Showing posts with label elizabethan and jacobean drama. Show all posts
Showing posts with label elizabethan and jacobean drama. Show all posts

Shakespeare Collection (Hamlet 1996 / A Midsummer Night's Dream 1935 / Othello 1965 / Romeo & Juliet 1936) (1935) Review

Shakespeare Collection (Hamlet 1996 / A Midsummer Night's Dream 1935 / Othello 1965 / Romeo and Juliet 1936) (1935)
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I was very pleased with my "Literary Classics Collection" and "Motion Picture Masterpieces Collection" that I purchased from Warner's, and it looks like the studio originally known for gritty urban dramas continues to go highbrow with this collection of four movies featuring interpretations of works by the Bard. The press release by Warner Home Video has the following extras listed for each movie:
A Midsummer Night's Dream (1935)
Cast includes James Cagney, Olivia de Havilland (in her screen debut), Joe E. Brown, and Mickey Rooney. The film was nominated for four Academy Awards, including Best Picture. It won for Best Cinematography and Best Film Editing.
DVD Special Features:
Commentary by film historian Scott MacQueen
Olivia de Havilland screen test
Vintage featurette "A Dream Comes True" (8 minutes)
Presenting... Gallery of 6 teaser trailers showcasing cast members
Warner Bros. Studio Café teaser trailer
Musical short "Shake Mr. Shakespeare"
Theatrical trailer
Subtitles: English, French and Portuguese (feature film only)
Romeo and Juliet (1936)
This was actually an MGM production. George Cukor directs with Norma Shearer and Leslie Howard in the title roles. Nominated for four Academy Awards including Best Picture.
DVD Special Features:
Vintage short "Master Will Shakespeare"
Classic MGM cartoon "Little Cheeser"
Theatrical trailer
Subtitles: English (feature film only)
Othello (1965)
Lawrence Olivier in the title role, Maggie Smith as Desdemona, Joyce Redman as Emilia, and Frank Finlay as Iago. All four performers were nominated for Academy Awards for their performances.
DVD Special Features:
Vintage featurette "Olivier Talks About Othello"
Theatrical trailer
Subtitles: English (feature film only)
Hamlet 2-Disc Special Edition (1996)
Cast includes actor/director Kenneth Branagh, Kate Winslet, Derek Jacobi, Julie Christie, Robin Williams, Jack Lemmon, Billy Crystal and Charlton Heston. This rendition is set in the 19th century.
DVD Special Features:
Introduction by director/star Kenneth Branagh
Commentary by Kenneth Branagh and Shakespeare scholar Russell Jackson
New digital transfer from original 70mm elements
Soundtrack remastered in Dolby Digital 5.1
Featurette "To Be on Camera: A History with Hamlet"
1996 Cannes Film Festival promo
Shakespeare movies trailer gallery
Subtitles: English, French and Spanish subtitles. (feature film only)

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HAMLET: "Hamlet has the kind of power, energy and excitement that movies can truly exploit," award-winning actor/director Kenneth Branagh says. In this first-ever full-text film of William Shakespeare's greatest work, the power surges through every scene. The timeless tale of murder, corruption and revenge is reset in an opulent 19th-century world, using sprawling Blenheim Palace as Elsinore and staging much of the action in shimmering mirrored and gold-filled interiors. The energy is electrifying, due to a luminous cast. The excitement of the Bard's words and an adventurous filmmaking style lift the story from its often shadowy ambience to fully-lit pageantry and rage. Now presented in an amazing 2-Disc Special Edition. ROMEO & JULIET: Norma Shearer and Leslie Howard in the title roles are "so good that one can forget they are too old for the roles" (Leonard Maltin's Movie Guide). Adding to this allure of this nominee for four Academy Awards?* including Best Picture are lavish sets and costumes (Botticelli paintings inspired Shearer's wardrobe) that fuel the film's then-astonishing $2-million budget. OTHELLO: The original cast and soul-shattering impact of the play's 1964 staging by the National Theatre of Great Britain are captured on film. As the valiant war hero swept into a maelstrom of jealousy and revenge, Olivier won his seventh Academy Award? nomination.* The movie's Desdemona (Maggie Smith), Emilia (Joyce Redman) and "honest Iago" (Frank Finlay) also captured Oscar? nominations.* And the result, Bosley Crowther wrote in The New York Times, is that "this Othello is one of the boldest you'll ever see." A MIDSUMMER NIGHT'S DREAM: Love is blind, fickle and true. And under the sway of capricious fairies it becomes blinder (a queen romances a donkey), more fickle (best friends swoon over each other's beau) and truest of all (lovers repledge their devotion). "Lord, what fools these mortals be!" in Shakespeare's bewitching comedy. James Cagney, screen-d

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Baz Luhrmann's Red Curtain Trilogy (Strictly Ballroom / Romeo + Juliet / Moulin Rouge) (1993) Review

Baz Luhrmann's Red Curtain Trilogy (Strictly Ballroom / Romeo + Juliet / Moulin Rouge) (1993)
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The colorful, whirling world of Baz Luhrmann is brought to life in the Red Curtain Trilogy, comprising "Strictly Ballroom," "Romeo + Juliet," and "Moulin Rouge." While there are sticky patches -- particularly the pairing of Danes and DiCaprio in "Romeo + Juliet" --the overall effect is beautiful and poignant.

"Strictly Ballroom" is the problem in Scott's (Paul Mercurio) life. He's an outstanding dancer, but he refuses to conform to the Australian ballroom rules -- he wants to dance his own steps. When he loses his partner, awkward Fran (Tara Morice) enters the scene and asks to dance with him. These two outcasts of the ballroom start to fall in love as they try to win a major competition.

