redwood forests that stretch from Big Sur in southern central California to southern Oregon. Fay and his partner locate the southernmost redwood and then hike for eleven months covering almost 2,000 miles of terrain to chronicle the state of the redwood forests in California before reaching the last redwood in southern Oregon. The conclusion of Fay is that redwoods have begun to thrive once more for the first time in 150 years after the devastating effects of indiscriminate logging. Meanwhile Stillet has canvassed a 2.5 acre area of redwood forest in an undisclosed location measuring and analyzing every inch in an 8 year time frame.
The documentary is strongly conservationist in tone and portrays some ugly scenes in the 1990s and later where activists fight to preserve one of the last of the ancient, first growth redwood forests in 1997. Arborists are sent in to dislodge the protesters from the ancient trees and local sheriffs apply pepper spray to the activists eyes in some shocking footage. The activists, however, were triumphant forcing the state of California to pay a hefty 440 million to a logging company that owned the land. Logging of redwoods continues, but the documentary emphasizes selective forestry whereby only a few redwoods are felled such that new trees may sprout up thanks to the additional sunlight at the forest bottom. Also, fascinating is the study of how the redwoods manage to live in a cold coastal environment during the winter while enduring dry, hot summers without the benefit of much rain. Redwoods have been around since the time of the dinosaurs and once dominated much of North America. The last ice age limited their range to this narrow strip of land along the californian coast and this documentary tells the story of those most determined to preserve this last vestige of living antiquity on american soil.
Scientists and conservationists would be more capable of commenting on the accuracy of the statements made in this documentary, but the spectacular footage alone makes this doc worth a peek.

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Studio: Uni Dist Corp (music)Release Date: 02/02/2010Run time: 50 minutes

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Murder One - The Complete First Season (1995) Review

Murder One - The Complete First Season (1995)
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TV Guide hailed Murder One as 'The Best Show You're Not Watching' mid first-season, and, believe me, they were right.
The premise of Murder One is simple enough; to take you, step by step, through a sensational murder trial. A series of twists and turns within the first four episodes leads to the arrest of drug-addicted movie star Neil Avadon who turns to his former lawyer Ted Hoffman for help.
The show takes you through the entire trial, from jury selection to the verdict and beyond. Each episode reveals more about the case itself, about the young victim Jessica Costello, and the tragic life she led up until her murder. The defendent, Neil, has no memory of the night she died and doesn't even know himself if he's innocent or guilty.
Ted Hoffman and Associates, the law firm at the center of the trial, is staffed with brilliant attorneys who passionately fight for Neil and their other clients with an exuberance and passion seldom seen in present-day law shows. They actually *care*, and through them you will, too. I'd love to tell you more, to detail the fascinating and brilliant plot twists and revelations that you'll journey through watching this show, but to do so would spoil the incredible experience of seeing it yourself, from episode one to the end.
This show first aired when I was eleven years old. Ten years later I still vividly remember it as one of the best, most well-written and riveting dramas I've ever had the pleasure of seeing.


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Sex. Lies. Murder. One day at a time until justice is served. From the creator of NYPD Blue, Hill Street Blues, and LA Law and in the same fashion as 24 - each episode of Murder One represents one day of a single sensational and explosive trial.

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Gus (1976) Review

Gus (1976)
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The California Atoms need a miracle. They've been in last place for so long that they have very few fans in the stadium for football games. In a desperate attempt to build attendance, the owner, Mr. Cooper, flies over Gus, a mule from Yugoslavia that kicks field goals. Soon, the mule and his owner Andy are being used to score points in the games. In an attempt to keep the team, Mr. Cooper makes a bet with his creditor that if the team wins the Super Bowl, he can keep the team. But the creditor won't make it easy. As the season progresses, the stakes get higher and the laughs get louder.
Sure, this is a completely unrealistic movie. And you can probably guess every single plot point long before it happens. But this is another case of having so much fun getting there that you really don't care. I watched this movie many times as a kid, but hadn't watched it for years until recently. I was laughing right from the start, and the final scene made me laugh just as hard as it always did. I do wonder how some of the big name cast (like Tom Bosley and Ed Asner) got talked into this movie, but they do a great job and it's great fun as a result.
The DVD, on the other hand, could have been better. Even though the package doesn't admit to it, this film was obviously originally widescreen, and the cut made for this DVD is bad. Usually I don't notice too much of a difference, but here people were often half on the screen and it was obvious we were missing bits of the action because of the edit. The picture quality could have also used a little sprucing up, with grain showing up on a fairly regular basis. It's noticeable, but not enough to truly detract from the film.
If you're in the mood to laugh, this is the film for you. If you already have the VHS, there's no reason to rush out to upgrade. If you don't already own it, the DVD is a fine additional to any movie collection. Unfortunately, this is probably the best we'll ever get for this film.

