Showing posts with label harrison ford. Show all posts
Showing posts with label harrison ford. Show all posts

In the Heat of Passion 2 (1994) Review

In the Heat of Passion 2  (1994)
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Lesley-Anne Down (North and South) was my reason for watching this movie. I had hoped she would be slinky and sexy in this, but all that stuff was left to the younger Teresa Hill. I'm not complaining about Teresa's assets, it's just that the mature Ms. Down could have sent the temperature soaring if she'd been more willing.
This is a movie you feel you've seen before, because the plot is the re-hashed formula of so many B-movie erotic thrillers. One that comes to mind is Inner Sanctum, starring Tanya Roberts. It's almost a carbon copy of that movie. Nonetheless, it delivers the goods you expect from a B-movie: wooden acting, an attempt to be noir with twist upon twist, and a splash of sex and nudity.
Ms. Down is the disabled wife of the forgettable male lead, and he and his nubile young mistress (Teresa Hill) scheme to get rid of her for the insurance. But not all goes according to plan...

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Disclosure (1994) Review

Disclosure  (1994)
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For those of you who have not seen disclosure you are missing quite a bit. It is the story of a business man(Michael Douglas) who's ex girlfriend(Demi Moore) comes to work at his office. In the coarse of events she become his boss and tries to further the relationship. One night in his office she tries to seduce him, even as far as having oral sex with him. After a little foreplay he turns her down and goes home to his wife. Well the next day he is charged with sexual harassment. Douglas proceeds to counter the suit. The movie shows the double standards between men and women concerning sexual assult. The audience watched as a once well thought of man becomes a outcast and a devious woman gets placed on a pedistal. What really makes this moving worth watching is the knowledge that the higher the pedistal the longer the fall. When Demi Moore's character falls, she falls hard. It's an excellant movie with a lot of surprises and a sweet kind of justice.

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Blade Runner (Five-Disc Ultimate Collector's Edition) (2007) Review

Blade Runner (Five-Disc Ultimate Collector's Edition)  (2007)
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Due for re-release in December, this motion picture is one of the finest science fiction films of the 20th century. Part of this is because it projects a future that could be - the earth as a place with a ruined environment populated by people that couldn't or wouldn't make the jump to one of the more habitable off-world colonies. The other part is because the film questions what it means to be human, and explores the possibly unsatisfactory answers you might get if you could, like the replicants, hunt down your maker and ask him Why am I here? Why must my life end? I'll pretty much let Warner's press release do the talking from this point forward. Basically you have your choice of three different sets - 2-disc, 4-disc, and 5-disc. The discs are described as follows:
Disc 1 - Ridley Scott's All-New "Final Cut" Version of the film - Restored and remastered with added & extended scenes, added lines, new and cleaner special effects and all new 5.1 Dolby Digital Audio. Also included is commentary by Ridley Scott and a host of others that worked behind the camera.
Disc 2 - Documentary - Dangerous Days: Making of Blade Runner - A feature-length documentary revealing all the elements that shaped this cinema landmark. Cast, crew, critics and colleagues give a behind-the-scenes, in-depth look at the film from its literary roots and inception through casting, production, visuals and special effects to its legacy.
Disc 3 - 1982 Theatrical Version - The original that contains Deckard's narration and has Deckard and Rachel's (Sean Young) "happy ending" escape scene.
1982 International Version - Also used on U.S. home video, laserdisc and cable releases up to 1992. This version is not rated, and contains some extended action scenes in contrast to the Theatrical Version.
1992 Director's Cut - Omits Deckard's voiceover narration and removes the "happy ending" finale. It adds the famous "unicorn" sequence, a vision that Deckard has which suggests that he, too, may be a replicant.
Disc 4 - BONUS Disc "Enhancement Archive" - Eight featurettes, image galleries, radio interview with the author, and screen tests for the part of Rachel.
Disc 5 - Workprint Version - This rare version of the film is considered by some to be the most radically different of all the Blade Runner cuts. It includes an altered opening scene, no Deckard narration until the final scenes, no "unicorn" sequence, no Deckard/Rachel "happy ending," altered lines between Rutger Hauer and his creator Tyrell (Joe Turkell), alternate music and much more.
Also included is commentary by Paul M. Sammon, author of Future Noir: The Making of Blade Runner and a featurette - "All Our Variant Futures: From Workprint to Final Cut".
2 Disc Edition : Discs 1-2
4 Disc Edition : Discs 1-4
5 Disc Edition : Discs 1-5
The downside of this 2-disc version is that you are only getting the Final Cut version of the film and the documentary disc. You won't get the bonus disc of featurettes, the disc of past releases, and the workprint version of the film. The upside is that the 5-disc version of the film has some expensive packaging and promotional material included that seems to really raise the price of the entire package.