"Romeo + Juliet" gives a modern Californian twist to the classic tale of feuding families and starcrossed young lovers. Romeo (Leonardo DiCaprio) and Juliet (Claire Danes) come from a pair of families locked in a deadly feud, but they fall in love anyway. Their desperate efforts to be together lead to tragedy...

"Moulin Rouge" gives us another kind of bittersweet love story -- a musical rather than a revamped classic. Bohemian poet Christian (Ewan McGregor) dips into the sensuous, flashy world of Moulin Rouge. There he falls in love with the beautiful, sickly Satine (Nicole Kidman), a star at the club, and a well-known courtesan. Unfortunately, their growing love is threatened by a duke, who wants Satine all for himself.

As a boy, Baz Luhrmann grew up around ballroom competitions, which give the heart to these movies. But the soul is in the presentation. It's theatrical, colorful, dazzling to the eyes and centered on classic tales of doomed love and succeeding against the odds.

Luhrmann's sense of the theatrical is included in his direction -- it can be very sharp and fast, and sometimes downright crazy. With another director, it might seem flashy and gaudy, but Luhrmann's unique style works. A particular risk is making a musical, something which spelled death for movies for a long time... until Luhrmann revived it with Moulin Rouge. Or the postmodern tale of Romeo and Juliet, which is imperfect, but still quite pleasant.

The acting tends to be excellent, although the acting in "Romeo + Juliet" is spotty, and DiCaprio and Danes have zero chemistry. But McGregor and Kidman in particular are outstanding, and Tara Morice and Paul Mercurio of "Strictly Ballroom" have electricity and sweetness to spare. The supporting actors are quite good as well.

And the three-DVD set is graced with plenty of extras -- documentaries, commentary on each film, behind-the-scenes peeks, featurettes, and some gorgeous music videos. And there's even an extra disc included with a "Red Curtain" documentary about Luhrmann's style, scripts, screensavers, more music videos, and more.

Baz Luhrmann reinvented the musical and gave his movies a lush, strange look that entices viewers even now. Sensuous, fun and funky, this is a trilogy to definitely check out.

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Contains: *Moulin Rouge *Moulin Rouge Bonus Disc *Romeo and Juliet Special Edition *Stricly Ballroom *Behind the Red Curtain

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Hamlet Review

Hamlet
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"Hamlet" doesn't need any introduction -- the tortured Dane, the ghost, meditations on suicide and a climax full of death. But while many adaptations of Shakespeare's classic play feel stuffy and distant, this "Hamlet" has it all -- sleek elegant sets, powerful acting, and clever modern twists on the age-old stuff. And the best part is the brilliant performances by David Tennant and Patrick Stewart.
Prince Hamlet of Denmark (Tennant) is understandably upset when, only a short time after his father's death, his mother Gertrude (Penny Downie) marries his uncle Claudius (Stewart). But when Hamlet encounters the tormented ghost of his father (Stewart again), he learns that his dad was murdered by his uncle -- but he's plagued by indecision, since he's unsure if the spirit was truly his dad.
Hamlet's behavior becomes more bizarre and erratic -- he dumps his girlfriend Ophelia (Mariah Gale), arranges a play that mimics real life a little too closely, and generally acts like a loon (yodeling with a fake crown?). But when an argument with his mother ends in tragedy, Hamlet's fate is sealed as Claudius begins plotting to get rid of him too...
"Hamlet" is one of those plays that only really comes out two ways -- either you have a passionate, intense tragedy full of very human characters, or you have two boring hours of some whiny guy talking to himself. Having suffered through the latter in the past, it makes me appreciate a well-done performance all the more -- and this "Hamlet" is full of energy, vitality and wit.
A lot of that comes from Tennant, who is simply brilliant as Hamlet -- loads of energy, and a weird edge to his "madness" (example: freaking out Polonius by pulling a weird face). And he runs the entire emotional gamut here -- love, pain, puckish comedy, loathing, sorrow and shock, with the absolute peak being the hauntingly sad "to be or not to be" scene.
And Patrick Stewart is casually brilliant in his double role -- Claudius seems like a genial guy, but Stewart lets out little hints of his true nastiness; on the other hand, the ghost is all heavy intensity. Downie is excellent as Gertrude, and Gale is rather flat in her first few scenes, but after Ophelia goes mad she's amazing. Ripping off her clothes, leaping around, smacking Gertrude -- it's frighteningly good.
And the settings and costumes are similarly amazing. The entire play is done in a sleek, elegant modern style ("mad" Hamlet runs around in jeans), but the grandeur of a royal court is still there -- lots of elaborate formal clothes, and a looming, columned black palace-stage. There are some clever modern twists (Polonius spies through a one-way mirror and security cameras), and there are some truly brilliant bits of symbolism sprinkled through the story (Gertrude seeing the mad Ophelia in a shattered mirror).
This adaptation of "Hamlet" is a solid piece of work, with the smooth feeling of a classic play done by insanely talented people. Also: David Tennant is astounding.

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David Tennant and Patrick Stewart star in this critically acclaimed production of Shakespeare's masterpiece from Britain's renowned Royal Shakespeare Company. No recent stage production in Britain has attracted the excitement and nearly unanimous critical praise as this Hamlet. Tennant's interpretation was recognized as defining the role fora generation, and Stewart's complex Claudius won the Olivier award, Britain's highest stage honor. In this specially-shot screen version, filmed on location rather than in the theater, Tennant and Stewart reprise their roles. Dynamic, exciting and contemporary, it breathes newlife into Shakespeare's greatest play.

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