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A cast of comedy pros, including the hilarious Don Knotts and Tim Conway, make this Disney classic a sure winner! Low-ranking football team The California Atoms are at a constant loss until they recruit a new player -- a mule named Gus. It turns out that Gus is an amazing placekicker with a 100-yard field goal ability! Just as the Atoms begin to leave their losing streak in the dust, crooks attempt to kidnap their new star. Whether it's a surefooted race to the goalposts or a riotous chase down supermarket aisles, action in this Disney favorite is sure to make your family cheer!

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The China Syndrome (Special Edition) (1979) Review

The China Syndrome (Special Edition) (1979)
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Review of "The China Syndrome: Special Edition" DVD .............................
"The China Syndrome" first appeared in theaters around the USA on March 16, 1979. In an almost unbelievable coincidence, just twelve days later, on March 28th, the worst nuclear accident in United States history occurred at Three Mile Island near Harrisburg, Pennsylvania. The real-life incident at Three Mile Island was, in many ways, identical to the plot of the movie. An incorrect reading of equipment at Three Mile Island made the plant's operators THINK, in error, that there was more water covering the core of the power plant than there actually was -- just exactly what we see unfold on the screen in "The China Syndrome".
Another extremely eerie "coincidence" between the real event and the motion picture is a line of dialogue that was written for the film, and is one of the most chilling lines in the picture, where a nuclear expert is explaining that, if an explosion had occurred at the fictional "Ventana" nuclear facility, it could have "rendered an area the size of the state of Pennsylvania permanently uninhabitable". Rather remarkable that the filmmakers chose the state of "Pennsylvania" for their catastrophic "example" here, huh? When just days after debuting it would, indeed, be that exact state facing potential disaster.
"The China Syndrome", which grossed over 35.7 million dollars in U.S. theaters, is an outstanding drama starring Jack Lemmon, Jane Fonda, and Michael Douglas. The tense script keeps you on tenterhooks throughout the film, despite the lack of any musical score or background music of any kind. The only music in the whole film resides at the beginning (as the credits roll). The ending credits roll silently -- with only dead silence accompanying them (which is, quite possibly, even MORE powerful and effective here, given what we've just seen in the movie, than if a rousing musical theme were to have been utilized at the end of the film).
"The China Syndrome" was nominated for four Academy Awards, including Best Actor (Lemmon) and Best Actress (Fonda). Neither of them won. Lemmon was bested by "Kramer vs. Kramer's" Dustin Hoffman; while Fonda was beaten by Sally Field ("Norma Rae").
I've always thought that this film should have not only been nominated for Best Picture of 1979, but it should have won that honor as well. But it was "Kramer vs. Kramer" that took the prize that year. A shame, too -- because I feel "The China Syndrome" was/is a far better film than "Kramer". But, hey, that's just my own view on the subject.
A fine companion video to this DVD is "Meltdown At Three Mile Island" (a 1999 documentary from PBS Home Video). After watching both the movie and that PBS documentary program, you'll notice even more correlation between the real-life Pennsylvania accident and the fictional film -- such as the amazing similarity in the look of the control room. The REAL Three Mile Island control room looks just exactly like the control room we see in the movie. The filmmakers obviously did a very good job when it came to replicating the details of a real nuclear power plant.
This single-disc DVD "Special Edition" was released by Columbia Tri-Star Home Entertainment on October 26, 2004, and comes complete with a great-looking Anamorphic Widescreen transfer, 5.1 Dolby Digital audio, plus some nice special features to boot.
Here's a rundown of the Bonus Features on this disc ...............................
>> Two excellent Laurent Bouzereau-produced documentaries on the making of the movie (lasting nearly one hour combined) -- "The China Syndrome: A Fusion Of Talent" (run time of 27:33) and "The China Syndrome: Creating A Controversy" (29:31).
New interviews with Michael Douglas and Jane Fonda (and some others) fill up these informative documentary supplements, with some really interesting behind-the-scenes tidbits being revealed during these two bonus programs. Plus some discussion of the relationship between the film and the Three Mile Island accident that closely followed, which made the film's popularity skyrocket.
