Showing posts with label steven spielberg. Show all posts
Showing posts with label steven spielberg. Show all posts

Duel (Collector's Edition) (1971) Review

Duel (Collector's Edition) (1971)
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DUEL is the film that made Steven Spielberg a household word in Hollywood--and for good reason. Though made in only three weeks on a budget of less than $500,000, this superlative made-for-TV movie helped to launch his career beyond the stars.
This is an extremely lean but effective psychological thriller with Dennis Weaver (of "Gunsmoke" fame) effectively portraying the first of Spielberg's favorite characters, the Everyman--in this case, an average auto motorist driving to a business appointment on a lonely California highway. He tries to pass a road-hogging diesel truck; but when he does, the truck goes after him for the rest of the way. Neither Weaver nor the viewer ever sees the truck driver, with the exception of a beefy hand and a pair of cowboy boots; but it's perfectly obvious that this man is a total psychopath.
Though suffering from some slight technical flaws, DUEL is brilliantly directed by Spielberg. The film's screenplay is by the always-excellent sci-fi/horror writer Richard Matheson, who based it on a short story he had published in the April '71 edition of Playboy magazine. Matheson, known for such novels as "I Am Legend" and scripts for "The Twilight Zone", is a master at this kind of mind-bending terror, and the combination of his and Spielberg's talents results in one of the most gut-wrenching and emotionally draining suspense films of all times. One can see its influence on later films like the underrated 1997 thriller BREAKDOWN, and as a chilling precursor to today's violent, real-life incidents of road rage. A must-see!

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DUEL COLLECTOR'S EDITION - DVD Movie

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Jaws (Widescreen Anniversary Collector's Edition) (1975) Review

Jaws (Widescreen Anniversary Collector's Edition) (1975)
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Well, I bought the DVD dts and I think you'll like the extras such as the outtakes, deleted scenes, and especially an excellent documentary. You'll get the behind the scenes from Spielberg, the actors, photographers, and the producers. In today's film world this movie could be made rather easily, but back then you'll see the tremendous undertaking that went into this production. The movie itself, of course, is just amazing. At one point Spielberg says that the shark is the star, but the scenes on the boat will show you 3 stars at the top of their game. The sound quality is outstanding and exact, but I do have one complaint.... on the 5.1 DTS their isn't much activity from the back 2 speakers. The sound coming from the front 3 is great, but they could have done more. This movie is just as suspenseful as when I saw it in the mid-seventies. I hadn't really watched it in awhile and I had forgotten the outstanding acting performances by Scheider, Dreyfuss, and Shaw. Shaw's USS Indianapolis speech is about as good as it gets, while Scheider's everyman performance really rings true. You'll enjoy this DVD and it's at a good price. A good bargain. Buy it!

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SPIELBERG PITS THREE MENA AGAINST A GREAT WHITE SHARK THAT HASBEEN ATTACKING SWIMMERS AT AN ISLAND RESORT IN NEW ENGLAND. THE FILM REDEFINED THE WORD "BLOCKBUSTER," AND JOHN WILLIAMS' SCORE STILL HAUNTS SWIMMERS AROUND THE WORLD.

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Indiana Jones and the Last Crusade (Special Edition) (1989) Review

Indiana Jones and the Last Crusade (Special Edition) (1989)
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Raiders of the Lost Ark was a spectacular ride full of eye-popping stunts and breathtaking action sequences. The second Indiana Jones film, The Temple of Doom, was a disappointment. It was a decent movie, not bad by any means whatsoever, but it couldn't hold a candle to its predecessor. It seemed the Indiana Jones chronicles were only going to go downhill from there. Boy, was I wrong. I watched The Last Crusade in theaters back in 1989 and it was every bit as fun and enjoyable as Raiders of the Lost Ark, even an improvement in some ways. There's considerably more character development in this film and the special effects have gotten better with enhanced technology.
The storyline reverts back to the formula that made Indiana Jones so great. This time, Jones (Harrison Ford) has discovered that his father, Henry (Sean Connery), has disappeared on an expedition for the Holy Grail. Indiana takes his place and, with the help of Marcus Brody (Denholm Elliot), Sallah (John Rhys-Davies), searches for his father and the Holy Grail and must battle Nazis on the same quest.
The Last Crusade is action galore as its a non-stop and fun thrill ride. The stunts and action scenes are amazing, as usual.
The performances are as good as ever. Harrison Ford IS Indiana Jones and Denholm Elliot and John Rhys-Davies do good jobs with their role. The real standout in this film, though, is Sean Connery as Jones' father.
The Last Crusade is an excellent crowd pleaser, so watch it with an audience. To sum it up, this and Raiders of the Lost Ark are the best action films of all time.