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In celebration of Blade Runner's 25th anniversary, director Ridley Scott has gone back into post production to create the long-awaited definitive new version. Blade Runner: The Final Cut, spectacularly restored and remastered from original elements and scanned at 4K resolution, will contain never-before-seen added/extended scenes, added lines, new and improved special effects, director and filmmaker commentary, an all-new 5.1 Dolby® Digital audio track and more. Harrison Ford, Rutger Hauer, Edward James Olmos, Joanna Cassidy, Sean Young, and Daryl Hannah are among some 80 stars, filmmakers and others who participate in the extensive bonus features. Among the bonus material highlights is Dangerous Days, a brand new, three-and-a-half-hour documentary by award-winning DVD producer Charles de Lauzirika, with an extensive look into every aspect of the film: its literary genesis, its challenging production and its controversial legacy. The definitive documentary to accompany the definitive film version.
The Ultimate Collector's Edition will be presented in a unique 5-disc digi-package with handle which is a stylish version of Rick Deckard's own briefcase.In addition, each briefcase will be individually numbered and in limited supply. Included is a lenticular motion film clip from the original feature, miniature origami unicorn figurine, miniature replica spinner car, and collector's photographs, as well as a signed personal letter from Sir Ridley Scott.
Disc One RIDLEY SCOTT'S ALL-NEW "FINAL CUT" VERSION OF THE FILM Restored and remastered with added & extended scenes, added lines, new and cleaner special effects and all new 5.1 Dolby Digital Audio. Also includes:
Commentary by Ridley Scott
Commentary by executive producer/co-screenwriter Hampton Fancher and co-screenwriter David Peoples; producer Michael Deely and production executive Katherine Haber
Commentary by visual futurist Syd Mead; production designer Lawrence G. Paull, art director David L. Snyder and special photographic effects supervisors Douglas Trumbull, Richard Yuricich and David Dryer

Disc Two DOCUMENTARY DANGEROUS DAYS: MAKING BLADE RUNNERA feature-length authoritative documentary revealing all the elements that shaped this hugely influential cinema landmark. Cast, crew, critics and colleagues give a behind-the-scenes, in-depth look at the film -- from its literary roots and inception through casting, production, visuals and special effects to its controversial legacy and place in Hollywood history.
Disc Three 1982 THEATRICAL VERSION This is the version that introduced U.S. movie-going audiences to a revolutionary film with a new and excitingly provocative vision of the near-future.It contains Deckard/Harrison Ford's character narration and has Deckard and Rachel's (Sean Young) "happy ending" escape scene.
1982 INTERNATIONAL VERSION Also used on U.S. home video, laserdisc and cable releases up to 1992. This version is not rated, and contains some extended action scenes in contrast to the Theatrical Version.
1992 DIRECTOR'S CUT The Director's Cut omits Deckard's voiceover narration and removes the "happy ending" finale.It adds the famously-controversial "unicorn" sequence, a vision that Deckard has which suggests that he, too, may be a replicant.
Disc Four BONUS DISC - "Enhancement Archive": 90 minutes of deleted footage and rare or never-before-seen items in featurettes and galleries that cover the film's amazing history, production teams, special effects, impact on society, promotional trailers, TV spots, and much more.