One interesting hunk of trivia concerning star Jack Lemmon that came out in the "Fusion" featurette that I'd never realized is that Jack had apparently put some other movie roles "on hold" for well over a year in order to finally begin work on "The China Syndrome" (which started filming on January 16, 1978).
Another fun part of the "Controversy" documentary is a humorous outtake showing Jane Fonda trying to run while wearing those shoes with the seemingly mile-high heels (which we see her wearing in several scenes during the film). She had trouble running from one place to another in this outtake, and ultimately trips over her own feet while declaring "I'm like a cripple!" (LOL!)
An additional piece of info gleaned is regarding the music (or lack of) for the movie. There *was* originally a musical score written for the film. But Producer Michael Douglas, and others, quickly learned that the movie would be much better served by completely eliminating any music score -- and simply have the "real sounds" of the power-plant control room serve as the film's "music" (in a way). We hear the clicking of dials, the beeping of alarms, horns blaring their warnings, and the sounds of the computer's printer as it prints out the info the power-plant workers need. All of these "real" sounds took a back seat to the music, and it was soon discovered that the music "ruins the reality of the film" (a quote from one of this DVD's supplemental programs). Therefore, the filmmakers decided to take a chance and scrap the idea of any music in the picture. A wise move, too, IMHO.
These Making-Of features also could serve as a "Photo Gallery" of still images. Many behind-the-camera pics are shown throughout these well-put-together bonus programs.
The two mini-documentaries are shown in the Full-Frame aspect ratio (1.33:1), and feature English-only Dolby Digital 2.0 Stereo sound and subtitles in Japanese only. (Why they chose only Japanese subtitling here, I have no idea.)
>> 3 "Deleted Scenes" (total time = 3:52). .... None of these short scenes adds much of anything to the story at hand. It's understandable why they were cut out. A "Play All" option is included here.
>> 3 Theatrical Trailers ("Previews"), but not one of them is for "The China Syndrome". This seems especially odd (and disappointing), because the previously-released DVD of this flick *does* include the film's trailer. But, instead, this "SE" disc offers up three trailers for other films: "The Fog Of War", "Fail-Safe", and "Secret Window". However, a portion of one of the original 1979 trailers for "The China Syndrome" is included in the "Creating A Controversy" documentary on this disc. But not the full trailer.
>> Text-only Filmographies for Jack Lemmon, Michael Douglas, and Jane Fonda --- and Director James Bridges.Additional DVD data concerning "The China Syndrome: Special Edition":
Video -- Widescreen only (1.85:1 aspect ratio); enhanced for 16x9 televisions.
Available Audio Tracks -- Dolby Digital 5.1 Surround (English), Dolby Digital 2.0 Mono (English), and Dolby Digital 2.0 Mono (French).
Audio Commentary Tracks? -- No. .... Too bad too. Because a multi-person Commentary Track (with Jane Fonda, Michael Douglas, and writer Mike Gray) would have been quite interesting I have a feeling.
Subtitles -- English, French, Chinese, Japanese, and Thai.
Main Feature Running Time -- 122 minutes.
Number of Chapter Breaks -- 28.
Paper Enclosure? -- Yes, a one-sheet (two-sided) insert. But it does not contain a Chapter List. If you happen to have the older DVD edition of "The China Syndrome" (released in May of 1999), you can use that disc's 4-page booklet as a Chapter Guide for this newer "SE" version. Both DVDs have the scenes divided up in the same places throughout the movie (and the descriptive titles/blurbs for each chapter are identical on each disc). In addition to including a Chapter Listing, the older disc's mini-booklet insert also contains some informative Production Notes and backstory concerning the film.
-----------------------------------------
Parting Thoughts ........
"The China Syndrome" is one of my all-time favorite movies, and in my view one of the best thrillers/dramas in all of movie-making history. It has a mesmerizing storyline, great acting, a very good cast of starring and supporting characters, and a first-class, heart-pounding ending. I'd suggest reserving a slot on the shelf for this Special Edition DVD. Even if you already have the previous DVD edition of this movie, it's worth upgrading to the "SE" for the one-hour's worth of excellent bonus documentaries located on this newer version.