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The third installment in the widely beloved Spielberg/Lucas Indiana Jones saga begins with an introduction to a younger Indy (played by the late River Phoenix), who, through a fast-paced prologue, gives the audience insight into the roots of his taste for adventure, fear of snakes, and dogged determination to take historical artifacts out of the hands of bad guys and into the museums in which they belong. A grown-up Indy (Harrison Ford) reveals himself shortly afterward in a familiar classroom scene, teaching archeology to a disproportionate number of starry-eyed female college students in 1938. Once again, however, Mr. Jones is drawn away from his day job after an art collector (Julian Glover) approaches him with a proposition to find the much sought after Holy Grail. Circumstances reveal that there was another avid archeologist in search of the famed cup - Indiana Jones' father, Dr. Henry Jones (Sean Connery) - who had recently disappeared during his efforts. The junior and senior members of the Jones family find themselves in a series of tough situations in locales ranging from Venice to the most treacherous spots in the Middle East. Complicating the situation further is the presence of Elsa (Alison Doody), a beautiful and intelligent woman with one fatal flaw: she's an undercover Nazi agent. The search for the grail is a dangerous quest, and its discovery may prove fatal to those who seek it for personal gain. Indiana Jones and the Last Crusade earned a then record-breaking $50 million in its first week of release.

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Saving Private Ryan (Sapphire Series) Review

Saving Private Ryan (Sapphire Series)
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"Saving Private Ryan" is, by all accounts, an American masterpiece and one of the premier World War II films. Its release on Blu-Ray has been highly anticipated and, for the most part, it doesn't disappoint. First of all, the transfer is every bit as astonishingly sharp as expected. I am by no means a videophile, but there didn't appear to be a single moment of artificial enhancement of the film. The print is appropriately accompanied by a slight sheen of grain whilst still retaining a high level of detail. As far as I'm concerned this is an easy five star transfer. The film runs 2:49:28 and features audio and subtitles in English, French, Spanish, and Portuguese. Prior to the menu loading are two easily skippped trailers for the "Minority Report" Blu-Ray and the long overdue home video release of "The African Queen".
There are no features on the first disc, not even a commentary track (Spielberg is well known for his dislike of commentary tracks). The special features are included on the second disc and all are presented in standard definition with the exception of the two film trailers. This is disappointing but not surprising, as it's something of an industry trend. There were no new features produced for this release, which is especially surprising considering the wealth of new high definition features that were produced for the "Minority Report" Blu-Ray. The positive side is that it pulls the features from all previous DVD editions. So even if it is all in standard definition, at least the consumer is presented with the complete special features collection. Most of the titles are rather self-explanatory, but here's a complete rundown of the features:
1) "Introduction" (2:35) - Director Steven Spielberg discusses what attracted him to this project. This would've made more sense if it was included on the first disc with the film, as most will only put the second disc in after watching the film, thus making this more of an epilogue!
2) "Looking Into the Past" (4:40) - This functions as a sort of extension of the introduction, as Spielberg discusses the influences that ultimately led him to creating this film.
3) "Miller and His Platoon" (8:23) - This feature discusses the different personalities of the principle characters with particular focus on Tom Hank's character. Spielberg and Hanks also speak candidly about their interest in World War II in general. There's some interesting on-set footage included as well.
4) "Boot Camp" (7:37) - This features the great Captain Dale Dye discussing how he helped train the actors for their roles, as well as the unique boot camp the actors participated in during production.
5) "Making Saving Private Ryan" (22:05) - A strong making-of feature which highlights Spielberg's directing style relative to the film with some outstanding behind the scenes footage. This is far better than the typical promotional fluff studios place on video releases with a "making of" label attached.