Featurette "The Electric Dreamer: Remembering Philip K. Dick"
Featurette "Sacrificial Sheep: The Novel vs. The Film"
Philip K. Dick: The Blade Runner Interviews (audio)
Do Androids Dream of Electric Sheep Cover Gallery (images)
The Art of Blade Runner (image galleries)
Featurette "Signs of the Times: Graphic Design"
Featurette "Fashion Forward: Wardrobe & Styling"
Screen Tests: Rachel & Pris
Featurette "The Light That Burns: Remembering Jordan Cronenweth"
Unit photography gallery
Deleted and alternate scenes
1982 promotional featurettes
Trailers and TV spots
Featurette "Promoting Dystopia: Rendering the Poster Art"
Marketing and merchandise gallery (images)
Featurette "Deck-A-Rep: The True Nature of Rick Deckard"
Featurette "--Nexus Generation: Fans & Filmmakers"

Disc Five WORKPRINT VERSION This rare version of the film is considered by some to be the most radically different of all the Blade Runner cuts. It includes an altered opening scene, no Deckard narration until the final scenes, no "unicorn" sequence, no Deckard/Rachel "happy ending," altered lines between Batty (Rutger Hauer) and his creator Tyrell (Joe Turkell), alternate music and much more. Also includes:
Commentary by Paul M. Sammon, author of Future Noir: The Making of Blade Runner
Featurette "All Our Variant Futures: From Workprint to Final Cut"

Stills from Blade Runner (click for larger image)


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Working Girl (1988) Review

Working Girl  (1988)
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When I first saw this movie, I was about 25 years old, and when I heard that the two women characters were both 30, I thought to myself, "How old!" Ahem. Now being a few years past 30 myself, I'm thinking, "wow, Sigourney Weaver had gotten so far so young!" Shows you what 15 years'll do for ya.
Just saw it for only the second time the other night at the New-York Historical Society, tie in to their "Women in Business" exhibit with a gaggle of girlfriends. I was a little antsy, because I was afraid maybe it wasn't going to be as good as I recalled. But thanks be, it was! And the girlfriends all loved it, too, except that Lorraine wondered why it was her coworker's favorite movie. I can't answer that, but it's a great ride notwithstanding.
Melanie Griffith turns in her best performance as our Working Girl, an extremely competent would-be businesswoman. Trouble is, with her big hair, jingle jangle bangles, and questionable wardrobe, she's having a hard time being taken seriously. Finally, she gets assigned as secretary to a female boss, Sigourney Weaver, who epitomizes class and breezy elegance. Melanie thinks she's found her mentor at long last, only to discover, while running errands for the hospitalized Weaver, that the lady boss has stolen her Big Idea. Then she finds her boyfriend in bed with another woman. All this pushes her over into making a wild reach for the brass ring by stealing the clothes and business contacts of the absent Weaver and hacking off that head of hair to steal back her own idea and make it work. Along the way, she attracts the attentions of banker Harrison Ford and together they scramble to pull off the deal, Ford not in on her true identity as a mere secretary.
The only thing that's a bit much in the movie is too much gratuitous Merry Widow lingerie, but small complaint for a really fun, really good movie. Although there's the usual "oh no!" kind of climax, rest assured that the righteous come out on top after all.
"Working Girl" still works, after all these years. Check it out!

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The Adventures of Indiana Jones: The Complete DVD Movie Collection (Full Screen Edition) (1984) Review