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CHINA SYNDROME - DVD Movie

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The Karate Kid (Special Edition) (1984) Review

The Karate Kid (Special Edition) (1984)
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Karate Kid is not what you may think it is. The premise of a young fatherless boy trying to survive a completely new environment is how this movie gets its humanity. For anyone who has ever had to move to a new town, be raised by only one parent, or face overwhelming odds, and almost everyone has done at least one of these, this movie can be related to on many levels. Ralph Macchio plays Daniel, a teenager from New Jersey who is forced to move across the country with his mother and start a new life in a foreign place, California. Setting aside the differences between East & West coast alone, there is plenty for him to realize. When faced with bullies that he doesn't understand, he finds a friend in an unlikely place; Mr. Miagi, a Japanese handyman, played by Pat Morita, who's hides many talents. To say Karate Kid is a story about over coming your fear is to say that life is just a thing we do everyday. This movie mixes a friendship, a romance, a coming of age story, gaining self confidence and learning to appreciate that which you may not understand right away. After getting sufficiently beat up by the bullies more than once, Daniel enlists the help of Miagi and soon finds himself training for a tournament. This may seem outrageous, but Miagi knows it is a much safer place and a more controlled environment for Daniel to defend himself and gain respect. Miagi's training techniques are unique to say the least, and just as Daniel begins to question what is going on, he realizes that Migai really does know what he is doing. The story is good and solid and allows sympathy for both sides of the characters. They fill a void for each other, an obvious father/son, mentor/student relationship. The chemistry between them is very solid. Elizabeth Shue is good in her first major role, playing the sweet rich girl who sees Daniel for the person he is and not for his social status. Although sounding clichéd on the surface, this movie is well done and not superficial. The characters are very real, the emotions are deep and the fear of growing up with bullies hits home for many of us. The ending will have you cheering as Daniel moves his way through the tournament to the final climatic ending. Highly recommended and highly entertaining.

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A fatherless teenager faces his moment of truth in The Karate Kid. Daniel (Ralph Macchio) arrives in Los Angeles from the east coast and faces the difficult task of making new friends. However, he becomes the object of bullying by the Cobras, a menacing gang of karate students, when he strikes up a relationship with Ali (Elisabeth Shue), the Cobra leader's ex-girlfriend. Eager to fight back and impress his new girlfriend but afraid to confront the dangerous gang, Danielasks his handyman Miyagi (Noriyuki 'Pat' Morita), whom he learns is a master of the martial arts, to teach him karate. Miyagi teaches Daniel that karate is a mastery over the self, mind, and body and that fighting is always the last answer to a problem. Under Miyagi's guidance, Daniel develops not only physical skills but also the faith and self-confidence to compete despite tremendous odds as he encounters the fight of his life in the exciting finale to this entertaining film.

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The Other Sister (1999) Review

The Other Sister (1999)
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THE OTHER SISTER is one of those films that becomes a staple in the home library. With every viewing the tenderness and good qualities just improve. Though the film industry is dealing more often with the mentally challenged these days (I AM SAM, RADIO, etc) few can equal the tender love story that is created by Juliet Lewis and Giovanni Ribisi. The family setup is well paced with the skills of Diane Keaton and Tom Skerritt et al and other issues confronting the modern traditional family are certainly touched upon - obsession with public appearances, coping with a challenged child, teaching sex education, the presence of a gay sibling, to mention only a few. But it is the overwhelmingly fine performances by Lewis and Ribisi that are of the quality of commitment that seeing them on repeated viewings just fortifies the brilliance of their acting. These two people are people we readily love and grow to feel their fears, pain, frustration, and dreams. If ever there was a film that was able to read from the inside of the minds of the mentally challenged and find the mysteries and honest simplicities there, then this is the film. An outstanding cast and a very fine director in Garry Marshall make this movie a keeper.

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This funny and uplifting romantic comedy features outstanding performances from Juliette Lewis (ENOUGH), Diane Keaton (HANGING UP, THE FIRST WIVES CLUB), and Tom Skerritt (CONTACT) in a great star-packed cast! Even though Carla (Lewis) has grown into a very capable young woman, her nervous mother (Keaton) still has a major meltdown when Carla announces she's in love for the first time! So as Carla and her new boyfriend (Giovanni Ribisi, GONE IN 60 SECONDS, SAVING PRIVATE RYAN) set out to experience all of life's great adventures, they're also out to prove that Carla has earned her independence! The latest big-screen favorite from Garry Marshall, the acclaimed director of PRETTY WOMAN and RUNAWAY BRIDE -- you're sure to cheer this feel-good treat!

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