6) "Re-Creating Omaha Beach" (17:58) - An interesting feature discussing how the crew mounted the most impressive battle scene of the film.

7) "Music and Sound" (15:59) - Composer John Williams discusses how he went about scoring the film.

8) "Parting Thoughts" (3:43) - A nice bookend feature that contains bits of interview footage with Hanks and Spielberg.

9) "Into the Breach: Saving Private Ryan" (25:01) - A standard behind-the-scenes feature covering production of the film. This feels like a promotional piece that was bumpered between films on television during its theatrical run. This feature was ported over from the original DVD release of the film and is in rather poor quality (even for standard definiton). I'm definitely glad they included this, but the "Making Saving Private Ryan" feature is far superior.

10) "Shooting War" (1:28:05) - Tom Hanks (in full beard, as this was filmed while "Cast Away" was under production) hosts this feature focusing on the men who filmed and photographed World War II. This is perhaps the strongest feature here, bolstered by plenty of amazing war footage and anecdotes from veterans.

11) Theatrical Trailer in High Definition (2:16)

12) Re-Release Trailer in High Definition (2:05)
To be fair, all the features truly do look quite excellent with the notable exception of the "Into the Breach" feature. I've been spoiled on the clarity of Blu-Ray, however, so it's still something of a disappointment. Aside from that, this is by far the best release of the film yet. The print is fantastic, it's a huge upgrade over the DVD, and the features are expansive and plentiful. Highly recommended!
UPDATE 05/11/10: Apparently this Blu-Ray has been recalled because of an audio sync problem that occurs after Chapter 15 (about two hours into the film). I was aware of the claims on its release date, but even after watching my copy twice I never encountered any issues. Still, for the company to take this sort of action proves the problem is indeed legitimate, so hopefully Paramount's response will be swift and painless for those who have already purchased this product.
FOLLOW-UP 05/26/10: The Blu-Ray issue has been resolved, Amazon only offers the corrected copies for sale and all other retailers should have them on the shelves now. If buying locally, the easiest way to tell the difference is to check the backside of the Blu-Ray for a yellow UPC sticker. Also, whereas the original defective discs were grey, the new corrected copies are blue discs.

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Steven Spielberg directed this powerful, realistic re-creation of WWII's D-day invasion and the immediate aftermath. The story opens with a prologue in which a veteran brings his family to the American cemetery at Normandy, and a flashback then joins Capt. John Miller (Tom Hanks) and GIs in a landing craft making the June 6, 1944, approach to Omaha Beach to face devastating German artillery fire. This mass slaughter of American soldiers is depicted in a compelling, unforgettable 24-minute sequence. Miller's men slowly move forward to finally take a concrete pillbox. On the beach littered with bodies is one with the name "Ryan" stenciled on his backpack. Army Chief of Staff Gen. George C. Marshall (Harve Presnell), learning that three Ryan brothers from the same family have all been killed in a single week, requests that the surviving brother, Pvt. James Ryan (Matt Damon), be located and brought back to the United States. Capt. Miller gets the assignment, and he chooses a translator, Cpl. Upham (Jeremy Davis), skilled in language but not in combat, to join his squad of right-hand man Sgt. Horvath (Tom Sizemore), plus privates Mellish (Adam Goldberg), Medic Wade (Giovanni Ribisi), cynical Reiben (Edward Burns) from Brooklyn, Italian-American Caparzo (Vin Diesel), and religious Southerner Jackson (Barry Pepper), an ace sharpshooter who calls on the Lord while taking aim. Having previously experienced action in Italy and North Africa, the close-knit squad sets out through areas still thick with Nazis. After they lose one man in a skirmish at a bombed village, some in the group begin to question the logic of losing more lives to save a single soldier. The film's historical consultant is Stephen E. Ambrose, and the incident is based on a true occurance in Ambrose's 1994 bestseller D-Day: June 6, 1944.

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