The Adventures of Indiana Jones: The Complete DVD Movie Collection (Full Screen Edition) (1984)
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George Lucas produced something other than Star Wars? The younger crowd may not be aware of this, but anyone like me growing up in the 70's -80's would. The answer: Absolutely! (We can forget & forgive his mid-80's mistake "Howard the Duck.")
This collaborative effort from Steven Spielberg & George Lucas brought new life into the action genre. It is equally important to remember that the films also propelled Harrison Ford from Star Wars's loveable "scoundrel" to a silver screen staple. Here is my take on the series so far (barring Indiana Jones 4 which is on & off...hopefully off due to Ford's age and the closure in "Last Crusade.")
Raiders of the Lost Ark:
From the intro Paramount logo shifting into a real mountain, to the mishaps in recovering the golden idol from the temple, "Raiders" pretty much set a tone for what was to come -action. What it brought in after the opening sequence is something not often seen in action movies -story. Not just story, mind you, but intelligent story (dispelling the myth that audiences are stupid.) It is an awkward sight to see Jones transformed from the adventurer to the lecturer, until he is told of The Ark of the Covenant -supposedly holding The Ten Commandments and a source of ultimate power -and chases after it. The rest & former are long embedded in film history. The Nazi's are after it as well and Jones has the fight of his life.
Interesting points:
The beautiful Karen Allen (Starman) portrays Marion (who I personally would like to have seen resurface in later films) and the rolling boulder (reminiscent of the asteroid thundering through a starship in 1979's B-movie "The Black Hole.")
Indiana Jones & the Temple of Doom:
For me, this was the oddball movie. Jones saves child-slaves from an evil cult. That's about as well as I can sum it up. It fails its predecessor and succumbs to mediocre "sequel fever." I don't expect everyone to share my view, nor do I want you to. All-in-all, it's a high action flick and will pass some time well, even with the miscast future Mrs. Spielberg -Kate Capshaw (Space Camp).
Interesting points:
The chase through the mine is an exciting thrill-ride and the tension of bridge scene afterwards makes up for the lower points of this movie.
Indiana Jones & the Last Crusade:
To place this movie alongside the first would be justice served. Here is the return of the intelligent story and type of action/drama mix that resurged the Jones Saga. It opens with young Indiana Jones (River Phoenix, "The Mosquito Coast") stealing a lost artifact from a band of robbers. Ultimately, he is too young to thwart them; however it reveals the character of Jones from an early age and introduces his father, Henry (Sean Connery). Now, fast forward to the Jones we have come to know and Jones is trying to find his father who went searching for the Holy Grail. The movie is a whirlwind trip through Biblical History and pure adrenaline pumped action. The chemistry between Ford & Connery shines throughout the exotic locations and explosions providing comic relief as much as back-story. I can't say enough about this film, so I will stop here.
Interesting points:
So much is revealed in this movie, from the origin of the name "Indiana," to the deepest parts of each character (something rarely seen in films -character depth.)
DVD Extras:
Fortunate enough to have seen it (and I admit I'm not that much of a fan of these DVD revelations on the making's of the movie because it oftentimes destroys the fantasy of it all) I have to bend and tell you it is worth it. The original trailers are laughable (they weren't at the time the movie came out and I mean that in no disrespectful way) and a trip down Nostalgia Lane. One thing that sets this apart is that the documentary is not boring. Most are in DVD Extra-discs (probably because new movies have no real history -save maybe for The Matrix.)
Final Note:
For the cost, quality (remastered, et al.,) this is one box set that I am happy to comment on and also, one that I believe was done right and released right. (Check out other trilogy box-sets, which I won't name here, and you'll find so many versions and "Director's Cuts" that you'll be baffled at what to buy. This set is complete...plain & simple. Enjoy

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The Fugitive (1993) Review

The Fugitive (1993)
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When I first saw 'The Fugitive', I was hoping that it didn't fall into the trap of silliness that most TV-show based feature films have fallen into (remember 'Car 54', or 'Wild Wild West'?). Needless to say, I was more than pleasantly surprised to see that it went WAY beyond my low expectations! Great moments of suspense, action, and plot twists galore!
Harrison Ford's been knocked for not putting much 'feeling' into some of his roles. But if there are emotions he does do well, it's desperation and determined stoicism with a touch of sarcasm... a perfect fit for a fugitive out to clear his name. As well, Tommy Lee Jones is a lock as U.S. Marshal Sam Gerard- he plays the character's somewhat cocky and no-nonsense attitude to perfection. He also gets the best lines, and a pretty good supporting cast playing his U.S. Marshal Service cohorts (including the recently- recognized Joe Pantoliano). It's scenery-chewing at it's best, and definitely an Oscar-worthy perfomance.
Their performances of the two main characters and antagonists is so compelling that, like my fellow reviewers have stated before, I was rooting for the both of them throughout the presentation. It's two 'good guys' against each other, with one helping lead the other to the same end!
When I heard about the Special Edition DVD release, I was kinda bummed. I'd already spent a few bucks on the original release, and never anticipated the possibility of an enhanced version. But, thanks to those wonderful buyers on eBay, I got a good return on my original disc at a minimal loss, and grabbed a copy of the new one.
The new disc isn't half-bad, but doesn't quite match up to the standards of other fully-loaded DVD fare as `T2 Ultimate Edition' or `The Abyss'. It features teasers, trailers, and a few behind-the-scenes bits, including the setup & shooting of the train wreck. Davis even discusses a `flub' following the wreck that was cut out of the original video version, but was then digitally corrected and restored in this DVD release! And no, I'm not gonna tell you about it- you'll have to see it for yourself!
The commentary track by director Andrew Davis and Tommy Lee Jones was not one of the better feature-length commentaries I've experienced. There are parts where neither of them speak for a couple minutes on end, almost like they didn't have that much to say about the movie in the first place. Jones' commentary was minimal, with mostly throwaway-type observations that didn't really add much to the track.
And now, my biggest gripe: Warner is STILL using cardboard snap cases for their digital discs! You'd think they'd've gotten out of the DVD Stone Age by now...
'Late

