Showing posts with label 20th century american fiction. Show all posts
Showing posts with label 20th century american fiction. Show all posts

The Song of the Lark (2001) Review

The Song of the Lark (2001)
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After the horrid job Hollywood did on her novel A LOST LADY, Willa Cather refused to allow her works to be converted to dramatic form--and she put it in her will. But that was before Masterpiece Theater raised the stakes for the transformation of literary classics to film. Now that a few of Cather's works are no longer in copyright, some have been filmed with mixed results. The Masterpiece Theater film, THE SONG OF THE LARK, is the best of the lot, a fine presentation of the story of a young girl who finds her voice when she connects the two things--the western lands and the music--that she loves. This production has the good sense to end the story at its climax, leaving the weaker ending (which Cather herself acknowledged) to the reader's imagination.

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Last Call (2002) Review

Last Call (2002)
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Another great movie that I stumbled upon. I cannot believe that there was not more written about this one. The beautiful Neve Campbell delivers a remarkable performance and Jeremy Irons along with Cissy Spacek ensure that you will be taken on a highly interesting ride.
Jeremy Irons - arguably the best living actor - truly becomes "Scott" in this harrowing display of creative downward spirals with momentary glimpses of genius.
Instead of glorifying or overly romanticizing the subject, the director paints a picture of the subtle and not-so-subtle relationship dynamics among the characters; particularly the struggles of Fitzgerald and his lovely, devoted and talented assistant.
This is one of those rare finds in the world of movies that falls under the radar but once discovered, becomes a treasure to the viewer.
Very nicely done.

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F. Scott Fitzgerald spent a lifetime battling demons - alcohol and aschizophrenic wife - and yet, wrote some of the greatest novels in American Literature.Despite a tumultuous relationship with his mistress, his ailing wife, declining health, andhis daily drinking binges, Fitzgerald secretly wrote a scathing novel about the filmindustry which some call his best novel.It was his final triumph. Last Call is based on atrue story about this troubled genius, starring Oscar, Emmy, and golden globe winnerJeremy Irons, Neve Campbell, and Academy Award winner Sissy Spacek.

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Lolita (1998) Review

Lolita (1998)
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There is a moment in Adrian Lyne's LOLITA that effectively captures the twisted, yet surprisingly innocent feeling that Vladimir Nabokov wanted to portray with his novel. When Lolita, wonderfully played by newcomer Dominique Swain, is rushing up the stairs to say goodbye to Humbert Humbert (Jeremy Irons), before she leaves for summer camp, you realize that the look of excitement in Jeremy Irons face, and the nervous posture he has is that of an innocent child in love.
Indeed it is true that Humbert is a child at heart, a fact which becomes clear early in the movie, when we learn a little bit about Humbert's first encounter with love and its subsequent painful and unexpected loss.
It seems impossible to not compare Lyne's version with Stanley Kubrick's version, made over 35 years ago. I have to admit that I am an avid Kubrick fan, and that I always thought his version of Nabokov's novel, if not faithfully reproduced, was a classic. So it was that with apprehension (and some morbid curiosity) I decided to watch Lyne's version. Boy was I blown away.
It is a terrible thing that our society as a whole, at this day and age, can't see pass the taboo that apparently clogs the story. It is sad because Lyne's LOLITA is an excellent and beautiful film in every respect. From Lyne's carefully crafted visual style, to the outstanding performance given by both Swain but especially by Irons (this is his movie), to the heart-breaking music score by legendary composer Ennio Morricone. Everything is in place here.
It is clear that Lyne has a profound understanding of the novel, he successfully directs the story in a way the slowly engulfs you and never seems to fall into the traps that plagued Kubrick's version. There are a great many things that you will discover in this movie, not the least of which is the realization that, deep down inside, there is a place in each and everyone of us where love seems to have no age. In the end you understand the reasons behind the story, you will see Humbert's joy reflected in your eyes and his tears will fall down your face, but perhaps most shocking of all, you will feel like him.
Please, do yourself a favor and see this movie on DVD. Trimark has done an excellent job by including a very insightful commentary track by Adrian Lyne, a wealth of deleted scenes (some of which I wish were on the film), theatrical trailers, and perhaps the most wonderful feature of all, a casting session with Jeremy Irons and Dominique Swain, where you see them rehearse a scene, and later get to see the final scene. Highly recommended.

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The Accidental Tourist (1988) Review

The Accidental Tourist (1988)
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THE ACCIDENTAL TOURIST has some of the most interesting dialogue ever heard in a film about relationships. The story begins when Macon Leary, a travel writer played by William Hurt, comes home to find his wife, Sarah, (played by Kathleen Turner) wants a divorce. This marriage has endured almost unbearable strain after the death of their only son, and Macon's coping strategy is to strive to keep things as they are. When Macon's welsh corgi becomes bad-tempered and starts to bite, Macon can't stand the thought of parting with the dog that was his son's childhood companion. Macon is forced to rely on others when he breaks his leg and moves in with his sister and brothers, and the movie really picks up momentum when he meets a sparkling divorcee dog trainer named Muriel Pritchett (played by Geena Davis). Muriel has her eyes on Macon Leary from the first moment she sees him, when she begins a long campaign to win this world-weary man over and bring joy back into his life. When Sarah finds out that Macon is seeing another woman, she has a change of heart about finalizing the divorce, and seeks a reconciliation. Macon's choice then becomes one of maintaining the status quo or navigating his way through uncertain yet exciting territories with someone new.
Both the acting and the dialogue in THE ACCIDENTAL TOURIST are first-rate and highly memorable. Geena Davis steals the show with her shining performance of a quirky, life-positive divorced single mom with a single-minded interest in helping Macon Leary to become more than a reluctant sight-seer in life. My favorite line of dialogue in this dialogue-driven film is when Macon says to Sarah, "I'm beginning to think that maybe it's not just how much you love someone, maybe what matters is who you are when you're with them." I've contemplated this concept for years, and been continually inspired by it's significance.
While this film may be considered slow-moving and somewhat sad, it ultimately delivers an uplifting and inspirational message of hope.

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AFTER THE DEATH OF HIS SON, MACON, A TRAVEL WRITER, SEEMS TO BE SLEEP WALKING THROUGH LIFE. MACON'S WIFE, IS HAVING TROUBLE TOO & THINKS IT WOULD BE BEST IF THE TWO SPLIT UP. AFTER MACON MEETSA STRANGE WOMAN WHO SEEMS TO BRING HIM BACK DOWN TO EARTH,MACON'S WIFE WANTS TO TRY AGAIN.

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