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Catch him if you can. The Fugitive is on the run! Harrison Ford and Tommy Lee Jones race through the breathless manhunt movie based on the classic TV series. Ford is prison escapee Dr. Richard Kimble, a Chicago surgeon falsely convicted of killing his wife and determined to prove his innocence by leading his pursuers to the one-armed man who actually committed the crime. Jones (1993 Academy Award and Golden Globe winner as Best Supporting Actor) is Sam Gerard, an unrelenting bloodhound of a U.S. Marshal. They are hunted and hunter. And as directed by Andrew Davis (Under Siege), their nonstop chase has one exhilarating speed: all-out. So catch him if you can. And catch an 11-on-a-scale-of-10 train wreck (yes, the train is real), a plunge down a waterfall, a cat-and-mouse jaunt through a Chicago St. Patrick's Day parade and much more. Better hurry. Kimble doesn't stay in one place very long!

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Indiana Jones and the Last Crusade (Special Edition) (1989) Review

Indiana Jones and the Last Crusade (Special Edition) (1989)
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Raiders of the Lost Ark was a spectacular ride full of eye-popping stunts and breathtaking action sequences. The second Indiana Jones film, The Temple of Doom, was a disappointment. It was a decent movie, not bad by any means whatsoever, but it couldn't hold a candle to its predecessor. It seemed the Indiana Jones chronicles were only going to go downhill from there. Boy, was I wrong. I watched The Last Crusade in theaters back in 1989 and it was every bit as fun and enjoyable as Raiders of the Lost Ark, even an improvement in some ways. There's considerably more character development in this film and the special effects have gotten better with enhanced technology.
The storyline reverts back to the formula that made Indiana Jones so great. This time, Jones (Harrison Ford) has discovered that his father, Henry (Sean Connery), has disappeared on an expedition for the Holy Grail. Indiana takes his place and, with the help of Marcus Brody (Denholm Elliot), Sallah (John Rhys-Davies), searches for his father and the Holy Grail and must battle Nazis on the same quest.
The Last Crusade is action galore as its a non-stop and fun thrill ride. The stunts and action scenes are amazing, as usual.
The performances are as good as ever. Harrison Ford IS Indiana Jones and Denholm Elliot and John Rhys-Davies do good jobs with their role. The real standout in this film, though, is Sean Connery as Jones' father.
The Last Crusade is an excellent crowd pleaser, so watch it with an audience. To sum it up, this and Raiders of the Lost Ark are the best action films of all time.

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The third installment in the widely beloved Spielberg/Lucas Indiana Jones saga begins with an introduction to a younger Indy (played by the late River Phoenix), who, through a fast-paced prologue, gives the audience insight into the roots of his taste for adventure, fear of snakes, and dogged determination to take historical artifacts out of the hands of bad guys and into the museums in which they belong. A grown-up Indy (Harrison Ford) reveals himself shortly afterward in a familiar classroom scene, teaching archeology to a disproportionate number of starry-eyed female college students in 1938. Once again, however, Mr. Jones is drawn away from his day job after an art collector (Julian Glover) approaches him with a proposition to find the much sought after Holy Grail. Circumstances reveal that there was another avid archeologist in search of the famed cup - Indiana Jones' father, Dr. Henry Jones (Sean Connery) - who had recently disappeared during his efforts. The junior and senior members of the Jones family find themselves in a series of tough situations in locales ranging from Venice to the most treacherous spots in the Middle East. Complicating the situation further is the presence of Elsa (Alison Doody), a beautiful and intelligent woman with one fatal flaw: she's an undercover Nazi agent. The search for the grail is a dangerous quest, and its discovery may prove fatal to those who seek it for personal gain. Indiana Jones and the Last Crusade earned a then record-breaking $50 million in its first week of release.

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